Johnson Announces Mcgovern Endorsement
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Edmund S. Muskie Papers Tape No. Description
Edmund S. Muskie Papers Page 1 of 139 Container List for Series XVII.A Sound Recordings: Cassette Tapes Tape No. Description SC1 [Remarks at reception] Length: 10 min. 21 sec. Location: Saint Louis, Missouri. Date: September 10, 1968. Content: ESM remarks at mayor's home on 1968 election campaign. Audio quality: good. SC2 [Speech] Length: 42 min. 3 sec. Date: December 1968. Content: ESM on nemployment and labor concerns, inflation, cost of living, "working people in Me." Audio quality: good. SC3 [Speech] Length: 28 min. 57 sec. Date: January 30, 1969 Content: ESM on “Consumer Assembly." Audio quality: excellent. SC4 [Speech] Length: 24 min. 21 sec. Date: February 19, 1969. Content: ESM speaks before women's group on federal spending, priorities, anti-ballistic missiles, education, school lunch. Audio quality: good. SC5 [Press conference] Length: 5 min. 2 sec. Date: February 19, 1969. Content: Part of ESM press conference with Japanese officials, United States-Pacific Rim relations, arms race, anti-ballistic missile development, U.S-Soviet relations, pollution. Audio quality: good. SC6 [Question and answer session] Length: 58 min. 53 sec. Location: Cleveland Park, Ohio. Date: April 15, 1969. Content: ESM on urban problems with question and answer session, antiballistic missiles. Audio quality: excellent. SC7 [Speech] Length: 8 min. 58 sec. Location: Cleveland High School, Cleveland, Ohio. Date: 1969. Content: ESM on education. Audio quality: poor. SC8 [Interview with Ted Lippman] Length: 35 min. 58 sec. Date: April 24, 1970. Content: ESM on 1972 campaign plans, activities since 1968 election. Audio quality: poor. SC9 [Press conference] Length: 9 min. 59 sec. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1
* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film -
Mock Democratic Convention DEMOCRATIC P
Don't Moclc the Convention Washington and Lee Courtesy of 'Brud noy's Complaint' University February I 7, I 9 76 by syndicated colu mnist, David Brudnoy They've (Mock Convention students) done remarkably well. Wrong in 1912, '36, '40, '48, and '72- but then, no one else believed Ted Ken nedy's renunciation at that point, either, and my own columns in May of '72 were ablazed with scorn for McGovern's chances - but right on target every other time. A convention, then entirely staged by Southern gentlemen, that could mock-nominate AI Smith in 1928, well, you know the lads went about their business seriously . They (the students) are everywhere these days, pursuing the latest statistics and running Media Coverage up a fierce 'phone bi II'. The pace accellerates The Mock Convention has become the nation's most each week. They are intent upon upstaging noted collegiate political event- primarily because of New York City and telling the world the the continuing emphasis students place on authenticity. Not only does it portray the candidate's strength and Democrats' choice three months before the strategy; most observers see the W&L event as a Democrats meet to choose. Right now the bet touchstone for the political role students will play this ting's on Humphrey or Carter; by May they'll summer. have narrowed their focus to a siuation closely The convention also indirectly attempts to answer many resembling that in 50 states. If Spring fever of the questions raised in the press over the campaign. Has the disenchantment surrounding McGovern's overtakes them, I guess they might nominate defeat and the Watergate era linger into '76? How Fred Harris. -
Why Insurgent Campaigns Rarely Win the Democratic Presidential Primary in the United States
