SEASON PREVIEW ISSUE 15 16 Roots That Trace Back to the Origins of Texas
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Annual Report 2015–2016
ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home. -
Eastman School of Music, Thrill Every Time I Enter Lowry Hall (For- Enterprise of Studying, Creating, and Loving 26 Gibbs Street, Merly the Main Hall)
EASTMAN NOTESFALL 2015 @ EASTMAN Eastman Weekend is now a part of the University of Rochester’s annual, campus-wide Meliora Weekend celebration! Many of the signature Eastman Weekend programs will continue to be a part of this new tradition, including a Friday evening headlining performance in Kodak Hall and our gala dinner preceding the Philharmonia performance on Saturday night. Be sure to join us on Gibbs Street for concerts and lectures, as well as tours of new performance venues, the Sibley Music Library and the impressive Craighead-Saunders organ. We hope you will take advantage of the rest of the extensive Meliora Weekend programming too. This year’s Meliora Weekend @ Eastman festivities will include: BRASS CAVALCADE Eastman’s brass ensembles honor composer Eric Ewazen (BM ’76) PRESIDENTIAL SYMPOSIUM: THE CRISIS IN K-12 EDUCATION Discussion with President Joel Seligman and a panel of educational experts AN EVENING WITH KEYNOTE ADDRESS EASTMAN PHILHARMONIA KRISTIN CHENOWETH BY WALTER ISAACSON AND EASTMAN SCHOOL The Emmy and Tony President and CEO of SYMPHONY ORCHESTRA Award-winning singer the Aspen Institute and Music of Smetana, Nicolas Bacri, and actress in concert author of Steve Jobs and Brahms The Class of 1965 celebrates its 50th Reunion. A highlight will be the opening celebration on Friday, featuring a showcase of student performances in Lowry Hall modeled after Eastman’s longstanding tradition of the annual Holiday Sing. A special medallion ceremony will honor the 50th class to commemorate this milestone. The sisters of Sigma Alpha Iota celebrate 90 years at Eastman with a song and ritual get-together, musicale and special recognition at the Gala Dinner. -
Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Coa-Program-For-Web.Pdf
HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful. -
Ldpd 7031128 030 14.Pdf
REAL ESTATE RECORD AND BUILDERS' GUIDE. VOL. XXX. NEW YOEK, SATUEDAY, SEPTEMBEE 30, 1882. Nr. 759 Published Weekly by The well eat our cake and have it, too, and this is Jay Gould. Of the seven papers composing why it is money is scarce. The country is it, he now coQtrols the World, ibhe Tribune, REAL ESTATE RECORD ASSOCIATION using it in a thousand ways not employed the Mail and Express, and the Su7i. A vote TERMS: before the revival of business in 1879. There has been passed discharging the Executive is no relief to the market, because there are Committee of the Associated Press,, and OJVE TEAR, in adTaace $3.00 no importations of gold or bullion from Eu transferring the collection of news and the Communications should be addressed to rope, such as we had in previous years. market reports to the News Bureau of the C. W. SWEET, 191 Broadway. Western Union Telegraph Company. Unfortunately, for the papers who now J. T. LINDSEY, Busfaiess Manager. We are exporting less and importing more tlian in former years. Wheat and flour go make an^appeal to the public, they do not forward slowly, and, as their price is less, come into court with cloau hands. The The REAL ESTATE RECORD will appear in an en they do not make so much exchange as in Associated Press itself was and is a detest" larged form next week, with s^reral new and attract 1879, 1880 and 1881. We ship less meat, able monopoly. It tried to put a stop to the ive features. -
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, Soprano
MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH THURSDAY, OCTOBER 4, 2018 | 7:30 PM THE RIVERSIDE CHURCH MSM PHILHARMONIA ORCHESTRA Perry So, Conductor Shaina Martinez, soprano PROGRAM ROBERT SIROTA A Rush of Wings (b. 1949) JOAQUÍN TURINA Poema en forma de canciones (1882–1949) (Poem in the Form of Songs), Op. 19 Dedicatoria Nunca olvida… Cantares Los dos miedos Las locas por amor Ms. Martinez, soprano INTERMISSION ANTON BRUCKNER Symphony No. 7 in E Major (Cahis 13) (1841–1904) Allegro moderato Adagio: Sehr feierlich und sehr langsam Scherzo: Sehr schnell Finale: Bewegt, doch nicht schnell The school would like to recognize Julio Martinez, Shaina’s father, for his relentless efforts to find the manuscript of the Turina concerto and resolute support for Spanish vocal literature, and Dr. Manly Romero, Performance Librarian at MSM, for preparing a new edition of the score and orchestral parts from the manuscript. Without their efforts, this performance would not have been possible. CENTENNIAL NOTE Robert Sirota was President of Manhattan School of Music from 2005 to 2012, during which time he also was a member of the Composition faculty. He wrote A Rush of Wings in 2008 especially for the MSM Chamber Sinfonia, which premiered the work on January 26, 2009 at Carnegie Hall’s Zankel Hall. The concert, conducted by Kenneth Kiesler, showcased the School’s Graduate Program in Orchestral Performance with faculty members playing side-by-side with students. MSM’s OP Program began in 1991 and Glenn Dicterow, then Concertmaster of the New York Philharmonic, was a founding faculty member. -
