Literature and Cartography in Early Modern Spain: Etymologies and Conjectures Simone Pinet
18 • Literature and Cartography in Early Modern Spain: Etymologies and Conjectures Simone Pinet By the time Don Quijote began to tilt at windmills, maps footprints they leave on the surface of the earth they and mapping had made great advances in most areas— touch, they become one with the maps of their voyages. administrative, logistic, diplomatic— of the Iberian To his housekeeper Don Quijote retorts, world.1 Lines of inquiry about literature and cartography Not all knights can be courtiers, nor can or should all in early modern Spanish literature converge toward courtiers be knights errant: of all there must be in the Miguel de Cervantes’ Don Quijote. The return to the world, and even if all of us are knights, there is a vast heroic age of the chivalric romance, with its mysterious difference between them, because the courtiers, with- geography, contrasted with Don Quijote’s meanderings out leaving their chambers or the thresholds of the around the Iberian peninsula, is especially ironic in view court, walk the whole world looking at a map, with- of what the author, a wounded veteran of military cam- out spending a penny, or suffering heat or cold, hunger paigns (including Lepanto, a battle seen in many maps or thirst; but we, the true knights errant, exposed to the and naval views, and his captivity in Algiers, with com- sun, the cold, the air, the merciless weather night and parable cartographic resonance), probably knew about day, on foot and on horseback, we measure the whole cartography. earth with our own feet, and we do not know the ene- 2 A determining proof of the relation and a fitting epi- mies merely in painting, but in their very being.
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