Athens Journal of Social Sciences Volume 6, Issue 2 – Pages 139-154 Why Insurgent Campaigns Rarely Win the Democratic Presidential Primary in the United States By L. Jan Reid* The Merriam-Webster dictionary defines insurgent as "one who acts contrary to the policies and decisions of one’s own political party." In this paper, an "insurgent presidential campaign" is defined as the campaign of a candidate who did not have the support of the United States of America’s (U.S.) Democratic Party establishment. A "populist campaign" is a subset of an insurgent campaign, because although all populist campaigns are insurgent campaigns, not all insurgent campaigns are populist campaigns. This paper defines a "populist campaign" as one that seeks to mobilize an unrepresented segment of the population against an institution or government, usually in defense of the unrepresented. Whether left-wing or right-wing, populist candidates seek to unite the supposedly uncorrupt and unsophis¬ticated unrepresented against supposedly corrupt dominant elites. Insurgent campaigns have rarely been successful in capturing the Democratic Party presidential nomination in the United States. Only three insurgent campaigns have been successful over the past 50 years: the campaigns of George McGovern in 1972, Jimmy Carter in 1976, and Barack Obama in 2008, all of which were populist campaigns. The paper analyzes U.S. presidential campaigns for the period 1968- 2016; reviews books and academic literature; and makes conclusions concerning the success and failure of insurgent campaigns. Finally, the paper recommends ways in which future insurgent campaigns could be more successful. Keywords: Insurgent Campaigns, Populism, Presidential Campaigns. -
Synopsis of American Political Parties
Synopsis of American Political Parties FEDERALISTS DEMOCRATIC-REPUBLICANS Favored strong central gov't emphasized states' rights Social order & stability important Stressed civil liberties & public trust "True patriots vs. the subversive rabble" "Rule of all people vs. the favored few" "Loose" constructionists "Strict" constructionists Promoted business & manufacturing Encouraged agrarian society Favored close ties with Britain Admired the French Strongest in Northeast Supported in South & West Gazette of the United States (John Fenno) National Gazette (Philip Freneau) Directed by Hamilton (+ Washington) Founded by Jefferson (+ Madison) First Two-Party System: 1780s-1801 During most of George Washington's presidency, no real two-party political system existed. The Constitution made no provision whatever for political parties. While its framers recognized that reasonable disagreement and organized debate were healthy components in a democratic society, creation of permanent factions was an extreme to be avoided. (The consensus among the founding fathers was that political parties were potentially dangerous because they divided society, became dominated by narrow special interests, and placed mere party loyalty above concern for the common welfare.) Hence, to identify Washington with the Federalist Party is an ex post facto distinction. Accordingly, Washington's first "election" is more accurately described as a "placement"; his second election was procedural only. The first presidential challenge whereby the citizenry genuinely expressed choice between candidates affiliated with two separate parties occurred in 1896, when John Adams won the honor of following in Washington's footsteps. The cartoon above shows the infamous brawl in House of Representatives between Democratic-Republican Matthew Lyon of Vermont and Federalist Roger Griswold from Connecticut. -
Edmund Muskie
Edmund Muskie Folder Citation: Collection: Records of the 1976 Campaign Committee to Elect Jimmy Carter; Series: Noel Sterrett Subject File; Folder: Edmund Muskie; Container 89 To See Complete Finding Aid: http://www.jimmycarterlibrary.gov/library/findingaids/Carter-Mondale%20Campaign_1976.pdf -~ MUSKIE News RUSSELL OFFICE BUILDING • WASHINGTON, D.C. 20510 • TELEPHONE (202) 224-5344 CONTACT: Bob Rose FOR P.ELEASE PM Is 'IUESDAY Al From February 3, 1976 MUSIGE INIIDDUCES SPENDING REFORM BILL Sen. Edmund S. Muskie, D-Maine, introduced today (Tuesday) legislation to improve the degree of control Congress exercises over the federal bureaucracy by requiring Virtually every federal program to receive a formal review and reauthori- zation at tl.aast once every four years. The 11 Goverrnnent Econany and Spending Reform Act of 1976 11 would also require so-called zero-based review of the programs. Original cosponsors of the bill are Sens. William V. Roth Jr., R-Del. _, a.uu. John Glenn, r...... Ohio. ·· n ••• Government inefficiency is becoming today's number one villain," Musld.e said in a speech prepared for the Senate. :1Horror stories about bureaucratic .~ungling make good copy, and Pm Sti:;.'"'e that all of us ·at one time or another have ::heen guilty of taking a ride on some well-intentioned government worker's mistake. \)But I think the time has passed when the American people will be satisfied .. with such press release exclamations of outrage. lliey P.re ready for hard evidence and real results that prove we are serious about maldng governnent more productive.!~··: he said. Muskie said he submitted the legislation 11 not as a suggestion that· :we ab~ don our commitment to solving the nation's problems. -