*P Ocket Sizes May Vary. W E Recommend Using Really, Really Big Ones
*Pocket sizes may vary. We recommend using really, really big ones. Table of Contents Welcome to Dragon*Con! .............................................3 Live Performances—Concourse (CONC) .................38 Film Festival Schedule ...............................................56 Vital Information .........................................................4 Online Gaming (MMO) .........................................91 Walk of Fame ...........................................................58 Important Notes ....................................................4 Paranormal Track (PN) .........................................92 Dealers Tables ..........................................................60 Courtesy Buses .....................................................4 Podcasting (POD) ................................................93 Exhibitors Booths ......................................................62 MARTA Schedule ..................................................5 Puppetry (PT) <NEW> .......................................94 Comics Artists Alley ...................................................64 Hours of Operation ................................................5 Reading Sessions (READ) .....................................96 Art Show: Participating Artists ....................................66 Special Events ......................................................6 Robert Jordan’s Wheel of Time (RJWOT) ................96 Hyatt Atlanta Fan Tracks Information and Room Locations ...................6 Robotics and Maker Track -
Un Ballo in Maschera
San Francisco Opera Association War Memorial Opera House 2014-2015 Un Ballo in Maschera A Masked Ball (In Italian) Opera in three acts by Giuseppe Verdi Libretto by Antonio Somma Based on a libretto by Eugene Scribe for Daniel Auber's opera Gustave III, ou Le Bal masque Cast Conductor Nicola Luisotti Count Horn (Sam) Christian Van Horn Count Ribbing (Tom) Scott Conner * Director Jose Maria Condemi Oscar Heidi Stober Costume Designer Gustavus III, King of Sweden (Riccardo) Ramón Vargas John Conklin Count Anckarström (Renato) Thomas Hampson Lighting Designer Brian Mulligan 10/7, 22 Gary Marder Chief Magistrate A.J. Glueckert † Chorus Director Madame Arvidson (Ulrica) Dolora Zajick Ian Robertson Christian (Silvano) Efraín Solís † Choreographer Amelia's Servant Christopher Jackson Lawrence Pech Amelia Anckarström Julianna Di Giacomo * Assistant Conductors Giuseppe Finzi Vito Lombardi * San Francisco Opera debut † Current Adler Fellow Musical Preparation Bryndon Hassman Tamara Sanikidze Place and Time: 1792 in Stockholm, Sweden John Churchwell Jonathan Khuner Fabrizio Corona Prompter Dennis Doubin Supertitles Philip Kuttner Assistant Stage Directors E. Reed Fisher Morgan Robinson Stage Manager Rachel Henneberry Costume Supervisor Jai Alltizer Wig and Makeup Designer Jeanna Parham Saturday, Oct 04 2014, 7:30 PM ACT I Tuesday, Oct 07 2014, 7:30 PM Scene 1: Levee in the king's bedroom Friday, Oct 10 2014, 7:30 PM Scene 2: Madame Arvidson's house on the waterfront Monday, Oct 13 2014, 7:30 PM INTERMISSION Thursday, Oct 16 2014, 7:30 PM ACT II Sunday, Oct 19 2014, 7:30 PM A lonely field Wednesday, Oct 22 2014, 7:30 PM INTERMISSION ACT III Scene 1: Count Anckarström's study Scene 2: The king's box at the opera Scene 3: Inside the Stockhold opera house Sponsors This production is made possible, in part, by the Bernard Osher Endowment Fund and the Thomas Tilton Production Fund. -
JESSE BLUMBERG Baritone MARTIN KATZ Piano
