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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Georg Friedrich Händel
GEORG FRIEDRICH HÄNDEL ~ ORATORIUM JOSHUA This live recording is part of a cycle of oratorios, masses and other grand works, performed in the basilica of Maulbronn Abbey under the direction of Jürgen Budday. The series combines authentically perfor- Die vorliegende Konzertaufnahme ist Teil eines Zyklus von Oratorien und med oratorios and masses with the optimal acoustics and atmosphere Messen, die Jürgen Budday im Rahmen der Klosterkonzerte Maulbronn über of this unique monastic church. This ideal location demands the trans- mehrere Jahre hinweg aufführte. Die Reihe verbindet Musik in historischer parency of playing and the interpretive unveiling of the rhetoric intima- Aufführungspraxis mit dem akustisch und atmosphärisch optimal geeigne- tions of the composition, which is especially aided by the historically ten Raum der einzigartigen Klosterkirche des Weltkulturerbes Kloster Maul- informed performance. The music is exclusively performed on recon- bronn. Dieser Idealort verlangt geradezu nach der Durchsichtigkeit des Mu- structed historical instruments, which are tuned to the pitch customary sizierens und der interpretatorischen Freilegung der rhetorischen Gestik der in the composer‘s lifetimes (this performance is tuned in a‘ = 415 Hz). Komposition, wie sie durch die historische Aufführungspraxis in besonderer Weise gewährleistet ist. So wird ausschließlich mit rekonstruierten histori- schen Instrumenten musiziert, die in den zu Lebzeiten der Komponisten üb- lichen Tonhöhen gestimmt sind (in dieser Aufführung a‘ = 415 Hz). FURTHER INFORMATION TO THIS PUBLICATION AND THE WHOLE CATALOGUE UNDER WWW.KUK-ART.COM Publishing Authentic Classical Concerts entails for us capturing and recording for posterity out- standing performances and concerts. The performers, audience, opus and room enter into an inti- mate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. -
The Deacon As Wise Fool: a Pastoral Persona for the Diaconate
ATR/100.4 The Deacon as Wise Fool: A Pastoral Persona for the Diaconate Kevin J. McGrane* Deacons often sit with the hurt and marginalized. It is in keeping with our ordination vows as deacons in the Episcopal Church, which say, “God now calls you to a special ministry of servanthood. You are to serve all people, particularly the poor, the weak, the sick, and the lonely.”1 Ever task focused, deacons look for the tangible and concrete things we can do to respond to the needs of the least of Jesus’ broth- ers and sisters (Matt. 25:40). But once the food is served, the money given, the medicine dispensed, then what? The material needs are supplied, but the hurt and the trauma are still very much present. What kind of pastoral care can deacons bring that will respond to the needs of the hurting and traumatized? I suggest that, if we as deacons are going to be sources of contin- ued pastoral care beyond being simple providers of material needs, we need to look to the pastoral model of the wise fool for guidance. With some exceptions here and there, deacons are uniquely fit to practice the pastoral persona of the wise fool. The wise fool is a clinical pastoral persona most identified and de- veloped by the pastoral theologians Alastair V. Campbell and Donald Capps. The fool is an archetype in human culture that both Campbell and Capps view as someone capable of rendering pastoral care. In his essay “The Wise Fool,”2 Campbell describes the fool as a “necessary figure” to counterpoint human arrogance, pomposity, and despo- tism: “His unruly behavior questions the limits of order; his ‘crazy’ outspoken talk probes the meaning of ‘common sense’; his uncon- ventional appearance exposes the pride and vanity of those around * Kevin J. -
Here Any Question When a Cut and a Slice Are Just the Same
