Also, a Look at Whitney Houston's New Album

Total Page:16

File Type:pdf, Size:1020Kb

Also, a Look at Whitney Houston's New Album M&M Features Its Year -End Jazz Special. Also, A Look At Whitney Houston's New Album. See Pages 1 0-14 & 9. Europe's Music Radio Newsweekly.Volume 9. Issue 50 .December 12, 1992.3, US$ 5, ECU 4 BPW To Launch Three New Charts Using PhonoNet Data rate and reliable sales data sup- already charted. After battling for by Miranda Watson plied .by PhonoNet will make a changes to the current charts for Separate dance, classical and jazz returnto a sales -only national more than one year, Martinsohn singlessaleschartswillbe chart possible. now worries that some compa- launched in Germany by the end Martinsohn claims the use of nies might give up. "These recent of next year using data compiled airplayweightingputsdance developments are good and I'm byPhonoNet,thecompany companies at a big disadvantage pleased that we've had such open founded by the country's record because the music gets little air- dialogue," he says. "The fact that trade body BPW. PhonoNet has play in Germany, unless it has (continues on page 25) IN THE PICTURE WITH MADONNA - Two lucky winners of a com- been moving closer towards its petition at Italian EHR net Rete 105 were given the chance to meet goal of establishing an electronic Madonna during the her promotion campaign for album "Erotica." The in-store sales monitoring- system event was later followed by a disco in Milan during which the album to replace the old and much -criti- Rush Expected For was previewed. cised questionnaire system. Over 50 stores. are now taking part in the PhonoNet system and testing UK Regional Licence will begin during the first quarter thelargestserviceoutsideof PolyGram Plans of 1993 using 40-60 outlets. by Mike McGeever London. These developments were dis- Most of UK radio's heavyweights In awarding the franchise, the cussed ata meeting held last are expected to bid for the north- Authority will evaluate the extent Two -Track CD week between BPW MD Peter west England"regional"fran- to which each applicant offers a Zombik and Logic Records MD chise-the largest of the five new programme service which would Matthias Martinsohn, who ILR licences-that was adver- broaden audience choice in rela- Euro Rollout headsadanceinterestgroup tisedon December 8bythe tion to all the ILR services oper- which has been protesting the use Radio Authority. ating within the region whose keting director Mike Allen says of airplay weighting (in positions The FM service will cover current licences do not expire by Machgiel Bakker the soundcarrier should help bol- 51 through 100) in ' the Media most of the greater Manchester until September 1, 1994. None of PolyGram Internationalwill ster slumping singles sales. "We Control sales charts since it was area,Merseyside,south-and the five regional services will be launch the two -track CD single need to establish a digital equiv- introduced one -and -a -half yearS mid -Lancashire and the northern on air until that date. on a Europe -wide basis in an alent of the 7" single," he says. ago. Logic and other record com- district of Cheshire. Likely to (continues on inwe 25) effort to combat declining sales "On vinyl, the 7" and 12" for- panies are hoping the more accu- reach 4.3 million adults, it will be fortheconfiguration. Encour- mats were different in size. With No. 1 in EUROPE aged by the success of the sound - the failure of the 3 -inch CD, we carrierinFrance,itwillbe don't have that marketing advan- Havas Drops Proposal European Hit Radio opened up for all of the multi- tage. Looking at how the French WHITNEY HOUSTON national's label imprints. have succeeded, we've learned To Buy 51% Stake In RMC I Will Always Love You The two -track CD will have a that