Rethinking American Political History Boston University Graduate Student Conference
Rethinking American Political History Boston University Graduate Student Conference Saturday, March 21 9:00A.M.-10:30 A.M- Panel 1: “Reconsidering the 1972 Election” Chair: Katie Brownell Commentator: Bruce Schulman, Boston University Mark Nevin, University of Virginia. “Outflanking the Antiwar Movement: President Nixon, Polling, and the Battle for Control of Public Opinion.” Ross Nicolson, Oxford University. “Young People and the Democrats” Seth Blumenthal, Boston University. “Reshaping the Democratic Coalition: Frank Mankiewicz and George McGovern’s Presidential Campaign, 1972.” 10:45 A.M.-12:15 P.M.-Panel 2: Knowledge and Power: Expertise in American Foreign Policy Chair: David Atkinson Commentator: Andrew Preston, Cambridge University Anna Armentrout, U.C. Berkeley. “Experience, Expertise, and American Political Culture: Vietnam Veterans and American Students Abroad in the 1960s and 1970s.” D.J. Cash, Boston University. “’History has begun a new chapter’: The American Intellectual Community and the Outbreak of the Korean War” Simon Stevens, Columbia University. “Interdependence, World Order, and the Intellectual Origins of Jimmy Carter’s Foreign Policy” 1:15 P.M.- 2:45 P.M.- Panel 3- Race and Political Identity in the 1970s Chair: Lily Geismer Commentator: David Quigley, Boston College Joe Merton, Oxford University. “Ethnic Power! The Rise and Fall of the Politics of White Ethnicity” Leah M. Wright, Princeton University. “Black Republicans” Drew Meyers, University of Michigan. The Politics of Peace and Quiet: Senior Rights and the Battle over Age-Restricted Housing in Arizona, 1974-1989 3:00 P.M.- 4:00 P.M.- Keynote Address by Matthew Lassiter University of Michigan, “Political History beyond the Red-Blue Divide.” Sunday, March 22 9:00 A.M.-10:30 A.M.- Panel 4: Expanding the Civil War: Race, Violence, Women, and Abolition Chair: Jonathan Koefoed Commentator: William Leeman, Providence College Kellie Carter Jackson, Columbia University. -
Dorchester Reporter “The News and Values Around the Neighborhood”
Dorchester Reporter “The News and Values Around the Neighborhood” Volume 31 Issue 46 Thursday, November 13, 2014 50¢ HUG TIME AT THE WHITE HOUSE Evans pleads for help from public in shooting probe Gives little info at public meeting By lauREn DEzEnSki terms of the investiga- REpoRtER Staff tion of the gunfire that Community members occurred just before 5 looking for answers in p.m. a week ago Tuesday the Election Day shoot- outside the CVS parking ing outside of Lower lot at Dorchester Avenue Mills Library received and Richmond Street. few new details about the He reiterated that the ongoing investigation on shooting was not ran- Monday night, less than dom – an argument had a week after the violence sparked the gunshots occurred. that seriously injured More than 200 resi- Keldon Liverpool. It is dents from the Lower not clear if Liverpool, Mills neighborhood and who was walking on the beyond gathered in St. sidewalk between CVS Gregory’s Auditorium and the Lower Mills for a discussion on the Library, was involved in recent crime in the the argument. neighborhood that was On Wednesday, Bos- hosted by state Rep. Dan ton Police said Liverpool Cullinane, state Sen. is in stable condition Linda Dorcena Forry, and improving at Boston and Boston Police Com- Medical Center. Evans missioner Bill Evans. said Monday that he had Also in attendance were been unable to speak to Ajani Boyd, 11, of Dorchester, a Boston Latin School and Project STEP student, was honored by First City Councillors Ayanna investigators. Lady Michelle Obama at the White House on Monday. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß.