Alex Mccaslin

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Alex McCaslin Gender: Male Height: 5 ft. 9 in. Weight: 165 pounds Birthdate: 09/12/1991 Eyes: Brown Hair Length: Short Waist: 32 Inseam: 32 Shoe Size: 9 Physique: Muscular Coat/Dress Size: 42 reg Ethnicity: Caucasian / White Photos Film Credits Event 15 Stunts Garrett Warren Alpha Alert Stunt Double/Josh Stewart Garrett Warren Aliens Attack Stunts Tim Mikulecky Henry's Game Stunt Double/Tyler Posey Steve Ritzi & Alan D'Antoni Television Seal Team Stunt Navy Seal Peewee Piemonte How to get away with murder Stunt Double/Jack Falahee Julie Michaels Scorpion Stunt Double Henry Masao Kinji Jr./Mike Gains Workaholics Stunt Double Phil Culotta Angie Tribeca Stunt Corpse Erik Solki The Brink Stunt Driving Wally Crowder Boys in Blue Stunt Actor Danny Wayne The Last Ship Stunts Garrett Warren/Keith Woulard Office Super Heros Stunts Jef Groff/Justin Gant Videosycracy Stunt Double Wally Crowder True Blood Stunt Double/Ryan Kwanten Mike Massa Generated on 09/28/2021 04:55:04 pm Page 1 of 3 Wally Crowder The Office Stunt Actor Brett Jones Dexter Stunts Wally Crowder Starving in Suburbia Stunt Wrestler Tim Mikulecky Saving Grace Stunt Assistant Charlie Croughwell Code Black Stunt Double/Rob Lowe Mike Gains Commercial The Division Stunt Actor Tj White 2014 Marvel Spiderman Stunt Actor Conrad Palmisano 2014 Jeep Grand Cherokee Stunt Actor 2013 Tropicana Orange Juice Stunt Wally Crowder Stage Music Videos Under Pressure ft Logic Stunts Tj White Bap U ft. Partyfavr Stunt Double Garrett Warren Take Me Home ft. Midnight Red Stunts Eddie Conna Motion Capture Guild Affiliations SAG / AFTRA Stunt Teams Stunt Skills Stunt Skills: Ratchets, High Fall, Squibs, Air Rams, Fight-Guy/Gal - General, Wire Work, I Ground Pound, Motorcross, Martial Arts: MMA, Martial Arts: Jujitsu, Stunt Driving, Motorcycle: Falls, Motorcycle: Wheelies, Driving: Near Misses, Snow Boarding, Martial Arts: Grappling, Motorcycle Jumps, High Fall 60'-90', Motorcycle: "M" Licence, ATV, Motorcycle: Quads, Bridge Jumping, Martial Arts: Kick Boxing Athletic Skills: Baseball , Basketball, Boxing , Football, Golf, Soccer, Weight Lifting, Wrestling, Grappling, Wakeboarding Accents: Spoken Languages: English Dance: Training Bob Yerkes, CA, High falls, wire work, air ram, ratchets, fighting, etc., Bob Yerke, John Moio , 2012 Motion Picture Driving Clinic, Rosemand, CA, Specialty Driving, Rick Seamans, 2017 Generated on 09/28/2021 04:55:05 pm Page 2 of 3 Awards References Stunt Skills Work History: Commercial, Film, Music Video, Television Job Categories: Dialogue / Acting, Stunts, Stunt Double, Stunt Performer Prior Job Title(s): Stunts / Utility Stunts, Stunt Actor, Stunt Double Are you willing to work Globally?: yes Authorized to work in United States?: yes What state are you considered a Local Hire?: California What state are you considered a Local Hire?: Do you have a valid passport?: yes Generated on 09/28/2021 04:55:05 pm Page 3 of 3.

