Ivar Bjørnson & Einar Selvik Hugsjá Mp3, Flac

Total Page：16

File Type：pdf, Size：1020Kb

Ivar Bjørnson & Einar Selvik Hugsjá mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Hugsjá Country: Norway Released: 2018 Style: Nordic, Folk, Folk Rock, Folk Metal MP3 version RAR size: 1696 mb FLAC version RAR size: 1390 mb WMA version RAR size: 1713 mb Rating: 4.4 Votes: 853 Other Formats: TTA MP3 RA MP2 AHX MP2 ADX Tracklist Regin A1 Hugsjá A2 WulthuR A3 Ni Dotre Av Hav A4 Ni Modre Av Sol Fundinn Noregr B1 Fornjot B2 Nattseglar B3 Nytt Land B4 Nordvegen Dáinn C1 Utsyn C2 Oska C3 Um Heilage Fjell Notes The second release by Ivar Bjørnson of Enslaved & Einar Selvik of Wardruna. Packaged in a gatefold jacket with printed inner sleeves. Standard black vinyl edition available worldwide. Side D is an etching of a compass. Barcode and Other Identifiers Barcode: 8 85150 70057 0 Matrix / Runout (Side A): BNM 009LP A Matrix / Runout (Side B): BNM 009LP B Matrix / Runout (Side C): BNM 009LP C Rights Society: MCPS Other versions Category Artist Title (Format) Label Category Country Year Ivar Bjørnson & Hugsjá (2xLP, Album, By Norse BNM009LP BNM009LP Netherlands 2018 Einar Selvik Ltd, Sil) Music Ivar Bjørnson & Hugsjá (11xFile, AIFF, By Norse none none Norway 2018 Einar Selvik Album) Music Ivar Bjørnson & Hugsjá (11xFile, By Norse none none Norway 2018 Einar Selvik ALAC, Album) Music Ivar Bjørnson & Hugsjá (11xFile, AAC, By Norse none none Norway 2018 Einar Selvik Album) Music Ivar Bjørnson & Hugsjá (11xFile, MP3, By Norse none none Norway 2018 Einar Selvik Album, VBR) Music Related Music albums to Hugsjá by Ivar Bjørnson & Einar Selvik Wardruna - Runaljod - Ragnarok Ivar Medaas - Å Du, Å Du! Åse Wentzel, Ivar Ruste Og Arnt Haugens Orkester - Kjente Juletoner Søstrene Ladim, Ivar Ruste - Fly Lille Fugl / Ole Lukkøye Ivar Medaas - Teltet / Veslesyster Ondulat Er Død Ivar Skippervold - Sangen Er En Vise Ivar Eidem - Boppen Choo Chap Enslaved - Frost Karl Ivar Pettersson Och Sölve Strand - Rosendrömmen Ivar Oosterloo - Apologize.

