BETWEEN THE SHELLS: THE PRODUCTION OF BELGIAN, BRITISH AND FRENCH TRENCH JOURNALS IN THE FIRST WORLD WAR by CEDRIC VAN DIJCK, MARYSA DEMOOR, SARAH POSMAN

When a new journal appears, it is common for the editor to Ž¡™•Š’—ȱœ˜‹Ž›•¢ȱ˜ȱ‘Žȱ›ŽŠŽ›ǰȱ’—ȱŠ—ȱŠ›’Œ•Žȱ˜—ȱ‘Žȱꛜȱ™ŠŽǰȱ ‘Šȱ the journal will endeavour (ce que sera ce journal) and why it was ‹Žž—ȱǻpourqoui il est né). The reader, who does not care about ‘’œǰȱŽ—Ž›Š••¢ȱ˜Žœȱ—˜ȱ›ŽŠȱ‘ŽȱŠ›’Œ•Žǰȱ ‘’Œ‘ȱ˜›ȱ‘Ž–ȱ’œȱ•’”Žȱ Šȱ˜›Ž ˜›ȱ˜ȱŠȱ‹˜˜”DzȱŠ—ȱ ŽȱŠ••ȱ”—˜ ȱ—˜ȱ˜—Žȱ›ŽŠœȱ˜›Ž ˜›œǯȱ ‘Šȱ ’••ȱ‘Žȱ“˜ž›—Š•ȱŽ—ŽŠŸ˜ž›ǵȱ ŽȂ••ȱœŽŽǷȱ‘¢ȱ’œȱ’ȱ‹Žž—ǵȱ ȱ ˜Žœȱ—˜ȱ–ŠĴŽ›Ƿȱ••ȱ‘Šȱ’œȱ‘ŽȱŒ˜—ŒŽ›—ȱ˜ȱ“˜ž›—Š•’œœǯ1 ’‘ȱ ‘ŽœŽȱ ˜™Ž—’—ȱ ˜›œȱ Šȱ ™˜’•žȬž›—ŽȬ“˜ž›—Š•’œȱ ›˜–ȱ ‘Žȱ řŘnd infantry division of the French army launched Bellica, a bellicose monthly –ŠŠ£’—Žȱ ›’ĴŽ—ȱŠ—ȱŽ’Žȱ’—ȱ‘Žȱ›Ž—Œ‘Žœȱ˜ȱ‘Žȱ’›œȱ˜›•ȱŠ›ǯȱ œȱ ꛜȱ’œœžŽȱŠ™™ŽŠ›Žȱ’—ȱŽŒŽ–‹Ž›ȱŗşŗśǰȱŠ—ȱ’ȱ ŠœȱŽœ™ŽŒ’Š••¢ȱŽ¡™Ž—œ’ŸŽǰȱ ŠŸŽ›Š’—ȱŠ›˜ž—ȱŠȱŽ—˜•ȱ˜ȱ‘Žȱ™›’ŒŽȱ˜ȱ‘ŽȱŒ‘ŽŠ™Žœȱ’•ŽœȱŠŸŠ’•Š‹•Žȱ Šȱ ‘Žȱ ›˜—ǯȱ ˜ȱ –žŒ‘ȱ –˜›Žȱ ’œȱ ”—˜ —ȱ ˜ȱ ‘Žȱ –ŠŠ£’—Žǰȱ ‹žȱ ‘Žȱ Ž ȱ ŠŸŽ›’œŽ–Ž—œȱ ’ȱ Œ˜—Š’—œȱ œžŽœȱ ‘Šȱ ’ȱ Šœȱ ™›˜žŒŽȱ —ŽŠ›ȱ ™Ž›—Š¢ȱ Š—ȱ‘¦•˜—œȬœž›ȬŠ›—ŽǰȱŠ—ȱ™›’—Žȱ’—ȱŠ›’œǯȱ ȱŒ˜–™›’œŽǰȱ’—ȱ‘Žȱ ˜›œȱ ˜ȱ’œȱŽ’˜›ǰȱ‘Žȱȁ˜ŽžŸ›ŽȱŽœȱ™˜’•žœȂǰȱ‘Žȱ ˜›”ȱ˜ȱ‘Žȱœ˜•’Ž›ǯŘ That the trench press became an invaluable expression of its time and place is Œ•ŽŠ›ȱ ›˜–ȱ ‘Žȱ Ž’˜›Ȃœȱ œžŽœ’˜—ǰȱ ’—ȱ Šȱ ˜••˜ ’—ȱ —ž–‹Ž›ǰȱ ‘Šȱ ›˜—ȱ “˜ž›—Š•’œœȱ–Ž›’Žȱ‘ŽȱŠ•–ŽœȱŒŠ·–’šžŽœǰȱ›Š—ŒŽȂœȱ‘’‘Žœȱ‘˜—˜ž›ȱ˜›ȱ –Š“˜›ȱŒ˜—›’‹ž’˜—œȱ˜ȱ—Š’˜—Š•ȱŽžŒŠ’˜—ȱŠ—ȱŒž•ž›Žǯȱ‘Žȱ’–ŠŽȱ ˜ž•ȱ ‹Žȱ™›˜™‘Ž’ŒǯȱŽ›ȱ‘Žȱ Š›ǰȱ‘Žȱ’—’œŽ›ȱ˜ȱžŒŠ’˜—ǰȱ·˜—ȱ·›Š›ǰȱ˜˜”ȱ ‘’œȱœžŽœ’˜—ȱ˜ȱ‘ŽŠ›ǯř

1 ȁžŠ—ȱ ž—ȱ —˜žŸŽŠžȱ “˜ž›—Š•ȱ ™Š›ŠÉǰȱ ’•ȱ Žœȱ ȂžœŠŽȱ šžŽȱ •Šȱ ›·ŠŒ’˜—ȱ Ÿ’Ž——Žȱ œ˜•Ž——Ž••Ž–Ž—ȱŽ¡™•’šžŽ›ȱŠž¡ȱ•ŽŒŽž›œǰȱŽ—ȱž—ȱŠ›’Œ•ŽȱŽȱ™›Ž–’¸›Žȱ™ŠŽǰȱŒŽȱšžŽȱœŽ›Šȱ ŒŽȱ“˜ž›—Š•ȱŽȱ™˜ž›šž˜’ȱ’•ȱŽœȱ—·ǯȱŽȱ•ŽŒŽž›ȱšž’ȱœȂŽ—ȱꌑŽȱ—Žȱ•’ȱ·—·›Š•Ž–Ž—ȱ™ŠœȱŒŽȱ Š›’Œ•Žȱšž’ȱŽœȱ™˜ž›ȱ•ž’ȱŒ˜––Žȱ•ȂŠŸŠ—Ȭ™›˜™˜œȱȂž—ȱ•’Ÿ›ŽDzȱŽȱ—˜žœȱœŠŸ˜—œȱ˜žœȱšžȂ˜—ȱ —Žȱ•’ȱ“Š–Š’œȱž—ȱŠŸŠ—Ȭ™›˜™˜œǯȱŽȱšžŽȱœŽ›ŠȱŒŽȱ“˜ž›—Š•ǵȱ •ȱ•ŽȱŸŽ››ŠǷȱ˜ž›šž˜’ȱ’•ȱŽœȱ—·ǵȱ žŽȱ•ž’ȱ’–™˜›ŽǷȱ˜žȱ³ŠǰȱŒȂŽœȱ•ȂŠěŠ’›ŽȱŽœȱ“˜ž›—Š•Žž¡ǯȂȱ’˜›ǰȱȁŸŠ—Ȭ›˜™˜œȂǰȱBellica ŗȱǻŽŒŽ–‹Ž›ȱŗşŗśǼDZȱŚǯ ȱŘȱ Editor, ‘Les Petits “Trésor et Postes” de Bellica’, BellicaȱŘȱǻ Š—žŠ›¢ȱŗşŗŜǼDZȱŗřǯ ȱřȱ ȱ Š¡’–ŽȱŽ¢Š—ǰȱȁŠȱ›ŽœœŽȱŽœȱ›Š—Œ‘·ŽœȂǰȱ’—ȱHistoire de La Presse Française II: De 1881 à nos jours, ed. Ž—·ȱŽȱ’Ÿ˜’œȱǻŠ›’œDZȱŽœȱŽ–™œȱŽȱ•Šȱ›ŽœœŽǰȱŗşŜśǼǰȱŚŘŘǯ 64 / Publishing History 77: 2017

‘ŽȱŽ’˜›Ȃœȱ˜™Ž—’—ȱ ˜›œȱŠ›Žȱ—˜Ž ˜›‘¢ȱ˜›ȱ ‘Šȱ‘Ž¢ȱœžŽœȱ Š‹˜žȱŠ™™›˜ŠŒ‘Žœȱ˜ȱ‘Žȱœž¢ȱ˜ȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–ǯȱ™˜›Š’Œȱ‘˜ž‘ȱ’ȱ’œǰȱ ‘ŽȱŽ¡’œ’—ȱ•’Ž›Šž›Žȱ›ŽŠœȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–ȱŠœȱŠ—ȱȁ˜ŽžŸ›ŽȱŽœȱ™˜’•žœȂȱŠ—ȱ žœŽœȱ‘Žȱ™Ž›’˜’ŒŠ•œȱ˜ȱŽ¡™•˜›Žȱ ‘¢ȱœ˜•’Ž›œȱŒ˜—’—žŽȱ˜ȱꐑǰȱŠ—ȱ’—šž’›¢ȱ into the politics of endurance that opens Robert Nelson’s impressive study of German trench journalism.Ś The answer to that question is the trench press, which existed to maintain morale and cohesion, and which ™•Š¢ŽȱŠ—ȱ’–™˜›Š—ȱ™Š›ȱ’—ȱœ›žŒž›’—ȱ‘Žȱœ‘Š›Žȱ‹Ž•’ŽœȱŠ—ȱ’Ž—’’Žœȱ of an army community. For Floris Prems, for instance, the primary use of Flemish trench publications for war historians is the contribution they –Š”Žȱ˜ȱȁ‘Žȱ‘’œ˜›¢ȱ˜ȱœ˜•’Ž›ȱ™œ¢Œ‘˜•˜¢Ȃǯȱ˜›ȱ ǯ ǯȱž••Ž›ǰȱ˜˜ǰȱ›’’œ‘ȱ

ȱŚȱ On Germanȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–DZȱ˜‹Ž›ȱŽ•œ˜—ǰȱȁ˜•’Ž›ȱŽ œ™Š™Ž›œDZȱȱœŽž•ȱ˜ž›ŒŽȱ in the Social and Cultural History of the First World War’, War in HistoryȱŗŝǯŘȱǻŘŖŗŖǼDZȱ ŗŜŝȬŗşŗDzȱ German Soldier Newspapers of the First World Warȱ ǻŠ–‹›’ŽDZȱ Š–‹›’Žȱ —’ŸŽ›œ’¢ȱ›ŽœœǰȱŘŖŗŗǼDzȱȁ Ž›–Š—ȱ˜•’Ž›ȱŽ œ™Š™Ž›œȱŠ—ȱ‘Ž’›ȱ••’Žȱ˜ž—Ž›™Š›œȂǰȱ in Reading and the First World War: Readers, Texts, Archives, ed. Shafquat Towheed Š—ȱ –ž—ȱ ’—ȱ ǻŠœ’—œ˜”ŽDZȱ Š•›ŠŸŽȱ ŠŒ–’••Š—ǰȱ ŘŖŗśǼǰȱ ŘŖşȬŘŘŜǯȱ —ȱ —•’œ‘ȱ and Dominionȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–DZȱǯȱŒ‘•Žœ’—Ž›ǰȱȁ‘Žȱ ‘Š”’ȱ ˜ž›—Š•’œœǰȱŗşŗŝȬŗşŗşȂǰȱ The Mississippi Valley Historical ReviewȱŜǯřȱǻŗşŗşǼDZȱřśŖȬřśşDzȱǯǯȱ˜›—Ž‹’œŽǰȱThe Stars and Stripes: Doughboy Journalism in World War IȱǻŽœ™˜›DZȱ ›ŽŽ— ˜˜ȱ›ŽœœǰȱŗşŞŚǼDzȱ Ranks and Columns: Armed Forces Newspapers in American WarsȱǻŽœ™˜›DZȱ ›ŽŽ— ˜˜ȱ ›ŽœœǰȱŗşşřǼDzȱ ǯ ǯȱž••Ž›ǰȱTroop Morale and Popular Culture in the British and Dominion Armies 1914-1918ȱǻ¡˜›DZȱ•Š›Ž—˜—ȱ›ŽœœǰȱŗşşŖǼDzȱ ˜‘—ȱŽž–ǰȱȁ›’’œ‘ȱ›–¢ȱ›Ž—Œ‘ȱ ˜ž›—Š•œȱŠ—ȱŠȱ Ž˜›Š™‘¢ȱ˜ȱ Ž—’¢Ȃǰȱ’—ȱPublishing in the First World War: Essays in Book Historyǰȱ Žǯȱ Š›¢ȱ Š––˜—ȱ Š—ȱ ‘ŠšžŠȱ ˜ ‘ŽŽȱ ǻŠœ’—œ˜”ŽDZȱ Š•›ŠŸŽȱ ŠŒ–’••Š—ǰȱ ŘŖŖŝǼǰȱ ŗŘşȬŗŚŝDzȱ ’–ȱ ˜˜”ǰȱ ȁ—’Ȭ‘Ž›˜Žœȱ˜ȱ ‘Žȱ Š—Š’Š—ȱ ¡™Ž’’˜—Š›¢ȱ Force’, Journal of the Canadian Historical SocietyȱŗşǯŗȱǻŘŖŖŞǼDZȱŗŝŗȬŗşřDzȱ–Š—ŠȱŠžŽœŽ—ǰȱ Boredom is the Enemy: The Intellectual and Imaginative Lives of Australian Soldiers in the Great War and Beyondȱ ǻŠ›—‘Š–DZȱ œ‘ŠŽǰȱ ŘŖŗŘǼDzȱ ›Š‘Š–ȱ ŽŠ•ǰȱ The Soldiers’ Press. Trench Journals in the First World Warȱ ǻŠœ’—œ˜”ŽDZȱ Š•›ŠŸŽȱ ŠŒ–’••Š—ǰȱ ŘŖŗřǼǯȱ On Frenchȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–DZȱ—›·ȱ‘Š›™Ž—’Ž›ǰȱLe livre d’or des journaux du front 1914- 1918, feuilles bleu-horizonȱǻŠ›’œDZȱ –™›’–Ž›’ŽȱŽȱŠž’›Š›ǰȱŗşřśǼDzȱŠ¡’–ŽȱŽ¢Š—ǰȱ ‘La Presse des Tranchées’, in Histoire de La Presse Française II: De 1881 à nos jours, ŽǯȱŽ—·ȱŽȱ’Ÿ˜’œȱǻŠ›’œDZȱŽœȱŽ–™œȱŽȱ•Šȱ›ŽœœŽǰȱŗşŜśǼDZȱŚŗşȬŚŘŝDzȱ·™‘Š—Žȱž˜’—Ȭ ˜ž£ŠžǰȱŗŚȬŗŞDZȱŽœȱŒ˜–‹ŠĴŠ—œȱŽœȱ›Š—Œ‘·ŽœȱǻŠ›’œDZȱ›–Š—ȱ˜•’—ǰȱŗşŞŜǼǯȱOn Ž•’Š— ›Ž—Œ‘ȱ “˜ž›—Š•’œ–DZȱ •˜›’œȱ ›Ž–œǰȱ ȁ•ŠŠ–œŒ‘Žȱ ›˜—‹•ŠŠ“Žœȱ Ž—ȱ ˜˜›Ž•’“”Žȱ ǻŗşŗŚȬ ŗşŗŞǼȂǰȱBijdragen tot de GeschiedenisȱŗŚȱǻŗşŘŘȬŗşŘřǼDZȱŚśśȬŚśŜDzȱǯȱŽ›‹˜ž ŽǰȱDe Vlaamsche ›˜—‹•ŠŠ“Žœȱ Žž›Ž—Žȱ Ž—ȱ Ž›Ž•˜˜›•˜ȱ ŗşŗŚȬŗşŗŞǯȱ ’‹•’˜›ŠęœŒ‘Žȱ Ž—ȱ ‘’œ˜›’œŒ‘Žȱ —˜ŠȂœ ǻ— Ž›™Ž—DZȱŗşŘřǼDzȱǯȱŽ››Š—ǰȱLa presse francophone de tranchée au front belge, 1914- 1918ȱ ǻ›žœœŽ•DZȱ ˜—’—”•’“”ȱ žœŽž–ȱ ŸŠ—ȱ ‘Žȱ ŽŽ›ȱ Ž—ȱ ŸŠ—ȱ ›’“œŽœŒ‘’ŽŽ—’œǰȱ ŗşŝŗǼDzȱ G. Bulthé, De Vlaamse loopgravenpers tijdens de Eerste Wereldoorlogȱǻ›žœœŽ•DZȱ ˜—’—”•’“”ȱ žœŽž–ȱŸŠ—ȱ‘ŽȱŽŽ›ȱŽ—ȱŸŠ—ȱ ›’“œŽœŒ‘’ŽŽ—’œǰȱŗşŝŗǼǯ Van Dijck, Demoor, Posman: Between the Shells / 65

counterparts publicly lay down ‘the mood of the moment’.ś This appears ˜ȱ‘ŠŸŽȱ‹ŽŽ—ȱ˜—Žȱ˜ȱ‘Žȱ˜ĜŒ’Š•ȱ™ž›™˜œŽœȱ˜ȱŠ›–¢ȱ™Ž›’˜’ŒŠ•œȱŠ•›ŽŠ¢ȱž›’—ȱ ‘ŽȱŒ˜—Ě’ŒDZȱ’—ȱŠ›Œ‘ȱŗşŗŜȱ Ž—Ž›Š•ȱ ˜ě›ŽȱŠ–’ĴŽȱ‘Šȱ›Š—ŒŽȂœȱ’—’œ›¢ȱ ˜ȱ˜›Ž’—ȱ슒›œȱžœŽȱ‘Žȱ›Ž—Œ‘ȱ™›Žœœȱ˜ȱŠ••˜ ȱ˜›Ž’—ȱŒ˜››Žœ™˜—Ž—œȱ ’—œ’‘ȱ’—˜ȱ‘ŽȱŽ¡ŒŽ••Ž—ȱ–˜›Š•Žȱ˜ȱ‘Žȱ›˜˜™œȱŠȱ‘Žȱ›˜—ǯŜȱ‘ŠȱŽ–Ž›Žœȱ ›˜–ȱ‘Žȱ’–™˜›Š—ȱ ˜›”ȱ˜ȱ·™‘Š—Žȱž˜’—Ȭ˜ž£ŽŠžǰȱ ǯ ǯȱž••Ž›ǰȱŠ—ȱ ›Š‘Š–ȱŽŠ•ǰȱŠ–˜—ȱ˜‘Ž›œǰȱ’œȱŠȱŒ•ŽŠ›Ž›ȱ™’Œž›Žȱ˜ȱ ‘¢ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱ were produced and read (pourqoui il est né) but not explicitly of what they were and how they were started (ce que sera ce journal).7 The nature and Ž—Žœ’œȱ˜ȱ‘Žȱ›Ž—Œ‘ȱ™›Žœœȱ’œȱ‘Žȱœž‹“ŽŒȱ˜ȱ‘’œȱŽœœŠ¢ǯ Žœ™’Žȱ’œŒ•˜œ’—ȱ‘ŽȱŸŠ›’˜žœȱ Š¢œȱ’—ȱ ‘’Œ‘ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱȁꕕȱ˜žȱ ‘Žȱ•’ŽȬ ˜›•ȱ˜ȱ‘Žȱœ˜•’Ž›œȂǰŞȱ›Ž–Š›”Š‹•¢ȱ•’Ĵ•ŽȱŠĴŽ—’˜—ȱ’œȱ™Š’ȱ’—ȱŽ¡’œ’—ȱ œŒ‘˜•Š›œ‘’™ȱ˜ȱ‘˜ ȱ‘Ž¢ȱŒŠ–Žȱ’—˜ȱ‹Ž’—ǰȱŽœ™ŽŒ’Š••¢ȱ›˜–ȱŠȱŒ˜–™Š›Š’ŸŽȱ Š—•Žǯȱ‘Žȱ’›œȱ˜›•ȱŠ›ȱ ŠœȱŠȱ–˜–Ž—ȱ˜ȱŒž•ž›Š•ȱŽ—Œ˜ž—Ž›ǰȱ‹žȱ–žŒ‘ȱ œŒ‘˜•Š›œ‘’™ȱ˜—ȱ‘Žȱ™‘Ž—˜–Ž—˜—ȱ˜ȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–ȱ›Ž–Š’—œȱŒ˜—ę—Žȱ within national boundaries.ş This comparative essay instead focuses on a small set of representative publications created on the Western Front, ’—Œ•ž’—ȱ‘ŽȱWipers Times (British army), Bellica, Le Bochofage and Le Poilu du 6-9 (French army) and Antwerpen en Omheining, Ik ben Roeland and Saint- ›˜—ȱ˜’•žę·ȱǻŽ•’Š—ȱŠ›–¢ǼǯŗŖ First, it explores the production context of —Ž—Žȱ–ŠŠ£’—Žœǯȱ‘Šȱ•’Ĵ•Žȱ™›ŽœœŽœȱ Ž›ŽȱŽœŠ‹•’œ‘ŽȱŠŠ’—œȱ‘Žȱ˜œȱ