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Governor Cuomo Brings Jobs to Syracuse
Le Moyne v. Syracuse The Return of Adele Sports, 7 Arts & Leisure, 2 Thursday, November 5, 2015 Read us online: thedolphinlmc.com bringing Soraa’s lighting technology to hearing from Cuomo while others were the entertainment industry. underwhelmed. Governor Cuomo Cuomo believes the jobs created will “I am happy that there are more jobs “attract the best and brightest engineers” coming to the area,” said Freshman in Syracuse. Although a $90 million AnnaRae Martin. She shared that she Brings Jobs To investment was made by the state for the is also excited to see that a partnership construction of the facility, the facility is between Le Moyne and SUNY Polytechnic Alyssa Reagan ‘19 expected to bring in “at least $1.3 billion is taking place. Syracuse STAFF WRITER in private sector investment” over the Sophomore Joseph Montondo was a next decade. Cuomo said his main goal little less impressed. He anticipated the There will be 420 new jobs coming to and County Executive Joanie Mahoney. for Central New York is to keep people announcement to be related to the Visual Central New York with the relocation of Governor Cuomo announced here. and Performing Arts Department of Le leading West coast LED company Soraa. that Soraa will be relocating “its This project is just one of many Moyne, based on which faculty members “We are making the opportunity [for global manufacturing, research, and happening all over the state that utilize spoke about the announcement the jobs] for young people in Central New development operations” from the West “entrepreneurial government,” the most.
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Kennedy Meeks
CELEBRITY SPOTLIGHTS POPPY MONTGOMERY THE STORY! BROOKE SHIELDS ELIZABETH BLAU LILY JAMES GEOFFREY ZAKARIAN Brandon Routh stars in “DC’s Legends of WHAT'S FOR Tomorrow,” premiering Thursday on The CW. DINNER Featuring: “Junk Food Flip” FEATURED STORIES EXCLUSIVE! “Billions” “Mercy Street” PROFILED “Angie Tribeca” ATHLETE MOVIES TO KENNEDY WATCH MEEKS And so much more! Connect to these shows within this magazine! FOLIO Courtesy of Gracenote January 17 - 23, 2016 What’s C HOT this Week! Click to jump to these contents featured sections! YOURTVLINK “BIllIONS” CELEBRITY Emmy winners Paul Giamatti and 4 POppY MONTGOMERY Damian Lewis square off. “Unforgettable” star’s history with the show is easy to remember 5 BROOKE SHIELDS “Flower Shop Mystery” star is looking to have some fun 6 ELIZABETH BLAU Blau has an eye for talent 8 LILY JAMES “Downton Abbey” alum “MERCY Street” moves on to “War & A love letter to valiant early Peace” nurses 9 GEOffREY ZAKARIAN Getting to know the Iron “ANGIE TRIBECa” Chef ‘Angie’ says silly things with a straight face 17 FOOD 7 “JUNK FOOD FLIP” Fewer calories, greater enjoyment THE STORY! SPORTS “DC’S LEGENDS OF 18-19 KENNEDY MEEKS TOMORROW” Kennedy Meeks and the ‘Legends’ versus evil North Carolina Tar Heels chase another title MOVIES IN EVERY ISSUE REALITY 20-21 Featuring: Theatrical 22-23 Featuring: Our top “PLANET PRIMETIME” Review, Our top DVD pick, 16 suggested programs to watch ‘Planet’ of pain and Coming Soon on DVD. this week! Page 2 YOUR TV LINK Courtesy of Gracenote January 17 - 23, 2016 Editor's choice STORY S ‘Legends’ band together to save humanity in new CW series BY GEORGE DICKIE It’s 2166 and immortal evil madman Vandal Savage is about to achieve his goal of the total annihilation of humanity.
