Guide for Parents and Answer Key Exploring World History Guide for Parents and Answer Key ISBN: 978-1-60999-073-2
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Chile by Martin Nicholas and Ivan.Pdf
FLAG • The Chilean flag is also known in Spanish as La Estrella Solitaria (The Lone Star). • It was adopted on 18 October 1817. • The flag of Chile consists of two equal horizontal bands of white and red, with a blue square the same height as the white band in the canton, which bears a white five-pointed star in the centre. CAPITAL • The capital of Chile is called ‘Santiago’. • Santiago is the biggest city in Chile. • It sits in a valley surrounded by the snow- capped Andes and the Chilean Coast Range. • Plaza de Armas, the grand heart of the city’s old colonial core, is home to 2 neoclassical landmarks: the 1808 Palacio de la Real Audiencia, housing the National History Museum, and the 18th-century Metropolitan Cathedral. POPULATION • The population of Chile is 18,183,803. • The population rate growth for Chile was decreasing in 1990. • By 2050 the population is expected to reach approximately 20.2 million people. • About 85% of the country's population lives in urban areas, with 40% living in Greater Santiago. FOOD • Pastel de Choclo: corn casserole with meat stuffing. • Empanadas: pastry filled with meat, cheese or mussels. • Cazuela: homemade stew with beef, chicken, corn, rice and potatoes. • Asado: barbeque of beef, pork or chicken. FESTIVALS • Viña del Mar International Song Festival: This festival the largest and best known music festival in Latin America. • Lollalpalooza Chile: this festival is the Chile based version of the popular music festival Lollapalooza. • Ultra Chile: this is an outdoor electronic music festival that is a part of Ultra Music Festival’s worldwide expansion, which has now spread to 20 different countries. -
World War Ii and Us Cinema
ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances. -
CHINA: Dongyang – WCC-World Craft City for Woodcarving
LIST OF WCC‐WORLD CRAFT CITIES (2014‐2019) 2014 ‐ CHINA: Dongyang – WCC‐World Craft City for Woodcarving ‐ INDONESIA: Yogyakarta – WCC‐World Craft City for Batik ‐ CHILE: Donihue – WCC‐World Craft City for Chamanto 2015 ‐ INDIA: Mamallapuram – WCC‐World Craft City for Stone Carving Jaipur – WCC‐World Craft City ‐ CHINA: Dehua – WCC‐World Craft City for Porcelain Hui’an – WCC‐World Craft City for Stone Carving ‐ IRAN: Isfahan – WCC‐World Craft City Tabriz – WCC‐World Craft City for Carpet Weaving ‐ CHILE: Chimbarongo – WCC‐World Craft City for Wicker Crafts Rari – WCC‐World Craft City for Horse Hair Work 2016 ‐ CHINA: Xianyou – WCC‐World Craft City for Chinese Classical Furniture Donghai – WCC‐World Craft City for Crystal Fuxin ‐ WCC‐World Craft City for Agate ‐ IRAN: Lalejin – WCC‐World Craft City for Pottery Mashhad – WCC‐World Craft City for Gemstones ‐ JORDAN: Madaba – WCC‐World Craft City for Stone Mosaics ‐ PALESTINE: Hebron – WCC‐World Craft City ‐ LEBANON: Tripoli – WCC‐World Craft City 27.1.20 2017 ‐ IRAN: Sirjan – WCC‐World Craft City for Kilim Marivan – WCC‐World Craft City for Klash (Footwear) Stitching Kalpourgan – WCC‐World Craft Village for Handmade Pottery ‐ THAILAND: Sakon Nakhon – WCC‐World Craft City for Natural Indigo ‐ CHILE: Liquiñe – WCC‐World Craft City for Wood Carving ‐ DENMARK: Bornholm – WCC‐World Craft City 2018 ‐ NEPAL: Lalitpur – WCC‐World Craft City ‐ INDONESIA: Gianyar‐Bali – WCC‐World Craft City ‐ MALAYSIA: Kuching – WCC‐World Craft City ‐ THAILAND: Khon Kaen – WCC‐World Craft City for Ikat (Mudmee) ‐ -
Artesania ∂Ilena Contemporanea in Dialogue with Innovation Contemporary Chilean Handicrafts En Dialogo Con La Innovacion Artesanía ∂Ilena Contemporánea