Copy Link

Recommended publications

Ivar Bjørnson & Einar Selvik's – Skuggsjá
Ivar Bjørnson & Einar Selvik’s – Skuggsjá (56:52, CD, Season of Mist, 2016) Sucht noch jemand den perfekten Soundtrack für klirrend kalte dunkle Winternächte? Oder für mystische Ausflüge in nordische Kultur und Geschichte? Eventuell auch für den nächsten Rollenspiel-Abend, oder als Unterlegung für die seelische Verarbeitung der letzten „Game of Thrones“-Folge? Eine oder mehrere Fragen mit Ja beantwortet? Dann dürfte „Skuggsjá“ (norwegisch für Spiegel) ein durchaus interessantes Werk sein. Hinter dem Konzept stehen zwei bekannte Namen der Black-Metal- Szene: Zu einem Enslaved-Gitarrist Ivar Bjørnson und zum anderen Einar Selvik (Wardruna), der unter anderem durch seine musikalischen Beiträge zur Fernsehserie „Vikings“ bekannt ist. Die Musik auf „Skuggsjá“ segelt unter dem Label Pagan Metal, echten Metal bekommt man allerdings eher selten zu hören. Der klassischste Metal-Titel dürfte ‚Skuggeslatten‘ sein, die meisten Kompositionen aber verursachen einen fast meditativen Sog: Moderne Instrumente mischen sich mit Klängen traditioneller Klangerzeuger wie Fiedel, Flöten, Pauken und Leiern. Die Songs basieren oft auf einer sich wiederholenden Grundidee, die sich nach und nach zu immer gewaltigeren Höhen aufschwingt. Immer wieder mischen sich dabei auch härtere Parts aus der Metal-Ecke unter. Die durchgehend norwegische Sprache tut ihr Übriges, um hier eine ganz eigene Atmosphäre zu schaffen. Höchst gewöhnungsbedürftig stellt sich ‚Makta og Vanaera (I All Tid)‘ dar: Die hier zu hörenden Growls sind sicher nichts für zarte Gemüter und sie passen nicht so recht zum Rest der Gesangsdarbietungen, die alle stimmig daherkommen. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben.
[Show full text]
Grímnismál: Acriticaledition
GRÍMNISMÁL: A CRITICAL EDITION Vittorio Mattioli A Thesis Submitted for the Degree of PhD at the University of St Andrews 2017 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/12219 This item is protected by original copyright This item is licensed under a Creative Commons Licence Grímnismál: A Critical Edition Vittorio Mattioli This thesis is submitted in partial fulfilment for the degree of PhD at the University of St Andrews 12.11.2017 i 1. Candidate’s declarations: I Vittorio Mattioli, hereby certify that this thesis, which is approximately 72500 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2014 and as a candidate for the degree of Ph.D. in September, 2014; the higher study for which this is a record was carried out in the University of St Andrews between 2014 and 2017. Date signature of candidate 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date signature of supervisors 3.
[Show full text]
Le Black Métal : Un Genre Musical Entre Transgression Et Transcendance Camille Bera
Le Black Métal : un genre musical entre transgression et transcendance Camille Bera To cite this version: Camille Bera. Le Black Métal : un genre musical entre transgression et transcendance. Art et histoire de l’art. Normandie Université, 2018. Français. NNT : 2018NORMR087. tel-03030244 HAL Id: tel-03030244 https://tel.archives-ouvertes.fr/tel-03030244 Submitted on 30 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE Pour obtenir le diplôme de doctorat Spécialité Musicologie Préparée au sein de l’Université de Rouen Le Black Metal : un genre musical entre transgression et transcendance Présentée et soutenue par Camille Béra Thèse soutenue publiquement le 29 novembre 2018 devant le jury composé de Professeur des universités en musicologie, M. Pierre-Albert CASTANET Directeur de thèse université de Rouen Maître de Conférences en sociologie, Mme Odile BLIN Examinatrice université de Rouen Maître de Conférences en sociologie, M. Gérôme GUIBERT Examinateur université Paris 3 Sorbonne Nouvelle Professeur des universités en musicologie, M. Martin LALIBERTÉ Rapporteur université Paris-Est Marne-la-Vallée Professeur des universités en musicologie, M. Christophe PIRENNE Rapporteur université de Liège Thèse dirigée par Pierre-Albert CASTANET, GRHis.