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GREG LOUGANIS to BE HONORED by POINT FOUNDATION Olympian Is the Second Honoree Announced for April 11 Point Honors Gala in New York
For immediate release Digital images available GREG LOUGANIS TO BE HONORED BY POINT FOUNDATION Olympian is the Second Honoree Announced for April 11 Point Honors Gala in New York New York, NY - March 8, 2016 – Point Foundation will present five-time Olympic medalist Greg Louganis with the Point Legend Award, which recognizes an individual who has achieved greatness in their professional career and unapologetically supported the LGBTQ community. The award will be presented to Louganis at the landmark New York Public Library April 11. The event begins at 6:30 p.m. “I am deeply honored to be receiving the Point Legend Award this year,” said Louganis. “Point Foundation’s service to help LGBTQ youth overcome all the obstacles, challenges, prejudices that I myself endured is so inspirational. To see these young men and women get the opportunity to obtain higher education degrees truly touches my heart and I am so proud of each of them. I look forward to cheering them on, both scholars and mentors on this very special night.” “Greg Louganis is rightfully an icon of perseverance and courage for so many people, as well as a person with a genuine magnanimous spirit,” said Jorge Valencia, Executive Director and Chief Executive Officer of Point Foundation. “Greg has participated in a number of Point events, and our scholars and alumni are always inspired by what he has to say and the example he has set as an LGBTQ advocate and athlete. With the Summer Olympics fast approaching, it is a fitting time to honor Greg with the Point Foundation Ledged Award.” As previously announced, Pete Nowalk , Executive Producer and creator of ABC’s “How to Get Away With Murder” will also be honored at the gala with the Point Leadership Award.
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Mercy Street” to Premiere January 17 on Pbs
“MERCY STREET” TO PREMIERE JANUARY 17 ON PBS – Original Six-Episode Series to Take Viewers Beyond the Battlefield with Intimate, Human Look at Lives on the Civil War Home Front − MERCY STREET to Follow “Downton Abbey, The Final Season” on MASTERPIECE for a Powerful Sunday Night Lineup – – Award-Winning Creative Team Includes Ridley Scott, David Zabel, Lisa Quijano Wolfinger and David W. Zucker – ARLINGTON, VA; Updated December 16, 2015 – MERCY STREET, a new Civil War era drama produced in and around Richmond, Virginia, will debut Sunday, January 17, 2016, at 10:00 p.m. MERCY STREET will follow “Downton Abbey, The Final Season” on MASTERPIECE highlighting PBS as a home for internationally acclaimed television drama. The series is executive produced by Ridley Scott (Gladiator, Thelma and Louise); David W. Zucker (“The Good Wife” and “The Man in the High Castle”) of Scott Free; Lisa Q. Wolfinger (“Desperate Crossing, The untold story of the Mayflower”) and David Zabel (ER). Dean Devlin’s Electric Entertainment secured all foreign rights to the series early in the process, and will continue to sell to international territories. Based on real events, MERCY STREET takes viewers beyond the battlefield and into the lives of Americans on the Civil War home front as they face the unprecedented challenges of one of the most turbulent times in our nation’s history. Set in Virginia in the spring of 1862, MERCY STREET follows the lives of two volunteer nurses on opposite sides of the conflict; Mary Phinney, (Mary Elizabeth Winstead), a staunch New England abolitionist, and Emma Green, (Hannah James), a naive young Confederate belle.
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PBS Summer TCA Press Tour Schedule
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How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series
UvA-DARE (Digital Academic Repository) How to Get Away with Color Color-Blindness and the Post-Racial Illusion in Popular American Television Series Martens, E.; Povoa, D. Publication date 2017 Document Version Final published version Published in Alphaville License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E., & Povoa, D. (2017). How to Get Away with Color: Color-Blindness and the Post- Racial Illusion in Popular American Television Series. Alphaville, 13, 117-134. http://www.alphavillejournal.com/Issue13/HTML/ArticleMartensPovoa.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes.