En dialogo con la innovacion En dialogo con la innovacion Artesania ∂ilena contemporanea In dialogue with innovation Contemporary Chilean Handicrafts En dialogo con la innovacion Artesanía ∂ilena contemporánea Publicación a cargo de Tania Salazar Maestri Equipo del Área de Artesanía: Andrea Oliva Cáceres y Trinidad Guzmán Herrera Investigación y escritura: Luis Landa del Río Edición general y corrección de estilo: Miguel Angel Viejo Viejo Traducción al inglés: María Eugenia Poblete Corrección de estilo (inglés): Margaret Snook Diseño y diagramación: Andrea Cu∂acovi∂ | Draft Diseño Fotografías: Macarena Achurra (sponsor Nikon Chile) Excepto págs. 56 y 97: Rodrigo Campusano; y pág. 34: cortesía del Museo de Arte Popular Americano de la Universidad de Chile Restauración digital: Eliana Arévalo y Paola Cifuentes © Consejo Nacional de la Cultura y las Artes Registro de Propiedad Intelectual n˚ 210.149 ISBN: 978-956-8327-85-9 www.cultura.gob.cl Se autoriza la reproducción parcial citando la fuente correspondiente. En este libro se utilizó la tipografía Australis, creada por el diseñador ∂ileno Francisco Gálvez. 1ª edición, noviembre de 2011 Se imprimieron 1.000 ejemplares Impreso en Maval Ltda. Santiago, Chile En dialogo con la innovacion Artesania ∂ilena contemporanea In dialogue with innovation Contemporary Chilean Handicrafts fomento de las artes e industrias creativas 9 presentación 23 innovación en la artesanía tradicional Presentation Innovation in Traditional Handicraft 11 prólogo 32 Olla porotera y olla motera Foreword clay bean pot -
Marriage, Migration, and Integration of Japanese War Brides After World War II
Families Precede Nation and Race?: Marriage, Migration, and Integration of Japanese War Brides after World War II A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Masako Nakamura IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY (History) Erika Lee and Elaine Tyler May August 2010 © Masako Nakamura, 2010 Table of Contents List of Figures----------------------------------------------------------------------------------------ii Introduction-------------------------------------------------------------------------------------------1 Chapter 1 Families Precede Nation and Race?: The 1947 Amendment of the War Brides Act and the American Family------------------------------------------------------------------------------------23 Chapter 2 Making “Model Minority Brides”?: American Red Cross Brides Schools for Japanese Wives of U.S. Servicemen in Japan, 1951-1963-----------------------------------------------75 Chapter 3 “Are War Brides Happy Here?”: Sociological Studies of the Marital Adjustment of Japanese War Brides------------------------------------------------------------------------------137 Chapter 4 Social Workers and Japanese Wives: Politics through the Japanese War Brides Club at the International Institute of San Francisco----------------------------------------------------177 Chapter 5 Life Stories of Japanese War Brides in Japan and the United States from Their Own Perspective, 1930s-1950s------------------------------------------------------------------------216 -
Halo Effect Robby the Robot Emperor Hirohito Sebastiano Ricci Alexandra Shulman's
MAGAZINE WINTER 2017 ISSUE 53 Halo effect A rare Lorenzo Veneziano panel comes to light Robby the Robot He cooks! He cleans! He’s for sale! Emperor Hirohito His confession Sebastiano Ricci The artist turned poisoner and Alexandra Shulman’s Favourite room Princess 40M – M/Y ANKA EXPERIENCE THE EXCEPTIONAL® PRINCESSYACHTS.COM _02RM9_1770@00@102 PRINCESS BC Dinner DPS FC 490x320.indd All Pages 26/09/17 13:50 Princess 40M – M/Y ANKA EXPERIENCE THE EXCEPTIONAL® PRINCESSYACHTS.COM _02RM9_1770@00@102 PRINCESS BC Dinner DPS FC 490x320.indd All Pages 26/09/17 13:50 Old Master Paintings London Wednesday 6 December 3.30pm Meindert Hobbema (Amsterdam 1638-1709) A Wooded River Landscape with Figures on a Path (detail) oil on panel 54.2 x 71cm (21¼ x 27¾in) Estimate: £150,000 - 200,000 ($200,000 - 260,000) Enquiries: Poppy Harvey-Jones +44 (0) 20 7468 8308 [email protected] bonhams.com/oldmasterpaintings XX Bonhams Contents Issue 53 50 42 5 Editor’s letter and contributors FEATURES COLUMNS 18 Horse power 42 Zeid geist 7 News and To celebrate the opening of Fahrelnissa Zeid’s life was punctuated forthcoming highlights Ferrari: Under the Skin at the by tragedy. Rachel Spence describes Design Museum, Mark Beech tells how the pioneering Ottoman artist 15 Inside Bonhams the story of the first Italian supercar wrested artistic triumph from India Phillips tells Lucinda Bredin personal disaster about the thrill of finding a lost 22 Saint David? painting by Dalí David Jones has been described 46 Poisoned chalice as ‘the greatest watercolourist Sebastiano Ricci was the bad 59 Hail, Burgundy! since Blake’. -
