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Misdemeanor Warrant List
SO ST. LOUIS COUNTY SHERIFF'S OFFICE Page 1 of 238 ACTIVE WARRANT LIST Misdemeanor Warrants - Current as of: 09/26/2021 9:45:03 PM Name: Abasham, Shueyb Jabal Age: 24 City: Saint Paul State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/05/2020 415 Bench Warrant-fail to appear at a hearing TRAFFIC-9000 Misdemeanor Name: Abbett, Ashley Marie Age: 33 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 03/09/2020 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Abbott, Alan Craig Age: 57 City: Edina State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 09/16/2019 500 Bench Warrant-fail to appear at a hearing Disorderly Conduct Misdemeanor Name: Abney, Johnese Age: 65 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/18/2016 100 Bench Warrant-fail to appear at a hearing Shoplifting Misdemeanor Name: Abrahamson, Ty Joseph Age: 48 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 10/24/2019 100 Bench Warrant-fail to appear at a hearing Trespass of Real Property Misdemeanor Name: Aden, Ahmed Omar Age: 35 City: State: Issued Date Bail Amount Warrant Type Charge Offense Level 06/02/2016 485 Bench Warrant-fail to appear at a hearing TRAFF/ACC (EXC DUI) Misdemeanor Name: Adkins, Kyle Gabriel Age: 53 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 02/28/2013 100 Bench Warrant-fail to appear at a hearing False Pretenses/Swindle/Confidence Game Misdemeanor Name: Aguilar, Raul, JR Age: 32 City: Couderay State: WI Issued Date Bail Amount Warrant Type Charge Offense Level 02/17/2016 Bench Warrant-fail to appear at a hearing Driving Under the Influence Misdemeanor Name: Ainsworth, Kyle Robert Age: 27 City: Duluth State: MN Issued Date Bail Amount Warrant Type Charge Offense Level 11/22/2019 100 Bench Warrant-fail to appear at a hearing Theft Misdemeanor ST. -
City of Charleston Municipal Court
City of Charleston Municipal Court 9/24/2021 Page 1 Officer Court Events - Monday, September 27, 2021 to Friday, October 29, 2021 Excludes Motions, Deferrals, and Jury Trials Adams Christopher Tuesday, October 19, 2021 20210416019558 8:30 am Criminal Bench Trial Manucy, Majorie Disorderly Conduct Katelyn Tuesday, October 12, 2021 20210416028112 9:30 am Criminal Bench Trial Thompson, Peter Shoplifting <= $2,000 - 16 - 13-0110(A) Akins Nicholas Friday, October 1, 2021 20210415996197 8:30 am Criminal Bench Trial Rowland, Kelsi Driving Under Influence 1st Offense . No BA Thursday, October 14, 2021 20210415968789 8:30 am Traffic Bench Trial Steed, Terrell DUS, license not suspended for DUI - 1st offense (56-01-0460)(A)(1)(a) 20210416020632 8:30 am Traffic Bench Trial Hurst, Louis Driving Under Influence 1st Offense . No BA 9/24/2021 Page 2 Officer Court Events - Monday, September 27, 2021 to Friday, October 29, 2021 Excludes Motions, Deferrals, and Jury Trials Akins Nicholas Thursday, October 14, 2021 20210416023954 8:30 am Traffic Bench Trial Connolly, Colin Operating vehicle w/o reg and license due to delinquency - 56-03-0840 20210416024511 8:30 am Traffic Bench Trial Marsh, Joshua Driving Under Influence 1st Offense . No BA 8102P0769552 8:30 am Traffic Bench Trial Simmons, Jamaul DUS, license not suspended for DUI - 1st offense (56-01-0460)(A)(1)(a) Friday, October 15, 2021 20210415961061 8:30 am Criminal Bench Trial-GATEWAY INCOMPLETE Gardo, Joshua Public Drunk 20210416024512 8:30 am Criminal Bench Trial Lowe, Zackary Malicious Injury to animals, personal property, injury value $2,000 or less 20210416024513 8:30 am Criminal Bench Trial Lowe, Zackary Careless Driving Monday, October 18, 2021 20210415989747 9:00 am DUI Pre-Trial Hearing Rotibi, Katari Driving Under Influence >= .10% <.16% with BA 56-05-2930(B) 20210416013897 9:00 am DUI Pre-Trial Hearing McClelland, Bradley Driving Under Influence 1st Offense . -
The High Cost of Being Poor
B u f f a l o N e w s S p e c i a l R e p o r t The High Cost of Being Poor A FOUR- PART SERIES REPRINTED FROM JUNE 18-21, 2006 Buffalo News Special Report: Reprinted From June 18 -21, 2006 THE HIGH COST OF BEING POOR CONTENTS The series day-by-day An idea takes shape Day One /Page 3 In November 2005, about half-a-dozen Buffalo Over five months, • Banks and supermarkets leave News reporters and editors sat in a circle and began poor neighborhoods, forcing brainstorming story ideas. As part of a two-day train- residents there to pay higher prices ing session conducted by the Committee of Concerned Epstein and Watson for food and financial services. Journalists, the News staffers were looking for story • Buffalo News reporters ideas that would be worth an extended investment conducted more find neighborhood