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130Mm Tv Time Fans Cast Their Vote on the State of Diversity on Television
1 130MM TV TIME FANS CAST THEIR VOTE ON THE STATE OF DIVERSITY ON TELEVISION Television viewers are overwhelmingly voicing their desire for shows with diverse and strong characters. TV Time conducted this study to better understand how television audiences are responding to casting decisions across race, gender and sexual orientation. Gone are the days when our favorite characters were predominantly white, straight and male. A super- charged social consciousness is driving people to want to see characters on television who resemble themselves. Television is answering that call to action and fans are responding in overwhelming favor. TV Time is uniquely poised with volumes of fan data from people who have watched a television program and voted on their favorite characters in the TV Time app. For this global study, TV Time analyzed the top 100 favorite characters from 2015-2017, chosen by its community of 12 million registered app users. In an eff ort to understand how fans are reacting to diversity characters, TV Time tabulated 130 million character votes over the last three years. Acknowledging that there are several ways to segment the US population (and television characters) into diversity groups, this study focused on gender, ethnicity and sexual orientation. Overall, diversity among favorite characters remains relatively fl at over the past three years. However, some diversity groups are experiencing meaningful growth and appear to be leading the cultural movement toward embracing fundamental changes in the way we experience television. Published on April 23, 2018 2 CHARACTERS OF COLOR Overall, characters of color saw a 20% increase, jumping from 15% of the overall favorite characters in 2015, to 18% of the favorite character vote in 2017.
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Review of "How to Get Away with Murder"
Lynette Payne, [email protected] December 3, 2015 Advanced Comp Revision Murder 101: A Review of How to Get Away with Murder ABC’s How to Get Away wijth Murder began as the underdog of the Fall 2014 American broadcast network pilot season, but as it now launches its second season, the legal drama is rolling in great ratings. Producer Shonda Rimes (of Scandal and Grey’s Anatomy fame) lead the current season to eight million viewers in September, 2015. After ending the previous season in February with the shocking revelation of who killed Lila Stangard, along with yet another dead body, How to Get Away with Murder continues to captivate its viewers. How to Get Away with Murder centers on Annalise Keating, played by Viola Davis, as she teaches criminal law at the fictional college of Middleton University in Philadelphia, and takes a special interest in five of her students. The pilot episode begins in medias res, as these six characters become entangled in the plots of not one, but two separate murders. While Annalise continues to teach and represent clients at her own law firm, she and her students work through the homicides, more personally involved than ever. Davis’ character of Annalise Keating, a defense attorney and law professor, is the driving force behind the show. From the first episode, Annalise is the head bitch in charge, intimidating, cold, and utterly fascinating. Even her opening monologue is ominous: “Good morning. I don’t know what terrible things you’ve done in your life up to this point, but clearly your karma’s out of balance to get assigned to my class.
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Nine New Shows Ordered from Abc Studios for the 2014-15 Season
May 14, 2014 NINE NEW SHOWS ORDERED FROM ABC STUDIOS FOR THE 2014-15 SEASON ABC Picks Up “American Crime,” “Black-ish,” “Galavant,” “How To Get Away With Murder,” “Manhattan Love Story,” “Marvel’s Agent Carter,” “Secrets and Lies” and “The Whispers” from ABC Studios FOX orders New Drama “Red Band Society” ABC Studios had another banner development year with nine new shows ordered to series. New dramas “American Crime,” “How To Get Away with Murder,” “Marvel’s Agent Carter,” “Secrets and Lies,” “The Whispers,” along with new comedies “Black-ish,” “Galavant,” and “Manhattan Love Story,” were picked up at ABC. New drama “Red Band Society” was ordered at FOX. Returning ABC Studios shows “Castle,” “Grey’s Anatomy,” “Nashville,” “Once Upon a Time,” “Revenge, “Resurrection,” “Marvel’s Agents of S.H.I.E.L.D.” and “Scandal” on ABC join “Criminal Minds” on CBS, “Devious Maids” on Lifetime, “Perception” on TNT and “Cougar Town” on TBS. ABC Studios drama “Mistresses” premieres on ABC on MONDAY, JUNE 2 (10:00-11:00 p.m., ET). “Benched,” a half-hour comedy for USA is currently in production. “I am extremely proud of our slate this year. We reached our goal of remaining the number one supplier of scripted programming for ABC while finding opportunities to expand our reach at the other broadcast and cable networks,” said Patrick Moran, EVP, ABC Studios. The new series are: “AMERICAN CRIME” All over the news are reports about a young couple in Modesto, California, who were attacked in their home. Matt Skokie, a war vet, was killed, and his wife, Lily, is unconscious, barely hanging on.