What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level. -
Descarga Catálogo Textil
Artesanías de Chile Catálogo Patrimonial Colección Patrimonial 01. Textiles Área de Conservación y Patrimonio 2020 1 2 Artesanías de Chile Catálogo Patrimonial Colección Patrimonial de Artesanías de Chile Desde su creación en 2002, Fundación Artesanías de Chile ha ido construyendo una colección de piezas artesanales de carácter etnográfico que corresponden a culturas vivas o conocidas en la historia reciente de nuestro territorio. Estos objetos provienen de diferentes oficios y materialidades -textilería, cestería, cerámica, trabajo en piedra, madera, cuero y metales-. Cada pieza, contiene información que refleja prácticas propias de una localidad y de sus cultores. Son portadoras de saberes relacionados a la obtención de las materias primas, técnicas de preparación del material y construcción de cada objeto, usos y sistema de significación. Estos conocimientos son transmitidos desde tiempos inmemoriales de manera oral y por observación, a través de las generaciones y se continúan resignificando al día de hoy. Las artesanas y artesanos poseen un conocimiento único sobre su entorno y la naturaleza, un saber que es materializado en estos objetos, donde cobra sentido la práctica artesanal mediante el uso de los materiales, la forma y los nombres que recibe cada pieza. ¿Cuál es la importancia de esta colección? Conscientes de que es una tarea importante salvaguardar el patrimonio cultural ligado a la artesanía, desde el área de Patrimonio de Fundación Artesanías de Chile hemos trabajado en el registro, conservación y puesta en valor de los 670 objetos que conforman la colección al día de hoy. Estos objetos son utilizados en nuestras exposiciones y difundidos a través de nuestras plataformas, para acercarlos al público. -
Voices of the 20Th Century 20Th of the Voices
Wednesday December 6, 2017 Wednesday New York VOICES OF THE 20TH CENTURY VOICES OF THE 20TH CENTURY | New York | Wednesday December 6, 2017 24254 VOICES OF THE 20TH CENTURY Wednesday, December 6, 2017 at 1pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 New York Front cover: lot 1027 New York, New York 10022 +1 (212) 644 9009 fax Ian Ehling, Director Inside front cover: lot 1128 bonhams.com New York Session page 3: lot 1008 To bid via the internet please visit +1 (212) 644 9094 Session page 35: lot 1034 [email protected] PREVIEW www.bonhams.com/24254 Session page 53: lot 1074 Saturday, December 2 Darren Sutherland, Specialist Session page 71: lot 1170 12pm to 5pm Please note that telephone bids +1 (212) 461-6531 Session page 97: lot 1254 Sunday, December 3 must be submitted no later than [email protected] Inside back cover: 1180 12pm to 5pm 4pm on the day prior to the Back cover: 1068 Monday, December 4 auction. New bidders must also Tom Lamb, Director 10am to 5pm provide proof of identity and Business Development Tuesday, December 5 address when submitting bids. +1 (917) 921 7342 10am to 5pm [email protected] Wednesday, December 6 Please contact client services Tim Tezer, Junior Specialist 10am to 12pm with any bidding inquiries. +1 (917) 206-1647 [email protected] Please see pages 147 to 152 for bidder information including Mary-kate Grohoski, SALE NUMBER: 24254 Conditions of Sale, after-sale Administrator Lots 1001 - 1265 collection and shipment. -
Russian Traditional Clothing Wikipedia