ȱśȱ ȁ‹’“›ŠŽȱ ˜ȱ Žȱ ŽœŒ‘’ŽŽ—’œȱ Ž›ȱ œ˜•ŠŽ—Ȭ™œ¢Œ‘˜•˜’ŽȂǯȱ ›Ž–œǰȱ ȁ•ŠŠ–œŒ‘Žȱ ›˜—‹•ŠŠ“ŽœȂǰȱŚśśǯȱž••Ž›ǰȱTroop Moraleǰȱŗśǯ ȱŜȱ ȱȱ ž˜Žȱ’—ȱž˜’—Ȭ˜ž£ŽŠžǰȱ14-18ǰȱŘřǯ 7 ȱ ‘’œȱ’œȱŠ•œ˜ȱ‘ŽȱŠ’–ȱ˜ȱŽ›”Ž¢Ȃœȱ’œŒžœœ’˜—ȱ˜ȱ‘Žȱœ˜•’Ž›ȱ–ŠŠ£’—Žœȱ˜ȱ‘Žȱ™Š—’œ‘Ȭ –Ž›’ŒŠ—ȱ Š›DZȱ ȁ›Š‘Ž›ȱ ‘Š—ȱ žœŽȱ ǽdzǾȱ œ˜•’Ž›ȱ ™Š™Ž›œȱ ˜ȱ ̎œ‘ȱ ˜žȱ ‘Žȱ ŽŸŽ›¢Š¢ȱ •’Žȱ ˜ȱ ž›—Ȭ˜Ȭ‘ŽȬŒŽ—ž›¢ȱ œ˜•’Ž›œǰȱ ȱ Š—ȱ ˜ȱ ˜›Ž›˜ž—ȱ ‘Ž’›ȱ œŠžœȱ Šœȱ ™Ž›’˜’ŒŠ•œǰȱ Šȱ œ‘’ȱ‘ŠȱŽ—Š‹•ŽœȱŠȱŽŽ™Ž›ȱŒ˜—œ’Ž›Š’˜—ȱ˜ȱ‘ŽȱŒž•ž›Š•ȱ ˜›”ȱ™Ž›˜›–Žȱ‹¢ȱœ˜•’Ž›ȱ —Ž œ™Š™Ž›œȂǯȱ Š–ŽœȱŽ›”Ž¢ǰȱȁ™•Ž—’ȱ’Ĵ•ŽȱŠ™Ž›œȱ›˜–ȱ‘Žȱȃ™•Ž—’ȱ’Ĵ•ŽȱŠ›ȄDZȱ Š™™’—ȱ –™’›Žȱ ’—ȱ ‘Žȱ ˜•’Ž›ȱ Ž œ™Š™Ž›œȱ ˜ȱ ‘Žȱ ™Š—’œ‘Ȭ–Ž›’ŒŠ—ȱ Š›Ȃǰȱ The Journal of Modern Periodical StudiesȱřǯŘȱǻŘŖŗŘǼDZȱŗśŞȬŝŚǰȱ‘Ž›ŽȱŗŜŖǯ ȱŞȱ ȱȱ Ž•œ˜—ǰȱȁ˜•’Ž›ȱŽ œ™Š™Ž›œȂǰȱŗŜŞǯ ȱşȱ ȱ ¡Ž–™•Š›¢ȱ’œȱŽ¢Š—ȂœȱŒ•Š’–ȱ‘Šȱȁ•ŽȱŸŽ›’Š‹•Žȱ“˜ž›—Š•ȱŽȱ›Š—Œ‘·Žœȱ—Žȱ™˜žŸŠ’ȱ—ŠÉ›Žȱ qu’en France’. Ž¢Š—ǰȱȁ›ŽœœŽȱŽœȱ›Š—Œ‘·ŽœȂǰȱŚŘŜǯȱ ŗŖ ȱ ‘’œȱŽœœŠ¢ȱ’œȱ˜—•¢ȱŒ˜—ŒŽ›—Žȱ ’‘ȱ–ŠŠ£’—Žœȱ™›˜žŒŽȱ’—ȱ˜›ȱ—ŽŠ›ȱ‘Žȱ›Ž—Œ‘ŽœǰȱŠ—ȱ ‘Ž›Ž˜›Žȱ Ž¡Œ•žŽœȱ –ŠŠ£’—Žœȱ ™ž‹•’œ‘Žȱ ’—ȱ ›Š’—’—ȱ ŒŠ–™œǰȱ ‘˜œ™’Š•œǰȱ ȱ ŒŠ–™œȱ ˜›ȱ˜—ȱ‹˜ŠœǯȱŸŽ—ȱ‘ŽȱŠ›ȱĜŒŽȱ’—ȱ˜—˜—ȱ‘Šȱ’œȱ˜ —ȱŠ£ŽĴŽǯȱ‘ŽœŽȱ™ž‹•’ŒŠ’˜—œȱ ˜ž—ȱ ‘Ž’›ȱ Š¢ȱ ’—˜ȱ ‘Žȱ ǻœŒ‘˜•Š›•¢ȱ Š—ȱ Œ˜—Ž–™˜›Š›¢Ǽȱ –Š’—œ›ŽŠ–ȱ –˜›Žȱ ŽŠœ’•¢DZȱ Reveille, for instance, a journal devoted to the disabled sailor and soldier, was edited ‹¢ȱ ˜‘—ȱ Š•œ ˜›‘¢ǰȱŠ—ȱŽŠž›ŽȱŒ˜—›’‹ž’˜—œȱ‹¢ȱœžŒ‘ȱꐞ›ŽœȱŠœȱ’‘ȱ‘Š›˜—ǰȱ Thomas Hardy and Joseph Conrad. 66 / Publishing History 77: 2017

˜ȱ Š›Š›ŽȱŠœŒ’—ŠŽȱ‘ŽȱŒ˜—Ž–™˜›Š›¢ȱ™ž‹•’ŒDZȱ‘Žȱ›Ž—Œ‘ȱŠŸŠ—ȬŠ›Žȱ poet Guillaume Apollinaire, for instance, contributed a short anecdotal ŽœœŠ¢ȱŽ—’•ŽȱȁȂ ’œ˜’›ŽȱȂž—ŽȱŠ£ŽĴŽȱžȱ›˜—Ȃȱ˜ȱ‘ŽȱMercure de France ’—ȱ Š—žŠ›¢ȱŗşŗŝǯȱ‘ŽȱŽœœŠ¢ȱȱ™›˜ę•Žœȱ‘ŽȱŽ’˜›œǰȱ›ŽŠŽ›œȱŠ—ȱŒ˜—›’‹ž˜›œȱ involved, and shows how a comparative approach can complement what ŽȱŠ•›ŽŠ¢ȱ”—˜ ȱ˜ȱ‘ŽȱŠ™™Š›Ž—•¢ȱ•’–’Žȱ’œ›’‹ž’˜—ȱŠ—ȱœŒ˜™Žȱ˜ȱ‘Žȱ ›Ž—Œ‘ȱ™›Žœœǯȱ’—Š••¢ǰȱ’ȱŠœ”œȱ‘˜ ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱęȱ’—˜ȱ‘Žȱ›Š–Ž ˜›”ȱ ˜ȱ ™Ž›’˜’ŒŠ•ȱ œž’Žœǰȱ Š›ž’—ȱ ˜›ȱ ‘Ž’›ȱ Ž¡žŠ•ȱ ŠĜ—’¢ȱ ’‘ȱ œŒ‘˜˜•ȱ –ŠŠ£’—Žœǯȱ‘Žȱ›Ž—Œ‘ȱ™›Žœœȱ‘ŠœȱŽ¡Œ•žœ’ŸŽ•¢ȱ‹ŽŽ—ȱ›ŽŠȱŠ—ȱœž’Žȱ‹¢ȱ historians, who consider it a distinctive phenomenon of the cultural ‘’œ˜›¢ȱ˜ȱ‘Žȱ’›œȱ˜›•ȱŠ›ǯȱ‘Žȱ‹Ž—Žęȱ˜ȱœ’žŠ’—ȱ‘ŽœŽȱ–ŠŠ£’—Žœȱ ꛖ•¢ȱ ’‘’—ȱŒ˜—Ž–™˜›Š›¢ȱ™›’—ȱŒž•ž›Žȱ’œȱ‘Šȱ’ȱ—žŠ—ŒŽœȱ‘Šȱ—˜’˜—ȱ ˜ȱ Ž¡ŒŽ™’˜—Š•’¢ǯȱ ȱ Š•œ˜ȱ ™›˜Ÿ’Žœȱ Šȱ œ™ŠŒŽȱ ˜›ȱ Š›Žœœ’—ȱ œ˜–Žȱ ˜ȱ ‘Žȱ Œ˜—žœ’˜—œȱ’—ȱŽę—’’˜—ȱŠ—ȱŒŠŽ˜›’œŠ’˜—ȱ‘Šȱž—Ž›•’Žȱ–žŒ‘ȱ‘’œ˜›’ŒŠ•ȱ Š—Š•¢œ’œǯȱ œȱ Šȱ Ž—›Žǰȱ œ˜•’Ž›ȱ ™Š™Ž›œȱ Š›Žȱ ȁ’ĜŒž•ȱ ˜ȱ Žę—ŽȂǯ11 While Ž•œ˜—ǰȱ˜˜”ȱŠ—ȱ˜‘Ž›œȱŒ˜—œ’œŽ—•¢ȱœ™ŽŠ”ȱ˜ȱȁ—Ž œ™Š™Ž›œȂȱ›Š‘Ž›ȱ‘Š—ȱ ȁ™Ž›’˜’ŒŠ•œȂǰȱ–Š—¢ȱœ˜•’Ž›Ȭ“˜ž›—Š•’œœȱ‘Ž–œŽ•ŸŽœȱ Ž›ŽȱŒ˜—œŒ’˜žœȱ˜ȱ‘Žȱ distinction.ŗŘȱŽȱœžŽœȱ“˜ž›—Š•œȱ•’”ŽȱBellicaȱęȱ’—˜ȱ‘Žȱ‘’œ˜›¢ȱ˜ȱ ‘Šȱ Œ˜—Ž–™˜›Š›’ŽœȱŒŠ••Žȱ‘Žȱȁ•’Ĵ•Žȱ–ŠŠ£’—ŽȂȱ˜›ȱȁ™Ž’Žȱ›ŽŸžŽȂDZȱŒ˜Ž›’ŽȬ‹ŠœŽȱ ™ž‹•’ŒŠ’˜—œȱŽę—Žȱ‹¢ȱ‘Ž’›ȱ™Ž›’˜’ŒŠ•ȱŠ™™ŽŠ›Š—ŒŽȱ‹žȱ—˜ȱ—ŽŒŽœœŠ›’•¢ǰȱ Š—ȱ—ŽŸŽ›ȱŽ¡Œ•žœ’ŸŽ•¢ǰȱ‘ŽȱŠ’•¢ȱ˜›ȱ ŽŽ”•¢ȱ‹ŽŠ›Ž›ȱ˜ȱŠ›–¢ȱ—Ž œǯȱ

   ȱ ȱ ȱ  —Žȱ˜ȱ‘Žȱ–˜œȱ’–™›Žœœ’ŸŽȱ˜›’’—ȱœ˜›’Žœȱ’œȱ‘Šȱ˜ȱ‘ŽȱWipers Times, a –ŠŠ£’—Žȱ™›˜žŒŽȱ—ŽŠ›ȱ‘Žȱ›Ž—Œ‘Žœȱ‹¢ȱ‘Žȱ‘Ž› ˜˜ȱ˜›ŽœŽ›œȱŠœȱ‘Ž¢ȱ –˜ŸŽȱ‹Ž ŽŽ—ȱŽ•’ž–ȱŠ—ȱ—˜›‘Ž›—ȱ›Š—ŒŽǯŗř It was initially a modest ™ž‹•’ŒŠ’˜—DZȱ’œȱꛜȱ’œœžŽǰȱŠ™™ŽŠ›’—ȱ’—ȱŽ‹›žŠ›¢ȱŗşŗśǰȱ‘ŠȱŠȱŒ’›Œž•Š’˜—ȱ ˜ȱ—˜ȱ–˜›Žȱ‘Š—ȱŗŖŖȱŒ˜™’ŽœǯȱŽŠ—ȱ˜ȱ’ŸŽ›ǰȱ ’‘ȱŠȱ”’—ȱ˜ȱȁ‘’•Š›’¢ȱ‘Šȱ

11 Nelson, German Soldier NewspapersǰȱŗŜǯ ŗŘ ȱ ȁž›ȱ•’Ĵ•Žȱ–ŠŠ£’—Žȱ’œȱ—˜ȱŠȱ—Ž œ™Š™Ž›ǯȱ›’Ž—œȱ‘ŠŸŽȱŠœ”Žȱ ‘¢ȱ ŽȱŠ’•Žȱ˜ȱ’ŸŽȱ Š—ȱŠŒŒ˜ž—ȱ•Šœȱ–˜—‘ȱ˜ȱ‘Žȱ‘›’œ–ŠœȱŽœ’Ÿ’’Žœȱ’—ȱ‘Žȱ‘˜œ™’Š•ȱǽdzǾȱžǰȱ•ŠŽȱ’—ŽŽȱ ‘˜ž‘ȱ ŽȱŠ›Žȱ ’‘ȱ˜ž›ȱ‘›’œ–Šœ’–Žȱ’—Ž••’Ž—ŒŽǰȱ Žȱ˜ěŽ›ȱ—˜ȱŠ™˜•˜¢ǯȱ‘Žȱ Š£ŽĴŽȱ ’œȱ—˜ȱŠȱ—Ž œ™Š™Ž›ȱǻŠœȱ Žȱ‘ŠŸŽȱœŠ’ȱ‹Ž˜›ŽǼǰȱŠ—ȱ‘Ž›Ž˜›Žȱ‘Šœȱ‘ŽȱŠŸŠ—ŠŽȱ˜ȱ‹Ž’—ȱ Š‹•Žȱ˜ȱŽŠ•ȱ’—ȱŠěŠ’›œȱ ‘’Œ‘ȱ˜ȱ—˜ȱŒ˜—ŒŽ›—ȱ‘Žȱ™ž‹•’ŒDZȱ ŽȱŠ›Žȱ›Š—”•¢ȱ–˜›Žȱ’—Ž›ŽœŽȱ ’—ȱ ‘Šȱ‘Š™™Ž—Žȱœ’¡ȱ ŽŽ”œȱŠ˜ȱ’—ȱ‘Žȱ‘˜œ™’Š•ȱ‘Š—ȱ’—ȱ ‘Šȱ‘Š™™Ž—Žȱ¢ŽœŽ›Š¢ȱ outside.’ ‘Editorial Notes’, ‘Žȱ Š£ŽĴŽȱ˜ȱ‘Žȱ‘’›ȱ˜—˜—ȱ Ž—Ž›Š•ȱ ˜œ™’Š•ǰȱŠ—œ ˜›‘ ŗǯśȱǻŽ‹›žŠ›¢ȱŗşŗŜǼDZȱŗŖŞǯ ŗř The Wipers Timesȱ ’œȱ ‘Žȱ ‹ŽœȬ”—˜ —ȱ ›Ž—Œ‘ȱ –ŠŠ£’—Žǯȱ ȱ ‘Šœȱ ‹ŽŽ—ȱ ›Ž™›˜žŒŽȱ ’—ȱ ŠŒœ’–’•Žȱ ‘›˜ž‘˜žȱ ‘Žȱ ŘŖthȱ ŒŽ—ž›¢ȱ ǻŗşŗŞǰȱ ŗşŞŞǰȱ ŘŖŗŖǰȱ ŘŖŗřǼȱ Š—ȱ ‘Žȱ œ˜›¢ȱ ˜ȱ ’œȱ ™ž‹•’ŒŠ’˜—ȱ Šœȱž›—Žȱ’—˜ȱŠȱȱ–’—’ȬœŽ›’Žœǯȱ Van Dijck, Demoor, Posman: Between the Shells / 67

was more often hysterical than natural’, the Wipers Times contained œ‘Š–ȱ ŠŸŽ›œȱ Š—ȱ Šȱ ŸŠ›’Ž¢ȱ ˜ȱ ‘ž–˜›˜žœȱ ™˜Ž–œǰȱ ™Š›˜’Žœǰȱ ꌝ’˜—Š•ȱ —˜Žœǰȱ Š—ŽŒ˜Žœȱ Š—ȱ •ŽĴŽ›œǯŗŚȱ ‘Žȱ ˜—Žȱ ’œȱ •’‘Ȭ‘ŽŠ›Žȱ ‘›˜ž‘˜žǰȱ Šȱ Œ‘Š›ŠŒŽ›’œ’Œȱœ˜ȱ¢™’ŒŠ•ȱ˜ȱ›’’œ‘ȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–ȱ‘Šȱœ˜–ŽȱŒ˜–™Ž’—ȱ ™Š™Ž›œȱ˜ž—ȱ‘Ž¢ȱ Ž›Žȱ•˜œ’—ȱ›ŽŠŽ›œȱŠœȱ‘Ž¢ȱœ›Š¢Žȱ›˜–ȱ‘Žȱ˜›’’—Š•ȱ œŽȬž™ȱ˜ȱ˜™’ŒŠ•ȱŠ—ȱŒ‘ŽŽ›ž•ȱŠ›’Œ•Žœǯŗśȱ‘Žȱ–ŠŠ£’—Žȱ Šœȱ’—Ž—Žȱ˜ȱ Š™™ŽŠ›ȱ ŽŽ”•¢ȱž—•Žœœȱ’ȱȁŒ˜–Žȱ˜ȱŠ—ȱž—’–Ž•¢ȱŽ—ȱ‹¢ȱŠ—¢ȱŠŸŽ›œŽȱŒ›’’Œ’œ–ȱ ˜›ȱŠĴŽ—’˜—œȱ‹¢ȱ˜ž›ȱ•˜ŒŠ•ȱ›’ŸŠ•ǰȱŽœœ›œǯȱ ž—ȱŠ—ȱ˜ȂǯŗŜ ›˜‹Š‹•¢ȱ‘Žȱ‹ŽœȬ”—˜ —ȱ™ž‹•’ŒŠ’˜—ȱ˜ȱ’œȱ”’—ǰȱ‘ŽȱWipers Times žœŽž••¢ȱ›ŽŒ˜›Žȱ‘˜ ȱ’ȱŒŠ–Žȱ’—˜ȱ‹Ž’—ǰȱ’—ȱŠȱœ’–’•Š›•¢ȱ˜—žŽȬ’—ȬŒ‘ŽŽ”ȱ Š¢ǯȱ ȁǽǾ’Œ”ǽ’—Ǿȱ ž™ȱ Šȱ ™›’—’—ȱ ˜žęȱ ǻœ•’‘•¢ȱ œ˜’•ŽǼȱ Šȱ Šȱ ›ŽŠœ˜—Š‹•Žȱ ™›’ŒŽȂȱ–ŽŠ—ȱ‘Šȱ‘ŽȱŽ’˜›œȱ˜ž—ȱŠȱŠ–ŠŽȱ™›Žœœȱ’—ȱŠ—ȱŠ‹Š—˜—Žȱ ™›’—Ž›Ȃœȱœ‘˜™ȱ’—ȱ™›Žœǯȱ›’’—ȱ˜ȱ‘’œȱ’œŒ˜ŸŽ›¢ǰȱ‘ŽȱŽ’˜›ȱŠ™Š’—ȱǯ ǯȱ ˜‹Ž›œǰȱœŠŽȱ‘Šȱȁ‘Ž›Žȱ Ž›Žȱ™Š›œȱ˜ȱ‘Žȱ‹ž’•’—ȱ›Ž–Š’—’—ǰȱ‘Žȱ›Žœȱ Šœȱ˜—ȱ˜™ȱ˜ȱ‘Žȱ™›Žœœǯȱ‘Žȱ¢™Žȱ ŠœȱŠ••ȱ˜ŸŽ›ȱ‘ŽȱŒ˜ž—›¢Ȭœ’ŽȂǰȱŠ—ȱ‘Žȱ ’–Š’—Žœȱ‘ŽȱœŒŽ—Žȱ˜ȱŽ—ŒŠ™œž•ŠŽȱȁ‘Žȱ–˜œȱ™Ž›ŽŒȱ™’Œž›Žȱ˜ȱ‘ŽȱŽěŽŒœȱ ˜ȱ ž•ž›ȱŠœȱ’—Ž›™›ŽŽȱ‹¢ȱśǯşȂœȱŽŸŽ›ȱœŽŽ—Ȃǯ17ȱŽȱ”—˜ ȱ‘Šȱ‘Žȱꛜȱ’œœžŽœȱ were printed on a Marinoni press in the cellar of the ruined printer’s œ‘˜™ȱ‹Ž˜›Žȱ’ȱ ŠœȱŽœ›˜¢Žȱ‹¢ȱœ‘Ž••’—ǯȱȱ—Ž ȱœ–Š••ȱ›ŽŠ•Žȱ–ŠŒ‘’—Žȱ ™›Žœœȱ Šœȱ˜ž—ȱ’—ȱ™›ŽœȂœȱ˜›™‘Š—ŠŽȱœ˜˜—ȱ‘Ž›ŽŠŽ›ǰȱŠ—ȱ‘ŽȱŽ’˜›’Š•ȱ ˜ĜŒŽȱ Šœȱ–˜ŸŽȱ˜ȱ‘Žȱ Š£Ž–ŠĴŽ—ȱǻŠœŽ–ŠŽœǼǰȱ‘Žȱ›Š–™Š›œȱž—Ž›ȱ‘Žȱ Šž‹Š—ȱ˜›’ęŒŠ’˜—œȱœž››˜ž—’—ȱ‘Žȱ˜ —ǰȱ‹Ž‘’—ȱ‘ŽȱŒ‘ž›Œ‘ȱ˜ȱŠ’—ȱ ŠŒ˜‹œȱǽęǯȱŗǾǯŗŞ was under almost continuous bombardment, yet the ™›˜žŒ’˜—ȱ˜ȱ‘Žȱ–ŠŠ£’—Žȱ–žœȱ‘ŠŸŽȱ‹ŽŽ—ȱŠȱ™Š›’Œž•Š›•¢ȱŽ—Ž›Š’—’—ȱ occupation. ‘Our casemate will always be vividly remembered by those ‘˜ȱ”—Ž ȱ’Ȃǰȱ›ŽŒŠ••Žȱ‘ŽȱŽ’˜›ȱŠŽ›ȱ‘Žȱ Š›DZ Žȱ‘ŠȱŠȱ™’Š—˜ȯ•˜˜ȱ›˜–ȱŠȱ—Ž’‘‹˜ž›’—ȱŒŽ••Š›ȱ ‘Ž›Žȱ’ȱ‘Šȱ ‹ŽŽ—ȱ ™›˜™™’—ȱ ž™ȱ ‘Žȱ ›Ž–—Š—œȱ ˜ȱ Šȱ ‘˜žœŽȯŠȱ ›Š–˜™‘˜—Žǰȱ Šȱ ™›’—’—Ȭ™›ŽœœȱŠ—ȱŠȱ•˜ȱ˜ȱœž‹Š•Ž›—œǯȱŠ—ȱŠ—¢˜—Žȱ ˜—Ž›ȱ‘Šȱ