Ramey, Karita Mattila, David Daniels, Jose Carreras, Lawrence Brownlee, Cecilia Bartoli, Kiri Te Kanawa, Kathleen Battle and Sylvia McNair, just to name a few. Season after season, the world’s musical capitals figure prominently in his schedule. Mr. Katz is a native of Los Angeles, where he began piano studies at GUEST ARTIST the age of five. He attended the University of Southern California and studied the field of accompanying with its pioneer teacher, SERIES PRESENTS Gwendolyn Koldofsky. While yet a student, he was given the unique opportunity of accompanying the master classes and lessons of such luminaries as Lotte Lehmann, Jascha Heifetz, Pierre Bernac and Gregor Piatigorsky. Following his formal education, he held the position of pianist for the US Army Chorus for three years, before moving to New York where his busy international career began in earnest in 1969. In more recent years, conducting has played a more significant role in Mr. Katz’s career. He has partnered several of his soloists on the JESSE BLUMBERG podium for orchestras of the B.B.C., Houston, Washington, D.C., Tokyo, New Haven and Miami. His editions of Handel and Rossini operas have been presented by the Metropolitan, Houston Grand baritone Opera and the National Arts Centre in Ottawa. He has conducted staged productions of more than 15 operas for both the Merola Program, the Pacific Music Festival and the University Opera Theatre MARTIN KATZ in Ann Arbor. Finally, the professional profile of Martin Katz is completed with piano his commitment to teaching. Since 1984, Michigan has been his home, where he has been chair for the School of Music’s program in collaborative piano, and has played an active part in operatic productions. -
GUEST ARTIST RECITAL ANTHONY DEAN GRIFFEY, Tenor RICHARD
GUEST ARTIST RECITAL ANTHONY DEAN GRIFFEY, Tenor RICHARD BADO, Pianist Monday, November 8, 2010 8:00 p.m. Lillian H Duncan Recital Hall Q l975 -20l0 Celebrating ? r Years T H E SHEPHERD SCHOOL OF MUSIC RICE UNIVERSITY PROGRAM A Simple Song Leonard Bernstein from Mass (1918-1990) The Boatmen's Dance Aaron Copland The Dodger (1900-1990) Simple Gifts Early in the Morning NedRorem I am Rose (b. 1923) It's about the way people is made Carlisle Floyd from Susannah (b. 1926) Sleep now Samuel Barber I hear an army (1910-1981) INTERMISSION On Wenlock Edge Ralph Vaughan Williams 1. On Wenlock Edge (1872-1958) 2. From far, from eve and morning 3. 'Is my team ploughing 4. Oh, when I was in love with you 5. Bredon Hill 6. Clun Kathleen Winkler, violin Heather Kufchak, violin Ivo-Jan van der Werff, viola Matthew Kufchak, cello Tonight's performance is made possible by The Aleko Endowed Fund. The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. BIOGRAPHY Four-time Grammy Award Winning American tenor ANTHONY DEAN GRIFFEY has captured critical and popular acclaim on opera, concert and recital stages around the world. The combination of his beautiful and power ful lyric tenor voice, gift of dramatic interpretation and superb musicianship have earned him the highest praise from critics and audiences alike. He has performed leading roles at the great international opera houses including The Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Houston Grand Opera, Glyndebourne, the Opera National de Paris, and the Teatro Comunale di Firenze to name a few. -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Houston Grand Opera Unveils Enchanting New Production of Hansel and Gretel by Renowned Puppeteer Basil Twist
Houston Grand Opera Unveils Enchanting New Production of Hansel and Gretel by Renowned Puppeteer Basil Twist Perfect Holiday Treat for the Whole Family Opens December 1, 2006 Houston, TX (October 5, 2006) – This holiday season, Houston Grand Opera (HGO) stages a spectacular new production of Humperdinck’s beloved fairy tale opera Hansel and Gretel featuring artists from the HGO Studio and members of the HGO Orchestra and Children’s Chorus. Eleven public performances, December 1 – 23, will offer ample opportunities for Houstonians to enjoy this holiday treat. The Production is directed and designed by America’s premier puppeteer Basil Twist, whose works have dazzled audiences across the continent (New York, Washington D.C., San Francisco, and Montreal) and in Europe (France, London and Munich). Called “true magic” by the New York Times, Twist’s work fuses music and puppetry into spellbinding theatrical experiences. His largest puppet for Hansel and Gretel will be a giant witch built by the Jim Henson Company, and Twist will build the remaining puppets himself, including several marionettes and bunraku puppets. Hansel and Gretel showcases artists from the internationally acclaimed HGO Studio, one of the world’s finest programs for opera’s future stars. Irish mezzo-soprano Fiona Murphy and American soprano Rebekah Camm star as the brother and sister who get lost in the woods and are captured by the Witch, sung by American baritone Liam Bonner. American soprano Jennifer Root and American bass-baritone Ryan McKinny sing the Mother and Father, and Russian soprano Albina Shagimuratova sings the Sandman and the Dew Fairy. Russian mezzo-soprano Maria Markina and American Soprano Alicia Gianni will sing the title roles for three performances, plus a student matinee.