Russian traditional clothing wikipedia Continue This category describes traditional and historical Russian clothing. Modern Russian clothing should be classified under Russian fashion or clothing companies in Russia. Wikimedia Commons has media related to Russian national fashion. This category contains only the following subcategory. ► Russian folk clothing (11 P) the following 20 pages in this category, out of 20. This list may not reflect recent changes (more information). Bashlik Boyar Hat Budenovka French Fur Fish (tunic) Gáktiyorka Imperial Crown of Russia Mariner Hat Monomakh Cap Pavlovo Posad Peak Cap Podvorotnichok Regalia of Russian Tsars Seacap Sabug Stalin Tunic Telnyashka Telogreus Reduika Retrieval of the main material of this category is Russian folk clothing. The following 11 pages are in this category, out of a total of 11. This list may not reflect recent changes (more information). Pasta shoes burka (Caucasus) Chukha Kukuchenk Kosovorotka Paparotka Putkha Putkha Sarvan Valinki and Adamal retrieved from the georgian man in part of a series on Georgia ქართველები the old Georgian nation Kartvelian people Kulchians Subgroups Svans Mingrelians Culture Music Media Sports line cinema kitchen dances chukha calendar legends languages writing the system of grammatical dialects Georgian Orthodox Church Catholic Church Of St. George St. Nino symbols Of St. George cross grapes via Polynesia via Borjgali history Georgiavte A chokha[a] is a woolen coat with a high neck that is part of the traditional male dress of the Caucasus peoples. [2] The history and revival of Georgian King Luwarsab II of Cartley depicted in the gorge was the gorge in widespread use among Georgians[3] from the 9th century to the 1920s, when it declined during the Soviet era. -
Exploring World History Part 2
Sample Pages from Exploring World History Part 2 by Ray Notgrass with Charlene Notgrass and John Notgrass Copyright © Notgrass Company. All rights reserved. To order your copy visit www.notgrass.com or call 1-800-211-8793. Exploring World History Part 2 The Renaissance to the Present ii Exploring World History For all those who have in any way shared the sacred and imperishable gospel with those from every tribe and tongue and people and nation (Revelation 5:9). You have helped to fulfill God’s plan for mankind and have offered hope where there was none. Exploring World History Part 2 Ray Notgrass with Charlene Notgrass and John Notgrass ISBN 978-1-60999-062-6 Copyright © 2014 Notgrass Company. All rights reserved. No part of this material may be reproduced without permission from the publisher. This book is licensed for sale only in the United States of America. Previous Page: Seoul, South Korea, 2011 Front Cover Images: London (Gabriel Vallina / Flickr / CC-BY-2.0), Johannes Gutenberg, Chinese Boy (Bertha Boynton Lum / Library of Congress), Napoleon (N. Currier / Library of Congress), Queen Victoria (George Hayter), Crown Prince of Thailand, c. 1900 (Library of Congress). Back Cover Image: Pagoda in Bukit Panjang New Town, Singapore (kewl / Flickr / CC-BY-2.0). Author Photo: Mary Evelyn McCurdy. All product names, brands, and other trademarks mentioned or pictured in this book are used for educational purposes only. No association with or endorsement by the owners of the trademarks is intended. Each trademark remains the property of its respective owner. Unless otherwise noted, scripture quotations taken from the New American Standard Bible, Copyright 1960, 1962, 1963, 1971, 1972, 1973,1975, 1977, 1995 by the Lockman Foundation Used by permission. -
Fashion Design
Fashion is a general term for a popular style or practice, especially in clothing, footwear, accessories, makeup, body piercing, or furniture. Fashion refers to a distinctive and often habitual trend in the style with which a person dresses, as well as to prevailing styles in behaviour. Fashion also refers to the newest creations of textile designers.[1] The more technical term, costume, has become so linked to the term "fashion" that the use of the former has been relegated to special senses like fancy dress or masquerade wear, while "fashion" means clothing more generally and the study of it. Although aspects of fashion can be feminine or masculine, some trends are androgynous.[2][3] Fashion design Fashion design is the art of the application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories; and, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes. Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions, such asevening wear or party dresses.