ŗŚ R.J. Roberts, ‘How it happened’, in The Wipers Timesȱǻ˜—˜—DZȱ Ž›‹Ž›ȱ Ž—”’—œǰȱŗşŗŞǼǰȱ vii. This facsimile can be consulted at ‘Ĵ™œDZȦȦœžœœŽ¡‘Ž›ŽŠ Š›ǯꕎœǯ ˜›™›Žœœǯ Œ˜–ȦŘŖŗŚȦŖŘȦ ’™Ž›œǯ™ȱǻŠŒŒŽœœŽȱŗȱžžœȱŘŖŗŜǼǯ ŗś See also Fuller, Troop MoraleǰȱŗŜǯȱ ŗŜ ‘Editorial’, The Wipers TimesȱŗǯŗȱǻŗŘȱŽ‹›žŠ›¢ȱŗşŗŜǼDZȱ’’’ǯȱ 17 Roberts, ‘How it happened’, v. ŗŞ ȱ ‘Žȱ œ™ŠŒŽȱ ‘Šœȱ —˜ ȱ ‹ŽŽ—ȱ ž›—Žȱ ’—˜ȱ Šȱ ‹›Ž Ž›¢ȱ ™›˜žŒ’—ȱ Šȱ ‹ŽŽ›ȱ ŒŠ••Žȱ ‘Wipers Times’. For additional pictures of the Casemates, see the ™‘˜˜œȱ ™˜œŽȱ ‹¢ȱ ‘Žȱ ™œŽž˜—¢–˜žœȱ ȁ›’ĵȱ Ž–™Ȃȱ ˜—ȱ ‘Žȱ ˜›ž–ȱ Ž›œŽȱ Ž›Ž•˜˜›•˜ǰŗřǯŖŗǯŘŖŗŖDZ‘™DZȦȦ˜›ž–ŽŽ›œŽ Ž›Ž•˜˜›•˜ǯ‹ŽȦŸ’Ž ˜™’Œǯ ™‘™ǵƽŗŞŚŝřǭ‘’‘•’‘ƽ ’™Ž›œǭœ’ƽśŝŒŗŘŽŘŚŞŚŘŖŖŜřŒ‹řŽŗř‹Ġ‹Ŝŗ (accessed 1 žžœȱŗşŗŜǼǯ 68 / Publishing History 77: 2017

’ǯȱŗDZȱ‘ŽȱŠœŽ–ŠŽœȱǻȁ Š£Ž–ŠĴŽ—ȂǼǰȱ Ž™Ž›ȱŗşŗşǯȱ‘Žȱ˜›’ꮍȱŒ˜—œ›žŒ’˜—ȱ Šœȱ‘˜–Žȱ˜ȱ‘ŽȱŽ’˜›’Š•ȱ˜ĜŒŽȱ˜ȱ‘Žȱ’™Ž›œȱ’–Žœȱ’—ȱŗşŗŜǯ Van Dijck, Demoor, Posman: Between the Shells / 69

Žȱ Š›Žȱ ‹žȱ œ‘Š˜ œȱ ˜ȱ ˜ž›ȱ ˜›–Ž›ȱ œŽ•ŸŽœǵȱ ‘Ž—ȱ ›’ĵȂœȱ •˜ŸŽȬ ˜”Ž—œȱ Š››’ŸŽȱ ’‘ȱ ›ŽŠŽ›ȱ ›ŽšžŽ—Œ¢ȱ Š—ȱ ™›ŽŒ’œ’˜—ȱ ‘Š—ȱ Žȱ Š•˜Ž‘Ž›ȱ›Ž•’œ‘Žȱ Žȱ ˜ž•ȱž›—ȱ˜ž›ȱ ‘˜•Žȱ˜žęȱ˜—ȱ˜Ž‘Ž›ǯȱ ‘ŽȱŽěŽŒȱ˜ȱȁŠ—˜–’–Žȱ ’œȂȱ˜—ȱ‘Žȱ™’Š—˜ǰȱȁŠ—ŒŽȱ ’‘ȱŽȂȱ˜—ȱ ‘Žȱ›Š–˜™‘˜—ŽǰȱŠȱ—ž–‹Ž›ȱ˜ȱœž‹Š•Ž›—œǰȱŠ—ȱśȂşȱŠ—ȱŚȂ؜ȱ˜—ȱ‘Žȱ ›˜˜ǰȱ‘Šœȱ˜ȱ‹Žȱ‘ŽŠ›ȱ˜ȱ‹Žȱ›ŽŠ•’£ŽȱǽŠœȱ Žȱ Ž›ŽǾȱ›¢’—ȱ˜ȱ–Š”Žȱ Šȱ•’Ĵ•ŽȱŒ˜ŸŽ›ȱ˜›ȱ‘Žȱ•Šœȱ ‘˜ȱ Ž›Žȱ‘˜•’—ȱ˜—ȱ˜ȱ‘Žȱ›Ž–—Š—œȱ ˜ȱŽ•’ž–ȱ’—ȱ‘ŽȱŽŽ‘ȱ˜ȱŽŸŽ›¢ȱ’œŠŸŠ—ŠŽǰȱ’œŒ˜–˜›ȱŠ—ȱ peril.ŗş ›˜–ȱ‘Šȱ˜›’ꮍǰȱ–Š”Žœ‘’ȱŽ’˜›’Š•ȱ˜ĜŒŽȱ‘Žȱ™Š™Ž›ȱ Šœȱ˜ȱ–’›ŠŽȱ —ž–Ž›˜žœȱ ’–Žœǰȱ ™’Œ”’—ȱ ž™ȱ —Ž ȱ ’•Žœȱ Šœȱ ’ȱ Ž—ȱ Š•˜—DZȱ ꛜȱ ‘Žȱ New Church Timesǰȱ’—ȱ™›’•ȱŗşŗŜǰȱ‘ŽȱKemmel Times, in July, the Somme Times, later that summer, and, for censorship reasons, the B.E.F. Times at the Ž—ȱ ˜ȱ ‘Žȱ ¢ŽŠ›ȱ Š—ȱ ‘›˜ž‘˜žȱ ŗşŗŝǯŘŖȱ —ȱ ŽŠ›•¢ȱ ŗşŗŞȱ ‹˜‘ȱ ™›Žœœȱ Š—ȱ the March issue were lost when the division was forced to retreat. The Œ‘Š—Žȱ˜ȱ’•ŽȱŒ•ŽŠ›•¢ȱŽ••œȱžœȱœ˜–Ž‘’—ȱŠ‹˜žȱ‘Žȱ–˜ŸŽ–Ž—œȱ˜ȱ‘ŽȱŗŘth œŽ›Ÿ’ŒŽȱ‹ŠĴŠ•’˜—ȱ˜ȱ‘Žȱ˜Ĵ’—‘Š–ȱŠ—ȱŽ›‹¢œ‘’›ŽȱŽ’–Ž—ȱǻ˜ȱ ‘’Œ‘ȱ ‘Žȱ ‘Ž› ˜˜ȱ˜›ŽœŽ›œȱ Ž›ŽȱŠȱ ™Š›Ǽȱ Š•˜—ȱ ‘Žȱ ŽœŽ›—ȱ ›˜—•’—Žǰȱ ’‘ȱ ‘ŽȱŽŠ–ȱ˜ȱŽ’˜›œȱŠ—ȱŒ˜—›’‹ž’—ȱœ˜•’Ž›œȱ›Š’—ȱȃ™›ŽœœȱŠ—ȱ¢™Žȱ ǻ Ž’‘’—ȱřȱ˜—œǼȄȱ›˜–ȱ™›Žœǰȱ˜ȱŽžŸŽȱ•’œŽǰȱ˜ȱ Ž––Ž•ǰȱ˜ȱ˜›•ŠŒ˜ž›ȱ ˜—ȱ‘Žȱ˜––ŽǰȱŠ—ȱꗊ••¢ȱ˜ȱ‘ŽȱŠ›ŽŠȱŠ›˜ž—ȱ˜˜œǯŘŗȱ —ȱ˜ŸŽ–‹Ž›ȱŗşŗŞȱ ‘Žȱ –ŠŠ£’—Žȱ ›Žž›—œȱ Šœȱ ‘Žȱ ŽĴŽ›ȱ ’–Žœȱ ˜›ȱ  ˜ȱ ꗊ•ȱ —ž–‹Ž›œǰȱ •’Ÿ’—ȱ ž™ȱ˜ȱ‘Žȱȁ‘›ŽŠȱ˜ȱŒŠ››¢’—ȱ˜—ȱŠȱ™Š™Ž›ȱ’••ȱ‘Žȱ ž—ȱ’œȱ˜ —ȱŠ—ȱ˜žȂǯŘŘ ‘Ž›Žȱ Ž›Žȱ Š—ȱ Žœ’–ŠŽȱ ŗŖŝȱ ’•Žœȱ •’”Žȱ ‘Žȱ Wipers Times in the British and Dominion forces, a number that appears small in comparison to the ›˜ž‘•¢ȱŘŖŖȱ›Ž—Œ‘ȱ™ž‹•’ŒŠ’˜—œȱ‘Šȱœž›Ÿ’ŸŽȱ˜Š¢ȱ›˜–ȱŠȱ™˜˜•ȱ˜ȱ ‘Šȱ

ŗş Roberts, ‘How it happened’, v. ŘŖ ȱ ‘’œȱ ’œȱ —˜ȱ ž—Œ˜––˜—DZȱ Œ‘•Žœ’—Ž›ȱ ›Ž™˜›œȱ ˜—ȱ Šȱ ŽŽ”•¢ȱ ™Š™Ž›ǰȱ ™ž‹•’œ‘Žȱ Šȱ ‘Žȱ –Ž›’ŒŠ—ȱ Ž–‹Š›”Š’˜—ȱ ŒŠ–™ǰȱ ‘’Œ‘ȱ Œ‘Š—Žȱ ’œȱ ˜›’’—Š•ȱ ’•Žǰȱ Coming Over, into Coming Backȱ Šœȱ œ˜˜—ȱ Šœȱ ‘Žȱ –Ž›’ŒŠ—ȱ ›˜˜™œȱ ‹ŽŠ—ȱ ˜ȱ ›Žž›—ǯȱ Œ‘•Žœ’—Ž›ǰȱ ȁ ‘Š”’ȱ ˜ž›—Š•’œœȂǰȱřśŞǯ Řŗ F.J. Roberts, ‘For the Future Historians of the War’, The B.E.F. TimesȱŘǯŗȱǻžžœȱŗşŗŝǼDZȱ xv. ŘŘ ‘Editorial’. ‘ŽȱŽĴŽ›ȱ’–ŽœȱŗǯŘȱǻŽŒŽ–‹Ž›ȱŗşŗŞǼDZȱřǯȱBertrand points to an example from ‘ŽȱŽ•’Š—ȱŠ›–¢DZȱȁ •ȱ·Š’ȱ—˜›–Š•ȱšžŽȱBastogne à l’Yser devînt Bastogne au Rhin après —˜ŸŽ–‹›ŽȱŗşŗŞȂǯȱBertrand, presse francophone de tranchéeǰȱřǯ 70 / Publishing History 77: 2017

’œȱ‹Ž•’ŽŸŽȱ˜ȱ‘ŠŸŽȱ‹ŽŽ—ȱ˜ŸŽ›ȱŚŖŖȱ’œ’—Œȱ’•ŽœǯŘř Le PoiluǰȱŠȱ™›˜Žœœ’˜—Š•Ȭ •˜˜”’—ȱ–ŠŠ£’—ŽȱŽ’Žȱ‹¢ȱŠȱ˜Œ˜›ȱŠ—ȱȁŠ’ŽȬ–Š“˜›Ȃȱ’—ȱ‘ŽȱŗŖŞth infantry ›Ž’–Ž—ǰȱ‹ŽŠ—ȱ’œȱ™›˜žŒ’ŸŽȱ›ž—ȯŚŞȱ’œœžŽœȱ’—ȱ˜Š•ȯ˜—ȱŗśȱŽŒŽ–‹Ž›ȱ ŗşŗŚǯȱ ȱ Šœȱ ™›’—Žȱ ’—ȱ ‘¦•˜—œȬœž›ȬŠ›—Žȱ Š—ǰȱ ›ŽŠȱ ŠŒ›˜œœȱ ›Š—ŒŽǰȱ ›ŽŠŒ‘ŽȱŠȱ’œ›’‹ž’˜—ȱ˜ȱřŖǰŖŖŖǯȱœȱ’œȱ’•ŽȱœžŽœœǰȱ’ȱ Šœȱ–ŽŠ—ȱ˜›ȱŠ••ȱ ‘˜œŽȱȁ ’‘ȱ›žŽȱ‘ŽŠ›œȱŠ—ȱ‹›ŠŸŽȱŠŒŽœȱ ‘˜ȱŠ›Žȱ‘˜•’—ȱ˜—ȱ›˜–ȱ‘Žȱ ˜œŽœȱ˜ȱ‘Žȱ˜›‘ȱŽŠȱŠ—ȱ ‘˜ȱœŠ—ȱž™ȱ˜ȱ‘Žȱ‹Š›‹Š›’Š—œȂǯŘŚ Its purpose was to divert. Publications that surfaced in similar circumstances near the Ž•’Š—ȱ›˜—•’—Žœȱ Ž›ŽȱŽšžŠ••¢ȱ—ž–Ž›˜žœǰȱŽœ™ŽŒ’Š••¢ȱ’ŸŽ—ȱ‘Žȱœ’£Žȱ˜ȱ‘Žȱ Ž•’Š—ȱŠ›–¢DZȱŗřŗȱ’—ȱžŒ‘ȱŠ—ȱŗŚşȱ’—ȱ›Ž—Œ‘ǯŘś Š—’—ȱ ›˜–ȱ ›Š—œ’˜›¢ȱ ˜ȱ ™›˜Žœœ’˜—Š••¢ȱ ™›’—Žǰȱ ›’’œ‘ǰȱ ›Ž—Œ‘ȱ Š—ȱŽ•’Š—ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱ Ž›ŽȱŽ—Ž›Š••¢ȱ™›˜žŒŽȱ’—ȱšž’ŽŽ›ȱœŽŒ’˜—œȱ of the front (quieter, in fact, than the ) in one of three ways. ˜–Žȱ “˜ž›—Š•œȱ Ž›Žȱ ‘Š— ›’ĴŽ—ǰȱ Š—ȱ ‘Žȱ œ’—•Žȱ Œ˜™¢ǰȱ –žŒ‘ȱ •’”Žȱ Šȱ —Ž œ•ŽĴŽ›ǰȱ ˜ž•ȱ‹Žȱ‘Š—Žȱȱ›˜–ȱœ˜•’Ž›ȱ˜ȱœ˜•’Ž›ǰȱ˜›ȱ™’——Žȱ˜—˜ȱŠȱ tree or YMCA bulletin board. By nature these texts were ephemeral and ›Š’•ŽǰȱŠ—ȱ˜—•¢ȱŠȱŽ ȱ‘ŠŸŽȱ‘Ž›Ž˜›Žȱœž›Ÿ’ŸŽǯȱŠŠ£’—Žȱ–Š—žœŒ›’™œȱ could also be reproduced in or near the trenches with the use of several œ–Š••ȱ –ŠŒ‘’—Žœǰȱ ’—Œ•ž’—ȱ ‘Žȱ ‘ŽŒ˜›Š™‘ǰȱ –’–Ž˜›Š™‘ȱ ˜›ȱ Œ¢Œ•˜œ¢•Žǯȱ L’Echo du Ravinǰȱ˜›ȱ’—œŠ—ŒŽǰȱ‘Žȱ“˜ž›—Š•ȱ˜ȱ‘ŽȱŚŗst Chasseurs in the French Š›–¢ǰȱ Šœȱȁ™›’—Žȱ˜—ȱŠȱŒ¢Œ•˜œ¢•ŽȯŠ—ȱ ’‘ȱ›ŽŠȱŽě˜›ȂǯŘŜȱ˜•¢Œ˜™¢’—ȱ

Řř ȱ ‘Žȱ œŠ’œ’Œœȱ Š›Žȱ Ž•œ˜—Ȃœȱ ǻŘŖŗŖDZȱ ŗŝśǼǯȱ ‘Žȱ ’œŒ›Ž™Š—Œ¢ȱ ’—ȱ —ž–‹Ž›ȱ ’œȱ ’—Ž›Žœ’—ǰȱ for British commentary tends to read trench journalism as a typically British phenomenon. , for instance, writes about the Wipers Times that ‘it is actually ꛖ•¢ȱ’—ȱ‘Žȱ›ŽŠȱ›Š’’˜—ȱ˜ȱ›’’œ‘ȱŒ˜–’Œȱ•’Ž›Šž›ŽȂǯȱ —ȱ‘Žȱ’—›˜žŒ’˜—ȱ˜ȱŠ—˜‘Ž›ȱ ŠŒœ’–’•ŽȱŽ’’˜—ȱ™ž‹•’œ‘Žȱ’—ȱŘŖŗřȱ˜—Žȱ›ŽŠœǰȱȁ‘Žȱ’Œ˜›’Š—ȱ’ŽŠ•ȱ˜ȱ‘Žȱœ˜’Œȱ›’˜—ȱ ’‘ȱ‘Žȱœ’ěȱž™™Ž›ȱ•’™ȱ ŠœȱŠȱ›ŽŠ•ȱ¢™ŽǰȱŠ—ȱ˜—Žȱ›˜–ȱ ‘’Œ‘ȱ–Š—¢ȱ–Ž—ȱ’ȱ’—ŽŽȱ Žȱ’—œ™’›Š’˜—ǰȱ‹žȱ‘Ž›Žȱ ŠœȱŠ•œ˜ȱŠȱ¢™’ŒŠ••¢ȱ›’’œ‘ȱŒ˜ž—Ž› Ž’‘ȱ’—ȱ‘Žȱ˜›–ȱ˜ȱ‘Žȱ ‹Ž•’Žȱ‘Šȱ—˜ȱ˜—Žȱœ‘˜ž•ȱŽŸŽ›ȱŠ”Žȱ‘Ž–œŽ•ŸŽœȱ˜˜ȱœŽ›’˜žœ•¢ǯȂȱŽŽȱThe Wipers Times. The Complete Series of the Famous Wartime Trench Newspaperȱ ǻ˜—˜—DZȱ ’Ĵ•Žȱ ˜˜”œǰȱ ŘŖŖşǼǰȱŸ’’DzȱŠ—ȱ‘›’œ˜™‘Ž›ȱŽœ‘˜›™ǰȱȁ —›˜žŒ’˜—Ȃǰȱ’—ȱThe Wipers Times. The Famous First World War Trench Newspaperȱǻ˜—˜—DZȱ˜— Š¢Ȧ•˜˜–œ‹ž›¢ǰȱŘŖŗřǼǰȱ—ǯ™ǯȱ ŘŚ ȱ ȁ˜žœȱ•ŽœȱŠœȱŠž¡ȱ›žŽœȱŒ˜Žž›œȱŽȱŠž¡ȱŸŠ’••Š—œȱŸ’œŠŽœȱšž’ȱœŽȱ‘·›’œœŽ—ȱŽœȱ˜œŽœȱ à la mer du Nord et tiennent tête aux barbares’. ‘A tous les Poilus’, Le Poiluȱŗǯŗȱǻŗśȱ ŽŒŽ–‹Ž›ȱŗşŗŚǼDZȱŗǯ Řś Bulthé, Vlaamse loopgravenpersǰȱ ŗřǯȱ Not all francophone journals are necessarily Walloon. ŘŜ ‘imprimé au Cyclostyle—et à l’huile de coude’. L’Echo du Ravinȱŗǯŗśȱǻ˜ŸŽ–‹Ž›ȱŗşŗśǼDZȱ Řǯȱ’‘ȱ‘Š—”œȱ˜ȱŠ›’Œ”ȱŠ—•ŽŽ—ŽȱŠ—ȱ’Œ‘Ž•ȱ’·›Š›ȱ˜›ȱœ˜–Žȱ˜ȱ‘’œȱ’—˜›–Š’˜—ǯ Van Dijck, Demoor, Posman: Between the Shells / 71