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The Tufts Daily Volume Lxx, Number 14
Ryan Adams successfully covers Taylor Swift’s hit album “1989” Pre-orientation programs see ARTS AND LIVING / PAGE 5 see restructuring SEE FEATURES / PAGE 3 Rohan Gupta reaches the quarterfinals in singles tournament at Williams this past weekend see SPORTS / BACK PAGE THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXX, NUMBER 14 MEDFORD/SOMERVILLE, MASS. WEDNESDAY, SEPTEMBER 30, 2015 tuftsdaily.com Limited space puts new students in overflow housing Student Affairs by Arin Kerstein News Editor Office revises On-campus housing has approached disciplinary maximum capacity this semester, put- ting many first-year and transfer students in policies overflow housing and nontraditional first- year housing. by Noah Habeeb Yolanda King, director of the Office of Staff Writer Residential Life and Learning (ResLife), said there are currently 12 available beds on The Student Judicial Process, which holds campus, most of which are in open spots students and student organizations account- in campus doubles. Because of this limited able for violations of university and local poli- availability, there is very little flexibility for cies, was revised over the summer recess by the students who want to change their residen- Student Affairs Office. tial accommodations, King said. According to Judicial Affairs Administrator Of the 17 student residence halls, eight are Mickey Toogood, most of the process has available to incoming students and 16 are remained the same, though the scheme of dis- special interest residences. These build- ciplinary sanctions has undergone significant ings supply a total of approximately 3,000 revisions. beds on campus, according to Dean of ALEX KNAPP / THE TUFTS DAILY The judicial process — which is managed Student Affairs Mary Pat McMahon and the Wilson House is one of the locations first-year students have been placed because of overcrowding by Toogood and Assistant Dean of Student ResLife website.
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Colour- Blindness and the Myth of a Postracial America in American Television Series
How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society. This case study aims to demonstrate to which extent the “colour-blind approach” of the TV show reinforces the postracial illusion in the United States, i.e. the idea that the country has overcome its past of racial segregation and now offers the same opportunities for everyone, regardless of colour and race. Through a narrative analysis of the first season of the series, this chapter will argue that the depiction of race in How to Get Away with Murder is highly ambivalent. On the one hand, the show does not completely ignore race by inserting topics such as racism in the plot, giving these issues at least some visibility. On the other hand, its more general panorama reveals an intent to deracialise its main characters in a colour-blind manner.
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The Final Murder Free
FREE THE FINAL MURDER PDF Anne Holt | 384 pages | 02 Jun 2016 | ATLANTIC BOOKS | 9781848876149 | English | London, United Kingdom How To Get Away With Murder's Series Ending Explained Birkhead in broad daylight as she came out of the building. The event actually took place decades in the future, after Annalise had died as an old woman. For a full recap of what happened in the finale, click here. You said the idea for how to end the show came to you like a vision. Can you say what specifically that idea was? Did it The Final Murder at all throughout the year? And The Final Murder agreed with her. It was really important for me that she had a triumphant ending. So the vision that came to me was that Alfie could play Christopher, so The Final Murder could have my cake and eat it, too. But that entire Christopher twist had already been decided when you started writing the season? But yes, that was my pitch. That was a way to kill Annalise and also stay in the style of The Final Murder show, which is flashing forward. This is the ultimate flash-forward. TVLINE It was suggested, for a big part of this season, that Annalise would ultimately fake her death and get a fresh start somewhere else. Was that ever something you seriously considered as a way to end her storyline? Not at all. Because even if people in real life fake their own deaths, it seems fake when you try to do it on TV.
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