Prints & Multiples

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Prints & Multiples PRINTS & MULTIPLES Wednesday, November 1, 2017 NEW YORK PRINTS & MULTIPLES AUCTION Wednesday, November 1, 2017 at 10am EXHIBITION Saturday, October 28, 10am – 5pm Sunday, October 29, Noon – 5pm Monday, October 30, 10am – 6pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $30 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Prints & Multiples 1-245 Florence Aaron Elizabeth and Felix Albert Joseph Bedics, Sr. Nan Rosenthal and Henry B. Cortesi Glossary I Mildred and Jack Feinblatt Conditions of Sale II Anne H. and John K. Howat Terms of Guarantee IV The Eva Kane Trust Information on Sales & Use Tax V Ellin Jane Krinsly Trust Buying at Doyle VI Carl Lesnor Selling at Doyle VIII Rex Lotery Auction Schedule IX Carol Mercer Company Directory X Henriette Montgomery Absentee Bid Form XII A New York Lady Helen Olson Barbara Rubin Dr. Alfred Ziviello INCLUDING PROPERTY FROM Formerly in the inventory of Berry-Hill Galleries, New York A Collector PRINTS & MULTIPLES A Private Minneapolis Collection A New England Collection A New York Corporate Collection Lot 109 4 5 2 1 2 Yaacov Agam (b. 1928) Josef Albers (1888-1976) BEYOND THE VISIBLE— DR-b (DANILOWITZ 181) MULTIDIMENSIONAL TOWER Color screenprint, 1968, on heavy board, Polymorph screenprint on folded PVC signed with initial, dated and numbered multiple, 1980, signed and inscribed 82/100 in pencil, published by AP 6/25 in pencil (aside from the Denise René Editions, Paris and with edition of 150), on gilt-metal base. their blindstamp, with full margins, Height overall 34 1/4 inches; 870 mm. framed. C 23 5/8 x 23 5/8 inches; 600 x 600 mm. 1 $3,000-5,000 Sheet 26 3/4 x 26 7/8 inches; 679 x 683 mm. C $2,000-3,000 6 3 Richard Artschwager (1923-2013) 4 5 6 UNTITLED (QUOTATION MARKS) Milton Avery (1885-1965) Milton Avery Ernst Barlach (1870-1938) (ALEXANDER 5) MARCH AT A TABLE (LUNN 28) SAILBOAT (L. 54) THE FIRST DAY (DER ERSTE TAG) Formica on painted wood, in two Drypoint, 1948, on cream wove Woodcut, 1954, on Japan paper, signed (SCULT II 164; LAUR 69.04) parts, 1980. paper, signed in pencil, with full margins, and numbered 19/25 in pencil, with wide Woodcut, 1920, on cream Japan paper, Each part 15 1/2 x 11 x 2 inches; framed. margins, framed. signed in pencil, from the edition of 121, 394 x 279 x 51 mm. 8 3/4 x 6 inches; 222 x 152 mm. 7 5/8 x 12 1/3 inches; 194 x 311 mm. from The Transformations of God Provenance: Sheet 16 1/4 x 13 inches; 413 x 330 mm. Sheet 11 7/8 x 17 1/2 inches; (Die Wandlungen Gottes), published by Marion Goodman Gallery, New York C 302 x 445 mm. Pan-Presse, Berlin in 1922, with full C $2,000-3,000 C margins, framed. $1,000-1,500 $2,000-3,000 10 1/8 x 14 1/8 inches; 257 x 359 mm. Sheet 12 1/2 x 17 3/4 inches; 318 x 451 mm. C Property of a Collector $800-1,200 3 6 DOYLE • NOVEMBER 1, 2017 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 7 7 Will Barnet (1911-2012) THE SWING (SZOKE 106) Color lithograph, 1951, on heavy wove paper, signed, dated and titled in pencil, with wide margins, framed. 