Various Roots! Rockers! Reggae! Mp3, Flac, Wma

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Various Roots! Rockers! Reggae! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Roots! Rockers! Reggae! Country: UK Released: 1995 Style: Roots Reggae MP3 version RAR size: 1871 mb FLAC version RAR size: 1674 mb WMA version RAR size: 1632 mb Rating: 4.3 Votes: 197 Other Formats: MOD VQF MP2 AUD AAC WMA TTA Tracklist Hide Credits 1-1 –Errol Dunkley O.K. Fred 1-2 –Desmond Dekker Sing A Little Song 1-3 –Barry Biggs Work All Day 1-4 –Boris Gardiner Eighteen Yellow Roses 1-5 –In Crowd* Back A Yard 1-6 –The Slickers Johnny Too BadMax Romeo 1-7 –Max Romeo Thank You Lord 1-8 –Doreen Schaffer* I Cried A Tear 1-9 –The Heptones Do You Really Want To Hurt Me 1-10 –Fil Callendar Island Music 1-11 –Barry Biggs Three Right Circus 1-12 –The Pioneers Rock My Soul 1-13 –John Holt Smiling Faces 1-14 –John Holt I Want To Wake Up With You 1-15 –Beres Hammond & Mikey Zapow* Sunshine People 1-16 –Boris Gardiner Elizabeth Reggae 2-1 –Sophia George Girlie Girlie 2-2 –Cynthia Schloss Happy Anniversary 2-3 –Paula* Dynamic 2-4 –Barry Biggs Wide Awake In A Dream 2-5 –Pluto Shervington Dat 2-6 –Desmond Dekker Busted Lad 2-7 –Dawn Penn The First Cut Is The Deepest 2-8 –Winjama A Place In The Sun 2-9 –Marcia Griffiths I Don't Need Your Love 2-10 –In Crowd* Slave Ship 2-11 –Gregory Isaacs Uptown Sharron 2-12 –Delroy Wilson When She Was My Girl 2-13 –Eric Donaldson Land Of My Birth 2-14 –Bruce Ruffin Mad About You 2-15 –Ken Boothe You're No Good 2-16 –Johnny Clarke No Woman, No Cry 3-1 –In Crowd* We Play Reggae 3-2 –Eric Donaldson Cherry Oh Baby 3-3 –Boris Gardiner You Are My Destiny 3-4 –Maxine Miller Love Me For A Reason 3-5 –Winston Reedy Rumors Of Love 3-6 –Charlie Chaplin Come Back Charlie 3-7 –Pluto Shervington Your Honour 3-8 –Cynthia Schloss Send Me The Pillow 3-9 –The Pioneers Candida 3-10 –Honey Boy Sweet Cherry 3-11 –Desmond Dekker Everybody Join Hands 3-12 –Dennis Brown Little Green Apples Maga Dawg 3-13 –Sophia George Written-By – Trevor Roper 3-14 –John Holt Stick By Me 3-15 –Rupie Edwards Ire Feelings 3-16 –Pliers I Wanna Be Your Man 4-1 –Barry Biggs Side Show 4-2 –Boris Gardiner Take Care Of My Heart 4-3 –The Paragons Pack Up Your Troubles 4-4 –Winston Groovy Please Don't Make Me Cry 4-5 –The Pioneers Long Shot Kick De Bucket 4-6 –Chaka Demus & Pliers Gal Wine 4-7 –Sophia George It Burn Mi Belly 4-8 –Pluto Shervington Ramgoat Liver 4-9 –Bruce Ruffin One Big Happy Family 4-10 –Pat Kelly A Whiter Shade Of Pale 4-11 –Johnny Clarke She Wears My Ring 4-12 –Frankie Paul Close To You 4-13 –Dennis Brown, Beenie Man & Triston Palmer* Three Against War 4-14 –Barry Biggs If You Wanna Make Love 4-15 –Justin Hinds If It Is Fire You Want 4-16 –Winston Francis Blue Moon Credits Compiled By – Bruce White Related Music albums to Roots! Rockers! Reggae! by Various Various - The Ultimate Reggae Party Album Barry Biggs - Winning Team Boris Gardiner - Raindrops Various - Reggae 92 Various - Club Arcade 2 - Reggae Dance Desmond Dekker And The Aces - Israelites Various - Place In The Sun (The Reggae Collection Vol. 2) Various - Classic Cuts 56 - Reggae Mr. Biggs - Theres A Place Barry Biggs - All I Have To Do Is Dream Various - 28 Great Reggae Hits Various - Reggae Hits: The Solid Gold Collection.