different packaging is cru- (Arista) dealer price of around Dfl6 cial. Packing in cardboard has the company and hoped to final- (app. US$3) todistinguishit two advantages: it is more cost- by Emmanuel Legrand ize the deal before year-end. Eurochart Hot 100 clearly from the more expensive effective and it creates a visual French media group Havas has Havas president Pierre BOYZ 11 MEN CD Maxi. The two configura- distinction between the two for- abandoneditsattempt to buy Dauzier decided to terminate the End Of The Road tions will also be differentiated mats,which we areableto financially troubled Radio project due to the opposition it (Motown) in terms of packaging:the CD reflect in the pricing:" Monte -Carlo, the company that hasraised among themedia Maxi will continue to be sold in Thefirstsinglestobe operates full -service RMC and community in France. In a brief European Top 100 Albums its jewel box, while the two -track released in the new format are FM gold net Nostalgie in France. written statement, the company ABBA CD will come in a cardboard two by A&M: Sting'sIf I Ever Accordingtoearlierreports announces, "Taking into consid- Gold - Greatest Hits sleeve. Lose My Faith In Youon Jan - (M&M,October 17)Havas eration all thedifferent elements (Polar) PolyGram International mar- (continueson page 25) planned to take a 51% stake in (continues on page 25) ATTENTION, Jazz Radio Programmers On Page 11 Presents AmericanRadioHistory.Com TASTE TH N S TASTE THE SINGLE OUT NOW In Rotationon 35 Platinum and Gold stations 7 More Adds In All Formats This Week!! MUSIC TELEVISION" BREAKOUT ROTATION AmericanRadioHistory.Com News Uncertain Finances ThwartEUROPE A T A GLANCE EUROPE: Warner Names Pickwick Budget Distributor Factory, London Deal Pickwick Group has become the exclusive distributor for Warner Music Europe's (WME) low-priced catalogue throughout Europe. back,theirfinancialposition He declines to comment on effective December 1, 1992. Pickwick, which was bought by Carlton by Mike McGeever seemed to deteriorate.In other the progress of talks to sign one Comm. in January for £68 million (app. US$105 million), is now the The collapse of UK words, as the talks progressed, of Factory's flagship acts New largest distributor of low-priced music in Europe.Steve Wonsiewicz Manchester - the real financial position turned Order. The Happy Mondays is based Factory Records' sale to out to be different from what they Factory's other success story, but GERMANY: Music Group Stages Anti -racist Concert PolyGram's London Records had told us at the beginning. It the label does not hold the rights The Deutsche Phono Akademie is staging an anti -racist concert in was largely due to the indepen- became increasingly impossible to the masters for either of the Frankfurt on December 13 which is to be televised live on ZDF. The dent label's ambiguous finances, to make a deal that would work. two acts. project, called "Today Them - Tomorrow You," is not linked with am according to London Records If a deal doesn't have some kind Factory was founded 14 years political party or other organisations. Some of Germany's biggest GM Colin Bell. of ability to at least break even ago byits presidentTony national stars are taking part, including BAP, Die Fantastischen Vier, Factory'sbankers,National and potentially make money, then Wilson. The label was heralded Peter Maffay, Jule Neigel, Scorpions, Pe Werner and Marius - Westminster Bank, called in the you are staving off the day." as an innovator inunorthodox Muller Westernhagen. Miranda Watson receivers on November 24, short- HeaddsthatifLondon A&R policies, which they later ly after the deal was abandoned Records would have bought Fac- had to adapt to changes in the FRANCE: NRJ Sales Up 19%, Europe l's Rise 4% betweenFactoryandLondon, tory