Compiled by Lillian Upton Word Or Phrase

Total Page:16

File Type:pdf, Size:1020Kb

Compiled by Lillian Upton Word Or Phrase Compiled By Lillian Upton Word or phrase Explanation Letter Date of Entry 10/- Ten shillings 04.11.1916 1d novels "Penny Dreadfuls"- a cheap ond often sensational type of novel 22.03.1915 27 Grosvenor Square Robert Fleming Hospital for Officers 27 Grosvenor Square, Belgravia, London W1 Military convalescent hospital 1914-1919 In 1914 the investment banker Robert Fleming and his wife provided an auxiliary hospital for convalescent officers at their home in Grosvenor Square. By 26.06.1918 December 1914 all 10 beds were occupied. Later, the Hospital had 14 beds and was affiliated to Queen Alexandra Military Hospital. That building was demolished and now the American Embassy occupies some of the site A cheval On horseback (French) 16.03.1916 A S Choir All Saints Choir of Bromley Common in Kent where Hills' Father was Vicar 14.06.1916 A.B.s An able seaman- an unlicensed member of the deck department of a merchant ship. An AB may work 03.02.1916 as a watchstander, a day worker, or a combination of these roles A.D.C. Aide de Camp (French) A military officer acting as a confidential assistant to a senior officer 25.09.1916 A.S.C. Army Service Corps A.V.C. British Army Veterinary Corps WW1 Absolument asphixie Absolutely choaked (French) Adjutant Military Officer acting as an Admin Assistant to a Senior Officer Agincourt The Battle of Agincourt was a major English victory in the Hundred Years' War. The battle occurred 02.03.1918 on Friday, 25 October 1415 (Saint Crispin's Day), near Azincourt in northern France. Alan Aynesworth Allan (also Alan) Aynesworth (14.04.1864– 22.08.1959) is the stage name of a British actor whose career spanned almost six decades, including a lead part in the 1895 world premiere of Oscar Wilde's 16.06.19616 The Importance of Being Earnest and his final role as the elderly Lord Lancaster in the movie The Last Days of Dolwyn (1949). His birth name was Edward Abbot-Anderson. Aldershot A town in Hampshire known for its connection with the British Army 01.10.1917 Alexander’s R.T.B Alexander's Ragtime Band -a song by irving Berlin. It was his first major hit in 1911 29.08.1916 Compiled By Lillian Upton Alexandra Pavilion for Officers This article appeared in the Times in February 1916 “Queen Alexandra, accompanied by Princess Victoria, opened yesterday afternoon the new "Alexandra" YMCA pavilion for officers in Grosvenor Gardens, near Victoria Station.” In 1917, a further article appeared, reporting that owing to the demand for hostel accommodation for officers at the Alexandra Pavilion in Grosvenor Gardens, the 03.12.1916 YMCA have found it necessary to accept an offer of a house owned by Mr George Drummond for use as an officers hostel. This one was in Belgrave Square. These hostels were still being used by officers in 1920. Allington will get Eaton Cyril Argentine Alington (22.10.1872 – 16.05.1955) was an English educationalist, scholar, cleric, and prolific author. Headmaster of both Shrewsbury School and Eton College. He also served as chaplain 05.06.1916 to King George V and as Dean of Durham Amazonian dame The Amazons were a nation of fierce & warlike- female warriors in Greek Mythology. Here the words 01.11.1916 imply that the Lady at the crossing was very strong. American kursall A Kursall is an amusement park 28.01.1916 Andrew His brother Andrew Cattley Hills born 1898 06.02.1915 Annas Unit of Indian currency with the rupee 27.01.1916 Apres la guerre (French) After the war 19.08.1916 Arcadians An Edwardian musical comedy - a "Fantastic Musical Play" in three acts by Mark Ambient and 17.05.1916 Alexander M. Thompson, with lyrics by Arthur Wimperis and music by Lionel Monckton and Howard Archies