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The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes.
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The Dub Issue 22 March 2018
Restless Mashaits/ Addis Record, Rod Taylor, Lee ‘Scratch’ Perry, #Ending The Silence, Ken Boothe, Little Richard, Word Sound Power Collective, Anthony B, Children Of Kush, Birmingham Dub Club Chapter 4, Cornerstonemusik articles — interviews—reviews—photographs—music 1 Jackie Mittoo TOP TEN Hot milk Totally together Sidewalk doctor Henry the eighth Earthquake Mash down Babylon Wall street Jericho skank Ayatollah Disco jack 2 Editorial Dub Dear Reader, Welcome to issue 22 for the month of Benjamin. Very pleased to bring you an interview with one of my favourite modern producers, Jil Addis. This month’s issue also sees the review of #Ending The Silence by Euton Daley’s Unlock The Chains Collective. It had been some time since I saw a live show in a theatre and it was very energising to witness such a vital show. Another local event was the start of reggae nights in Eynsham thanks to Richie Roots, writer for The Dub. Hopefully that can now be a regular feature. Pete Clack brings us a profile on a true individual and his connection to New Orleans music – Little Richard. Richard was a trailblazer and a controversial figure for many reasons, as well as giving one Jimi Hendrix one of his first touring jobs in his band. I have loved having Pete’s reports from the blues end of town as reggae owed so much to the sounds of New Orleans, Chicago and elsewhere in the USA. Thanks again to Steve Mosco for his continued support, it means a great deal as for many years I used to buy records from his online Reggae Music Store.
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Various the Story of Trojan Records Mp3, Flac, Wma
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Jamaican Migrant and Canadian Host in Toronto's Transnational Re
King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 by John Jason Collins Wilson A dissertation Presented to The University of Guelph In partial fulfilment of requirements for the degree of Doctor of Philosophy in History Guelph, Ontario, Canada © John Jason Collins Wilson, May 2013 ABSTRACT King Alpha’s Song in a Strange Land: Jamaican Migrant and Canadian Host in Toronto’s Transnational Reggae Music Scene, 1973-1990 John Jason Collins Wilson Advisor: University of Guelph, 2013 Doctor Catharine Wilson Reggae music facilitated a cultural dialogue between Jamaican migrant and Canadian host in Toronto during the 1970s and 1980s. Exchanges flowed across the city’s ethnic frontier, bridging black and white youth together in an ‘oppositional’ and musical movement. While migrants enacted their Jamaican ethnicity in places where reggae was played, many non-Jamaicans satisfied a curiosity in the music of their migrant friends. This study examines the process of migration of people and music as seen from both the migrant and the host’s perspective. It is as much about black Jamaicans as it is about white Torontonians. Twenty Jamaicans and twenty non-Jamaicans were interviewed for this project. Though reggae became an expected part of Toronto’s musical vernacular, the Canadian version meant different things to different people. Indeed, sometimes the only thread that tied the varied experiences together was that Toronto was the place where reggae happened. Still, as a hybrid, reggae had rather evolved outside of place. It was a transnational musical form, constantly updated by influences traversing the ‘Black Atlantic’ in an on-going and triangular musical conversation.