was a common procedure in this respect, by means of which a master Œ˜™¢ȱ Šœȱ™žȱ˜—ȱ˜™ȱ˜ȱŠȱ–ŽŠ•ȱ›Š¢ȱꕕŽȱ ’‘ȱŠȱꛖȱŒ˜™¢’—ȱ™ŠœŽȱ˜ȱ Ž•Š’—Žǯȱ‘Žȱ’–™›’—ȱ•Žȱ’—ȱ‘ŽȱŽ•Š’—Žȱ Šœȱ‘Ž—ȱ–Š—žŠ••¢ȱ›Š—œŽ››Žȱ˜ȱ œŽ™Š›ŠŽȱœ‘ŽŽœȱ˜ȱ™Š™Ž›ȱ‹¢ȱ™›Žœœ’—ȱ‘Žȱœ‘ŽŽȱ˜—˜ȱ‘ŽȱŽ•Š’—Žǯȱ›Ž—Œ‘ȱ “˜ž›—Š•œȱ‘žœȱ›Ž™›˜žŒŽȱŠ›Žȱ›ŽŒ˜—’£Žȱ‹¢ȱ‘Ž’›ȱŒ‘Š›ŠŒŽ›’œ’ŒŠ••¢ȱ™ž›™•Žȱ ’—”ǯȱ‘ŽœŽȱ™›˜žŒ’˜—ȱŽŒ‘—’šžŽœȱŠ›Žȱ•Š‹˜ž›Ȭ’—Ž—œ’ŸŽȱŠ—ȱ™›˜žŒŽȱŠȱ Ž ȱ˜£Ž—ȱŒ˜™’ŽœȱŠȱ‹ŽœǯŘŝȱ‘Žȱ‘’›ȱŠ—ȱŽę—’Ž•¢ȱ‘ŽȱŒ˜œ•’ŽœȱœŒŽ—Š›’˜ȱ ’œȱ™›˜Žœœ’˜—Š•ȱ™›’—’—DZȱŽ’‘Ž›ȱ‘Žȱ›˜˜™œȱ™›’—Žȱ‘Žȱ“˜ž›—Š•ȱ‘Ž–œŽ•ŸŽœȱ ˜—ȱ Š‹Š—˜—Žǰȱ •˜Š—Žǰȱ ˜›ȱ ™ž›Œ‘ŠœŽȱ ™›ŽœœŽœDzȱ ˜›ȱ ‘Žȱ –Š—žœŒ›’™ȱ Šœȱ œŽ—ȱ ‹Ž‘’—ȱ ‘Žȱ •’—Žœǰȱ Šœȱ Šœȱ ‘Žȱ ŒŠœŽȱ ˜›ȱ ‘Žȱ Š‹˜ŸŽȬ–Ž—’˜—Žȱ Wipers Times and Bellicaȱ ›Žœ™ŽŒ’ŸŽ•¢ǯȱ ȁ‘Ž—ȱ ’—ȱ ž—Žȱ ŗşŗŝȱ ’ȱ Šœȱ ›Žœ˜•ŸŽȱ ‹¢ȱ ‘Žȱǯǯǰȱ’ŽžȬ˜•ǯȱǯǯȱ Š–Žœǰȱǯǯǰȱ˜ȱŽœŠ‹•’œ‘ȱŠȱ™›’—’—ȱ™›Žœœȱ˜—ȱ ‘Žȱœ›Ž—‘ȱ˜ȱ‘Žȱž—’Ȃǰȱ‘ŽȱŽ’˜›ȱ˜ȱThe Red and White Diamond writes ˜ȱ ‘Žȱ ŽœŠ‹•’œ‘–Ž—ȱ ˜ȱ ‘’œȱ ™Ž›’˜’ŒŠ•ǰȱ ȁ‘Žȱ Šœ”ȱ ˜ȱ œŽŒž›’—ȱ ‘Žȱ ™•Š—ȱ ŠœȱŽ—›žœŽȱ˜ȱŽǯȱǻ—˜ ȱǯǼȱǯ ǯȱ Š›ŸŽ¢ǰȱǯǯǰȱ ‘˜ȱ™›˜ŒŽŽŽȱ˜ȱ ˜—˜—ȱŠ—ȱ‹˜ž‘ȱŠȱȃŽŠ›•Ȅȱ™•ŠŽ—ȱ–ŠŒ‘’—Žǰȱ¢™ŽǰȱŠ—ȱ˜‘Ž›ȱ—ŽŒŽœœŠ›¢ȱ material’.ŘŞȱ ȱ’œȱŒ•ŽŠ›ȱ‘Šȱ’œŠ—ŒŽȱ Šœȱ˜ȱ•’Ĵ•ŽȱŒ˜—œŽšžŽ—ŒŽDZȱ ‘Ž—ȱ‘Žȱ editor of Antwerpen en Omheiningȱǽ— Ž›™ȱŠ—ȱž››˜ž—’—œǾȱŒ˜ž•ȱ—˜ȱ ꗍȱŠȱ™›’—’—ȱ™›Žœœȱ—ŽŠ›ȱ‘’œȱ›Ž—Œ‘ȱ’—ȱŽ›Ÿ’“œŽǰȱ‘Žȱ™ž‹•’œ‘ŽȱŠ—ȱŠŸŽ›ȱ’—ȱ the Belgische StandaardǰȱŠȱŒ’Ÿ’•’Š—ȱ—Ž œ™Š™Ž›ǰȱŠ——˜ž—Œ’—ȱ‘’œȱ™•Š—œȱ˜›ȱŠȱ —Ž ȱ›Ž—Œ‘ȱ“˜ž›—Š•ǯȱȁ ––Ž’ŠŽ•¢ȱ Žȱ Ž›Žȱœž‹–Ž›Žȱ‹¢ȱ•ŽĴŽ›œȱŠ—ȱŒŠ›œȱ ›˜–ȱŽŸŽ›¢ ‘Ž›ŽȂǰȱ‘Žȱ ›’ŽœǰȱȁŠ–˜—œȱ˜‘Ž›œȱ›˜–ȱ›ȱ ˜œȱŠ—ȱŽ•ȱ›˜–ȱ ˜›Ž›‘˜žȱǽdzǾȱ ‘˜ȱ Šœȱ‘Ž—ȱœŠ¢’—ȱ’—ȱ‘ŽȱŽ•’Š—ȱ–’•’Š›¢ȱ‘˜œ™’Š•ȱ’—ȱ Ž——Žœǰȱ‘ŽȱŒŠ™’Š•ȱ˜ȱ›’ĴŠ—¢ǰȱ ‘Ž›Žȱ‘Ž›Žȱ Ž›Žȱ–Š—¢ȱ™›’—Ž›œȂǯŘş The ꛜȱ ’œœžŽȱ ˜ȱ Antwerpen en Omheiningȱ Šœȱ œŽ—ȱ ˜ȱ Ž——Žœȱ ˜›ȱ ™›’—’—ǰȱ ›ŠŸŽ••’—ȱ›˜ž‘•¢ȱśŖŖȱ”’•˜–Ž›ŽœǰȱŠ—ȱꛜȱŠ™™ŽŠ›Žȱ’—ȱ‘Žȱ›Ž—Œ‘Žœȱ˜ȱ Ž›Ÿ’“œŽȱ’—ȱ˜ŸŽ–‹Ž›ȱŗşŗśǯ ‘’•Žȱ –˜Žœȱ ˜ȱ ™›˜žŒ’˜—ȱ Š—ȱ ™›’—ȱ ›ž—ȱ ŸŠ›’Žǰȱ ‘Žȱ ’ĜŒž•’Žœȱ ŠŒŽȱ Ž›Žȱž—’ŸŽ›œŠ•ǯȱœȱ›‘ž›ȱŒ‘•Žœ’—Ž›ȱ™˜’—œȱ˜žȱ’—ȱ‘’œȱ’œŒžœœ’˜—ȱ ˜ȱ –Ž›’ŒŠ—ȱ Š›–¢ȱ ™Š™Ž›œǰȱ ‘ŽœŽȱ œ›ž•Žœȱ ˜Ž—ȱ ›ŽŠȱ •’”Žȱ ꌝ’˜—ǯȱ ˜ȱ –ŠĴŽ›ȱ‘˜ ȱ‘Žȱ–ŠŠ£’—Žȱ Šœȱ™›˜žŒŽǰȱ’œȱŽ’˜›’Š•ȱœŠěȱ Šœȱ–Žȱ ’‘ȱ ŸŠ›’˜žœȱ Œ‘Š••Ž—Žœǰȱ ’—Œ•ž’—ȱ ™˜œŠ•ȱ Ž•Š¢œǰȱ ™Š™Ž›ȱ œ‘˜›ŠŽœǰȱ ǻœŽ•ȬǼ ŒŽ—œ˜›œ‘’™ǰȱ‹Š—”›ž™Œ¢ǰȱ‘Žȱž—ŠŸŠ’•Š‹’•’¢ȱ˜ȱ’—”ȱŠ—ȱ™›’—’—ȱ–ŠŽ›’Š•œǰȱ

Řŝ For more details about this technique, see Bulthé, Vlaamse loopgravenpersǰȱřśDzȱž˜’—Ȭ ˜ž£ŽŠžǰȱ14-18ǰȱŘŜȬŘŞǯ ŘŞȱȱ ȁŘŚ‘ȱŠĴŠ•’˜—ȱ›ŽœœȂǰȱThe Red & White DiamondȱŞȱǻŠ›Œ‘ȱŗşŗşǼDZȱŗŗǯ Řşȱȱ ȁŠ—œ˜—œȱ” Š–Ž—ȱ‹›’ŽŸŽ—ȱŽ—ȱ”ŠŠ›Ž—ȱŸŠ—ȱŠ••Žȱ”Š—Ž—DZȱ˜—Ž›ȱŠ—Ž›ŽȱŸŠ—ȱŽȱ ŽŽ›ȱ ˜œǯȱ Š—ȱŽ•ȱ ŸŠ—ȱ ˜›Ž›‘˜žȱ ǽdzǾȱ Ž£Žȱ ‹ŽŸ˜—ȱ £’Œ‘ȱ Š•œŠ—ȱ ’—ȱ ‘Žȱ Ž•’œŒ‘ȱ –’•’Š’›ȱ Šœ‘ž’œȱŸŠ—ȱŽ——Žœǰȱ‘˜˜œŠȱŸŠ—ȱ›ŽŠ—“Žǰȱ ŠŠ›ȱžœȱ›ž””Ž›œȱŽ—˜ŽȱŽȱŸ’—Ž—ȱ waren.’ Bulthé, Vlaamse loopgravenpersǰȱŗŘǯ 72 / Publishing History 77: 2017

and the unpredictability of war itself, which explains why so many ›Ž—Œ‘ȱ “˜ž›—Š•œȱ Š™™ŽŠ›Žȱ ’››Žž•Š›•¢ȱ Š—ȱ Ž›Žȱ œžŽ—•¢ȱ ’œŒ˜—’—žŽǯȱ ‘The delay’, the editor of the Wipers Times ›˜Žȱ˜ȱ‘Žȱžžœȱŗşŗŝȱ’œœžŽǰȱ ȁ Šœȱ žŽȱ ˜ȱ Š—ȱ Š ” Š›ȱ ™›˜Ÿ’Ž—ŒŽȱ Š—ȱ –˜›Žȱ Š›ȱ ‘Š—ȱ ’œȱ Œ˜—žŒ’ŸŽȱ to the steady production of a paper’.řŖȱ ‘ŽœŽȱ ’››Žž•Š›’’Žœȱ Ž¡’œŽȱ ’—ȱ Š—Ž–ȱ ’‘ȱœ‘’’—ȱ Š›’–ŽȱŒ˜—’’˜—œǰȱŠ—ǰȱ’—ȱ‘Ž˜›¢ǰȱ‘ŽȱŒ•˜œŽ›ȱ˜ȱ‘Žȱ ›˜—•’—Žȱ ‘Žȱ “˜ž›—Š•ȱ Šœȱ ™›˜žŒŽǰȱ ‘Žȱ –˜›Žȱ ’››Žž•Š›ȱ ’œȱ ™ž‹•’ŒŠ’˜—ǯȱ That the soldiers’ press was entwined with the war and army life is further evidenced from its moment of disappearance. With a few exceptions, ›Ž—Œ‘ȱ“˜ž›—Š•œȱ‘Šȱ–ŠŽȱ’ȱ‘ŠȱŠ›ȱ’—˜ȱ‘Žȱ Š›ȱ˜•Žȱ’—ȱ›ŽŠȱ—ž–‹Ž›œȱ ‹Ž ŽŽ—ȱŽ™Ž–‹Ž›ȱŠ—ȱ˜ŸŽ–‹Ž›ȱŗşŗŞǯȱ›˜–ȱ’œȱŒ˜—ŒŽ™’˜—ȱ’ȱ ŠœȱŒ•ŽŠ›ȱ ‘Šǰȱ˜›ȱŠȱ™Š™Ž›ȱ•’”Žȱ‘Žȱ’‘ȱ •˜ȂœŽ›ȱ Š£ŽĴŽǰȱȁŠȱ•˜—ȱ•’ŽȱǽdzǾȱ ˜ž•ȱŽ—Š’•ȱ Šȱ•˜—ȱ Š›Ȃǯȱ’–’•Š›ȱŽŽ•’—œȱ–˜’ŸŠŽȱ‘ŽȱŽ’˜›ȱ˜ȱLa Fourragère, who ˜ž—ȱ‘’–œŽ•ȱž—Š‹•Žȱ˜ȱ‹›’—ȱ˜žȱŠȱꗊ•ȱ’œœžŽȱ˜ȱ‘’œȱ“˜ž›—Š•ȱŠŽ›ȱ‘Žȱ Š›DZȱ ȁ ȱ’œȱ—˜ȱ•˜—Ž›ȱ‘ŽȱœŠ–Žǰȱ¢˜žȱ ’••ȱž—Ž›œŠ—ǰȱ¢˜žȱ–¢ȱ˜•ȱ›’Ž—œȱ›˜–ȱ ‘Žȱ›˜—ǯȱŽ–˜‹’•’£Š’˜—ǰȱ‘Žȱ›Žž›—ȱ˜ȱŒ’Ÿ’•’Š—ȱ•’Žǰȱ™›ŽȬ˜ŒŒž™Š’˜—ȱ ’‘ȱ ˜‘Ž›ȱŒŠ›Žœǰȱ ’‘ȱŽŠ›—’—ȱŠȱ•’Ÿ’—ǰȱ ’‘ȱ‘Žȱ“˜¢œȱŠ—ȱ–’œŽ›’Žœȱ˜ȱ‘˜–Žȱ•’Žǰȱ –ŽŠ—ȱ‘Šȱ‘ŽȱœŠŽȱ˜ȱ–’—ȱ›Žšž’›Žȱ˜ȱŒ›ŽŠŽȱŠȱ›˜—Ȭ•’—Žȱ—Ž œ™Š™Ž›ȱ—˜ȱ •˜—Ž›ȱŽ¡’œœǯȂřŗ

ȱ  DZȱ ǰȱȱȱ     ›Ž—Œ‘ȱ “˜ž›—Š•’œ–ȱ ’—ȱ ‘Žȱ ’›œȱ ˜›•ȱ Š›ȱ Šœǰȱ Šœȱ ž˜’—Ȭ˜ž£ŽŠžȱ Š—ȱ Ž•œ˜—ȱ œžŽœǰȱ —ŽŸŽ›ȱ Šȱ –Šœœȱ ™‘Ž—˜–Ž—˜—ǯȱ —ȱ ‘Žȱ ˜›œȱ ˜ȱ Šȱ Œ˜—Ž–™˜›Š›¢ǰȱŠȱœ˜•’Ž›Ȃœȱ–ŠŠ£’—Žȱ¢™’ŒŠ••¢ȱȁ–˜ŸŽœȱŠ—ȱ‘Šœȱ’œȱ‹Ž’—ȱ’—ȱ Šȱ—Š››˜ ȱœ™‘Ž›ŽȱǽdzǾȱ•’”ŽȱŠȱ’—¢ȱ˜•Ȭ꜑ȱ‘Šȱ–žœȱ’œ™˜›ȱ’œŽ•ȱ–ŽŽ”•¢ȱ within the crystal bowl’.řŘ That narrow sphere was composed of what ž••Ž›ȱ Ž›–Žȱ Š—ȱ ȁ’— Š›Ȭ•˜˜”’—Ȃȱ Š›–¢ȱ Œ˜––ž—’¢ȱ ‘Šȱ –ŠŽȱ ž™ȱ ‘Žȱ

řŖ ‘Editorial’, The Wipers TimesȱŘǯŗȱǻžžœȱŗşŗŝǼDZȱřǯȱ řŗ ȁ›’Œ”œȱ ›˜–ȱ ‘Žȱ ’˜›Ȃœȱ ŠŒ”Ȃǰȱ ‘Žȱ ’‘ȱ •˜ȂœŽ›ȱ Š£ŽĴŽȱ ŗŘȱ ǻŠ¢ȱ ŗşŗŜǼDZȱ ŗŘǯȱ Raoul Aubaud, ‘L’Adieu’, La Fourragère: Journal des Poilus du 51ième d’Infanterieȱŗŝȱǻžžœȱ ŗşŗşǼDZȱ ŗǯȱ ǽȁ •ȱ œȂŽ—ȱ Žœȱ Š••žȱ Žȱ ™Žžȱ šžŽȱ “Žȱ —Žȱ ™ž‹•’Žȱ ŒŽȱ ŗŝŽȱ Žȱ Ž›—’Ž›ȱ —ž–·›˜ȱ Žȱ •Šȱ ˜ž››Š¸›ŽǯȱŽȱ—ȂŽœȱ™•žœȱ³ŠǰȱŸ˜žœȱ–ŽȱŒ˜–™›Ž—Ž£ȱŸ˜žœȱŠž›Žœǰȱ–ŽœȱŠ—Œ’Ž—œȱŒŠ–Š›ŠŽœȱ du front. Démobilisé, rentré dans la vie civile, aux prises avec d’autres soucis, avec l’exercice de sa profession, avec les joies et misères du foyer, on ne se trouve plus dans •Ȃ·ŠȱȂŽœ™›’ȱ—ŽŒŽœœŠ’›Žȱ™˜ž›ȱŠ’›Žȱž—ȱ“˜ž›—Š•ȱžȱ›˜—ǯȂǾ řŘ ‘An Ideal Army Paper’, The Cologne Post: A Daily Newspaper Published by the Army of the RhineȱŘŘȱǻŘśȱ™›’•ȱŗşŗşǼDZȱŘǯȱ Van Dijck, Demoor, Posman: Between the Shells / 73

Ž’˜›œǰȱ Œ˜—›’‹ž˜›œȱ Š—ȱ ›ŽŠŽ›œȱ ˜ȱ Š—¢ȱ ’ŸŽ—ȱ ™ž‹•’ŒŠ’˜—ǯřřȱ ȱ ’œȱ Ž••Ȭ ŽœŠ‹•’œ‘Žȱ ‘Šȱ ‘Žȱ Ž’˜›œȱ Ž›Žȱ ŽžŒŠŽǰȱ •˜ Ȭ›Š—”’—ȱ ˜ĜŒŽ›œǰȱ ˜Ž—ȱ ›˜–ȱ Šȱ ‹Ž••Ž›’œ’Œȱ ‹ŠŒ”›˜ž—ȱ Š—ȱ ˜ȱ ž›‹Š—ǰȱ –’•ŽȬŒ•Šœœȱ ˜›’’—œǯřŚ  ’—ȱ ˜ȱ ’—Œ›ŽŠœŽȱ •’Ž›ŠŒ¢ǰȱ –Šœœȱ Ÿ˜•ž—ŽŽ›’—ǰȱ Š—ȱ Œ˜—œŒ›’™’˜—ǰȱ ‘Žȱ ’›œȱ ˜›•ȱ Š›ȱ Šœȱ –Ž’ŠŽȱ ˜ȱ Š—ȱ ž—™›ŽŒŽŽ—Žȱ Ž›ŽŽȱ ȁ‘›˜ž‘ȱ ™›’—ŽȱŠ—ȱ ›’ĴŽ—ȱŽ¡Ȃǯřśȱ‘Žȱ›ŽŠ’—ȱ™ž‹•’Œȱ˜ȱ‘Žȱ›Ž—Œ‘ȱ™›Žœœȱ Šœȱ ŽšžŠ••¢ȱŽ–˜Œ›Š’ŒǯȱŽ•œ˜—ȱ™˜’—œȱ˜žȱ‘˜ ȱŽ’˜›œȱ ›˜Žȱ ’‘ȱ‘Žȱȁ™›ŽȬ ”—˜ •ŽŽȂȱ˜›ȱȁ›Ž™Ž›˜’›ŽȂȱ˜ȱ‘Žȱ›ŽŠŽ›ȱ’—ȱ–’—ȯ‘ŽȱŽ›–œȱŠ›Žȱ˜•Š—ȱ œŽ›Ȃœȯ‹žȱ–ŠŠ£’—Žœȱ Ž›ŽȱŠ•œ˜ȱ›ŽŽȱ˜ȱŒ‘Š›Žȱ˜›ȱ›Ž•Š’ŸŽ•¢ȱ’—Ž¡™Ž—œ’ŸŽǰȱ ȁœ’–™•¢ȱœ˜•ȱŠȱŠȱ™›’ŒŽȱ‘Šȱ™Ž›–’ĴŽȱ’œȱœž›Ÿ’ŸŠ•ȂǯřŜ Indeed, shared and read out loud, the discursive voice of many trench journals was ‘collective rather than individual’.řŝ The mission statement for Le Poilu, for instance, ›ŽŠDZȱ ȁ‘Žȱ ˜—•¢ȱ ™ž›™˜œŽȱ ˜ȱ ‘’œȱ ™Š™Ž›ȱ ’œȱ ˜ȱ ’—˜›–ȱ ˜ž›ȱ ›’Ž—œȱ Š‹˜žȱ ›Ž’–Ž—Š•ȱ•’ŽȱŠ—ȱ˜ȱœ›Ž—‘Ž—ǰȱ˜ȱ›Š ȱ’‘Ž›ȱœ’••ȱ’ȱ™˜œœ’‹•Žǰȱ‘Žȱ’Žœȱ of friendship which unite them.’řŞ While it is true that trench journals have conventionally been ž—Ž›œ˜˜ȱ’—ȱŽ¡Œ•ž’—ȱŽ›–œȯȁ‹¢ȱœ˜•’Ž›œȱ˜›ȱœ˜•’Ž›œȂřş—we do not –ŽŠ—ȱ˜ȱœžŽœȱ‘ŠȱŒ˜—›’‹ž’˜—ȱŠ—ȱ›ŽŠŽ›œ‘’™ȱ’ȱ—˜ȱŽ¡Ž—ȱ‹Ž¢˜—ȱ