Enemy anti aircraft fire or artilery piece. After the Music Hall song 'Archibald, Certainly Not!' German Anit aircraft guns were often incaccurate and whenBritish Pilots returned to their airfields, they would be asked, "Archibald give you any trouble today?" They would answer, "Archibald? Certainly 23.04.1916 not!" Archibald was soon shortened to "Archie," and German anti aircraft fire was called "Archie" for the rest of the war. Aristo Aristocrat (French) 18.12.1915 Armageddon 18.11.1918 In the New Testament - the last battle between good and evil before the Day of Judgement. Armand, the French Rugger Henri Amand Fly Half First Cap 01.01.1906 at Parc des Princes against New Zealand 06.12.1915 man Armee Anglaise English Army ( French) 01.11.1916 Aronda Ship built by Alexander Stephen & Sons Glasgow launched in 1912 The ship Hills sailed out to Malta 04.02.1916 Art Thou Weary Hymn - Art thou weary, art thou languid by John Mason Neale (1818-1866), based on a Greek text by 23.04.1916 St Stephen the Sabaite Artesian Well A well in which pressurized water naturally rises to the surface 27.11.1915 Compiled By Lillian Upton Ascension Day Celebration The Feast of the Ascension, also known as Ascension Thursday, Holy Thursday , or Ascension Day, commemorates the bodily Ascension of Jesus into heaven. Celebration here means taking of Holy 23.12.1916 Communion Au fait In this context "alright" -Litereally in French "familiar with" 01.12.1915 Auberge Inn (French) 29.02.1916 August Presence August means inspiring awe or admiration because of rank or age - majestic, as in " the august 22.07.1916 presence of the monarch" B.E.F. British Expeditionary Force Bainsfather Cartoons Captain (Charles) Bruce Bairnsfather (09.07.1887 – 29.09.1959) was a prominent British humorist and cartoonist His best-known cartoon character is Old Bill. Bill and his pals Bert and Alf featured in 21.02.1916 Bairnsfather's weekly "Fragments from France" cartoons published weekly in "The Bystander" magazine during the First World War Baltic Business August 8th -21st 1915 failed German Naval attack on the Gulf of Riga in the Baltic Sea Barrack Room Ballads A series of songs and poems by Rudyard Kipling about the late-Victorian British Army and mostly 03.08.1915 written in a vernacular dialect (every day speech)-this must be why Knighton cannot read them himself- but Hills is able to (See the poems he write hinself in dialect-15.09.1915 & 16.19.1915) Bde Brigade Beatty's victory in the N. Sea 12.06.1916 Vice-Admiral Sir David Beatty Naval commander at the Battle of Jutland 31.051916- 01.06.1916 Bechuanaland The Bechuanaland Protectorate was a protectorate established on 31.03.1885, by the United 12.12.1917 Kingdom in southern Africa. It became the Republic of Botswana on 30.09.1966 Beech Thomas William Beach Thomas Contributed to The Globe and the Outlook Magazine then got a full time post as Journalist with the Daily Mail. The paper sent him to France to cover the war form there. What he 28.09.1916 wrote was subject to Govenrmnet control. He was Knighted after the war for his services as a war correspondent Belgian Gendarmerie Belgian Civil Police 16.08.1915 Bethunes ( Battye Bombs) Early WW1 bomb designed by Capt B C Battye at the Bethune works 28.08.1915 Compiled By Lillian Upton Bing Boys The Bing Boys Are Here, styled "A Picture of London Life in a Prologue and Six Panels" is the first of a series of revues which played at the Alhambra Theatre, London during the last two years of World 17.07.1916 War I.It first opened on 19 April 1916 and starred George Robey and Violet Lorraine, famous for their introduction of the song "If You Were the Only Girl (in the World)" Bisley Village in Surrey noted for it rifle shooting ranges 04.10.1916 Bismark Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg (1 April 1815 – 30 July 1898), known as 26.09.1916 Otto von Bismarck, was a Prussian statesman who dominated German and European affairs with his conservative policies from the 1860s until he was forced to resign in 1890 by Emperor Wilhelm II. Blesse Wounded man (French) 14.08.1916 Blighty England A "blighty " was a wound serious enough to send you home for treatment Blighty meant 15.08.1915/16.09.1915 Britain. Derived from the Hindu word Bilayati, meaning “foreign country”, the British in India came to (poems) refer to Britain as Blighty and the those in the trenches picked it up. Bloaters A type of whole cold-smoked herring 14.02.1916 Blow Out Big Meal 31.03.1916 Blue Brassard An armband - a distinctive band of cloth usually worn round the upper part of a sleeve for 01.12.1915 identification purposes (usually adorned with an identifying mark or insignia) Blue Upright 10.12.1915 Winged traditional dry fishing fly pattern that will work in most conditions for trout and grayling Blug Blood 19.11.1916 Boots The servant responsible for cleaning the boots & shoes 30.12.1915 Bosches The Germans Slang French word meaning "Rascal"-an abbreviation of caboche, French slang for human head Botha’s S.A. Campaign Louis Botha (27.09.1862 – 27.08.1919) an Afrikaner- first Prime Minister of the Union of South Africa. 02.01.1916 A Boer war hero who fought to have South Africa become a British Dominion Bow Bells & Whizzbangs The Bow Belles a concert party of 56th (London) Division Whizzbangs were the concert party of the 23.05.1916 46th Division Bp Pretoria The Bishop of Pretoria Michael Bolton Furse 16.05.1915 Breeks Scottish - Britches or trousers 29.05.1918 Brer Bosch Brer means "Brother " 14.03.1916 Compiled By Lillian Upton Bret Harte Francis Bret Harte (25.08.1836 – 5.05.1902) American author and poet, best remembered for his 05.02.1916 accounts of pioneering life in California Bric a Brac The revue Bric-a-Brac was produced at the Palace Theatre London in 1915.
Recommended publications
  • European War 1914-1919, the War Reserve Collection (WRA -WRE) from Cambridge University Library
    Adam Matthew Publications is an imprint of Adam Matthew Digital Ltd, Pelham House, London Road, Marlborough, Wiltshire, SN8 2AG, ENGLAND Telephone: +44 (1672) 511921 Fax: +44 (1672) 511663 Email: [email protected] The First World War: A Documentary Record Series One: European War 1914-1919, the War Reserve Collection (WRA -WRE) from Cambridge University Library Part 2: Trench Journals, Personal Narratives and Reminiscences PUBLISHER'S NOTE The First World War: A Documentary Record is a major microfilm series which is making available for the first time the riches of the Cambridge War Reserve Collection. This collection is acknowledged to be one of the finest sources of documentation concerning the First World War in the world, with much unique, rare and ephemeral material. Dr J M Winter, of Pembroke College, Cambridge, is the Consultant Editor for the microfilm edition. The emphasis is on the inclusion of materials unlikely to be held in most libraries. Part 1 made available the complete card catalogue and manuscript listing of the War Reserve Collection, which highlights the great range of the material held at Cambridge, and provides an invaluable bibliographical source for all aspects of the war. Part 2 commences coverage of the collection itself and focuses on Trench Journals, Personal Narratives and Reminiscences. These sources provide an immediate and personal perspective on the war. They bring home the realities of trench warfare and describe the experiences of infantrymen, officers, airmen, the medical corps, those at training camps, the tank corps, sappers, captured troops, soldiers on their way home and soldiers new to the front.
    [Show full text]
  • The Western Front the First World War Battlefield Guide: World War Battlefield First the the Westernthe Front
    Ed 2 June 2015 2 June Ed The First World War Battlefield Guide: Volume 1 The Western Front The First Battlefield War World Guide: The Western Front The Western Creative Media Design ADR003970 Edition 2 June 2015 The Somme Battlefield: Newfoundland Memorial Park at Beaumont Hamel Mike St. Maur Sheil/FieldsofBattle1418.org The Somme Battlefield: Lochnagar Crater. It was blown at 0728 hours on 1 July 1916. Mike St. Maur Sheil/FieldsofBattle1418.org The First World War Battlefield Guide: Volume 1 The Western Front 2nd Edition June 2015 ii | THE WESTERN FRONT OF THE FIRST WORLD WAR ISBN: 978-1-874346-45-6 First published in August 2014 by Creative Media Design, Army Headquarters, Andover. Printed by Earle & Ludlow through Williams Lea Ltd, Norwich. Revised and expanded second edition published in June 2015. Text Copyright © Mungo Melvin, Editor, and the Authors listed in the List of Contributors, 2014 & 2015. Sketch Maps Crown Copyright © UK MOD, 2014 & 2015. Images Copyright © Imperial War Museum (IWM), National Army Museum (NAM), Mike St. Maur Sheil/Fields of Battle 14-18, Barbara Taylor and others so captioned. No part of this publication, except for short quotations, may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the permission of the Editor and SO1 Commemoration, Army Headquarters, IDL 26, Blenheim Building, Marlborough Lines, Andover, Hampshire, SP11 8HJ. The First World War sketch maps have been produced by the Defence Geographic Centre (DGC), Joint Force Intelligence Group (JFIG), Ministry of Defence, Elmwood Avenue, Feltham, Middlesex, TW13 7AH. United Kingdom.
    [Show full text]
  • The New Age Under Orage
    THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G.
    [Show full text]
  • THE PRODUCTION of BELGIAN, BRITISH and FRENCH TRENCH JOURNALS in the FIRST WORLD WAR by CEDRIC VAN DIJCK, MARYSA DEMOOR, SARAH POSMAN
    BETWEEN THE SHELLS: THE PRODUCTION OF BELGIAN, BRITISH AND FRENCH TRENCH JOURNALS IN THE FIRST WORLD WAR by CEDRIC VAN DIJCK, MARYSA DEMOOR, SARAH POSMAN When a new journal appears, it is common for the editor to ¡ȱ¢ȱȱȱǰȱȱȱȱȱȱęȱǰȱ ȱ the journal will endeavour (ce que sera ce journal) and why it was ȱǻpourqoui il est né). The reader, who does not care about ǰȱ¢ȱȱȱȱȱǰȱ ȱȱȱȱȱ ȱ ȱȱȱDzȱȱ ȱȱ ȱȱȱȱ ǯȱ ȱ ȱȱȱǵȱ ȂȱǷȱ¢ȱȱȱǵȱ ȱ ȱȱĴǷȱȱȱȱȱȱȱǯ1 ȱ ȱ ȱ ȱ ȱ ȬȬȱ ȱ ȱ řŘnd infantry division of the French army launched Bellica, a bellicose monthly £ȱ Ĵȱȱȱȱȱȱȱȱȱȱǯȱ ȱ ęȱȱȱȱȱŗşŗśǰȱȱȱ ȱ¢ȱ¡ǰȱ ȱȱȱȱȱȱȱȱȱȱȱȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ £ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ¦ȬȬǰȱȱȱȱǯȱ ȱǰȱȱȱ ȱ ȱȱǰȱȱȁȱȱȂǰȱȱ ȱȱȱǯŘ That the trench press became an invaluable expression of its time and place is ȱ ȱ ȱ Ȃȱ ǰȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ȱȱȱȱ·ǰȱȂȱȱȱȱ ȱȱȱȱȱȱǯȱȱȱ ȱ ȱǯȱȱȱ ǰȱȱȱȱǰȱ·ȱ·ǰȱȱ ȱȱȱǯř 1 ȁȱ ȱ ȱ ȱ Éǰȱ ȱ ȱ Ȃȱ ȱ ȱ ·ȱ ȱ ȱ¡ȱ¡ȱǰȱȱȱȱȱ¸ȱǰȱȱȱȱ ȱȱȱȱȱȱ·ǯȱȱȱȱȂȱęȱȱȱ··ȱȱȱ ȱȱȱȱȱȱȂȬȱȂȱDzȱȱȱȱȱȂȱ ȱȱȱȱȬǯȱȱȱȱȱǵȱ ȱȱǷȱȱȱȱ·ǵȱ ȱȱǷȱȱ³ǰȱȂȱȂěȱȱ¡ǯȂȱǰȱȁȬȂǰȱBellica ŗȱǻȱŗşŗśǼDZȱŚǯ ȱŘȱ Editor, ‘Les Petits “Trésor et Postes” de Bellica’, BellicaȱŘȱǻ ¢ȱŗşŗŜǼDZȱŗřǯ ȱřȱ ȱ ¡ȱ¢ǰȱȁȱȱȱ·ȂǰȱȱHistoire de La Presse Française II: De 1881 à nos jours, ed. ·ȱȱȱǻDZȱȱȱȱȱǰȱŗşŜśǼǰȱŚŘŘǯ 64 / Publishing History 77: 2017 ȱȂȱȱ ȱȱ ¢ȱȱ ȱ¢ȱȱ ȱȱȱȱ¢ȱȱȱǯȱȱȱȱǰȱ ȱ¡ȱȱȱȱȱȱȱȁȱȱȂȱȱ ȱȱȱȱ¡ȱ ¢ȱȱȱȱęǰȱȱ¢ȱ into the politics of endurance that opens Robert Nelson’s impressive study of German trench journalism.Ś The answer to that question is the trench press, which existed to maintain morale and cohesion, and which ¢ȱȱȱȱȱȱȱȱȱȱȱ of an army community.
    [Show full text]
  • A Version of This Article Appeared in Two Issues of the Online Newsletter Esense in 2017
    A version of this article appeared in two issues of the online newsletter eSense in 2017. Translating the Great War: A glimpse behind the scenes (Part 1) Last year, Ragini Werner invited me to contribute a piece about a day in the life of an arts translator to the next issue of eSense. I liked the idea, but I'd already written an article on translating for museums, which I've recently added to the SENSE Library on the website. Since much of my recent work has been literary translation, I wanted to focus on that topic instead. Ragini kindly gave me permission to write about a subject of my choice. Around that time, War and Turpentine —my translation of the First World War novel by Flemish author Stefan Hertmans—was beginning to attract attention from critics and readers. I thought some SENSE members might enjoy a behind-the-scenes account of how I tackled the descriptions of life in the trenches and other translation challenges in the book. I wrote a short piece about the first sentence last year: https://www.athenaeum.nl/nieuws/2016/david-mckay-on-translating-the-first-sentence-of- stefan-hertmans-oorlog-en-terpentijn-war-and-turpentine/. But the constraints of the assigned topic kept me from telling the most interesting stories about my experiences. Although War and Turpentine is a novel, the middle section—the part set in wartime—is closely based on unpublished memoirs written by Hertmans's grandfather about his experiences as a soldier. I was nervous about getting the war scenes right, so I called in the cavalry.