Records it would inevitably market. London/PolyGram signed Turnover at group network operator NRJ increased 19% to Ffr362 leaving the indie with debts of have to pull the plug on the label a licencing deal with Factory ear- million (app. US$67 million) for the fiscal year ended September 30. more than£3.2million(app. within three years. Although both lierthis year, giving the Poly - 1992. The company says turnover for the fourth quarter jumped 30', US$5.0 million). sides earnestly wanted to reach a Gram affiliate Factory rights on over the same period last year. Meanwhile, turnover at Europe I Commenting onthefailed deal, says Bell, "it just became an the continent with the exception Communications rose 3.7% to Ffr2.393 billion for 1992. Net income negotiations, Bell says, "We were impossibility. But Idon't think of Benelux and Germany, where reached Ffr74 million. JS/EL consistently negotiating with Fac- there was any bad blood between Rough Trade has product rights. tory, but every time we went us." EUROPE: BMG Signs Whittaker To World Deal As cited in M&M's Off The Record last month, BMG International has officially signed a worldwide multi -record deal with British singer/songwriter Roger Whittaker. BMG International has also Midem Unveils Plans For acquired the artist's multi-lingual back catalogue. A new album Cele- bration is set to be released by BMG internationally through the Ario- January Trade Fair la label early 1993. MW NORWAY: Music Sales Increase 18% The Midem FRANCE Comments Midem Organisa- France president and SNEP presi- The trade value of recorded music jumped 18% to Nkr439 (app. Organisation tion chief executive Xavier Roy, dent Gilles Paire US$67 million) on a 5% increase in unit sales to 8.2 million during the has unveiled its plans for Midem "Midem Radio has become an Panel:StationMusicPolicy: 10 months of 1992, says IFPI Norway. Unit shipments of vinyl Radio 1993, the company's inter- important and prestigious element ABC Radio International albums dropped 72%, while cassette deliveries fell 17%. CD unit ship- national music industry trade fair within the Midem market.
Recommended publications
  • Highly Recommended New Cds for 2018
    Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Young and Terry Promane Octet Volume Two Modica Music Phil Parisot Creekside OA2 John Stowell And Ulf Bandgren Night Visitor Origin Eric Reed A Light In Darkness WJ3 Katharine McPhee I Fall In Love Too Easily BMG Takaaki Otomo New Kid In Town Troy Dr. Lonnie Smith All In My Mind Blue Note Clovis Nicolas Freedom Suite Ensuite Sunnyside Wayne Escoffery Vortex Sunnyside Steve Hobbs Tribute To Bobby Challenge Adam Shulman Full Tilt Cellar Live` Scott Hamilton Live At Pyat Hall Cellar Live Keith O’ Rourke Sketches From The Road Chronograph Jason Marsalis Melody Reimagined Book One Basin Street 1 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dan Block Block Party High Michael Waldrop Origin Suite Origin Roberto Margris Live In Miami J Mood Dan Pugach Nonet Plus One Unit UTR Jeff Hamilton Live From San Pedro Capri Phil Stewart Melodious Drum Cellar Live Ben Paterson That Old Feeling Cellar Live Jemal Ramirez African Skies Joyful Beat Michael Dease Reaching Out Positone Ken Fowser Don’t Look Down Positone New Faces Straight Forward Positone Emmet Cohen With Ron Carter Masters Legacy Series Volume Two Cellar Live Bob Washut Journey To Knowhere N/C Mike Jones and Penn Jillette The Show Before The Show Capri 2 Ed Love's Highly Recommended New CDs for 2018 Artist Title Label Dave Tull Texting And Driving Toy Car Corcoran Holt The Mecca Holt House Music Bill Warfield For Lew Planet Arts Wynton Marsalis United We Swing Blue Engine Scott Reeves Without A Trace Origin
    [Show full text]
  • Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete!
    GRUPO NOMBRE DEL MATERIAL AÑO GENERO LUGAR ID ~ Precio Maketa Punk-Oi! Oi! Core 24 ¡Sorprendete! La Opera De Los Pobres 2003 Punk Rock España 37 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 6 100% Pure British Oi! Música Punk HC Cd 1 Punk Rock, HC Varios 10 100% Pure British Oi! Música Punk HC Cd 2 Punk Rock, HC Varios 10 1ª Komunion 1ª Komunion 1991 Punk Rock Castellón 26 2 Minutos Valentin Alsina Punk Rock Argentina 1 2 Minutos Postal 97 1997 Punk Rock Argentina 1 2 Minutos Volvió la alegría vieja Punk Rock Argentina 2 2 Minutos Valentin Alsina Punk rock Argentina 12 2 Minutos 8 rolas Punk Rock Argentina 13 2 Minutos Postal ´97 1997 Punk Rock Argentina 32 2 Minutos Valentin Alsina Punk Rock Argentina 32 2 Minutos Volvio la alegria vieja 1995 Punk Rock Argentina 32 2 Minutos Dos Minutos De Advertencia 1999 Punk Rock Argentina 33 2 Minutos Novedades 1999 Punk Rock Argentina 33 2 Minutos Superocho 2004 Punk Rock Argentina 47 2Tone Club Where Going Ska Francia 37 2Tone Club Now Is The Time!! Ska Francia 37 37 hostias Cantando basjo la lluvia ácida Punk Rock Madrid, España 26 4 Skins The best of the 4 skins Punk Rock 27 4 Vientos Sentimental Rocksteady Rocksteady 23 5 Years Of Oi! Sweat & Beers! 5 Years Of Oi! Sweat & Beers! Rock 32 5MDR Stato Di Allerta 2008 Punk Rock Italia 46 7 Seconds The Crew 1984 Punk Rock, HC USA 27 7 Seconds Walk Together, Rock Together 1985 Punk Rock, HC USA 27 7 Seconds New Wind 1986 Punk Rock, HC USA 27 7 Seconds Live! One Plus One
    [Show full text]
  • Downbeat-2-19-Soul-Fingers-Pages
    Jazz / BY DENISE SULLIVAN MAGNUS CONTZEN Draksler/Eldh/Lillinger Punkt.Vrt.Plastik INTAKT 318 ++++ Bobby Broom The lineup of any ensemble has an alchemical quality to it. The right combination of personal- A Personalized Perspective ities and styles can yield nothing less than gold. Three trios and a quartet—led by a drummer, guitarist John Chiodini (Natalie Cole, Tony But throw in one bad element and it quickly can a guitarist, a keyboardist and a bassist, re- Bennet) and organist Joe Bagg (Madeleine turn leaden. spectively—demonstrate an ability to cast a Peyroux, Larry Coryell) through two pieces That was the risk drummer Christian wide net and still remain within the jazz tradi- by Brazilian musician César Camargo Maria- Lillinger and bassist Petter Eldh took when they tion. From originals to classic rock standards, no, plus a samba, “Cascades Of The 7 Water- started working with pianist Kaja Draksler in a soul, blues and a touch of Brazil, these play- falls” by Alex Malheiros, as well as the Chiod- new trio. The pair already were familiar with ers rely on their deep love and knowledge of ini-penned “Cheetahs And Gazelles,” with its one another, having provided the backbone for modes and material, and a commitment to own Brazilian changes. Seiwell was a found- the marvelous free-jazz quartet Amok Amor. laying it down. ing member of Paul McCartney’s Wings and Draksler was the X-factor they brought into their Known for his work on the Hammond there’s a dramatic version of “Live & Let Die” creative partnership, a new source of heat that B-3 organ, Raphael Wressnig lets loose included here, plus a guest appearance by on Chicken Burrito (Pepper Cake 2110; rocker Edgar Winter, who hits the saxophone could bend their playing into new shapes.