[Show full text]
3D in Your Face 44 Magnum 5 X 77 (Seventy Seven)
NORMALPROGRAMM, IMPORTE, usw. Eat the heat CD 12,00 District zero CD 29,00 The void unending CD 13,00 Restless and live - Blind rage Dominator CD 18,00 ANCIENT EMPIRE - live in Europe DCD 20,00 Female warrior CD & DVD 18,00 Eternal soldier CD 15,50 Russian roulette CD 12,00 Mermaid MCD 15,50 Other world CD 15,50 Stalingrad CD & DVD18,00 Other world CD & DVD 23,00 The tower CD 15,50 Stayin’ a life DCD 12,00 White crow CD 21,00 When empires fall CD 15,50 The rise of chaos CD 18,50 alle Japan imp. ANGEL DUST ACCID REIGN ALHAMBRA Into the dark past & bonustr. CD 15,50 Awaken CD 15,50 A far cry to you CD 26,00 official rerelease Richtung Within Temptation mit einem Japan imp. To dust you will decay - official guten Schuß Sentenced ALIVE 51 rerelease on NRR CD 15,50 ACCUSER Kissology - an Italian tribute to ANGEL MARTYR Dependent domination CD 15,50 the hottest band in the world CD 15,50 Black book chapter one CD 15,50 Diabolic CD 15,50 ALL SOUL´S DAY ANGELMORA The forlorn divide CD 15,50 Into the mourning CD 15,50 AIRBORN - Lizard secrets CD 15,50 Mask of treason CD 15,50 ACID ALLOY CZAR ANGEL WITCH Acid CD 18,00 Awaken the metal king CD 15,50 `82 revisited CD 15.50 3D IN YOUR FACE Engine beast CD 18,00 Moderater NWoBHM Sound zwischen Angel Witch - deluxe edition DCD 15,50 Faster and faster CD 15,50 Maniac CD 18,00 BITCHES SIN, SARACEN, DEMON, Eine tolle, packende Mischung aus SATANIC RITES gelegen.
[Show full text]
Press Release
Lausanne, January 23, 2013 PRESS RELEASE FESTIVAL INFERNO 2013: The line-up at the DOCKS is now complete! Hey! After the first salvo of names announced last November, we are pleased to release the complete line-up of bands that will perform at the 3rd edition of the Inferno Festival at the DOCKS on March 15 and 16: INTERNATIONAL BANDS SAMAEL, PRIMORDIAL, MY DYING BRIDE, DARK FUNERAL ANAAL NATHRAKH, AURA NOIR, WARDRUNA KEY SWISS BANDS AND NEWCOMERS RORCAL, ZATOKREV, ALGEBRA, ABRAHAM LINE-UP BY DATE FRIDAY 15 MARCH, LES DOCKS: SAMAEL PLAYS PASSAGE (CH) SAMAEL has greatly contributed to put Switzerland on the map of metal fans and has influenced loads of groups worldwide. They started as a black metal band but increasingly gave an industrial touch to their music; they will present their special project as a world exclusive at the 2013 edition of the Inferno Festival and will perform the album "Passage" (released in 1996) in its entirety! A performance not to be missed, because it is this album that established Samael on the international scene as a reference in the modern and classy black/industrial style. A unique opportunity to eventually hear "Jupiterian Vibe" and "Shining Kingdom" live! PRIMORDIAL (IRL) PRIMORDIAL is greatly influenced by the Irish origins of their members and their sound swings between Pagan, Celtic and black metal with heroic accents. The band is well known for the quality of its performances focused on the charisma of its frontman. Primordial will blast their own definition of the word "EPIC" with loads of conquering riffs.