Architectural Association The Slice: School of Architecture Cutting to See A cut and a slice is there any question when a cut and a slice are just the same. A cut and a slice has no particular exchange it has such a strange exception to all that which is different. A cut and only slice, only a cut and only a slice, the remains of a taste may remain and tasting is accurate. A cut and an occasion, a slice and a substitute a single hurry and a circumstance that shows that, all this is so reasonable when every thing is clear. — Gertrude Stein, What Happened: A Play (1922) Seeing is a matter of surfaces. It’s for this a secret order, spill lurid innards and open reason that both vision and representation new views. The convention of the architec- are continually haunted by the problem tural cross-section here finds its parallel of insides and outsides – the relationship in the physical sectioning of histological between the external and what lies within. specimens. The pleasures of the Paris- A merely perceptual matter? If only. It has ian voyeur meet the dutiful labours of the crept on us: the ocular paradigm of post- lumberjack. The earth itself, like an onion, Cartesian metaphysics gradually sublimed reveals its hidden structure. So take a look. this pervasive visual anxiety, creating in But remember, cutting to see is an object the process our basic metaphors for critical lesson in the violence of vision. The world inquiry itself: ‘superficial’ propositions, looks different when you wield an edge. -
Harvard University
HARVARD UNIVERSITY ROBERT AND RENÉE BELFER CENTER FOR SCIENCE AND INTERNATIONAL AFFAIRS 2000-2001 ANNUAL REPORT 2 Robert and Renée Belfer Center for Science and International Affairs 2000-2001 Annual Report Director’s Foreword 5 Overview From the Executive Director 7 Environment and Natural Resources Program TABLE 8 OF Harvard Information Infrastructure Project 52 CONTENTS International Security Program 71 Science, Technology and Public Policy Program 109 Strengthening Democratic Institutions Project 155 WPF Program on Intrastate Conflict, Conflict Prevention, and Conflict Resolution 177 Events 188 Publications 219 Biographies 241 Robert and Renée Belfer Center for Science and International Affairs 3 2000-2001 Annual Report 4 Robert and Renée Belfer Center for Science and International Affairs 2000-2001 Annual Report Director’s Foreword —————————————♦ For the hub of the John F. Kennedy School’s research, teaching, and training in international security affairs, environmental and resource issues, conflict prevention and resolution, and science and technology policy, the first academic year of the new century has been bracing. According to our mission statement, The Belfer Center for Science and International Affairs strives to provide leadership in advancing policy-relevant knowledge about the most important challenges of international security and other critical issues where science, technology, and international affairs intersect. BCSIA’s leadership begins with the recognition of science and technology as driving forces transforming threats and opportunities in international affairs. The Center integrates insights of social scientists, technologists, and practitioners with experience in government, diplomacy, the military, and business to address critical issues. BCSIA involvement in both the Republican and Democratic campaigns. BCSIA was privileged to have senior advisors in both camps in one of the most unforgettable American elections in recent memory. -
Julio Iglesias
Spanish Art & Culture Julio Iglesias Julio Iglesias' Biography as found at his official website - www.julioiglesias.com Julio Iglesias was born in Madrid on 23rd September 1943 to Dr. Julio Iglesias Puga and Maria Del Rosario de la Cueva y Perignat. He shared his childhood with his brother Carlos. His father, Dr. Iglesias Puga, was born in Orense, Galicia. On his mother's side, his grandfather was Jose de la Cueva, a famous Andalusian journalist. He was a remarkable athlete, and he played goalkeeper for the junior Real Madrid soccer team. He wanted to be a professional soccer player, but he never abandoned his studies. He studied Law in the Complutense University of Madrid. On the night of 22nd September 1963, while returning from Majadahonda to Madrid about two o'clock in the morning with some friends, he suffered a very severe car accident which left him semi-paralyzed for more than a year and a half. The hope that he would walk again was very slight. To develop and increase the dexterity of his hands he started to play the guitar and write poetry. His personal will to live, and the great support of his family, especially of his father, who even abandoned his profession for more than a year to help his son's rehabilitation, produced a true miracle. After many months of very difficult recuperation Julio began to walk again. Once recovered, he resumed his studies and travelled to England to study English, first in Ramsgate and then went on to Bell's Language School in Cambridge. -
