Writing and Sexual Politics: what’s love got to do with it? | ENGL 1105 Goldwin Smith Hall 283 | MWF 1:25pm to 2:15pm Katie Thorsteinson |
[email protected] Office hours by appointment “My God, Help Me to Survive This Deadly Love” (1990) might be the most famous graffiti painting that appears in Berlin’s East Side Gallery— a nearly mile-long stretch of the remaining Berlin Wall. The kiss may seem like satire, but artist Dmitri Vrubel simply replicated a 1979 photograph of Soviet leader Leonid Brezhnev and East German President Erich Honecker which was taken in honor of the thirtieth anniversary of the German Democratic Republic–East Germany. Fraternal kisses among socialist leaders were not unusual, even if these dictators seem slightly more enthusiastic than most. While graffiti totally covered the West side wall throughout its three-decade existence, the East side was forbidden from access and thus left entirely blank. After the Berlin Wall’s fall in 1989 signaled an end to the Cold War, Vrubel painted this graffiti on the East side to celebrate German reunification and taunt the old communist order. His was only one among hundreds of paintings to appear on the East Side Gallery during that period, but something about the kiss has infatuated people around the world and it continues to signify politically today— sometimes to ironize the nepotism of government officials, or to emasculate political leaders, and now even to fight for LGBTQ rights. The image is, indeed, both true to life and open to interpretation. On the one hand, it is a reminder that power often functions through love.