[Show full text]
Kultur Årbok for Bergen 2010 Overordnede Analyser Byråd 1.1 Publikum Og Brukere______6 Harald Victor Hove 1.2 Kulturøkonomi______9 1.3 Kulturpolitikk______16
kultur Årbok for bergen 2010 oVerorDneDe analyser Byråd 1.1 Publikum og brukere______________________ 6 Harald Victor Hove 1.2 Kulturøkonomi_ _________________________ 9 1.3 Kulturpolitikk_ __________________________ 16 unst og kultur når bredt i bergen og resultatene K skapes av profesjonelle og amatører med høy kommunaldirektør kompe tanse som får svært mye ut av ressursene. Bjørn F. Holmvik tusen takk til alle dere som har skapt tilbudet og til alle som har vært publikum eller deltager. alle deler av kultur og kunstfeltet ble styrket i 2010, og nye åpne alle sanser planer for ung dom, kunstformidling til barn og for akk til alle som bidrar til bergens kunst og kultur inter nasjo nal kunst og kulturutveksling ble vedtatt. T liv, kanskje særlig takk til alle som står bak scenene, på kontorene eller på annen måte skaper 1 kulturbyen bergen Vi skal bygge videre på de styrker kulturårboken muligheter for det publikum opplever direkte. kultur dokumenterer, vi skal samtidig sørge for at hele byen sektoren er stor og sammensatt, og det gjøres et 2.1 Arena__________________________________ 22 kan bli med oss på veien videre. kunst og kultur har omfattende arbeid som kan være usynlig for mange, en viktig rolle å spille i å løfte voksne og barn med de 2.2 Markeringer og jubileer____________________ 28 men som er helt nødvendig blant både amatører og svakeste levekår. gjennom deltagelse og opplevelser 2.3 Internasjonal____________________________ 32 profesjonelle. får den enkelte vidsyn, kompetanse, nettverk og selv 2.4 Litteratur og bibliotek_____________________ 36 tillitt. Dette er viktig, men må ledsages av en liten Vi står ved begynnelsen til noen år med vanskeligere 2.5 Museer, kulturvern og arkiv_________________ 42 advarsel.
[Show full text]
Two Giants of Enslaved and Wardruna Joined Forces to Make Metal and Folk As One
Two giants of Enslaved and Wardruna joined forces to make metal and folk as one. Thanks to this, the world first got the incredible Skuggsjá, and its equally well-made successor, Hugsjá. After their first tour, they talk about how it came about to their cooperation, where they get inspiration from, why black metal is not trve kvlt anymore and… why a combination of science fiction and folk music isn’t actually a bad idea. _____________ Hello, first of all I’d like to thank you that you’ve managed to find some time for an interview with KVLT-magazine. Let’s begin from the end then: not such a long time ago you finished your first real tour as one common project. What can you say about this tour? What kind of feedback did you get from the audience? And was there any gig you’ve waited for in particular? Ivar: It was a really successful tour, even though it was short. But those six concerts was enough for us. Tickets were sold out in many places. We got a really great feedback every night. Of course we had hoped it’d go well but… it really exceeded all our expectations! Every gig was special in its own way. And because we did maximum one gig per country, there were many visitors from other cities who really waited for this moment. It’s hard to pick one particular concert, though… but we can surely say that Cracow was one of such special nights, yes. I was there and I have to say it was a magical night… thank you for that.
[Show full text]
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 263
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 263 Utgivna av Historiska institutionen vid Uppsala universitet genom Margaret Hunt och Maria Ågren Omslagsbild: Juletreet/The Christmas Tree, Theodor Kittelsen Foto: Used with permission from Grev Wedels Plass Auksjoner AS Omslagslayout: Camilla Eriksson Christopher Thompson Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal Dissertation presented at Uppsala University to be publicly examined in Humanities Theater, Engelska parken, room 22-0008, Uppsala, Friday, 18 January 2019 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Benjamin Martin (Institutionen för idé- och lärdomshistoria). Abstract Thompson, C. 2018. Norges Våpen. Cultural Memory and Uses of History in Norwegian Black Metal. Studia Historica Upsaliensia 263. 221 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-0505-9. This dissertation examines uses of history and expressions of cultural memory in Norwegian black metal. Formed in the late 1980s and early 1990s, Norwegian black metal seemed at odds with many of the stereotypes of Norway. The genre is an extreme style of heavy metal music that has been associated with burning churches, desecrating graves, and committing murders. Yet, Norway is often perceived as wealthy with sublime natural beauty and high levels of equality. Since the late 1990s, Norwegian black metal has increasingly received positive recognition and support from Norwegian government agencies and cultural institutions who have deemed this style of music a cultural product of Norway. In exploring the relationship between Norwegian black metal and Norway, two primary questions are asked: what makes Norwegian black metal ‘Norwegian’ and what are its influences? To answer these questions, a theoretical approach based on Astrid Erll’s cultural memory complex is used.