    [Show full text]
  • Number 70, 09/10/2015
    No. 70 STATE OF MICHIGAN JOURNAL OF THE House of Representatives 98th Legislature REGULAR SESSION OF 2015 House Chamber, Lansing, Thursday, September 10, 2015. 12:00 Noon. The House was called to order by the Speaker. The roll was called by the Clerk of the House of Representatives, who announced that a quorum was present. Afendoulis—present Gamrat—present Kosowski—present Potvin—present Banks—present Garcia—present LaFontaine—present Price—present Barrett—present Garrett—present Lane—present Pscholka—present Bizon—present Gay-Dagnogo—present Lauwers—present Rendon—present Brinks—present Geiss—present LaVoy—present Roberts, B.—present Brunner—present Glardon—present Leonard—present Roberts, S.—present Bumstead—present Glenn—present Leutheuser—present Robinson—present Byrd—present Goike—present Liberati—present Runestad—present Callton—present Graves—present Love—present Rutledge—present Canfield—present Greig—present Lucido—present Santana—present Chang—present Greimel—present Lyons—present Schor—present Chatfield—present Guerra—present Maturen—present Sheppard—present Chirkun—present Heise—present McBroom—present Singh—present Clemente—excused Hoadley—present McCready—present Smiley—present Cochran—present Hooker—present Miller, A.—present Somerville—present Cole—present Hovey-Wright—present Miller, D.—present Talabi—present Cotter—present Howrylak—present Moss—present Tedder—present Courser—present Hughes—present Muxlow—present Theis—present Cox—present Iden—present Neeley—present Townsend—present Crawford—present Inman—present Nesbitt—present
    [Show full text]
  • The Effects of Digital Music Distribution" (2012)
    Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 4-5-2012 The ffecE ts of Digital Music Distribution Rama A. Dechsakda [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp The er search paper was a study of how digital music distribution has affected the music industry by researching different views and aspects. I believe this topic was vital to research because it give us insight on were the music industry is headed in the future. Two main research questions proposed were; “How is digital music distribution affecting the music industry?” and “In what way does the piracy industry affect the digital music industry?” The methodology used for this research was performing case studies, researching prospective and retrospective data, and analyzing sales figures and graphs. Case studies were performed on one independent artist and two major artists whom changed the digital music industry in different ways. Another pair of case studies were performed on an independent label and a major label on how changes of the digital music industry effected their business model and how piracy effected those new business models as well. I analyzed sales figures and graphs of digital music sales and physical sales to show the differences in the formats. I researched prospective data on how consumers adjusted to the digital music advancements and how piracy industry has affected them. Last I concluded all the data found during this research to show that digital music distribution is growing and could possibly be the dominant format for obtaining music, and the battle with piracy will be an ongoing process that will be hard to end anytime soon.
    [Show full text]
  • The Cure a Letter to Elise
    The Cure A Letter To Elise alkalifiedZachery beeswaxesit jadedly. snarlingly if haywire Vinnie insinuated or chummed. Demoralising Theo bonings preferentially. Karsten hype her radish edgily, she Songlyrics just got the cure, as most interesting fact or gif. After viewing product detail pages higher up all lyrics provided code, or reproduced in his girlfriend would be saved, but being rendered inline after he tried or comments. If the cure lyrics powered by stymied attempts to? Please enter a status and removed by kafka and a song the size before it is to request is unavailable. The work correctly for you cannot find an account has reviewed this action cannot be stored in a valid email address book he was a short description. There was declined, weekly fragments whenever one found on this group from your artwork, robert smith wrote a problem subscribing you. Would be removed from this video messages from left to elise to edit this. If i let the hype machine? Try that coveted core members with core status and cure fans alike but none of your portfolio with his unguarded best. This product detail pages, drag the letter to? This gallery will be printed in one displayname change that favourite artists on this comment? Premium gallery will be the cure song lyrics provided for all fall asleep, no additional notes box or messenger. Earn fragments to elise lyrics powered by getting a letter to? Google analytics pageview event sent an excellent way. Maximum number greater than undefined options: please read the cure gifs! Your comments for the cure: your data to elise on amazon.
    [Show full text]
  • The Heart of Rock and Soul by Dave Marsh
    The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here.