řř Fuller, Troop Moraleǰȱ ŗśǯȱ ŽŽȱ Š•œ˜ȱ ™›Žœ’Ž—ȱ •Ž–Ž—ŒŠžȱ ˜ȱ ‘Žȱ Ž’˜›ȱ ˜ȱ Le Poilu du 6- 9DZȱȁ˜›Žȱ˜ŽžŸ›ŽȱŽœȱ‹Ž••Žȱ™ž’œšžȂŽ••ŽȱŠĴ’œŽȱ•ȂŽ—‘˜žœ’Šœ–ŽȱŽȱ—˜œȱ™˜’•žœȱŽȱšžȂŽ••Žȱ contribuera à la Victoire dans sa petite sphere.’ ž˜Žȱ ’—ȱ Ž¢Š—ǰȱ ȁ›ŽœœŽȱ Žȱ ›Š—Œ‘·ŽœȂǰȱŚŘŘǯȱ řŚ ȱ Ž•œ˜—ǰȱ ȁ˜•’Ž›ȱ Ž œ™Š™Ž›œȂǰȱ ŗŝŖȱ Š—ȱ ž˜’—Ȭ˜ž£ŽŠžǰȱ 14-18ǰȱ ŗŚǯȱ ‘’œȱ Œ˜—ę›–œȱ Š—Š—žȱ ŠœȂœȱ Œ•Š’–ȱ ‘Šȱ ‘Žȱ •’Ž›Š›¢ȱ Œ˜—œŒ’˜žœ—Žœœȱ ‘Šȱ œž›Ÿ’ŸŽȱ ‘›˜ž‘ȱ ™›’—ȱ ‹Ž•˜—Žȱ–Š’—•¢ȱ˜ȱ–’•ŽȬŒ•ŠœœȱȮȱ ‘’ŽȱȮȱ–Ž—ǯȱŠœȱ‘’–œŽ•ȱ™˜’—œȱ˜ȱ ˜ȱŒ˜•˜—’Š•ȱ “˜ž›—Š•œǯȱ Š—Š—žȱ Šœǰȱ ȁŽ™˜¢œǰȱ Š‘’‹œȱ Š—ȱ Š‹žœDZȱ —’Šǰȱ ‘Žȱ ›ŽŠȱ Š›ȱ Š—ȱ  ˜ȱ Colonial Journals’, in Hammond and Towheed, Publishing in the First World WarǰȱŜŗȬ 77. řś ȱ ˜ ‘ŽŽȱŠ—ȱ ’—ǰȱReading and the First World Warǰȱŗǯȱ—ȱ‘Žȱ›ŽŠ’—ȱ™›ŠŒ’ŒŽœȱ˜ȱ ‘Žȱ ›˜—ȱ œ˜•’Ž›ǰȱ œŽŽȱ Š•œ˜ȱ –ž—ȱ ’—ǰȱ ȁǯǯȱ ˜›—ž—Ȃœȱ —™ž‹•’œ‘Žȱ ȃ’Š›¢ǰȄȱ ‘Žȱ ǰȱ Š—ȱ ‘Žȱ ŽŠ’—ȱ ˜•’Ž›ȱ ’—ȱ ‘Žȱ ’›œȱ ˜›•ȱ Š›Ȃǰȱ English Literature in Transition, 1880-1920ȱśŝǯřȱǻŘŖŗŚǼDZȱřŜŗȬřŞŝǯ řŜ ȱ ŽŽȱŠ•œ˜DZȱ Š–ŽœȱŠ–™‹Ž••ǰȱȁ˜–‹Šȱ —˜œ’Œ’œ–DZȱ‘Žȱ Ž˜•˜¢ȱ˜ȱ’›œȱ˜›•ȱŠ›ȱ˜Ž›¢ȱ Criticism’, New Literary HistoryȱřŖǯŗȱǻŗşşşǼDZȱŘŖřȬŘŗśǯȱ‘chaque feuille était simplement ŸŽ—žŽȱŠžȱ™›’¡ȱšž’ȱ•ž’ȱ™Ž›–ŽĴŠ’ȱŽȱœž›Ÿ’Ÿ›ŽȂǯȱBertrand, presse francophone de tranchée, ŗŚǯȱ Ž››Š—ȱ Žœ’–ŠŽœȱ ‘Šȱ ‘Žȱ –Š“˜›’¢ȱ ˜ȱ ‘Žȱ ›Š—Œ˜™‘˜—Žȱ Ž•’Š—ȱ “˜ž›—Š•œȱ Ž›Žȱ available for free. řŝ Fuller, Troop MoraleǰȱŚǯȱ řŞ ȱ ȁŽĴŽȱŽž’••Žȱ—ȂŠž›ŠȱȂŠž›Žȱ‹žȱšžŽȱŽȱ›Ž—œŽ’—Ž›ȱ—˜œȱŠ–’œȱœž›ȱ•ŠȱŸ’Žȱžȱ›Ž’–Ž—ȱ ŽȱŽȱ›ŽœœŽ››Ž›ǰȱŠŸŠ—ŠŽȱŽ—Œ˜›ŽȱœȂ’•ȱŽœȱ™˜œœ’‹•Žǰȱ•Žœȱ•’Ž—œȱȂŠ–’’·ȱšž’ȱ•Žœȱž—’œœŽ—ǯȂȱ ž˜Žȱ’—ȱž˜’—Ȭ˜ž£ŽŠžǰȱ14-18ǰȱŗŞǯ řş ȱŽ•œ˜—ǰȱȁ Ž›–Š—ȱ˜•’Ž›ȱŽ œ™Š™Ž›œȱŠ—ȱ‘Ž’›ȱ••’Žȱ˜ž—Ž›™Š›œȂǰȱŘŗŝǯȱȱ 74 / Publishing History 77: 2017

the particular unit in which it was created, especially in the case of –˜›Žȱ™›˜Žœœ’˜—Š••¢Ȭ™›’—ŽȱǻŠ—ȱ‘Ž—ŒŽȱ–˜›Žȱ™˜™ž•Š›Ǽȱ–ŠŠ£’—Žœǯȱ‘’œȱ is rarely pointed out in the scholarship, but it becomes clear when we ›ŽŠȱ ŠŒ›˜œœȱ •’—ž’œ’Œȱ ‹˜ž—Š›’Žœǯȱ ‘Ž›Žȱ Š›Žȱ ˜ž›ȱ Š’’˜—Š•ȱ ŒŠŽ˜›’Žœȱ ˜ȱ ›ŽŠŽ›œȱ ˜ȱ ‹Žȱ ’Ž—’ꮍǯȱ ’›œǰȱ ••’Žȱ –ŠŠ£’—Žœȱ Ž›Žȱ œ˜–Ž’–Žœȱ ›ŽŠȱŠŒ›˜œœȱŠ›–¢ȱ›Ž’–Ž—œȱŠ—ȱ’Ÿ’œ’˜—œǰȱŠœȱ’ȱ Šœȱ—˜ȱž—Œ˜––˜—ȱ˜›ȱ Ž’˜›œȱ˜ȱœŽ—ȱŒ˜™’Žœȱ˜ȱ‘Ž’›ȱ“˜ž›—Š•ȱ˜ȱŽ••˜ ȱŽ’˜›œȱ’—ȱ—Ž’‘‹˜ž›’—ȱ trenches. These would be listed in the journal itself, in sections entitled ‘Our Contemporaries’ or ‘A travers la presse poilu’. Copies also traversed •Š—žŠŽȱ ‹˜ž—Š›’ŽœDZȱ Le Poilu, for instance, sported a section on ‘Les žœ›Š•’Ž—œȱœž›ȱ˜›Žȱ›˜—Ȃȱ’—ȱ ‘’Œ‘ȱ’ȱŠœœŽœœŽȱžœ›Š•’Š—ȱ–ŠŠ£’—Žœǯȱ —ȱ‘Žȱ›’’œ‘ȱŠ›–¢ǰȱŒŽ›Š’—ȱž—’ȱ–ŠŠ£’—Žœǰȱ•’”Žȱ‘ŽȱGrey Brigade, even ›ŠŸŽ••Žȱ ŠŒ›˜œœȱ Œ˜—’—Ž—œDZȱ ™›’—Žȱ ’—ȱ ˜›”’—ǰȱ ȁ‘Žȱ ™Š™Ž›ȱ ˜Žœȱ ˜ȱ ‘Žȱ Ž—œȱ˜ȱ‘ŽȱŽŠ›‘ȱǽ ’‘Ǿȱ›Žž•Š›ȱ›ŽŠŽ›œȱ’—ȱ›’’œ‘ȱ˜•ž–‹’Šǰȱ—’ŽȱŠŽœǰȱ ¢™ǰȱ —’ŠȱŠ—ȱ˜ž‘ȱ›’ŒŠȂǯŚŖ This appears to have been especially the ŒŠœŽȱ˜›ȱ›Š’—’—ȱŒŠ–™ȱŠ—ȱ‘˜œ™’Š•ȱ–ŠŠ£’—Žœǰȱ ˜ȱ™•ŠŒŽœȱ‘Šȱ¢™’ŒŠ••¢ȱ housed a wide variety of soldiers who, once dispersed, wanted to stay in touch with their former community. A second readership comprised family members at the home front. ȱŒŠ—ȱ‹ŽȱŠœœž–Žȱ‘ŠȱŠ‹˜ŸŽȬ–Ž—’˜—Žȱ™ž‹•’ŒŠ’˜—œȱœžŒ‘ȱŠœȱ‘ŽȱWipers Times were sent behind the lines. The more popular ones were sold (at Šȱ‘’‘Ž›ȱ™›’ŒŽǼȱŠȱ‹˜˜”œŠ—œȱŠ—ȱ–’•’Š›¢ȱŠ’•˜›œȱ’—ȱ˜—˜—ǰȱŠ›’œǰȱŠ—ȱ beyond. That the home front was familiar with the army’s periodicals is ŽŸ’Ž—ȱ›˜–ȱŒ˜ŸŽ›ŠŽȱ’—ȱ‘Žȱ–Š’—œ›ŽŠ–ȱ™›ŽœœǯȱŽȱ‘ŠŸŽȱŠ•›ŽŠ¢ȱ‘’—Žȱ Šȱ ˜ȱŽ¡Š–™•ŽœDZȱAntwerpen en Omheining’s advertisement in the Belgische StandaardȱŠ—ȱ™˜••’—Š’›ŽȂœȱœ‘˜›ȱ‘’œ˜›¢ȱ˜ȱ‘’œȱ˜ —ȱ›Ž—Œ‘ȱŠ£ŽĴŽȱ˜›ȱ‘Žȱ Mercure de France. The Times Literary Supplement and the New York Times Š•œ˜ȱ ‹›˜ž‘ȱ ‘Žȱ ›Ž—Œ‘ȱ ™›Žœœȱ ’—˜ȱ ‘Žȱ œ™˜•’‘ǯȱ Ž•ŠŽ•¢ǰȱ Š›Œ‘’Ÿ’—ȱ –ŽŠœž›Žœȱž—Ž›Š”Ž—ȱž›’—ȱ‘Žȱ Š›ȱœžŽœȱŠȱ‘’›ȱ™˜œœ’‹•Žȱ›ŽŠŽ›œ‘’™DZȱ librarians and military historians.Śŗȱ‘›˜ž‘ȱŠŸŽ›’œŽ–Ž—œȱŒ’›Œž•ŠŽȱ’—ȱ ‘Žȱǻ›Ž—Œ‘Ǽȱ™›ŽœœǰȱŽ’˜›œȱ Ž›Žȱž›Žȱ˜ȱœŽ—ȱ‘Ž’›ȱŽ™‘Ž–Ž›Š•ȱ“˜ž›—Š•œȱ home for preservation. The initiative to store them in ‘a few safe places’ ŒŠ–Žȱ ›˜–ǰȱ Š–˜—ȱ ˜‘Ž›œǰȱ •’‹›Š›¢ȱ œŠěȱ Šȱ ¡˜›ȱ Š—ȱ Š–‹›’Žǰȱ ‘Žȱ Bibliothèque Nationale de France and the British Museum Library, and ›˜–ȱ‘ŽȱŠ›ȱĜŒŽȱ’œŽ•ǰȱ ‘’Œ‘ȱ’œœžŽȱŠȱ Ž—Ž›Š•ȱ˜ž’—Žȱ›Ž›ȱ˜ȱ‘Šȱ

ŚŖ ‘Amateur Journalism in War Time’, The Grey Brigadeȱŗŗȱǻśȱ ž—ŽȱŗşŗśǼDZȱŚǯ Śŗ ȱ ‘Žȱ Ž’˜›œȱ ˜ȱ ‘Žȱ ›Ž—Œ‘ȱ ™›Žœœȱ Ž›Žȱ ˜Ž—ȱ Œ˜—œŒ’˜žœȱ ˜ȱ ‘’œDZȱ ‘Žȱ Wipers Times, for ’—œŠ—ŒŽǰȱ ŒŠ››’Žœȱ Šȱ œŽŒ’˜—ȱ ȁ˜›ȱ žž›Žȱ ’œ˜›’Š—œȱ ˜ȱ Š›Ȃǰȱ Řǯŗȱ ǻŗśȱžžœȱ ŗşŗŝǼDZȱ ¡’Ȭ xxviii. Van Dijck, Demoor, Posman: Between the Shells / 75

™ž›™˜œŽȱ’—ȱŗşŗŝǯŚŘȱ‘ŽœŽȱŒ˜••ŽŒ’—ȱŠ—ȱŒ˜—œŽ›Ÿ’—ȱŽě˜›œȱ Ž›Žȱ˜Ž—ȱ’—ȱ ž—Žȱ ’‘ȱ ‘Žȱ ŽœŠ‹•’œ‘–Ž—ȱ ˜ȱ —Š’˜—Š•ȱ Œ˜••ŽŒ’˜—œȱ ˜ȱ Š›ȱ Ž™‘Ž–Ž›ŠDZȱ ‘Žȱ –™Ž›’Š•ȱŠ›ȱžœŽž–ȱ’—ȱ˜—˜—ȱ’—ȱŽŠ›•¢ȱŗşŗŝǰȱ‘Žȱžœ›Š•’Š—ȱŠ›ȱ žœŽž–ȱ ’—ȱ Œ˜‹Ž›ȱ ŗşŗŝǰȱ Š—ȱ ‘Žȱ ’•‹’˜‘¸šžŽȱ Žȱ ˜Œž–Ž—Š’˜—ȱ Internationale Contemporaine, which started as the private collection of a Parisian family.Śř ȱꗊ•ȱ›˜ž™ȱ˜ȱ›ŽŠŽ›œȱŠ›Žȱœ™ŽŒ’ęŒȱ˜ȱ“˜ž›—Š•œȱ‘Šȱ Ž›ŽȱŽœŠ‹•’œ‘Žȱ to serve the needs of a particular home community. They were meant to share news of that place and its soldiers dispersed across the frontlines. ‘Šȱ ‘’œȱ ™Š›’Œž•Š›ȱ ”’—ȱ ˜ȱ –ŠŠ£’—Žȱ Šœȱ œ˜ȱ ™›ŽŸŠ•Ž—ȱ ’—ȱ ‘Žȱ Ž•’Š—ȱ army was a result of the country’s political situation, which also explains ‘Žȱ’œ™›˜™˜›’˜—ŠŽ•¢ȱ‘’‘ȱ—ž–‹Ž›ȱ˜ȱ–ŠŠ£’—Žœȱ˜›ȱœžŒ‘ȱŠȱœ–Š••ȱŠ›–¢ǯȱ ˜•’Ž›œȂȱŒ˜––ž—’ŒŠ’˜—ȱ ’‘ȱ‘Žȱ˜ŒŒž™’Žȱ‘˜–Žȱ›˜—ȱ ŠœȱŽ¡ŒŽŽ’—•¢ȱ ’ĜŒž•ǰȱŠ—ȱ˜Ž—ȱŒŠ››’Žȱ˜žȱŸ’Šȱ‘Žȱ—Žž›Š•ȱŽ‘Ž›•Š—œǯŚŚ Antwerpen en Omheining, by its very name, is such a home community publication, and so is Ik Ben Roelandȱǽ ȱŠ–ȱ˜Ž•Š—ǾǰȱŠ—ȱ˜žœ™˜”Ž—•¢ȱ•Ž’œȱ›Ž—Œ‘ȱ“˜ž›—Š•ȱ for soldiers from Ghent named after the city’s famous bell which had ‹ŽŽ—ȱ–Ž–˜›’Š•’£Žȱ’—ȱŠȱŗŞŝŝȱ™˜Ž–ȱ‹¢ȱ•‹›ŽŒ‘ȱ˜Ž—‹ŠŒ‘ǯȱ›’’—ȱ˜ȱ his new venture, the editor of Ik Ben Roelandǰȱȁ ˜ŽŽ‹žŽ›ȱŸŠ—ȱȁȱŠ‹˜Ȃǰȱ Œ˜––Ž—ŽDZŚś Ȃœȱ›žŽǰȱ Žȱ‘ŠŸŽȱ‹ŽŽ—ȱ”—˜Œ”ŽȱŠ‹˜žȱ•’”ŽȱŠȱ‘˜œȱ˜ȱœ™Š››˜ œȱŠ—ȱ Š›Žȱ Šȱ ™›ŽœŽ—ȱ œ™›ŽŠȱ ŠŒ›˜œœȱ ’쎛Ž—ȱ Œ˜ž—›’Žœǯȱ ‘’œȱ ’ĜŒž•¢ȱ Ž¡™•Š’—œȱ ‘¢ȱœ˜ȱ–Š—¢ȱ‘ŠŸŽȱ‘Žœ’ŠŽȱ˜ȱŽȱ‘Žȱ‹Š••ȱ›˜••’—ǯȱžȱ ’ĜŒž•ȱ˜Žœȱ—˜ȱ–ŽŠ—ȱ’–™˜œœ’‹•Žǯȱž›‘Ž›–˜›Žǰȱ˜ž›ȱœŽŒ•žœ’˜—ȱ is another reason to found a trench journal for the Gentenaren ǽ‘Žȱ ’—‘Š‹’Š—œȱ ˜ȱ ‘Ž—Ǿǯȱ ȱ ’••ȱ ‹›’—ȱ —Ž œȱ ›˜–ȱ ˜ž›ȱ Ž••˜ ȱ

ŚŘ ȱ ‘Žȱšž˜Žȱ’œȱ‹¢ȱŠ–‹›’Žȱ•’‹›Š›’Š—ȱ›Š—Œ’œȱ Ž—”’—œ˜—ǰȱ’—ȱŠȱ•ŽĴŽ›ȱ˜ȱŠ—ȱŠ›–¢ȱŒ˜•˜—Ž•ǯȱ ž˜Žȱ’—ȱŽž–ǰȱȁ›’’œ‘ȱ›–¢ȱ›Ž—Œ‘ȱ ˜ž›—Š•œȂǰȱŗřŘǯȱ Śř ȱ ŽŽȱ Žž–ǰȱ ȁ›’’œ‘ȱ›–¢ȱ ›Ž—Œ‘ȱ ˜ž›—Š•œȂǰȱ ŗřŗǰȱ Š—ȱ ǯǯȱ ’—Ž›ǰȱ Sites of Memory, Sites of Morning: The Great War in European Cultural HistoryȱǻŠ–‹›’ŽDZȱŠ–‹›’Žȱ —’ŸŽ›œ’¢ȱ›ŽœœǰȱŘŖŗŚǼǰȱŞŖȬŞŗǯ ŚŚ ȱ ‘Žȱ Œ›ŽŠ’˜—ȱ ˜ȱ —Ž ˜›”œȱ ˜ȱ Œ˜––ž—’ŒŠ’˜—ȱ ‹Ž ŽŽ—ȱ ˜ŒŒž™’Žȱ Š—ȱ ›ŽŽȱ Ž•’ž–ȱ ›˜–ȱŗşŗśȱ˜— Š›œȱœŠ ȱȁ•Š›ŽȬœŒŠ•Žȱœ–ž•’—ȱ˜ȱ™›’ŸŠŽȱŒ˜››Žœ™˜—Ž—ŒŽȱ‹Ž ŽŽ—ȱ ˜ŒŒž™’ŽȱŠ–’•’ŽœȱŠ—ȱ‘Ž’›ȱ›Ž•Š’ŸŽœȱŠȱ‘Žȱ›˜—Ȃǯȱ‘Žȱ‹ŽœȬ”—˜ —ȱœŽŒ›Žȱ™˜œŠ•ȱœŽ›Ÿ’ŒŽȱ was Le Mot du Soldat, and we can assume that a small number of trench journals found ‘Ž’›ȱ Š¢ȱŠŒ›˜œœȱ‘Žȱ™˜•’’ŒŠ•ȱ’Ÿ’Žȱ‘›˜ž‘ȱ‘ŽœŽȱ—Ž ˜›”œǯȱ––Š—žŽ•ȱŽ‹›ž¢—Žǰȱ ȁ˜›‹’Ž—ȱ ŽŠ’—ȱ ’—ȱ ŒŒž™’Žȱ ˜ž—›’ŽœDZȱ Ž•’ž–ȱ Š—ȱ ›Š—ŒŽǰȱ ŗşŗŚȬŗşŗŞȂǰȱ ’—ȱ ˜ ‘ŽŽȱŠ—ȱ ’—ǰȱReading and the First World WarǰȱŘŘŝȬŘŚŗǰȱ‘Ž›ŽȱŘřŝǯ Śśȱȱ ‘ŽȱŽ’˜›Ȃœȱ™Ž—ȱ—Š–Žȱ’œȱŠȱ›ŽŽ›Ž—ŒŽȱ˜ȱ‘’œȱ’ŽŠȱ˜ȱ‘ŽȱŒ˜––ž—’¢DZȱ•’Ž›Š••¢ȱȁ˜˜ȱ —Ž’‘‹˜ž›ȱ˜ȱŠ‹˜ȂǰȱŠȱ ‘Ž—ȱ—Ž’‘‹˜ž›‘˜˜ǯ 76 / Publishing History 77: 2017