Literature and Cartography in Early Modern Spain: Etymologies and Conjectures Simone Pinet
18 • Literature and Cartography in Early Modern Spain: Etymologies and Conjectures Simone Pinet By the time Don Quijote began to tilt at windmills, maps footprints they leave on the surface of the earth they and mapping had made great advances in most areas— touch, they become one with the maps of their voyages. administrative, logistic, diplomatic— of the Iberian To his housekeeper Don Quijote retorts, world.1 Lines of inquiry about literature and cartography Not all knights can be courtiers, nor can or should all in early modern Spanish literature converge toward courtiers be knights errant: of all there must be in the Miguel de Cervantes’ Don Quijote. The return to the world, and even if all of us are knights, there is a vast heroic age of the chivalric romance, with its mysterious difference between them, because the courtiers, with- geography, contrasted with Don Quijote’s meanderings out leaving their chambers or the thresholds of the around the Iberian peninsula, is especially ironic in view court, walk the whole world looking at a map, with- of what the author, a wounded veteran of military cam- out spending a penny, or suffering heat or cold, hunger paigns (including Lepanto, a battle seen in many maps or thirst; but we, the true knights errant, exposed to the and naval views, and his captivity in Algiers, with com- sun, the cold, the air, the merciless weather night and parable cartographic resonance), probably knew about day, on foot and on horseback, we measure the whole cartography. earth with our own feet, and we do not know the ene- 2 A determining proof of the relation and a fitting epi- mies merely in painting, but in their very being. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Climate Change Vulnerability and Adaptation in the Intermountain Region Part 1
United States Department of Agriculture Climate Change Vulnerability and Adaptation in the Intermountain Region Part 1 Forest Rocky Mountain General Technical Report Service Research Station RMRS-GTR-375 April 2018 Halofsky, Jessica E.; Peterson, David L.; Ho, Joanne J.; Little, Natalie, J.; Joyce, Linda A., eds. 2018. Climate change vulnerability and adaptation in the Intermountain Region. Gen. Tech. Rep. RMRS-GTR-375. Fort Collins, CO: U.S. Department of Agriculture, Forest Service, Rocky Mountain Research Station. Part 1. pp. 1–197. Abstract The Intermountain Adaptation Partnership (IAP) identified climate change issues relevant to resource management on Federal lands in Nevada, Utah, southern Idaho, eastern California, and western Wyoming, and developed solutions intended to minimize negative effects of climate change and facilitate transition of diverse ecosystems to a warmer climate. U.S. Department of Agriculture Forest Service scientists, Federal resource managers, and stakeholders collaborated over a 2-year period to conduct a state-of-science climate change vulnerability assessment and develop adaptation options for Federal lands. The vulnerability assessment emphasized key resource areas— water, fisheries, vegetation and disturbance, wildlife, recreation, infrastructure, cultural heritage, and ecosystem services—regarded as the most important for ecosystems and human communities. The earliest and most profound effects of climate change are expected for water resources, the result of declining snowpacks causing higher peak winter -
Ellsworth American
-UBUCKIFTIOB Vol. LI I | PBICB, $2.00 PBE TUB. I ) KRTIitBO *(> f-*COKD-OT A I it PA in IB ADVAHCB, $1.60. | ELLSWORTH, MAINE, WEDNESDAY AFTERNOON, DECEMBER 4T tft SWQRTB posrovnoi* LOCAL AFFAIRS holidays, and promises to be one of the KILLED AT FRANKLIN. jaL&cmuu*. ——-. Hineeeit Co ____ prettiest of the season. Music will be ilrakcinan on NEW .tOVKKThKM'Ni'S THIS WKKK furnished by Monaghan. Washington County Railroad the Victim. The Burrill Bank Irene chapter, O. E. 8., elected officers National Admr notice—Est Alpheu* Herrick. Franklin, Dec. 17 (special) Frank L. Lost- Eve-glasses. Monday evening as follows: Mrs. Hannah OF Ellsworth Loan & Asso’n—Share a freight train brakeman on the