    [Show full text]
  • Claremen & Women in the Great War 1914-1918
    Claremen & Women in The Great War 1914-1918 The following gives some of the Armies, Regiments and Corps that Claremen fought with in WW1, the battles and events they died in, those who became POW’s, those who had shell shock, some brothers who died, those shot at dawn, Clare politicians in WW1, Claremen courtmartialled, and the awards and medals won by Claremen and women. The people named below are those who partook in WW1 from Clare. They include those who died and those who survived. The names were mainly taken from the following records, books, websites and people: Peadar McNamara (PMcN), Keir McNamara, Tom Burnell’s Book ‘The Clare War Dead’ (TB), The In Flanders website, ‘The Men from North Clare’ Guss O’Halloran, findagrave website, ancestry.com, fold3.com, North Clare Soldiers in WW1 Website NCS, Joe O’Muircheartaigh, Brian Honan, Kilrush Men engaged in WW1 Website (KM), Dolores Murrihy, Eric Shaw, Claremen/Women who served in the Australian Imperial Forces during World War 1(AI), Claremen who served in the Canadian Forces in World War 1 (CI), British Army WWI Pension Records for Claremen in service. (Clare Library), Sharon Carberry, ‘Clare and the Great War’ by Joe Power, The Story of the RMF 1914-1918 by Martin Staunton, Booklet on Kilnasoolagh Church Newmarket on Fergus, Eddie Lough, Commonwealth War Grave Commission Burials in County Clare Graveyards (Clare Library), Mapping our Anzacs Website (MA), Kilkee Civic Trust KCT, Paddy Waldron, Daniel McCarthy’s Book ‘Ireland’s Banner County’ (DMC), The Clare Journal (CJ), The Saturday Record (SR), The Clare Champion, The Clare People, Charles E Glynn’s List of Kilrush Men in the Great War (C E Glynn), The nd 2 Munsters in France HS Jervis, The ‘History of the Royal Munster Fusiliers 1861 to 1922’ by Captain S.
    [Show full text]
  • Mortem Obierunt
    Mortem Obierunt Looking Back 100 Years From the Garton Archive: Item of Interest 57 Compiled by Peter Harrod December 2017 “The Crucible of War” The Battle of Passchendaele, one of the bloodiest and most controversial of the Great War, has recently been in the news as part of the commemoration of those dark days of 1917. The battle ended just over one hundred years ago, and the name Passchendaele, along with Ypres and Somme, has come to symbolise the Great War itself. Wikipedia informs us that the Battle, also known as the Third Battle of Ypres, was a First World War campaign fought by the Allies on the Western Front against the German Empire from July to November 1917. It formed part of a strategy designed to gain control of the ridges south and east of the Belgian city of Ypres. Passchendaele lay on the final ridge east of Ypres near to a railway junction at Roulers, vital to the supply system of the German 4th Army. A recent article in the Daily Telegraph reported that the Allied assault was launched in the early hours of 31 July 1917. Because of the torrential rain, the British and Canadian troops found themselves fighting not only the Germans, but a quagmire of stinking mud that swallowed up men, horses and tanks. The article reported that, after three months, one week and three days of brutal trench warfare, the Allies finally recaptured the village of Passchendaele, but by then around a third of a million British and Allied soldiers had been killed or wounded in some of the most horrific trench warfare battles of the long conflict.
    [Show full text]
  • British 8Th Infantry Division on the Western Front, 1914-1918
    Centre for First World War Studies British 8th Infantry Division on the Western Front, 1914-18 by Alun Miles THOMAS Thesis submitted to The University of Birmingham For the Degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts & Law January 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Recent years have seen an increasingly sophisticated debate take place with regard to the armies on the Western Front during the Great War. Some argue that the British and Imperial armies underwent a ‘learning curve’ coupled with an increasingly lavish supply of munitions, which meant that during the last three months of fighting the BEF was able to defeat the German Army as its ability to conduct operations was faster than the enemy’s ability to react. This thesis argues that 8th Division, a war-raised formation made up of units recalled from overseas, became a much more effective and sophisticated organisation by the war’s end. It further argues that the formation did not use one solution to problems but adopted a sophisticated approach dependent on the tactical situation.