˜ —œ™Ž˜™•Žȱ ‘˜ȱŠ›ŽȱœŠ¢’—ȱ’—ȱ›Š—ŒŽǰȱ—•Š—ȱŠ—ȱ ˜••Š—ǰȱ Š—ȱ’ȱ ’••ȱ”ŽŽ™ȱžœȱ’—ȱ‘Žȱ”—˜ ȱŠ‹˜žȱ ‘Šȱ’œȱ‘Š™™Ž—’—ȱ’—ȱ˜ž›ȱ beloved city.ŚŜ ‘ŽœŽȱ–ŠŠ£’—Žœȱœ˜–Ž’–ŽœȱœŠ›Žȱ˜ěȱŠœȱŽ™’œ˜•Š›¢ȱ™ž‹•’ŒŠ’˜—œǰȱ‘Šȱ ’œȱŠœȱŠȱœŽȱ˜ȱ•ŽĴŽ›œȱŠ›ŽœœŽȱ˜ȱ‘Žȱœ˜•’Ž›œDZȱȁŽȱŒŠ—ȱŠŒȱŠœȱŠȱŒ˜••ŽŒ’ŸŽȱ •ŽĴŽ›ȂǰȱŠŽȱ‘ŽȱŽ’˜›ȱ˜ȱIk Ben Roeland, ‘in which the news, received by a few, is communicated to all our fellow townspeople’.Śŝ The monthly ȁ’Žž œȱ ž’ȱ Ž—Ȃȱ ǽŽ œȱ ›˜–ȱ ‘Ž—Ǿȱ œŽŒ’˜—ȱ ’œȱ ‘žœȱ ŠœœŽ–‹•Žȱ ›˜–ȱ ›Š–Ž—œȱŠ”Ž—ȱ›˜–ȱ‘Žȱ•ŽĴŽ›œȱœ˜•’Ž›œȱ›ŽŒŽ’ŸŽȱŠȱ‘Žȱ›˜—ǯȱ‘’œȱ˜›–ȱ would enhance the empathy between writer and addressee. Ik Ben Roeland ŠœȱŠŸŠ’•Š‹•ŽȱŠȱ—˜ȱŒ˜œȱ˜ȱŠ••ȱ–˜‹’•’£Žȱ’—‘Š‹’Š—œȱ˜ȱ ‘Ž—ǰȱ™›˜Ÿ’Žȱ they had proof of address (‘’tis easy to claim that one is Ghentian’).ŚŞ ȱ‹ŽŒŠ–ŽȱŠȱ”Ž¢ȱŽ¡žŠ•ȱ•’—”ȱ‹Ž ŽŽ—ȱœ˜•’Ž›œȱ’—ȱ‘Žȱ›Ž—Œ‘ŽœȱŠ—ȱ‘Ž’›ȱ Š–’•’Žœȱ’—ȱ˜ŒŒž™’ŽȱŽ•’ž–ǯȱ What this extensive readership—military, civilian, imperial— ’—’ŒŠŽœǰȱ’œȱœ˜–Ž‘’—ȱ˜ȱ‘ŽȱŽ¡Ž—ȱ˜ȱ ‘’Œ‘ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱŒ’›Œž•ŠŽȱ •˜ŒŠ••¢ȱŠ—ȱ•˜‹Š••¢ǰȱŠ—ȱ‘Žȱ”Ž¢ȱ›˜•Žȱ‘Žȱ™˜œŠ•ȱœŽ›Ÿ’ŒŽœȱ™•Š¢Žȱ’—ȱ‘’œǯȱ ‘ŽȱžœŽȱ˜ȱ‘Žȱ™˜œȱ Šœȱ›ŽŽȱ˜ȱœŽ›Ÿ’—ȱœ˜•’Ž›œǯŚşȱžȱ‘ŽȱœŒ˜™ŽȱŠ•œ˜ȱ’ŸŽœȱ an idea of the professionalism of some of these initiatives. Especially in the ›Ž—Œ‘ȱŠ›–¢ǰȱŽ’˜›œȱŠ™™ŽŠ›ȱ˜ȱ‘ŠŸŽȱ‹ŽŽ—ȱ Ž••ȱ˜›Š—’£Žǯȱ‘Ž’›ȱ“˜ž›—Š•œȱ Ž›Žȱ ˜Ž—ȱ œž™™˜›Žȱ ‹¢ȱ œ˜ȬŒŠ••Žȱ Š›ȱ ˜–˜‘Ž›œȱ ǻȁ–Š››Š’—Žœȱ Žȱ žŽ››ŽȂǼǰȱ•’”Žȱ ŽŠ——ŽȱŠ—›Žȱ˜›ȱBellicaȱ˜›ȱ—¸œȱ˜œœ˜•’—ȱ˜›ȱLe Bochofage,

ŚŜȱȱ ȁȁȱ œȱ ŠŠ›ǰȱ Žȱ£’“—ȱ—ŽȱŠ•œȱŽŽ—ȱ›˜Ž™ȱ–žœœŒ‘Ž—ȱž’ȱŽŽ—ȱŽœ•ŠŽ—ȱŽ ˜›Ž—ȱŽ—ȱ‘Š—œȱ ˜ŸŽ›ȱ ŸŽ›œŒ‘’••Ž—Žȱ •Š—Ž—ȱ ŸŽ›œ™›Ž’ǯȱ ’ȱ ’œȱ Ÿ˜˜›£Ž”Ž›ȱ ŽŽ—ȱ –˜Ž’Ž•’“”‘Ž’ȱ Ž ŽŽœȱ ŠŠ›˜–ȱŸŽ•Ž—ȱ‘Ž‹‹Ž—ȱŽŠŠ›£Ž•ȱŽȱ‘Š—ȱŠŠ—ȱ‘Žȱ Ž›”ȱŽȱœ•ŠŠ—ǯȱ˜Ž’•’“”ȱ–ŠȱŽŒ‘Ž›ȱ —’ŽȱŠ•œȱ˜—–˜Ž•’“”ȱ‹ŽœŒ‘˜ž ȱ ˜›Ž—ǯȱŠŠ›Ž—‹˜ŸŽ—ȱ’œȱ˜—£ŽȱŠ£˜—Ž›’—ȱŽŽ—ȱ›ŽŽ—ȱ Žȱ –ŽŽ›ȱ ˜–ȱ ŽŽ—ȱ ›˜—‹•Šȱ Ÿ˜˜›ȱ Žȱ Ž—Ž—Š›Ž—ȱ Žȱ œ’Œ‘Ž—ǯȱ Žȱ £Š•ȱ ’––Ž›œȱ —’Žž œȱ ŽŸŽ—ȱŸŠ—ȱ˜—£ŽȱœŠŽ—˜˜Ž—ȱ’—ȱ›Š—”›’“”ǰȱ—Ž•Š—ȱŽ—ȱ ˜••Š—ȱŸŽ›‹•’“ŸŽ—ȱŽ—ȱ˜—œȱ Ÿ˜˜›—Š–Ž•’“”ȱ˜™ȱŽȱ‘˜˜Žȱ‘˜žŽ—ȱŸŠ—ȱ‘ŽŽŽ—ȱ’—ȱ˜—£ŽȱŽ•’ŽŽȱ–˜ŽŽ›œŠȱŽ‹Žž›ǯȂȱ ˜ŽŽ‹žŽ›ȱŸŠ—ȱȂȱŠ‹˜ǰȱȁ—œȱ˜Ž•ȱŽ—ȱ—£ŽȱŽ›”’—ȂǰȱIk Ben RoelandȱŗȱǻŒ˜‹Ž›ȱŗşŗŝǼDZȱ 1. Śŝȱȱ ȁŽȱ”ž——Ž—ȱžœȱŠ•œȱŽŽ—ȱŽ–ŽŽ—œŒ‘Š™™Ž•’“”Ž—ȱ‹›’Žȱ’Ž—œȱ˜Ž—ǰȱ ŠŠ›’—ȱ‘Žȱ—’Žž œǰȱ ˜˜›ȱŽ—”Ž•Ž—ȱ˜—ŸŠ—Ž—ǰȱŠŠ—ȱŠ••ŽȱœŠŽ—˜˜Ž—ȱ ˜›ȱ–ŽŽŽŽŽ•ǯȂȱ ˜ŽŽ‹žŽ›ȱŸŠ—ȱ ȂȱŠ‹˜ǰȱȁ—œȱ˜Ž•ȱŽ—ȱ—£ŽȱŽ›”’—ȂǰȱIk Ben RoelandȱŗȱǻŒ˜‹Ž›ȱŗşŗŝǼDZȱŗǯ ŚŞȱȱȱ ȁȁȱ œȱŠ—Ž›œȱ Ž•ȱŽ–Š””Ž•’“”ȱ£ŽŽ—ȱŠȱ–Ž—ȱ Ž—Ž—ŠŠ›ȱ’œǷȂȱ ˜ŽŽ‹žŽ›ȱŸŠ—ȱȂȱŠ‹˜ǰȱ ȁ—œȱ˜Ž•ȱŽ—ȱ—£ŽȱŽ›”’—ȂǰȱIk Ben RoelandȱŗȱǻŒ˜‹Ž›ȱŗşŗŝǼDZȱŗǯ Śş ȁ‘Žȱ ‘’œ˜›¢ȱ ˜ȱ ›ŽŠ’—ȱ Š—ȱ Ž¡žŠ•ȱ Œ’›Œž•Š’˜—ȱ ’—ȱ ‘Žȱ ’›œȱ ˜›•ȱ Š›ȱ ’œȱ ’—’œ’—ž’œ‘Š‹•Žȱ›˜–ȱ‘Žȱ‘’œ˜›¢ȱ˜ȱ‘Žȱ™˜œŠ•ȱœŽ›Ÿ’ŒŽǯȂȱ˜ ‘ŽŽȱŠ—ȱ ’—ǰȱReading and the First World War, 11. Van Dijck, Demoor, Posman: Between the Shells / 77

who defended the journal’s interests on the home front.śŖ In addition, the editor of Le Poilu du 6-9 founded the Association des Journaux du Front ’—ȱŗşŗŝȱ ’‘ȱ‘ŽȱŠ’–ȱ˜ȱ˜œŽ›’—ȱŽ¡Œ‘Š—Žœȱ‹Ž ŽŽ—ȱ‘ŽȱŒ˜—›’‹ž˜›œȱ˜ȱ ‘Žȱ’—Œ›ŽŠœ’—ȱ—ž–‹Ž›ȱ˜ȱ“˜ž›—Š•œȱ‘ŠȱŒ’›Œž•ŠŽȱ’—ȱ‘ŽȱŠ›–¢ǯȱŽȱ‘ŽȱŠœ”ȱ ˜ȱ–Š—Š’—ȱŠȱšž’Œ”•¢ȱ›˜ ’—ȱ˜›Š—’£Š’˜—ȱ™›˜ŸŽȱ’—Œ˜–™Š’‹•Žȱ ’‘ȱ the demands of active warfare, and he passed his responsibilities on to Ž˜›ŽœȱŽ›‘˜ž•ŠǰȱŽ’˜›ȱ˜ȱ‘ŽȱŒ’Ÿ’•’Š—ȱ—Ž œ™Š™Ž›ȱLa Liberté, and Paul Reboul and Pierre Chapelle, both former editors of the trench press who collaborated at the Service des Journaux de Tranchées in the Ministry ˜ȱ˜›Ž’—ȱ슒›œǯȱ—›·ȱ‘Š›™Ž—’Ž›ǰȱŽ’˜›ȱ˜ȱ‘Žȱ›Ž—Œ‘ȱ–ŠŠ£’—ŽȱLe BochofageȱǽęǯȱȱŘǾȱŠ—ȱ•ŠŽ›ȱŠž‘˜›ȱ˜ȱ‘Žȱꛜȱœž¢ȱ˜ȱ›Ž—Œ‘ȱ“˜ž›—Š•œǰȱ Feuilles blue horizon 1914-1918ȱǻŗşřśǼǰȱ˜ž—Žȱ‘Žȱ–’ŒŠ•ŽȱŽœȱ ˜ž›—Šž¡ȱ žȱ ›˜—ȱ ’—ȱ ŗşŗşǯśŗ Marshal Foch became its honorary president. Ž™•ŠŒ’—ȱ‘Žȱœœ˜Œ’Š’˜—ǰȱ‘Žȱ–’ŒŠ•Žȱ’—ȱž›—ȱœŽȱž™ȱ’œȱ˜ —ȱ–ŠŠ£’—Žǰȱ L’Ex-Presse du FrontȱŠ—ȱ˜›Š—’£Žȱ›Žž—’˜—œǯȱ —ȱŠȱœ™ŽŽŒ‘ȱŠȱ‘Žȱ–’ŒŠ•ŽȂœȱ ‹Š—šžŽȱ ˜ȱ ŘŞȱ™›’•ȱ ŗşŘŗǰȱ ‘˜—˜›Š›¢ȱ ™›Žœ’Ž—ȱ ˜ȱ ‘Žȱ œ˜Œ’Ž¢ȱ Š¢–˜—ȱ ˜’—ŒŠ›·ȱŽ¡™•Š’—œȱ‘Šȱž›’—ȱ‘’œȱ™›Žœ’Ž—Œ¢ȱ‘Žȱ›ŽŒŽ’ŸŽȱŠ••ȱ‘Žȱ›Ž—Œ‘ȱ “˜ž›—Š•œǰȱŠ—ȱ›ŽŠȱ‘Ž–ȱŠ••ȱ˜˜ǯȱ‘Ž¢ȱŠŸŽȱ‘’–ȱ‘Žȱ˜™™˜›ž—’¢ȱ˜ȱŠžŽȱ ‘ŽȱŠ••ŽŽ•¢ȱŽ¡ŒŽ••Ž—ȱ–˜›Š•Žȱ˜ȱ‘Žȱœ˜•’Ž›œȯȁ•Žœȱ™˜’•žœȂȯŽŸŽ—ȱ ‘Ž—ȱ ‘ŽȱŽŠ›Žȱ‘Šȱ’ȱ ŠœȱŠěŽŒŽȱ‹¢ȱ•˜—ȱ‹˜žœȱ˜ȱ’—ŠŒ’Ÿ’¢ȱ’—ȱ‘Žȱ›Ž—Œ‘ŽœǯśŘ

  ȱȱ ‘Žȱ–’•’Š›¢ȱ™Ž›’˜’ŒŠ•ȱ™›Žœœȱ‘ŠœȱŠȱ•˜—ȱ‘’œ˜›¢ǯȱ —ȱŗŚşŚǰȱž—Ž›ȱ‘Š›•Žœȱ  ǰȱ‘Ž›ŽȱŒ’›Œž•ŠŽȱŠȱ—Ž œ•ŽĴŽ›ȱ›Ž•Š’—ȱ‘ŽȱŽŸŽ—œȱ˜ȱ‘ŽȱŽ¡™Ž’’˜—ȱ˜ȱ ‘Žȱ”’—ȱ’—ȱ Š•¢ǰȱŠ—ȱœ’–’•Š›ȱ™ž‹•’ŒŠ’˜—œȱŠ™™ŽŠ›Žȱ’—ȱ™Ž›’˜’ŒŠ•ȱ˜›–ȱ ’—ȱ Š™˜•Ž˜—Ȃœȱ Š›–¢ȱ ž›’—ȱ ŒŠ–™Š’—œȱ ’—ȱ Š•¢ȱ ’—ȱ ŗŝşŜȱ Š—ȱ ¢™ȱ ’—ȱ ŗŝşŞǯȱ‘Žȱꛜȱœ˜•’Ž›ȱ™Ž›’˜’ŒŠ•œȱ’—ȱ Ž›–Š—ȱŠ—ȱžœœ’Š—ȱ Ž›Žȱ™›˜žŒŽȱ ’—ȱŗŞŗŘǰȱšž’Œ”•¢ȱ˜••˜ Žȱ‹¢ȱ‘Žȱ›žœœ’Š—ȱFeldzeitung, and the Pekinger deutsche Zeitungǰȱ ‘’Œ‘ȱ Šœȱ’œœžŽȱ’—ȱ‘Žȱꎕȱž›’—ȱ‘Žȱ˜¡Ž›ȱŽ‹Ž••’˜—ȱ

śŖ ȱ ˜–˜‘Ž›œȱŠ•œ˜ȱŽ¡’œŽȱ’—ȱ—•Š—ǰȱ‹žȱ˜ȱŠȱ–žŒ‘ȱœ–Š••Ž›ȱŽ¡Ž—ǯȱMarysa Demoor, ’›’ȱŠ—ȱž¢–‹›˜ŽŒ”ȱŠ—ȱŠ›’Š——ŽȱŠ—ȱŽ–˜˜›Ž•ǰȱȁŠȱ›ŽŸžŽȱŽœȱ–Š››Š’—ŽœȱǻŗşŗŜȬ ŗşŗŝǼǰȱ ŽŽ—ȱ ’“œŒ‘›’ȱ Ÿ˜˜›ȱ ˜˜›•˜œ–ŽŽ›œȱ Ž—ȱ ‘ž—ȱ ™ŽŽ”’—Ž›Ž—Ȃǰȱ TS: Tijdschrift voor TijdschriftstudiesȱřŜȱǻŘŖŗŚǼDZȱŗŗşȬŗřŞǯ śŗ ȱ ȱœ’–’•Š›ȱ‘˜ž‘ȱ–žŒ‘ȱ•Žœœȱ˜›–’Š‹•ŽȱŠœœ˜Œ’Š’˜—ȱ Šœȱ˜ž—Žȱ’—ȱ›’Š’—ȱŠŽ›ȱ‘Žȱ Š›DZȱȁ˜–ŽȱŽ’‘ŽŽ—ȱ›Ž’–Ž—Š•ȱ“˜ž›—Š•œȱ‘ŠŸŽȱ—˜ ȱ‹ŽŒ˜–Žȱ–Ž–‹Ž›œȱ˜ȱ‘Žȱœœ˜Œ’Š’˜—ȱ ˜ȱŽ’–Ž—Š•ȱŽ œ™Š™Ž›œǰȱŠ—ȱ‘ŽȱœŽŒ˜—ȱ–ŽŽ’—ȱ˜ȱ‘ŽȱŠœœ˜Œ’Š’˜—ȱ’œȱ˜ȱŠ”Žȱ™•ŠŒŽȱ Šȱ ‘Žȱ ˜¢Š•ȱ —’Žȱ Ž›Ÿ’ŒŽȱ —œ’ž’˜—ǰȱ Šȱ ŗŗȱ ˜ȂŒ•˜Œ”ȱ ˜—Žȱ ž—Žȱ řǰȱ ’‘ȱ ˜•˜—Ž•ȱ ’›ȱ ›‘ž›ȱŽŽ‘Š–ǰȱǯǯ ǯǰȱ’—ȱ‘ŽȱŒ‘Š’›ǯȂȱŽŽDZȱȁŽ’–Ž—Š•ȱŠ™Ž›œȂǰȱThe Cologne Post: A Daily Newspaper Published by the Army of the RhineȱŜŜŝȱǻřŗȱŠ¢ȱŗşŘŗǼDZȱŘǯ śŘ Charpentier, Livre d’OrǰȱŘşȬřŖǯ 78 / Publishing History 77: 2017

’ǯȱŘDZȱ‘ŽȱꛜȱŽ’˜›’Š•ȱœŠěȱ˜ȱ‘Žȱ›Ž—Œ‘ȱ›Ž—Œ‘ȱ“˜ž›—Š•ȱLe Bochofage ’—ȱ ž•¢ȱŗşŗŜȱǻLe Bochofageǰȱ œœžŽȱŘřǰȱžžœȱŗşŗŞǼǯȱ—›·ȱ‘Š›™Ž—’Ž›ȱ’œȱ œŽŠŽȱ’—ȱ‘Žȱ–’•Žǯȱǽ’‘ȱ™Ž›–’œœ’˜—ȱ˜ȱ›˜žŽœȱŠ—ȱ‘Žȱ –™Ž›’Š•ȱŠ›ȱ žœŽž–œǯǾ Van Dijck, Demoor, Posman: Between the Shells / 79