ELLSWORTH, MAINE, Building Bonsey, W. M.; Everett 8. Me ns, W.P.; Small, holders' meeting. Washington County railroad, received Authorized to commence Winces October 24,1887, the pioneer National Bank Hardy D Lane. John F Lane—Petition. Mrs. Ella Dunn, A. M.; Carrie B. Means, fatal while cars here of Ellsworth, Maine. In bankruptcy—Est Percy P Hill. secretary; Mary C. Stuart, treasurer; injuries coupling Henrietta Billings- Notice of foreclosure. early Saturday morning. In bankiuptcy—Percy P Hill. Annis Sprague, conductress; Mrs. Ade- Christinas The was WE SOLICIT A ( COUNTS OF Notice of tiuRtee’s sale. laide Torrence, assistant conductress. early morning freight shifting INDIVIDUALS, J L Floyd—Market. cars to the when Small be- E F Robinson—Jeweler. These officers, with the appointed officers, siding, stepped FJRMS and and OFFER tween two cars to them. It is Perfumes CORPORATIONS, EVERY J A Thompson—Stationery. -
Museum of Arts and Design
SPRING/SUMMER BULLETIN 2011 vimuseume of artsws and design Dear Friends, Board of Trustees Holly Hotchner LEWIS KRUGER Nanette L. Laitman Director Chairman What a whirlwind fall! Every event seemed in some way or another a new milestone for JEROME A. CHAZEN us all at 2 Columbus Circle. And it all started with a public program that you might have Chairman Emeritus thought would slip under the radar—Blood into Gold: The Cinematic Alchemy of Alejandro BARbaRA TOBER Chairman Emerita Jodorowsky. Rather than attracting a small band of cinéastes, this celebration of the Chilean- FRED KLEISNER born, Paris-based filmmaker turned into a major event: not only did the screenings sell Treasurer out, but the maestro’s master class packed our seventh-floor event space to fire-code LINDA E. JOHNSON Secretary capacity and elicited a write-up in the Wall Street Journal! And that’s not all, none other HOllY HOtcHNER than Debbie Harry introduced Jodorowsky’s most famous filmThe Holy Mountain to Director filmgoers, among whom were several downtown art stars, including Klaus Biesenbach, the director of MoMA PS1. A huge fan of this mystical renaissance man, Biesenbach was StaNLEY ARKIN DIEGO ARRIA so impressed by our series that beginning on May 22, MoMA PS1 will screen The Holy GEORGE BOURI Mountain continuously until June 30. And, he has graciously given credit to MAD and KAY BUckSbaUM Jake Yuzna, our manager of public programs, for inspiring the film installation. CECILY CARSON SIMONA CHAZEN MICHELE COHEN Jodorowsky wasn’t the only Chilean artist presented at MAD last fall. Several had works ERIC DObkIN featured in Think Again: New Latin American Jewelry. -
List of Creditors of DB Media Distribution (Canada) Last Name / Co
List of Creditors of DB Media Distribution (Canada) Last Name / Co. Name First Initial Claim 20TH CENTURY FOX HOME ENTERTAINMENT $63.73 AASMAN T $20.41 ABBAS H $15.22 ABBOTT R $54.60 ABBOTT T $11.48 ABBOTT B $4.83 ABBOTT J $4.17 ABBOTT S $0.80 ABBOTT Y $0.37 ABBOTT S $0.36 ABBOTT J $0.36 ABDEL-SAYED C $30.16 ABDULLAH R $0.40 ABELL PEST CONTROL INC $598.86 ABILA M $31.53 ABLETT J $2.28 ABOUD M $37.88 ABOUGHOURY E $13.68 ABRAHAM S $69.67 ABRAHAM D $55.16 ABRAHAM S $31.47 ABRAHAM B $6.69 ABRAHAMSE R $6.36 ABRAHAMSE P $1.25 ABRAM R $1.14 ABRAMS C $2.50 ABURROW K $0.78 ACCARDI S $0.56 ACCORDINO M $1.77 ACETI E $16.08 ACEVEDO SALINAS R $1.70 ACHESON T $173.79 ACHILLES T $11.74 ACHTZEHNTER T $0.58 ACKAH L $12.08 ACKER J $34.31 ACKERS M $39.62 ACKLAND D $5.00 ACKROYD A $0.24 ACORN E $1.74 ACORN C $0.31 ACOSTA E $3.91 ACOSTA M $2.50 ACS C $159.33 ACTON G $37.21 ACUNA J $0.26 ADAIR M $15.94 ADAIR K $12.24 ADAMS J $104.22 Page 1 List of Creditors of DB Media Distribution (Canada) Last Name / Co. Name First Initial Claim ADAMS J $38.76 ADAMS E $37.53 ADAMS D $34.62 ADAMS S $34.32 ADAMS M $30.98 ADAMS J $20.87 ADAMS T $20.15 ADAMS M $15.03 ADAMS E $9.73 ADAMS D $7.80 ADAMS D $7.68 ADAMS A $4.82 ADAMS N $2.50 ADAMS T $1.37 ADAMS K $1.14 ADAMS K $0.81 ADAMS L $0.79 ADAMS W $0.59 ADAMS A $0.24 ADAMS M $0.22 ADAMS S $0.20 ADAMS L $0.13 ADAMS D $0.08 ADAMS B $0.04 ADAMS MACKIE P $8.40 ADAMSKI J $2.18 ADAMSON C $4.25 ADAMSON D $2.47 ADCOCK C $15.50 ADDEH G $67.18 ADDERLEY G $2.25 ADDISON D $89.64 ADDY A $7.37 ADER K $42.17 ADJEI J $1.74 ADJEI C $0.19 ADJELEIAN H $2.06 ADRAIN S $0.13 ADRIAENSEN J $23.67 ADRIAN S $52.41 ADSHEAD J $29.67 AEICHELE S $6.00 AFFARY A $6.80 AFFILIATE FUTURE INC.