stores are of time and resources. charging illegal check-cashing fees. Jonathan Epstein, a News financial reporter who • Low-income customers face higher bank fees than more specializes in banking and insurance issues, suggested than 120 interviews. affluent customers. it might be worth taking a hard look at the lack of banks in some communities and the outrageous fees They, and other Day Two /Page 9 check-cashing businesses were charging poor people who had no other alternative. Epstein also talked • The poor turn to rent- reporters, also went to-own stores – which about the harm done to unsophisticated home buyers often charge three to four times who found themselves trapped by predatory lenders the price of traditional retailers. -
Rules Primer
RULES PRIMER ales of Xadia: The Dragon Prince is a tabletop roleplaying T game about people who experience love, war, family, heartbreak, and triumph in the world of Wonderstorm’s The Dragon Prince. With your friends, you create characters using familiar archetypes from the show. In your shared imagination, you forge alliances, uncover secrets, engage in mighty battles, and protect those you love from peril and prophecy. Work together or at cross- purposes… or both! Whatever your chosen path, your characters explore the mysteries of the elves, the human kingdoms, and the dragons, as well as the primal sources that flow through everything. What’s in this Book Tales of Xadia uses the Cortex game system. This rules primer introduces you to key elements of Cortex as it appears in this game, from bringing life to characters of your own creation to spinning tales of wonder and magic. TheTales of Xadia: The Dragon Prince Roleplaying Game Handbook covers all of this and more in much greater detail. Setup: This is an overview of what you need in order to play a game of Tales of Xadia. Your Character: We examine an example character—Rayla, the Moonshadow elf assassin from the show—and how the game represents her in the form of her character journal. Playing the Game: These are the Cortex system rules you need to know as a player, from making decisions and rolling dice to tracking stress and keeping notes. Running the Game: These are the Cortex system rules for running the game as the Narrator, including using scenes and sessions to help the players tell the story of their characters, and playing the part of Narrator characters. -
A Feminist Rhetorical Critique of Zombie Apocalypse Television Narrative
Ohio Communication Journal Volume 52 – October 2014, pp. 64-74 The Walking (Gendered) Dead: A Feminist Rhetorical Critique of Zombie Apocalypse Television Narrative John Greene Michaela D.E. Meyer This essay presents a feminist rhetorical criticism of AMC’s The Walking Dead, exposing how hegemonic gender roles reinforce patriarchy within the series. We connect previous research on horror film and television, particularly in the zombie apocalypse genre, to representations of gender roles in popular culture. Our analysis reveals five categories of gendered representation: sexist rhetoric, division of labor, the role of protector, White male leadership, and the role of the dutiful wife. The Walking Dead narrative features women as incapable of surviving the apocalypse without men, renders them slaves to products of consumption (such as clothing), and ultimately strips them of autonomous decision making. We connect these images to the never-ending process of consumption and creation perpetuated by zombie narratives as representative of our social unease with capitalism, consumerism and its link to gendered identity. Over fifty years after George A. Romero forever changed the horror genre with Night of the Living Dead, 5.3 million viewers watched once again as the dead rose to devour the living in the series premiere of AMC’s The Walking Dead (AMC, 2010). The Walking Dead is one of the most-watched pieces of zombie fiction ever created, and is the first that has been successfully launched on cable television. Robert Kirkman, the creator of the graphic novel series on which the show is based, stated that “it’s something that succeeds in movies all the time, but I don’t think anybody has seen survival horror on TV before” (Stelter, 2010). -
Leading the Walking Dead: Portrayals of Power and Authority
LEADING THE WALKING DEAD: PORTRAYALS OF POWER AND AUTHORITY IN THE POST-APOCALYPTIC TELEVISION SHOW by Laura Hudgens A Thesis Submitted to the Faculty of the Graduate School at Middle Tennessee State University in Partial Fulfillment of the Requirements for the Degree of Master of Science in Mass Communication August 2016 Thesis Committee: Dr. Katherine Foss, Chair Dr. Jane Marcellus Dr. Jason Reineke ii ABSTRACT This multi-method analysis examines how power and authority are portrayed through the characters in The Walking Dead. Five seasons of the show were analyzed to determine the characteristics of those in power. Dialogue is important in understanding how the leaders came to power and how they interact with the people in the group who have no authority. The physical characteristics of the leaders were also examined to better understand who was likely to be in a position of power. In the episodes in the sample, leaders fit into a specific demographic. Most who are portrayed as having authority over the others are Caucasian, middle-aged men, though other characters often show equivalent leadership potential. Women are depicted as incompetent leaders and vulnerable, and traditional gender roles are largely maintained. Findings show that male conformity was most prevalent overall, though instances did decrease over the course of five seasons. Instances of female nonconformity increased over time, while female conformity and male nonconformity remained relatively level throughout. ii iii TABLE OF CONTENTS LIST OF TABLES ..............................................................................................................v -
The Walking Dead
THE WALKING DEAD "Episode 105" Teleplay by Glen Mazzara PRODUCERS DRAFT - 7/03/2010 SECOND PRODUCERS DRAFT - 7/09/2010 REV. SECOND PRODUCERS DRAFT - 7/13/2010 NETWORK DRAFT - 7/14/2010 REVISED NETWORK DRAFT - 7/20/2010 Copyright © 2010 TWD Productions, LLC. All rights reserved. No portion of this script may be performed, published, sold or distributed by any means, or quoted or published in any medium including on any web site, without prior written consent. Disposal of this script 2. copy does not alter any of the restrictions set forth above. TEASER FADE IN: No clue where we are. A dark, mysterious shot: TIGHT ANGLE: The back of a MAN'S (Jenner's) head rises into shot, rimmed by top-light. He brings a breather helmet to his unseen face, slips it on over his head. As he tightens the enclosures at the back, a VOICE speaks from everywhere and nowhere, soothing and surreal: VOX Good morning, Dr. Jenner. JENNER Good morning, Vox. VOX How are you feeling this morning? JENNER A bit restless, I have to admit, Vox. A bit...well...off my game. Somewhat off-kilter. VOX That's understandable. JENNER Is it? I suppose it is. I fear I'm losing perspective on things. On what constitutes kilter versus off- kilter. VOX I sympathize. EDWIN JENNER turns to camera, his BUBBLE FACE-SHIELD kicking glare from the overhead lighting, the inside of his mask fogging badly and obscuring his face, as: JENNER Vox, you cannot sympathize. Don't patronize me, please. It messes with my head. -
Press™ Kit 01 Contents
NO SAFE HARBOUR ™ SEASON TWO ® ® PRESS™ KIT 01 CONTENTS 03 SYNOPSIS 04 CAST & CHARACTERS 23 PRODUCTION BIOGRAPHIES 28 INTERVIEW: DAVE ERICKSON EXECUTIVE PRODUCER & SHOWRUNNER 31 PRODUCTION CREDITS ® ™ SYNOPSIS Last season, Fear the Walking Dead explored a blended family who watched a burning, dead city as they traversed a devastated Los Angeles. In season two, the group aboard the ‘Abigail’ is unaware of the true breadth and depth of the apocalypse that surrounds them; they assume there is still a chance that some city, state, or nation might be unaffected - some place that the Infection has not reached. But as Operation Cobalt goes into full effect, the military bombs the Southland to cleanse it of the Infected, driving the Dead toward the sea. As Madison, Travis, Daniel, and their grieving families head for ports unknown, they will discover that the water may be no safer than land. ® ™ 03 CAST & CHARACTERS ® ™ 04 MADISON CLARK In many ways, the Madison of season two is the same woman we met in the pilot - a leader, a moral compass - but in a whole new devastated, apocalyptic world. As the season plays out, Madison will be faced with a world that often has no room for empathy or compassion. Forced to navigate a deceptive and manipulative chart of personalities, Madison’s success in this new world is predicated on understanding that, at the end of the world, lending a helping hand can often endanger those you love. She may maintain her maternal ferocity, but the apocalypse will force her to make decisions and sacrifices that could break even the strongest people. -
The American Stravinsky
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries. -
An Archaeology of Walls in the Walking Dead
Undead Divides: An Archaeology of Walls in The Walking Dead Howard Williams In 2010, the zombie horror genre gained even greater popularity than the huge following it had previously enjoyed when AMC’s The Walking Dead (TWD) first aired. The chapter surveys the archaeology of this fictional post-apocalyptic material world in the show’s seasons 1–9, focusing on its mural practices and environments which draw upon ancient, biblical, medieval and colonial motifs. The study identifies the moralities and socialities of wall-building, dividing not only survivors aspiring to re-found civilization from the wilderness and manifesting the distinctive identities of each mural community, but also distinguishing the living from the undead. The roles of the dead and the undead in mural iterations are also explored. As such, dimensions of past and present wall-building practices are reflected and inverted in this fictional world. As part of a broader ‘archaeology of The Walking Dead’, the chapter identifies the potentials of exploring the show’s physical barriers within the context of the public archaeology of frontiers and borderlands. Andrea: What’s your secret? The Governor: Really big walls. Andrea: That soldier had walls too and we all know how that turned out, so. The Governor: I guess we do. The real secret is what goes on within these walls. It’s about getting back to who we were, who we really are, not just waiting to be saved. You know people here have homes, medical care, kids go to school. Adults have jobs to do. It’s a sense of purpose. -
Onslow County Advertisement of Tax Liens on Real Property for 2020
THE DAILY NEWS » www.jdnews.com MONDAY, MARCH 8, 2021 C7 ONSLOW COUNTY ADVERTISEMENT OF TAX LIENS ON REAL PROPERTY FOR 2020 BARNARD CRAIG E 188 DENISE DR 788.61 BROWN CALVIN KIM 236 HARRIS CREEK LOOP RD 1099.16 BARNARD CRAIG E 186 DENISE DR 82.55 BROWN CALVIN KIM 236 HARRIS CREEK LOOP RD 802.92 BARNARD MATTHEW C 1345 KELLUM LOOP RD 630.90 BROWN CALVIN KIM 135 SCOTT JENKINS RD 454.16 BARNARD MATTHEW C 1325 KELLUM LOOP RD 167.71 BROWN CALVIN KIM 0 HARRIS CREEK LOOP 120.62 Under and by virtue of the authority vested in me by Section 105-369 of the BARNES CAMP K 25 ESTHER LN 536.01 BROWN CARMEN MOORE 105 LILA LN 503.15 North Carolina General Statutes and pursuant to an order of the Board of BARNETT SANDRA KAY VAN WICKEL 336 RIDGEWOOD DR 143.46 BROWN CHAD C MORGAN & 176 E RIDGE CT 1,475.35 Commissioners of Onslow County dated February 1, 2021 I am hereby BARRKATT LLC 2300 2 NEW RIVER INLET RD 1,192.36 BROWN DAVID BRIAN 233 BELGRADE SWANSBORO RD 19.50 advertising tax liens for the year 2020 upon the real estate described below. BARROW GERALD SCOTT 0 BELGRADE SWANSBORO RD 227.78 BROWN DAVID BRIAN 235 BELBRADE SWANSBORO RD 11.75 The amount advertised will be increased by interest and costs, and the BARWICK TERESA D & CAROLYN BOYD 106 MCGOWAN RD 281.78 BROWN EVA C 213 BRIARNECK RD 766.61 omission of interest and costs from the amount advertised will not constitute BARWICK TERESA DIANE 146 LAKE HAVEN DR 571.82 BROWN EVA SMITH ESTATE 204 STRATFORD RD 962.18 BASDEN DOUGLAS R & HELEN K 1061 MERIDIAN DR 82.87 BROWN JEAN TUCK 4055 4TH ST 1,807.33 a waiver of the taxing unit’s claim for those items. -
Graphic Novels in Your School Library
GRAPHIC NOVELS IN YOUR SCHOOL LIBRARY Jesse Karp ILLUSTRATED BY Rush Kress AMERICAN LIBRARY ASSOCIATION CHICAGO 2012 For more than ten years, JESSE KARP has been a school librarian at LREI (Little Red School House and Elisabeth Irwin High School), one of Manhattan’s oldest independent schools and a long-standing leader in progressive education. He works with students across the cur- riculum, from beginning readers to high school students, with all kinds of material, includ- ing graphic novels. He regularly reviews graphic novels and picture books for Booklist and contributes to the magazine’s yearly graphic novel best list roundup; he has written articles for Book Links and American Libraries as well. He has delivered seminars on the sequen- tial art form at Pratt Institute and Queens College and teaches a graduate course about the history and analysis of the form at Pratt. He has served as a graphic novel panelist at Book Expo America for two years running and served on YALSA’s Great Graphic Novels for Teens committee from 2009 to 2012. He cocreated the education webcomic Dr. Lollipop and is the author of the young adult novel Those That Wake, which is set in Manhattan, where he lives with his wife and two daughters. Please visit his website at www.beyondwhereyoustand.com. RUSH KRESS graduated from the illustrious Joe Kubert School of Cartoon and Graphic Illustration in 1999. He has produced corporate comics for Derivatives Strategy magazine, cocreated the education webcomic Dr. Lollipop, and produced assorted covers for Early Music America magazine. He lives and works in New York City.