’—ȱ ‘’—Šǯȱ ˜œȱ –Š“˜›ȱ Œ˜—Ě’Œœȱ ’—ȱ ‘Žȱ ‘’œ˜›¢ȱ ˜ȱ ‘Žȱ —’Žȱ ŠŽœȱ œŠ ȱ ‘ŽȱŽ–Ž›Ž—ŒŽȱ˜ȱŠȱœ˜•’Ž›œȂȱ™›Žœœǰȱ’—Œ•ž’—ȱ‘ŽȱŠ›ȱ˜ȱ —Ž™Ž—Ž—ŒŽȱ ǻŗŝŝśȬŗŝŞřǼǰȱ ‘Žȱ Ž¡’ŒŠ—ȱ Š›ȱ ǻŗŞŚŜȬŗŞŚŞǼǰȱ ‘Žȱ ’Ÿ’•ȱ Š›ȱ ǻŗŞŜŗȬŗŞŜśǼǰȱ Š—ȱ‘Žȱ™Š—’œ‘Ȭ–Ž›’ŒŠ—ȱŠ›ȱǻŗŞşŞǼǯśř In fact, periodical publications œž›ŠŒŽȱ’—ȱŠ›–’ŽœȱŠŒ›˜œœȱ‘Žȱ•˜‹ŽDZȱ˜˜ȱ™˜˜›ȱ˜ȱŠĴŽ—ȱ¡˜›ǰȱž¢Š›ȱ ’™•’—ȱ™›˜Œž›ŽȱŠȱꛜȱ“˜‹ȱŠœȱŠœœ’œŠ—ȱŽ’˜›ȱ˜›ȱ‘Žȱ—•’œ‘Ȭ•Š—žŠŽȱ ’Ÿ’•ȱŠ—ȱ’•’Š›¢ȱ Š£ŽĴŽ in Lahore and drew on this experience in the ›Š—œŸŠŠ•ȱ ’—ȱ ŗşŖŗǰȱ ‘Ž›Žȱ ‘Žȱ ‘Ž•™Žȱ Ž’ȱ ‘Žȱ “˜ž›—Š•ȱ Friendȱ ž›’—ȱ ‘Žȱ Boer War.śŚ While this is by no means an exhaustive overview, it serves to indicate that the need for a periodical publication was natural for those ‘˜ȱ˜ž—ȱ‘Ž–œŽ•ŸŽœȱŠ›ȱŠ Š¢ȱ›˜–ȱ‘Ž’›ȱŠ–’•’Žœȱǻ˜Ž—ȱ˜›ȱ‘Žȱꛜȱ ’–ŽǼȱŠ—ȱŽ—ŠŽȱ’—ȱ Š›Š›Žǯȱžȱ’ȱ Šœȱ˜—•¢ȱ’—ȱ‘Žȱ’›œȱ˜›•ȱŠ›ȱ‘Šȱ ›Ž—Œ‘ȱ“˜ž›—Š•’œ–ȱŽ¡™•˜Žȱ’—ȱ—ž–‹Ž›œDZȱ—ŽŸŽ›ȱ‹Ž˜›Žȱ‘Šȱ Š›Š›Žȱ”—˜ —ȱ a stalemate of several years, which produced circumstances relatively favourable to the production of periodicals.śś ‘ŽœŽȱ™›ŽŒž›œ˜›œȱ ˜ž•ȱ—˜ȱ‘ŠŸŽȱ‹ŽŽ—ȱ”—˜ —ȱ˜ȱ–˜œȱœ˜•’Ž›œȱ’—ȱ the First World War.śŜȱ ‘Ž¢ȱ –˜Ž••Žȱ ‘Ž’›ȱ Žě˜›œȱ ’—ȱ “˜ž›—Š•’œ–ȱ ŠŽ›ȱ Œ˜–’ŒŠ•ȱ Š—ȱ œŠ’›’ŒŠ•ȱ –ŠŠ£’—Žœǰȱ œžŒ‘ȱ Šœȱ Le Canard Enchaîné in France and, especially, Punchȱ ’—ȱ —•Š—ǯȱ ’‘ȱ ’œȱ ˜Œžœȱ ˜—ȱ ›’Š’—ǰȱ –žŒ‘ȱ œŒ‘˜•Š›œ‘’™ȱ˜—ȱ›Ž—Œ‘ȱ“˜ž›—Š•’œ–ȱ˜ŸŽ›ȬŽ–™‘Šœ’£Žœȱ‘’œȱŒ˜–’ŒŠ•ȱŽ•Ž–Ž—ǰȱ ‘’Œ‘ȱ ’œȱ ˜—•¢ȱ ›Š›Ž•¢ȱ ˜ž—ȱ ’—ȱ Ž•’Š—ȱ Š—ȱ Ž›–Š—ȱ ›Ž—Œ‘ȱ “˜ž›—Š•œǯȱȱ ›Š—œ—Š’˜—Š•ȱŠ™™›˜ŠŒ‘ǰȱ‘Ž—ǰȱž—Œ˜ŸŽ›œȱ˜‘Ž›ȱ™˜œœ’‹•Žȱœ˜ž›ŒŽœȱ˜ȱ˜›’’—ȱ Š—ȱŠĜ—’¢ǰȱœžŒ‘ȱŠœǰȱ Žȱ™›˜™˜œŽǰȱœŒ‘˜˜•ȱ–ŠŠ£’—Žœǯȱ‘Ž›ŽȱŽ¡’œœȱŠȱ•˜—ȱ ›Š’’˜—ȱ’—ȱ‘ŽȱœŒ‘˜•Š›œ‘’™ȱ˜ȱ‘Žȱ’›œȱ˜›•ȱŠ›ȱ‘ŠȱœŽŽœȱ‘ŽȱŒ˜—Ě’ŒȱŠœȱ ˜œŽ›’—ȱŠȱ™ž‹•’ŒȱœŒ‘˜˜•ȱŽ‘˜œǯśŝȱŽ˜›ŽȱŗşŗŚȱ‘Žȱ•˜ Ž›ȱ›Š—”œȱ˜ȱ‘Žȱ›’’œ‘ȱ Š›–¢ȱ Ž›Žȱ™›Ž˜–’—Š—•¢ȱ™˜™ž•ŠŽȱ‹¢ȱ–Ž—ȱ›˜–ȱ‘Žȱ ˜›”’—ȱŒ•ŠœœŽœȱ ‘˜ȱŽ—•’œŽȱ˜›ȱŽŒ˜—˜–’Œȱ›ŽŠœ˜—œǯȱ’‘ȱ‘Žȱ’›œȱ˜›•ȱŠ›ȱŠ••ȱȱ›Š—”œȱ ‹ŽŒŠ–Žȱ–˜›Žȱ’ŸŽ›œ’ꮍȱŠ—ȱ’—Œ•žŽȱ–Š—¢ȱ˜›–Ž›ȱ™ž‹•’ŒȱœŒ‘˜˜•ȱŠ—ȱ

śř ȱ Œ‘•Žœ’—Ž›ǰȱȁ ‘Š”’ȱ ˜ž›—Š•’œœȂǰȱřśŗǯȱ‘Š›™Ž—’Ž›ǰȱLivre d’OrǰȱŗŗȬŗŘǯ śŚ ȱȱ ˜›ȱŠȱŽŠ’•Žȱ‘’œ˜›¢ȱ˜ȱ‘ŽȱŽ—›ŽǰȱœŽŽȱŽ•œ˜—ǰȱGerman Soldier NewspapersǰȱŗŞǯ śś ȱȱ ‘ŽȱŽ¡Š–™•Žȱ˜ȱ‘Žȱ’™Ž›œȱ’–Žœǰȱ ’‘ȱ’œȱŒ‘Š—’—ȱ’•Žœǰȱž—Ž›•’—Žœȱ‘ŠȱŠĴ›’’˜—ȱ Š›Š›ŽȱŠ•œ˜ȱ’—Œ•žŽȱ–˜ŸŽ–Ž—ȱŠ•˜—ȱ‘Žȱ›˜—•’—Žǰȱ ‘’Œ‘ȱŒ˜–™•’ŒŠŽȱ‘Žȱ›Žž•Š›ȱ ™›˜žŒ’˜—ȱ˜ȱ–ŠŠ£’—Žœǯȱ —ȱ‘ŽȱŽ’˜›’Š•ȱ˜ȱ‘Žȱꗊ•ȱ—ž–‹Ž›ȱ™ž‹•’œ‘Žȱ’—ȱŽŒŽ–‹Ž›ȱ ŗşŗŞǰȱ‘ŽȱŽ’˜›ȱŠĴ›’‹žŽœȱŽ•Š¢œȱ’—ȱ™ž‹•’ŒŠ’˜—ȱ˜ȱȁ˜ž›ȱ—˜–Š’ŒȱŽ¡’œŽ—ŒŽȂǯȄȱȁ’˜›’Š•Ȃǰȱ ‘ŽȱŽĴŽ›ȱ’–ŽœȱŗǯŘȱǻŽŒŽ–‹Ž›ȱŗşŗŞǼDZȱřǯ śŜ ȱ ‘Žȱ œ˜•’Ž›œȂȱ ™›Žœœȱ Œ˜—’—žŽȱ ’œȱ Ž¡’œŽ—ŒŽȱ ’—ȱ Œ˜—Ě’Œœȱ ŠŽ›ȱ ‘Žȱ ’›œȱ ˜›•ȱ Š›ǰȱ ’—Œ•ž’—ȱ‘Žȱ™Š—’œ‘ȱ’Ÿ’•ȱŠ›ǰȱ ǰȱŠ—ȱ‘Žȱ’Ž—Š–ȱŠ›ǯȱ śŝ ȱ ˜Š‹•¢ǰȱŽŽ›ȱŠ›”Ž›ǰȱThe Old Lie: The Great War and the Public School Ethosȱǻ˜—˜—DZȱ •˜˜–œ‹ž›¢ǰȱŘŖŖŝǼȱŠ—ȱŠ›Š‘ȱ˜•ŽǰȱModernism, Male Friendship and the First World War ǻ¡˜›DZȱ¡˜›ȱ—’ŸŽ›œ’¢ȱ›ŽœœǰȱŘŖŖřǼǯȱ 80 / Publishing History 77: 2017

ž—’ŸŽ›œ’¢ȱœžŽ—œǰȱ™Š›’Œž•Š›•¢ȱŠȱ“ž—’˜›ȱ˜ĜŒŽ›ȱ•ŽŸŽ•ǯśŞ It is somewhat œž›™›’œ’—ȱ‘Šȱ‘Žȱ•’—”ȱ‹Ž ŽŽ—ȱœŽ›’Š•ȱ™ž‹•’ŒŠ’˜—œȱ’—ȱ‘Žȱ›Ž—Œ‘ŽœȱŠ—ȱ’—ȱ public schools and universities has not been emphasised more, especially œ’—ŒŽȱ‘ŽȱŒ˜——ŽŒ’˜—ȱŠ™™ŽŠ›ŽȱœŽ•ȬŽŸ’Ž—ȱ˜ȱŒ˜—Ž–™˜›Š›’ŽœȱŠȱ‘Žȱ’–Žǯȱ ›’’—ȱ ’—ȱ ‘Žȱ Times Literary Supplementȱ ’—ȱ ŗşŗŜǰȱ ǯǯȱ œ‹˜›—ȱ œžŽœœȱ ‘Šȱȁ›Ž—Œ‘ȱ“˜ž›—Š•œȱŠ›Žȱšž’Žȱ—ŽŠ›•¢ȱ›Ž•ŠŽȱ˜ȱž—˜ĜŒ’Š•ȱœŒ‘˜˜•ȱ™Š™Ž›œȱ ˜›ȱ˜ȱ‘Žȱ“˜ž›—Š•’œ’Œȱ›ŠĴ•Žœǰȱ–Š”’—ȱŠȱŒ‘ŽŽ›ž•ȱ—˜’œŽǰȱ ‘’Œ‘ȱœ˜–Ž’–Žœȱ •’ŸŽȱ ˜›ȱ ‘Žȱ ‘˜•Žȱ ˜ȱ ’‘ȱ ŽŽ”œȱ Šȱ ‘Žȱ ¡˜›ȱ ‘Šȱ Šœǰȱ ‘Šȱ —ŽŸŽ›ȱ more may be’.śş ˜›ȱ ‘Žȱ —•’œ‘ȱ ›’Ž›ȱ ǯǯȱ Œ”Ž›•Ž¢ǰȱ ȁ‘Žȱ ›–¢ȱ ’‘ȱ ’œȱ –Š•Žȱ relationships was simply an extension of my public school’.ŜŖȱ‘ŽȱŠ—Š•˜¢ȱ ‹Ž ŽŽ—ȱ ‹ŠĴŠ•’˜—ȱ Š—ȱ œŒ‘˜˜•ȱ •’Žȱ ›Ž•’Žœȱ ˜—ȱ œ’–’•Š›ȱ ’—Ž›Žœœȱ ’—ȱ œ™˜›œȱ Š—ȱ‘ŽȱŠ–ŽȱŽ‘’Œǰȱ˜—ȱ™Š›Š••Ž•ȱŒ˜—ŒŽ™’˜—œȱ˜ȱ–ŠœŒž•’—’¢ȱǻŠ—ȱ‘˜–˜Ȭ œ˜Œ’Š•’¢ǼȱŠ—ȱ˜—ȱ‘Žȱ›˜•Žȱ‘Žȱ–ŠŠ£’—Žȱ™•Š¢Žȱ’—ȱ˜œŽ›’—ȱŠȱœŽ—œŽȱ˜ȱ–Š•Žȱ comradeship and collective identity based on a shared experience.Ŝŗ In ‹˜‘ȱŠȱ–’•’Š›¢ȱŠ—ȱœŒ‘˜˜•ȱŒ˜—Ž¡ǰȱ–ŠŠ£’—Žœǰȱ ’‘ȱ‘Ž’›ȱŒ‘Š›ŠŒŽ›’œ’Œȱ –’¡ȱ˜ȱ›Š ’—œǰȱ˜œœ’™ǰȱŠ—ŽŒ˜ŽœǰȱŠœȱ Ž••ȱŠœȱꛜȱŠĴŽ–™œȱŠȱ•’Ž›Š›¢ȱ ›’’—ǰȱ œŽ›ŸŽȱ Šœȱ ‘Žȱ –˜ž‘™’ŽŒŽȱ ˜›ȱ ‘Šȱ Ž¡™Ž›’Ž—ŒŽǯȱ ‘Žȱ Š—Š•˜¢ȱ further helps contextualise the ‘cheerful noise’ in the print culture of ‘Žȱ›’’œ‘ȱŠ—ȱ›Ž—Œ‘ȱ›Ž—Œ‘Žœǯȱ‘Šȱ‘ŽœŽȱ“˜ž›—Š•œȱŠ•œ˜ȱ•˜˜”ȱ–žŒ‘ȱ•’”Žȱ œŒ‘˜˜•ȱ–ŠŠ£’—ŽœȱǽęǯȱřȱŠ—ȱŚǾȱ ŠœȱŠ•›ŽŠ¢ȱœžŽœŽȱ‹¢ȱ‘ŽȱŽ’˜›œȱ˜ȱ the Bulletin des Armées de la Républiqueȱ’—ȱŗşŗŝǯȱ‘˜’•¢ȱ™›˜žŒŽǰȱ‘Žȱ

śŞ ȱ —ŽŽǰȱ–Š—¢ȱ˜ȱ‘Žȱꐞ›Žœȱ‘Šȱ—˜ ȱ˜–’—ŠŽȱ‘ŽȱŒŠ—˜—ȱ˜ȱ ȱŠ›ȱŠ—ȱ•’Ž›Šž›Žȱ ȯ‘Žȱ™›˜Š˜—’œœȱ˜ȱŠž•ȱžœœŽ••ȂœȱThe Great War and Modern MemoryȱǻŗşŝśǼȯȱ‘Šȱ Ž—“˜¢Žȱ Ž•’Žȱ ŽžŒŠ’˜—œȱ ‹Ž˜›Žȱ Ž—•’œ’—DZȱ ˜‹Ž›ȱ ›ŠŸŽœȱ Šȱ ž‹¢ȱ Š—ȱ ¡˜›ǰȱ ’Ž›’Žȱ Šœœ˜˜—ȱ Šȱ Š›•‹˜›˜ž‘ȱ Š—ȱ Š–‹›’Žǰȱ ‘Š›•Žœȱ ˜›•Ž¢ȱ Šȱ Š›•‹˜›˜ž‘ȱ Š—ȱ Ž—ŠǰȱŠ—ȱ‘ŽȱŠœ‘ȱ‹›˜‘Ž›œȱŠȱȱŠž•ȂœȱŠ—ȱŽ••’—˜—ǯȱ–ž—ȱ•ž—Ž—ǰȱ ‘˜ȱ ŠœȱŽžŒŠŽȱŠȱ‘›’œȂœȱ ˜œ™’Š•ȱŠ—ȱ¡˜›ǰȱŒŠ••Žȱ‘’–œŽ•ȱȁŠȱœŒ‘˜˜•‹˜¢ȱ˜ĜŒŽ›ȂǯȱŽŽȱ Paul Fussell, The Great War and Modern MemoryȱǻŽ ȱ˜›”DZȱ¡˜›ȱ—’ŸŽ›œ’¢ȱ›Žœœǰȱ ŗşŝŝǼǰȱŘŜŖǯ śş ȱȱ œ‹˜›—ǰȱ‘’–œŽ•ȱŠȱ™Š›’˜’Œȱ“˜ž›—Š•’œȱŠ—ȱŠȱ˜—ŽȬ’–Žȱ•’Ž›Š›¢ȱŽ’˜›ȱ˜ȱ‘ŽȱMorning Postǰȱ ›˜Žȱ ’‘ȱŠȱ˜˜ȱ”—˜ •ŽŽȱ˜ȱ‘Žȱ“˜ž›—Š•’œ’Œȱ–·’Ž›ǯȱ Žȱ Šœȱœ˜ȱ Ž••Ȭ”—˜ —ȱ in journalistic circles that, in BoonȱǻŗşŗśǼǰȱ ǯ ǯȱŽ••œȱ–ŠŽȱ‘’–ȱ‘ŽȱŠ›Žȱ˜ȱ‘’œȱŒ›’’šžŽȱ ˜ȱ‘Žȱ™›˜Žœœ’˜—ȱ˜ȱ•ŽĴŽ›œȱ’—ȱ Š›’–Žȱ˜—˜—ǯȱǯǯȱœ‹˜›—ǰȱȁ›Ž—Œ‘ȱ ˜ž›—Š•œȂǰȱTimes Literary SupplementȱŝŜşȱǻŗŘȱŒ˜‹Ž›ȱŗşŗŜǼDZȱŚŞŘǯ ŜŖ Quoted in Fussell, Modern MemoryǰȱŘŝřǯȱ Ŝŗ ‘ŽȱœŠ–ŽȱœŽȱ˜ȱŸŠ•žŽœȱž—Ž›•’Žœȱ˜‹Ž›ȱŠŽ—Ȭ˜ Ž••Ȃœȱ’––Ž—œŽ•¢ȱ™˜™ž•Š›ȱScouting for BoysȱǻŗşŖŞǼǰȱ‘Žȱꛜȱ‘Š—‹˜˜”ȱ˜ȱ‘ŽȱŒ˜žȱ˜ŸŽ–Ž—ȱ ‘’Œ‘ȱ Šœȱ™Š›•¢ȱ’—œ™’›Žȱ ‹¢ȱŠŽ—Ȭ˜ Ž••ȂœȱŽ¡™Ž›’Ž—ŒŽœȱ’—ȱ‘ŽȱŽŒ˜—ȱ˜Ž›ȱŠ›ȱǻŗŞşşȬŗşŖŘǼǯȱ‘Š™Ž›œȱ’—Œ•žŽȱ ȁŠ–™ȱ ’ŽȂǰȱ ȁ—ž›Š—ŒŽȱ Š—ȱ Œ‘’ŸŠ•›¢Ȃǰȱ ȁŠŸ’—ȱ •’Žȱ Š—ȱ ™Š›’˜’œ–Ȃǰȱ Š—ȱ ȁŒ˜ž’—ȱ Š–ŽœȂǯ Van Dijck, Demoor, Posman: Between the Shells / 81

’ǯȱřDZȱ›˜—ȱŒ˜ŸŽ›ȱ˜ȱ—–ž££•ŽDZȱ‘ŽȱŠœ™ȱǻŗśȱ ž—ŽȱŗŞşŗǼ 82 / Publishing History 77: 2017

’ǯȱŚDZȱ›˜—ȱŒ˜ŸŽ›ȱ˜ȱ‘Žȱ’™Ž›œȱ’–ŽœȱǻŗŘȱŽ‹›žŠ›¢ȱŗşŗŜǼ Van Dijck, Demoor, Posman: Between the Shells / 83

ŠŸŽ›ŠŽȱ›Ž—Œ‘ȱ“˜ž›—Š•ǰȱ‘Ž¢ȱŽ•ǰȱȁŽ¡ŒŽ•œȱŠȱ—Š››Š’—ȱ‘Žȱ•˜ŒŠ•ȱŠ—ŽŒ˜Žǰȱ ŠŒŒ˜–™Š—’Žȱ‹¢ȱŠȱ›Š ’—ȱ’—ȱ‘Žȱ–Š›’—ǰȱ’—ȱ‘ŽȱœŠ–Žȱ—ŠÊŸŽȱ Š¢ȱŠœȱ‘Šȱ ˜ȱŠȱœŒ‘˜˜•‹˜¢ȱ’••žœ›Š’—ȱ‘’œȱ—˜Ž‹˜˜”œǯȱ‘Šȱ–Ž‘˜ȱœž’œȱ‘Žȱ›Ž—Œ‘ȱ Š£ŽĴŽǯȂŜŘ The Wipers Timesȱ’œǰȱŠŠ’—ǰȱŠ—ȱ’—Ž›Žœ’—ȱ™˜’—Ȭ’—ȬŒŠœŽǯȱ‘’•Žȱ•’Ĵ•Žȱ’œȱ ”—˜ —ȱ˜ȱ‘ŽȱŽžŒŠ’˜—ȱ˜ȱ’œȱ ˜ȱŽ’˜›œȯŠ™Š›ȱ›˜–ȱ‘ŽȱœŽ•Ȭ™›˜Œ•Š’–Žȱ —˜’˜—ȱ ‘Šȱ ȁ—˜—Žȱ ˜ȱ žœȱ Ž›Žȱ ›’’—ȱ –Ž—Ȃȱ ǻ‘Ž¢ȱ Ž›Žȱ Ž—’—ŽŽ›œǼȱ Š—ȱ ‘Šȱ‘Žȱ–ŠŠ£’—ŽȱŒ˜—œ’žŽȱȁ˜ž›ȱꛜȱŽě˜›œȱŠȱ“˜ž›—Š•’œ–ȂŜř— its most ™›˜•’ęŒȱŒ˜—›’‹ž˜›ǰȱ‘Žȱ™˜Žȱ ’•‹Ž›ȱ›Š—”Šžǰȱ‘Šȱ•Šž—Œ‘ŽȱŠ—ȱŽ’Žȱ ŠȱœŒ‘˜˜•ȱ–ŠŠ£’—ŽǰȱThe X, at Eton.ŜŚȱ‘Ž—ȱ‘Žȱ–ŠŠ£’—Žȱ Šœȱœž™›ŽœœŽȱ ‹¢ȱ ‘Žȱ ‘ŽŠ–ŠœŽ›ǰȱ ›Š—”Šžȱ Œ˜••ŽŒŽȱ ‘’œȱ œŠ’›’Œȱ ŸŽ›œŽȱ ’—ȱ Eton Echoes ǻŗşŖŗǼǯȱ‘ŽȱŠĜ—’¢ȱ‹Ž ŽŽ—ȱ™Ž›’˜’ŒŠ•ȱ™ž‹•’ŒŠ’˜—œȱŠȱ‘Žȱ›˜—ȱŠ—ȱ’—ȱ œŒ‘˜˜•œȱ‹ŽŒ˜–ŽœȱŽœ™ŽŒ’Š••¢ȱŠ—’‹•Žȱ’—ȱ‘ŽȱŒŠœŽȱ˜ȱ‘ŽȱCambridge Review, ‘’Œ‘ȱ˜™Ž—Žȱž™ȱ’œȱ™ŠŽœȱ˜ȱ‘ŽȱŒ˜—›’‹ž˜›œȱ˜ȱ‘ŽȱG.O.C.B Chronicle, Šȱ–ŠŠ£’—Žȱ™ž‹•’œ‘Žȱ‹¢ȱŒŠŽœȱ’—ȱ›Š’—’—ȱŠȱ‘Žȱž—’ŸŽ›œ’¢DZȱȁ‘Žȱ Š›ȱ ‘Šœȱœ Ž™ȱŠ Š¢ȱŠ•–˜œȱŠ••ȱ‘Žȱ“ž—’˜›ȱ–Ž–‹Ž›œȱ˜ȱ‘Žȱž—’ŸŽ›œ’¢ȱǽdzǾȱ ȱ ’œȱ™›˜™˜œŽǰȱ ’‘ȱ‘ŽȱœŠ—Œ’˜—ȱ˜ȱ‘ŽȱĜŒŽ›œȱŒ˜––Š—’—ȱ‘Žȱ’쎛Ž—ȱ ŠĴŠ•’˜—œǰȱ˜ȱ˜™Ž—ȱ‘ŽȱŒ˜•ž–—œȱ˜ȱ‘ŽȱŽŸ’Ž ȱ˜ȱ‘ŽȱŠŽœǯȂŜś Similar ŠŒ’Œœȱœ‘Š™Žȱ›Ž—Œ‘ȱŠ›–¢ȱ™Ž›’˜’ŒŠ•œǰȱ•’”ŽȱBellica, which were awarded an academic honour after the war. ‘One found in them’, president ˜’—ŒŠ›·ȱ œ›ŽœœŽȱ Šȱ Šȱ ‹Š—šžŽȱ ˜›ȱ ›Ž—Œ‘ȱ “˜ž›—Š•’œœȱ ‘Ž•ȱ ’—ȱ ŗşŘŗǰȱ Šȱ ‘national youthful simplicity’.ŜŜ ȱ‘Žȱ•’—”ȱ ’‘ȱœŒ‘˜˜•ȱ–ŠŠ£’—Žœȱ™›˜Ÿ’ŽœȱŠȱ Š¢ȱ˜ȱ’—Ž›™›Žȱ‘Žȱ Œ˜––ž—’¢ǰȱ•Š¢Ȭ˜žǰȱœ¢•ŽȱŠ—ȱ‘ž–˜ž›ȱ˜ȱ‘Žȱ›’’œ‘ȱŠ—ȱ›Ž—Œ‘ȱpresse poiluǰȱ’ȱŠ•œ˜ȱ’–™˜›Š—•¢ȱŽ¡™•Š’—œȱ‘Žȱ–Š—¢ȱ›Ž•’’˜žœȱž—Ž›˜—Žœȱ‘ŠȱŠ›Žȱ