[Show full text]
Multilingual Metal Music EMERALD STUDIES in METAL MUSIC and CULTURE
Multilingual Metal Music EMERALD STUDIES IN METAL MUSIC AND CULTURE Series Editors: Rosemary Lucy Hill and Keith Kahn-Harris International Editorial Advisory Board: Andy R. Brown, Bath Spa University, UK; Amber Clifford-Napleone, University of Central Missouri, USA; Kevin Fellezs, Columbia University, USA; Cynthia Grund, University of Southern Denmark, Denmark Gérôme Guibert, Université Sorbonne Nouvelle, France; Catherine Hoad, Macquarie University, Australia; Rosemary Overell, Otago University, New Zealand; Niall Scott, University of Central Lancashire, UK; Karl Sprack- len, Leeds Beckett University, UK; Heather Savigny, De Montfort University, UK; Nelson Varas-Diaz, Florida International University, USA; Deena Wein- stein, DePaul University, USA Metal Music Studies has grown enormously over the last 8 years from a hand- ful of scholars within Sociology and Popular Music Studies, to hundreds of active scholars working across a diverse range of disciplines. The rise of interest in heavy metal academically reflects the growth of the genre as a normal or con- tested part of everyday lives around the globe. The aim of this series is to provide a home and focus for the growing number of monographs and edited collections that analyse heavy metal and other heavy music; to publish work that fits within the emergent subject field of metal music studies; that is, work that is critical and inter-disciplinary across the social sciences and humanities; to publish work that is of interest to and enhances wider disciplines and subject fields across social sciences and the humanities; and to support the development of early career researchers through providing opportunities to convert their doctoral theses into research monographs.
[Show full text]
Rapport-2017-Oppslag-Lowres.Pdf
BERGEN FESTSPILLENE 24. MAI — 07. JUNI I BERGEN 2017 Rapport 2017 RAPPORT FESTSPILLENE I BERGEN 03 2017 Innhold Forord 05 Publikum 46 Publikumsundersøkelse og besøkstall 47 Om Festspillene i Bergen 06 Publikumsutvikling og Festspillene i Bergen 2017 06 tilgjengeliggjøring 48 Kunstnerisk egenart 08 Kommunikasjon og gjennomføring 50 Store internasjonale kunstnere 10 Kunstnerisk fornyelse 12 Presse 52 Urfremføringer 13 Kringkasting 53 Urpremierer 14 Nordvegen 16 Festspillenes styre, representantskap og ansatte 54 Kunstnerisk bredde 18 Barn og unge 20 Festspillene takker 55 Uteprogram 22 Musikk i sentrum 24 Kaija Saariaho 26 Styrets beretning og regnskap med noter BALANSEKUNST Satsing på unge artister 28 for 2017 vil legges til den digitale utgaven av Satsing på komponisthjemmene 32 denne rapporten våren 2018. I DNV GL er vi opptatt av sikkerhet, kvalitet og integritet. Våre ansatte jobber hver dag mot et felles mål: En sikker og bærekraftig fremtid. Vår rolle består Møteplassen Festspillene 35 ofte i å balansere næringslivets og samfunnets interesser – i hele verden. Samarbeid med kulturorganisasjoner 36 Vi kaller det balansekunst. Partnere i samfunnslivet 40 Samarbeid med næringslivet 41 Vårt samarbeid med Festspillene, en av Norges ypperste og mest internasjonale Internasjonalt besøksprogram 42 kulturinstitusjoner, understøtter nettopp denne forpliktelsen overfor samfunnet. Regional, nasjonal og internasjonal For kultur og samfunn går hånd i hånd. betydning 43 Samtaleprogram 44 Derfor er vi stolt hovedsamarbeidspartner for Festspillene i Bergen. Lær mer om oss på www.dnvgl.com SAFER, SMARTER, GREENER WWW.FIB.NO 03 04 FESTSPILLENE I BERGEN RAPPORT RAPPORT FESTSPILLENE I BERGEN 05 2017 2017 Takk! «Hvem er vi?» Det var spørsmålet vi stilte oss selv og publikum under årets festspill, som had- de «identitet» som overgripende tema.