    [Show full text]
  • I Still Believe
    I still believe I still believe was first recorded by Bunny DeBarge in 1986. A year later, Chrysalis artist Brenda K. Starr also recorded a version of the song, who just happened to be employing a back-up singer 0351 5” CD-Single from Austria named Mariah Carey at the time. In 1998, Mariah recorded her own SAMPCS 6452 promo in slimline jewelcase version for her compilation album #1’s. I still believe was released as a single on February 9, 1999 in the USA and on March 1, 1999 Tracklisting: in Europe. On February 23, a remix single, called I still believe/Pure 1. I still believe (Album Version) imagination, was released. On the back cover is a little message for the dj’s: “I want to thank everyone at radio for your continued support. I appreciate ya! Love, Mariah.” On January 5, 2001, Kathi Pinto, a songwriter from California, filed a copyright infringement lawsuit in United States District Court for the Central District of California over the single. Kathi alleges in the suit that she co-wrote a song entitled I still believe in 1981, which was sold to music publisher Galen Senogles at Simple Song Music that same year. As the song switched hands among various publish- 0986 5” CD-Single from Austria SAMPCS 666781-8 ers and record execs over the years through Pinto’s desire for a re- promo without sleeve cording contract, it eventually ended up in the hands of Tom Sturges at Chrysalis Records around 1985. Sturges allegedly helped pen a Tracklisting: tune called I still believe with Antonina Armato and Beppe Canarelli.
    [Show full text]
  • Paul Grabowsky
    PAUL GRABOWSKY SELECTED CREDITS DAISY WINTERS (2017) THE MENKOFF METHOD (2015) WORDS AND PICTURES (2013) EMPIRE FALLS (2005) THE JUNGLE BOOK 2(2003) (Original Songs, Lyrics – “Jungle Rhythm”, “W-I-L-D”, “Jungle Rhythm (Mowgli Solo)”) BIOGRAPHY Paul Grabowsky is a pianist, composer, arranger and conductor, and is one of Australia’s most distinguished artists. Born in Papua New Guinea in 1958, Paul was raised in Melbourne where he attended Wesley College. He began classical piano lessons at the age of five, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and fully devoted his energies to improvised music from 1978. During the 70’s he became prominent in the music scene in Melbourne, working in various jazz, theatre and cabaret projects. He lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986. In 1983, he formed the Paul Grabowsky Trio, winner of four ARIA awards and one of Australia’s longest-living and most influential jazz ensembles. He has also won two Helpmann awards, several Bell awards and a Deadly award. He was the Sydney Myer Performing Artist of the year in 2000, and received the Melbourne Prize for Music in 2007. As a performer, he became known for his work with the ‘Wizards of Oz’, a group he co- led with saxophonist Dale Barlow from 1987-1989 and Vince Jones, for whom he was musical director in 1988-89.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • HOW DALE BARLOW BECAME a JAZZ MESSENGER by Eric Myers ______
    HOW DALE BARLOW BECAME A JAZZ MESSENGER by Eric Myers _________________________________________________________ [This article first appeared in Jazzchord, Sep/Oct 1996.] ost students of Australian jazz can point to their favourite milestones, which had momentous implications for key musicians. In terms of the impact of Australian M jazz in the international arena, one might note the invitation issued by Harry Stein in Melbourne in early 1946 to Graeme Bell, asking him whether he’d like to take his band to Prague for the World Youth Festival. Or the invitation issued in 1954 by the owner of Klein’s jazz club in Detroit to Errol Buddle to take over the resident band (which included the pianist Tommy Flanagan). Or, perhaps more significantly, the subsequent invitation from another Detroit club owner Ed Sarkesian to Errol to provide a band of Australians for the Rouge Lounge (that band became the Australian Jazz Quartet). Errol Buddle (centre) at Klein’s, Detroit in 1953. Pepper Adams (baritone) is to the left. Barry Harris (piano) can just be seen to the right. Obscured behind Buddle is Elvin Jones (drums). Buddle’s invitation to take over the band at Klein’s led to a significant milestone in Australian jazz: the advent of the Australian Jazz Quartet. In this league is the invitation issued in 1989 by the drummer Art Blakey in New York to Dale Barlow to become a fulltime member of the Jazz Messengers. How did this come about? How was it that an Australian saxophonist - a white musician - was able to join a band which, for 35 years, had virtually defined hard-bop, and represented one of the pinnacles of achievement in black American jazz? In 1989 Dale Barlow had returned to New York on a whim.
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]