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Vinyl) February 22, 2019
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United Reggae Magazine #7
MAGAZINE #13 - November 2011 MIDNITE FRENCHIE DAVID KATZ INTERVIEW CE’CILE Leroy ‘Heptones’ Sibbles I-WAYNE Peter Tosh - Dennis Brown - Glen Washington - Bob Andy Johnny Clarke - Alpheus - Chuck Fender - Ras Shiloh Etana - Dubmatix - Kehv - Collie Buddz - Gappy Ranks United Reggae Magazine #13 - November 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Leroy Sibbles 14 • Frenchie 17 • Midnite 23 • David Katz on Jimmy Cliff 26 • CeCile 31 • I-Wayne 34 3/ REVIEWS • Gregory Isaacs - The Ruler: 1972-1990 36 • Midnite - Kings Bell 37 • Dubmatix presents Clash of the Titans 38 The world is upside down • Four worthwhile EP’s 39 • Mungos Hi Fi – Forward Ever 40 In the early 70’s the great vocalist Joe Higgs sang ”They say the world is spin- • Ambassah - Rub A Dub Showcase Part II 42 ning around, I say the world is upside down.” He wasn’t singing about the state of the reggae industry at the time, but it could certainly be applied to the 4/ REPORTS industry today. • KEHV in Hollywood 43 • Glen Washington in Beverly Hills 45 In the eleventh issue of United Reggae Magazine I wrote that there’s a new • Chuck Fender in Venice 46 found interest in authentic reggae in Jamaica. However, according to an inter- • Peter Tosh Symposium in Kingston 47 view with Jamaican bad gyal Ce’Cile (page 31) you have to go abroad to find the • Alpheus and Ras Shiloh in Paris 48 authentic Jamaican sound.
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IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNG: EINZELHANDEL NEUHEITEN-KATALOG NR. 290 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/10"&12"/7"/DVDs/MAGs) 48159 MÜNSTER KONTO NR. 35 60 55, (VOM 26.06.2010 BIS 13.07.2010) GERMANY BLZ 400 501 50 TEL. 0251-45106 SPARKASSE MÜNSTERLAND OST SCHUTZGEBÜHR: 0,50 EUR (+ PORTO) EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ CD 2CD CD CD CD CD 1) 1) 1) CD CD CD CD CD CD 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL 17.07.2010! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 07/2010 SEITE 2 *** CDs *** LAUREL AITKEN..................... BOOGIE IN MY BONES: 1957-1960. PRESSURE DROP.. (GBR) (--/10). 14.99EUR LAUREL AITKEN..................... YOU GOT ME ROCKIN': 1960-1964. PRESSURE DROP.. (GBR) (--/10). 14.99EUR ALEK 6............................ INSIDE........................ HAMMERBASS..... (FRA) (10/10). 17.99EUR BUJU BANTON/WAYNE WONDER.......... FLASHBACK..................... PENTHOUSE...... (USA) (--/10).
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Africa on the Moon: The Complexities of an Afrofuturist Reading of Dub Feature Article John Harries Goldsmiths, University of London (UK) Abstract This article attempts a detailed and specific analysis of the music and the mythology of Lee “Scratch” Perry and other key figures and works in dub, in relation to Afrofuturist thought and the music, theory and philosophy of Sun Ra in particular. It discovers at every turn multiple layers of complication, points of disjuncture as well as confluence, but argues that we can identify complicity and hybridity between these forms and their key protagonists without reducing their distinctiveness or specificity. By viewing dub through an Afrofuturist lens, the article aims to illuminate aspects of dub that would otherwise remain hidden, allowing that here, as in the development and diversification of the musics themselves, the revelatory relationship may be reciprocal. Keywords: Afrofuturism, dub, Sun Ra, Lee “Scratch” Perry, diaspora John Harries is a Lecturer in Popular Music at Goldsmiths, University of London, with specialisms including production, fringe aesthetics in popular music and performance technology. He is also a producer and composer/performer, making electronic pop with Sleeps in Oysters, odd beats and interactive installations as Lake Dysmal and improvised noise with Rutger Hauser. In 2015 he founded record label and artist’s co-operative The Lumen Lake to support grassroots experimental music making in South-East London. Information and contact details at <http://www.gold.ac.uk/music/staff/harries/>. Dancecult: Journal of Electronic Dance Music Culture 7(2): 43–63 ISSN 1947-5403 ©2015 Dancecult http://dj.dancecult.net http://dx.doi.org/10.12801/1947-5403.2015.07.02.03 44 Dancecult 7(2) The Black Ark burns If reggae is Africa in the New World, then dub must be Africa on the moon; it’s the psychedelic music I expected to hear in the ‘60s and didn’t.
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