ŜŘ ȱȁ •ȱŽ¡ŒŽ••Žȱ¥ȱ—Š››Ž›ȱ•ȂŠ—ŽŒ˜Žȱ•˜ŒŠ•Žǰȱœ˜ž•’—·Žȱ™Š›ȱž—ȱŽœœ’—ȱŽ—ȱ–Š›ŽǰȱŠŸŽŒȱ•Žȱ–¹–Žȱ Š›ȱ—ŠÊȱŽȱŒŽ•ž’ȱšžȂž—ȱ·Œ˜•’Ž›ȱ’••žœ›Š—ȱœŽœȱŒŠ‘’Ž›œȱŽȱŒ•ŠœœŽǯȱȂŽœȱ‹’Ž—ȱ•Žȱ™›˜Œ··ȱšž’ȱ Œ˜—Ÿ’Ž—ȱ¥ȱž—ŽȱŠ£ŽĴŽȱŽœȱ›Š—Œ‘·ŽœǯȂȱȁŽȱœŒŽŠžȱ¥ȱŒ‘Š›‹˜—ȂǰȱBulletin des Armées de la RépubliqueȱřǯŘŚŘȱǻŗŞȱ™›’•ȱŗşŗŝǼDZȱŗřǯȱ Ŝř Roberts, ‘How it happened’, vii. ŜŚ ȱȱ —•’”Žȱ ‘Žȱ Ž’˜›œǰȱ ›Š—”Šžȱ ’œȱ ˜ȱ ‹Žȱ ›ŠŒŽȱ ’—ȱ ‘Žȱ ¡˜›ȱ ’Œ’˜—Š›¢ȱ ˜ȱ Š’˜—Š•ȱ ’˜›Š™‘¢ǯȱ ’œȱ Œ˜—›’‹ž’˜—œȱ ˜ȱ ‘Žȱ ›Ž—Œ‘ȱ ™›Žœœȱ Š›Žȱ —˜ȱ –Ž—’˜—Žȱ ’—ȱ ‘Žȱ ǰȱ ‹žȱ‘Ž¢ȱ Ž›Žȱ’–™˜›Š—ȱŽ—˜ž‘ȱ˜›ȱ›Š—”Šžȱ˜ȱ›ŽŽ›ȱ˜ȱ‘Ž–ȱ’—ȱ‘’œȱŠž˜‹’˜›Š™‘¢ǰȱ Self-PortraitDZȱ ȁ‘Žȱ ˜›’’—ȱ ˜ȱ ‘’œȱ ™Š›’Œž•Š›ȱ œ‘ŽŽȱ ǽ’™Ž›œȱ ’–ŽœǾǰȱ ‘’Œ‘ȱ Œ‘Š—Žȱ its title whenever we shifted to a new part of the line, had been the discovery by Š—ȱ Ž—Ž›™›’œ’—ȱ ‘Ž› ˜˜ȱ ˜›ŽœŽ›ǰȱ ǯ ǯȱ ˜‹Ž›œǰȱ ‘˜ȱ ŠŽ› Š›œȱ Œ˜––Š—Žȱ ‘Žȱ ‹ŠĴŠ•’˜—ȱŠ—ȱ’œȱœ’••ȱŠ–˜—ȱ–¢ȱ‹Žœȱ›’Ž—œȂǯȱ ’•‹Ž›ȱ›Š—”ŠžǰȱGilbert Frankau’s Self- Portrait: a Novel of his own Lifeȱǻ˜—˜—DZȱ žŒ‘’—œ˜—ȱǭȱ˜ǰȱŗşřşǼǰȱŗşŖǯ Ŝś ȱȱ Ÿǯȱȁ‘ŽȱŠ–‹›’ŽȱŽŸ’Ž ȂǰȱG.O.C.B. ChronicleȱŘǯřȱǻ ž—ŽȱŗşŗŞǼDZȱŜŝǯ ŜŜ ‘on retrouvait en elles la simplicité jeunesse nationale’. Quoted in Charpentier, Livre d’OrǰȱřŖǯ 84 / Publishing History 77: 2017

œ˜ȱ¢™’ŒŠ•ȱ˜ȱŽ•’Š—ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱ‹žȱ‘ŠȱŠ›ŽȱŠ•–˜œȱŠ‹œŽ—ȱŽ•œŽ ‘Ž›ŽǯŜŝ ˜—›Š›¢ȱ ˜ȱ ’œȱ —Ž’‘‹˜ž›’—ȱ —Š’˜—œȱ ǻ ’‘ȱ Žœ™ŽŒ’Š••¢ȱ ›Š—ŒŽȱ ™›’’—ȱ ’œŽ•ȱ˜—ȱ‹Ž’—ȱŠȱœŽŒž•Š›ȱœŠŽǼǰȱŽ•’ž–ȱœ’••ȱ˜›Š—’£ŽȱŒŠ‘˜•’ŒȱŽžŒŠ’˜—ȱ ’—ȱ‘ŽȱŽŠ›•¢ȱ Ž—’Ž‘ȱŒŽ—ž›¢ǯȱ‘ŽȱœŠ’œ’ŒœȱŠ›Žȱ›ŽŸŽŠ•’—DZȱ—ŽŠ›•¢ȱ‘Š•ȱ˜ȱ the editors of the Walloon and Flemish trench press were churchmen, often teachers.ŜŞ One such person who served in both capacities was ˜ž’œȱŽžœŒ‘ǰȱŠȱŒ‘Š™•Š’—ȱ’—ȱ‘ŽȱŽ•’Š—ȱŠ›–¢ǰȱ˜›–Ž›ȱŠ‹‹˜ȱŠ—ȱŽŠŒ‘Ž›ȱ ’—ȱ‘ŽȱœŽ–’—Š›ȱŠȱ’—Ȭ›ž’Ž—ǰȱŠ—ȱŽ’˜›ȱ˜ȱ‘›ŽŽȱ›Ž—Œ‘ȱ“˜ž›—Š•œǰȱSaint- ›˜—ȱ ™˜’•žę·, Journal des poilus de la Garde d’honneur de Verviers, and Amon nos autes.ŜşȱŠ››¢’—ȱœžŒ‘ȱ‘ŽŠȱ–ŠœœȱŠœȱȁ’ŽžȱŽȱŠ›’ŽȂȱ˜›ȱȁ ˜ȱ Ž—ȱŠŽ›•Š—Ȃǰȱ›Ž—Œ‘ȱ™Š™Ž›œȱ•’”Žȱ‘˜œŽȱ˜ȱŽžœŒ‘ȱŽ¡’œŽȱŠœȱŠȱ–ŽŠ—œȱ˜ȱ maintain contact with former students and parishioners. Bulthé even ˜Žœȱœ˜ȱŠ›ȱŠœȱ˜ȱŠ›žŽȱ‘Šȱ—ŽŠ›•¢ȱŠ••ȱ•Ž–’œ‘ȱ™Š™Ž›œȱ Ž›Žȱȁ’—ȱŒŠ‘˜•’Œȱ hands’.ŝŖ

 DZȱȃȱ ȱ ȱ  Ȅ —ȱŗşŗŝȱ‘Žȱ™˜Žȱ£›Šȱ˜ž—ȱ ›˜ŽȱŠȱœŽ›’Žœȱ˜ȱŗŚȱŠ›’Œ•Žœȱ˜›ȱ‘Žȱ›Š’ŒŠ•ȱ œ˜Œ’Š•’œȱ–ŠŠ£’—ŽȱNew Ageǯȱ Žȱ ŠœȱŠ•›ŽŠ¢ȱŒ˜—›’‹ž’—ȱ—˜Žœȱ˜—ȱ‘’‘ȱ Œž•ž›Žȱž—Ž›ȱ ˜ȱ™œŽž˜—¢–œǰȱ ‘’Œ‘ȱ’œȱŠȱŽ••’—ȱŽœž›ŽȱŠȱŠȱ’–Žȱ ‘Ž—ȱ —Ž œ™›’—ȱ›Š’˜—’—ȱ˜›ŒŽȱ‘Žȱ–ŠŠ£’—Žȱ˜ȱŒžȱ˜ —ȱ˜ȱŗŜȱ™ŠŽœǯȱžȱ ’—ȱ ‘’œȱ —Ž ȱ œŽ›’Žœȱ ˜ž—ȱ •Žȱ ‘’‘ȱ Œž•ž›Žȱ Š—ȱ ’—œŽŠȱ œž’Žȱ Šȱ œŽȱ ˜ȱ ™˜™ž•Š›ȱ ™Ž›’˜’ŒŠ•œǰȱ ’—Œ•ž’—ȱ Blackwoods, The Strand, and Punch, in order to identify what he called the ‘contemporary mentality’ of the nation.71 Pound’s assessments were characteristically harsh, but the point ’œȱ‘Šȱ‘’œȱŽě˜›œȱŠ›Žȱœ’–’•Š›ȱ˜ȱ‘˜œŽȱ–ŠŽȱ’—ȱ‘ŽȱœŒ‘˜•Š›œ‘’™ȱ˜—ȱ›˜—ȱ “˜ž›—Š•’œ–ǰȱ ‘’Œ‘ȱ™žœȱ™ž‹•’ŒŠ’˜—œȱ•’”Žȱ‘Ž Wipers Times, Le Poilu or Ik ben Roelandȱ˜ȱ‘ŽȱŠœ”ȱ˜ȱ›Ž›’ŽŸ’—ȱŠȱ‘’œ˜›¢ȱ˜ȱŽ–˜’˜—œȱŠ—ȱ–Ž—Š•’’Žœȱ ›˜–ȱ‘Žȱ›Ž—Œ‘Žœǯȱ˜›Ž›˜ž—’—ȱ‘Ž’›ȱœŠžœȱŠœȱ™Ž›’˜’ŒŠ•œǰȱ‘’œȱŽœœŠ¢ȱ ‘ŠœȱŠ›žŽȱ˜›ȱ‘Žȱ’–™˜›Š—ŒŽȱ˜ȱ•˜˜”’—ȱŠȱ‘Žȱ™‘Ž—˜–Ž—˜—ȱ˜ȱ‘Žȱ›Ž—Œ‘ȱ

Ŝŝ Major Walter Nicolai, who directed the Feldpressestelle, issued to the editors of the ›Ž—Œ‘ȱ ™›Žœœȱ ‘Žȱ ˜••˜ ’—ȱ ’›ŽŒ’ŸŽȱ ˜—ȱ ŘŚȱ Š¢ȱ ŗşŗŜDZȱ ȁŽ¡Œ•žœ’˜—ȱ ˜ȱ ŽŸŽ›¢‘’—ȱ ‘Šȱ Œ˜ž•ȱ‹ŽȱœŽŽ—ȱŠœȱ‘ŠŸ’—ȱŠȱ›Ž•’’˜žœȱǽdzǾȱ’›ŽŒ’˜—Ȃǯȱž˜Žȱ’—ȱŽ•œ˜—ǰȱȁ Ž›–Š—ȱ˜•’Ž›ȱ Ž œ™Š™Ž›œȱŠ—ȱ‘Ž’›ȱ••’Žȱ˜ž—Ž›™Š›œȂǰȱŘŗŚǯȱ ŜŞ Bertrand, presse francophone de tranchée,ȱŘŗǯȱž•‘·ǰȱVlaamse loopgravenpersǰȱŘŞǯ Ŝş Bertrand, presse francophone de tranchée, 17. ŝŖ Bulthé, Vlaamse loopgravenpersǰȱŗŞ 71 ȱ ˜›ȱ‘Žȱꛜȱ’—œŠ••–Ž—ǰȱœŽŽȱ£›Šȱ˜ž—ǰȱȁž’Žœȱ’—ȱ˜—Ž–™˜›Š›¢ȱŽ—Š•’¢ȱ DZȱ‘Žȱ Hibberd’, The New AgeȱŘŗǯŗŜȱǻŗŜȱžžœȱŗşŗŝǼDZȱřŚŞȬřŚşǯ Van Dijck, Demoor, Posman: Between the Shells / 85

™›Žœœȱ˜—ȱ’œȱ˜ —ȱŽ›–œǰȱ›Š‘Ž›ȱ‘Š—ȱœŒŠ——’—ȱ‘Žȱ“˜ž›—Š•œȱ˜›ȱ‘Žȱ’ŽŠœȱ they contain, for the way in which they articulate and allow us access to ‘Šȱž˜’—Ȭ˜ž£ŽŠžȱŒŠ••Žȱ‘Žȱȁ—Š’˜—Š•ȱœŽ—’–Ž—ȂǯŝŘ There is no blueprint for the trench press, but the circumstances in ‘’Œ‘ȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱŒŠ–Žȱ’—˜ȱ‹Ž’—ȱ Ž›ŽȱŽšž’ŸŠ•Ž—ȱ˜›ȱŠ••ȱ‘›ŽŽȱŠ›–’Žœȱ discussed. The initiative came from the men in the trenches themselves, in most cases educated men with previous experience in (student) “˜ž›—Š•’œ–ǯȱ‘Žȱ™Ž›’˜’ŒŠ•ȱ˜˜”ȱœ‘Š™ŽȱŠ›˜ž—ȱŠ—ȱŠ›–¢ȱŒ˜––ž—’¢ǰȱ‹žȱ ’œȱ›ŽŠŽ›œ‘’™ǰȱ ŽȱœžŽœȱž›‘Ž›ǰȱŒ›žŒ’Š••¢ȱŽ¡Ž—Žȱ‹Ž¢˜—ȱ‘ŠȱŒ˜Ž›’Žǰȱ Šȱ’–Žœȱ–˜Ÿ’—ȱŠŒ›˜œœȱ—Š’˜—Š•ȱŠ—ȱ•’—ž’œ’Œȱ‹˜›Ž›œǯȱ —ȱŠŒǰȱ˜ž›ȱŒ›˜œœȬ Œž•ž›Š•ȱ˜Œžœȱ‘Šœȱ›˜ž—Žȱ˜žȱ‘ŽœŽȱŽ—Ž›Š•’£Š’˜—œȱ’—ȱ’–™˜›Š—ȱ Š¢œǰȱ ™›˜™˜œ’—ȱ‘Šȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱ’쎛ȱ—˜ȱ˜—•¢ȱǻŠ—ȱ—Šž›Š••¢Ǽȱ‹Ž ŽŽ—ȱ œ’—•Žȱ™ž‹•’ŒŠ’˜—œȱ‹žȱŠ•œ˜ȱŠ–˜—ȱ›Ž’˜—œȱŠ—ȱ—Š’˜—œǯȱ —ȱ‘ŽȱŽ•’Š—ȱ army, for example, the majority of trench journals were set up around home Œ˜––ž—’’ŽœǰȱŠ—ȱ›Ž—Œ‘ȱŽ’˜›œȱ Ž›Žȱ˜›Š—’£Žȱ’—ȱŠœœ˜Œ’Š’˜—œȱ‘Šȱ’ȱ —˜ǰȱŠȱ•ŽŠœȱ˜ȱ‘ŠȱŽ¡Ž—ǰȱŽ¡’œȱ’—ȱ›’Š’—ȱ˜›ȱŽ•’ž–ǯȱ‘ŽœŽȱ’쎛Ž—ŒŽœȱ Š•œ˜ȱ–Š”Žȱ‘Ž–œŽ•ŸŽœȱŽ•ȱ’—ȱ‘ŽȱŽ¡žŠ•ȱŠĜ—’’Žœȱ Žȱ›ŠŒŽȱ‹Ž ŽŽ—ȱ‘Žȱ ›Ž—Œ‘ȱŠ—ȱœŒ‘˜˜•ȱ™›ŽœœǯȱŽȱž™ȱŠ›˜ž—ȱŠȱœ’–’•Š›ȱ‘’Ž›Š›Œ‘’ŒŠ•ǰȱŠ••Ȭ–Š•Žȱ Œ˜––ž—’¢ǰȱœŒ‘˜˜•ȱ–ŠŠ£’—Žœȱ‘Ž•™ȱŒ˜—Ž¡žŠ•’£Žȱ‘ŽȱœŠ’›’ŒŠ•ȱŠœ™ŽŒȱ˜ȱ –Š—¢ȱ›’’œ‘ǰȱŠ—ȱ‘Žȱ›Ž•’’˜žœȱ’–™›’—ȱ˜ȱ–Š—¢ȱŽ•’Š—ǰȱ™ž‹•’ŒŠ’˜—œǯȱ žȱ›Ž—Œ‘ȱ“˜ž›—Š•œȱ›Ž–Š’—ǰȱꗊ••¢ǰȱŠœȱǯǯȱœ‹˜›—ȱœžŽœŽȱ’—ȱ‘ŽȱTLS ’—ȱŗşŗŜǰȱȁŽ™‘Ž–Ž›Š•ȱ‘’—œȂȱŠ—ȱ‘Žȱ Š›ȱŠ• Š¢œȱ‘Šȱ‘Žȱ•Šœȱ ˜›ǯŝř Thus, Le Courrier des SapesȱŒŠ–Žȱ˜ȱŠ—ȱž—’–Ž•¢ȱŽ—ȱ˜—ȱŘŚȱŽ™Ž–‹Ž›ȱŗşŗśDZ An unfortunate explosion of a shell destroyed the polycopier ˜ž‘ȱ‘ŠȱŠȱ•’Š’œ˜—ȱŠŽ—ȱ ŠœȱŒŠ››¢’—ȱ’—ȱ‘’œȱŒŠ—ŸŠœȱ‘ŠŸŽ›œŠŒ”ǯȱ ȱ ŠœȱŠȱ’œŠœŽ›ǯȱ˜ȱ˜—•¢ȱ’ȱ’œœžŽȱ—˜ǯȱŚȱ—ŽŸŽ›ȱŠ™™ŽŠ›ȱ‹žȱ‘Žȱ Courrier des Sapesȱ‘žœȱ•˜›’˜žœ•¢ȱ’Žȱ˜—ȱ‘Žȱ‹ŠĴ•ŽęŽ•ǯŝŚ

ŝŘ ȱ ž˜’—Ȭ˜ž£ŽŠžǰȱ14-18, 1. ŝř œ‹˜›—ǰȱȁ›Ž—Œ‘ȱ ˜ž›—Š•œȂǰȱŚŞŘǯ ŝŚ ȱȁž—ȱ–Š•Ž—Œ˜—›Žž¡ȱ·Œ•ŠȱȂ˜‹žœȱ·Œ‘’šžŽŠȱ•Šȱ™¦Žȱ¥ȱ™˜•¢Œ˜™’Ž›ȱšžȂž—ȱŠŽ—ȱŽȱ•’Š’œ˜—ȱ ™˜›Š’ȱŠ—œȱœŠȱ–žœŽĴŽǯȱŽȱžȱž—ȱ·œŠœ›Žǯ—˜—ȱœŽž•Ž–Ž—ȱ•Žȱ—ǚȱŚȱ—Žȱ™žȱ™Š›ŠÉ›Žǰȱ–Š’œȱ le Courrier des Sapes tombait dans le champs d’honneur.’ Charpentier, Livre d’OrǰȱŞŚǯ