    [Show full text]
  • Disillusionment in World War I
    Through Dread of Crying You Will Laugh Instead: Disillusionment in World War I Catherine Gomez he beliefs with which one is raised and in which one trusts unquestioningly are often the most difficult to change. Usually beliefs are reinforced by one’s community, schools, Tfamily and friends and as long as nothing occurs to bring the beliefs into question, they remain unchanged and unquestioned. Such was the belief in the nobility and glory of war prior to World War I. War and self-sacrifice were the obligations of the patriotic, the chivalrous, and the strong.’ It was with such firmly established beliefs that the young men of the “generation of 1914” enlisted in the war against Germany.2 But World War I would prove to be unlike any previous war: it lasted longer, took more lives and was carried out under more horrifying conditions than anyone could have anticipated in 1914. So unexpected were the conditions and horrors of this war, and so unheroic were the deaths of young men, that any illusions of war that the soldiers may have held were slowly stripped away. Disillusionment with the war, however, did not lead large numbers of soldiers to escape from the front. Rather, disillusionment created a state for which coping mechanisms proved necessary and the war proved to be a rich source for the grim humor of the trench journals — a useful outlet for soldiers’ pent up dismay. Thus, rather than pulling soldiers away from their duties, disillusionment created a situation in which soldiers were forced to find creative ways to fulfill their obligations despite the inglorious conditions of war.
    [Show full text]
  • Limp Lavender Leather
    Plum Lines The quarterly newsletter of The Wodehouse Society Vol. 2 i No. i Spring 2000 LIMP LAVENDER LEATHER By Tony Ring A talk delivered at the Houston convention of The Wodehouse Society, October 1999- Tony’s rendition of the first poem was appallingly —and appropriately—earnest. He kindly supplied, at my request, copies of poems from newspapers almost a century old for reproduction here. The newspapers were, of course, part of Tony’s vast collection of Wodehousiana. — OM Be! ender leather volume which you see before Be! you contains a hundred and fifty o f his po­ The past is dead, ems, and is a long way from being com­ Tomorrow is not born. plete. The editor o f the only collection of Be today! his poems so far published, The P a rro t, Today! which emerged from the egg in 1989, made Be with every nerve, an elementary mistake by failing to list the With every fibre, source of any of its twenty-seven offerings. With every drop of your red blood! Wodehouse contrasted writing light verse Be! with the production o f lyrics, another skill Be! which he was to demonstrate with com­ mendable felicity, mainly in the subsequent These lines, together with a further three decade. He helpfully explained that he pre­ verses whose secrets Plum Wodehouse did ferred to have a melody around which to cre­ not reveal, earned Rocky Todd a hundred dollars in 1916 ate his lyric, otherwise he would find himself producing money and enabled him to stay in bed until four o’clock songs with the regular metre and rhythms o f light verse.
    [Show full text]
  • Reveille – November 2020
    Reveille – November 2020 Reveille – No.3 November 2020 The magazine of Preston & Central Lancashire WFA southribble-greatwar.com 1 Reveille – November 2020 In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie, In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields. John McCrae Cover photograph by Charlie O’Donnell Oliver at the Menin Gate 2 Reveille – November 2020 Welcome… …to the November 2020 edition of our magazine Reveille. The last few months have been difficult ones for all of us particularly since we are not able to meet nor go on our usual travels to the continent. In response the WFA has been hosting a number of online seminars and talks – details of all talks to the end of the year and how they can be accessed are reproduced within this edition. The main theme of this edition is remembrance. We have included articles on various War Memorials in the district and two new ones this branch has had a hand in creating. The branch officers all hope that you are well and staying safe. We wish you all the best for the holiday season and we hope to meet you again in the new year.
    [Show full text]
  • The Wipers Times Education Pack
    The Wipers Times Education Pack 1 Contents Introduction ............................................................................................................................................ 3 The Wipers Times: From Page to Stage ................................................................................................... 4 The Men Behind The Wipers Times ........................................................................................................ 7 Ypres in 1914 ........................................................................................................................................... 8 WWI and Ypres ..................................................................................................................................... 10 Life in the Trenches ............................................................................................................................... 13 British Art and Literature ...................................................................................................................... 15 during WWI ........................................................................................................................................... 15 The Journey of a Production ................................................................................................................. 19 Rehearsal Blog ....................................................................................................................................... 21 Meet the Cast .......................................................................................................................................
    [Show full text]