[Show full text]
Press Release
Lausanne, February 12, 2013 Press release Inferno Festival 2013: The label Season of Mist invites itself to Le Romandie in Lausanne for a not to be missed opening night! After announcing the festival’s program at the DOCKS and at the Château de Chillon, here comes the Romandie, a venue which will welcome the label Season of Mist and two of its top-grade representatives, Hell Militia (FR) and Imperium Dekadenz (DE), Thursday March 14, 2013. THE NIGHT IN DETAIL SEASON OF MIST OPENING NIGHT HELL MILITIA – (FR) Formed in 1999 by experienced hands (Hell Militia shares its members with Arkhon Infaustus & Temple of Baal, among others) the band comes from the French brutal black scene and allows no escape in front of the density of its dark and powerful sonoritites. Their last album, «Jacob’s Ladder» is a model of classical black metal and is marvellously well executed. http://www.hellmilitia.net IMPERIUM DEKADENZ - (DE) Formed in summer 2004 in Germany, Imperium Dekadenz took their name from a particular affection for the Roman Empire as well as the ancient Norwegian intellectual guides. The Germans will bring their atmosferic melodies and destructing riffs to the Romandie, spreading fire, war and destruction along their way. http://www.imperium-dekadenz.de Learn more about the label Season of Mist here: https://www.facebook.com/seasonofmistofficial/info PRESALES Tickets are on sale on https://www.petzitickets.ch/event_description.php?event_id=25254 PRICE: CHF 15.- (CHF 10.- for those who have an entry for the WARDRUNA – GJALLARHORN concert at the Château de Chillon). www.leromandie.ch www.infernofestival.ch 1/Press release Inferno Festival 12.02.2013 THE PROGRAM OF THE INFERNO FESTIVAL 2013 AT A GLANCE Château de Chillon Thu March 14, 2013 Doors 6PM / Concert 7PM WARDRUNA – GJALLARHORN FEAT.
[Show full text]
Einar Selvik on “Hausbrjótr - Skullcrusher” January 5, 2021
Ubisoft Game Makers Podcast The Music of Assassin’s Creed: Einar Selvik on “Hausbrjótr - Skullcrusher” January 5, 2021 CHARLES-ADAM FOSTER-SIMARD: You're listening to the Game Makers podcast, where we take you behind the scenes to listen to how Ubisoft games are made. I'm Charles-Adam Foster-Simard. Assassin's Creed is one of Ubisoft most beloved franchises, an action adventure RPG series. Each game is set in a different historical period: the Crusades, Renaissance Italy and Ancient Greece among them. The latest game in the series just came out, it's called Assassin's Creed Valhalla and it's set in the Viking era. You play as Eivor as they lead their fellow Vikings from Norway to 9th century England. The original soundtrack for Assassin's Creed Valhalla was written by three extraordinary composers: Jesper Kyd, Sarah Schachner and Einar Selvik. They composed nearly six hours of music for the game, and all three collaborated together on the main theme. We wanted to understand a little bit more about their process. So, in this set of episodes each composer will be discussing a track in particular that they wrote for the game. For this episode we're taking a closer listen at Einar Selvik song Hausbrjótr - Skullcrusher. (MUSIC PLAYS) Einar is a Norwegian musician and composer well-known for his band Wardruna and their work on the soundtrack of The History Channel television series Vikings. Einar worked on a lot of the in-game music you'll hear as you play: the songs sung by the musician characters you'll encounter in the world, and by the crew of your Viking long ship.
[Show full text]