15 1/4 x 19 5/8 inches; 387 x 498 mm. Sheet 20 x 25 1/2 inches; 508 x 648 mm. C Property from a New York Corporate Collection $700-1,000 8 Will Barnet BIG GREY; THE BLUE ROBE (S. 127; 148) Color woodcut and an etching and aquatint, 1962 and 1971, respectively, signed, titled, dedicated, the second inscribed Ed. 25, in pencil, published by the artist, New York, with full margins. (2) Larger 26 1/2 x 20 3/8 inches; 673 x 518 mm. C The Eva Kane Trust $1,000-1,500 9 Will Barnet WOMAN AND WHITE CAT (S. 145) Color screenprint, 1971, on wove paper, 7 signed, titled, inscribed Artist’s Imp and dedicated in pencil, published by Circle Fine Art, New York, the full sheet. Sheet 29 1/4 x 21 7/8 inches; 743 x 556 mm. C The Eva Kane Trust $800-1,200 10 11 10 After Will Barnet JANUS AND THE WHITE VERTEBRA Hand-woven Aubusson wool tapestry by Pinton Frères, signed and with the weaver’s monogram in the weave, signed in ink on Pinton label verso, numbered 2/6 verso. 76 x 46 inches; 1930 x 1168 mm. C Dorothy Lewis 2013 Irrevocable Trust $3,000-5,000 11 Thomas Hart Benton (1889-1975) SLOW TRAIN THROUGH ARKANSAS (FATH 46) Lithograph, 1941, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. 10 x 12 3/4 inches; 254 x 324 mm. Sheet 12 x 14 7/8 inches; 305 x 378 mm. C $2,000-3,000 12 Thomas Hart Benton THRESHING (F. 48) 8 part Lithograph, 1941, signed in pencil, edition of 250, published by Associated American Artists, New York, with good margins, framed. 12 9 3/8 x 14 inches; 238 x 356 mm. Sheet 12 1/2 x 17 inches; 318 x 432 mm. C Estate of Helen Olson $3,000-4,000 9 8 DOYLE • NOVEMBER 1, 2017 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 9 13 Thomas Hart Benton NIGHT FIRING (F. 57) Lithograph, 1943, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins, framed. 8 3/4 x 13 1/4 inches; 222 x 336 mm. Sheet 10 3/4 x 15 1/8 inches; 273 x 320 mm. C $1,000-1,500 13 14 Thomas Hart Benton THE MUSIC LESSON (F. 60) Lithograph, 1943, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with good margins. 10 x 12 7/8 inches; 254 x 327 mm. Sheet 11 3/4 x 14 3/4 inches; 298 x 375 mm. C Estate of Helen Olson $1,500-2,500 16 17 16 18 Muirhead Bone (1876-1953) Richard Bosman (b. 1944) A SPANISH GOOD FRIDAY RIVER (RONDA) (DODGSON 412) Color woodcut, 1989, on Kozo Drypoint, 1925, signed and paper, signed and numbered inscribed I 27 in pencil, from 47/65 in pencil, published by the first state of four, from the Metropolitan Museum of 14 the edition of 27, with full Art, New York, with full margins, framed. margins, framed. 12 5/8 x 8 1/4 inches; 30 x 34 inches; 762 x 864 mm. 321 x 210 mm. Sheet 35 3/4 x 38 3/4 inches; Sheet 15 1/2 x 11 inches; 908 x 984 mm. 394 x 279 mm. • C Property from a $600-800 15 Private Minneapolis Collection Thomas Hart Benton $1,000-2,000 ISLAND HAY (F. 68) Lithograph, 1945, signed in pencil, 17 from the edition of 250, published by Pierre Bonnard (1867-1947) Associated American Artists, New York, LE BAIN (BOUVET 92A) with good margins, framed. Lithograph, circa 1892, on 10 x 12 5/8 inches; 254 x 320 mm. laid paper, signed and Sheet 11 3/4 x 14 1/2 inches; 298 x 368 mm. numbered 9/50 in pencil, C from the first state of two, $1,000-1,500 published by Galerie des Peintres-Graveurs, Paris and with their blindstamp, with (full?) margins, framed. 12 1/2 x 8 1/2 inches; 318 x 216 mm. Sheet 14 3/8 x 10 7/8 inches; 365 x 276 mm. C $1,000-1,500 18 15 10 DOYLE • NOVEMBER 1, 2017 • NEW YORK VIEW THE FULLY ILLUSTRATED CATALOGUE AND BID ONLINE AT DOYLE.COM 11 22 Alexander Calder (1898-1976) ELEPHANTS Color lithograph, 1976, on Arches paper, signed and numbered 5/175 in pencil, from Our Unfinished Revolution, published by Alba Editions, New York, to aid the National Emergency Civil Liberties Committee, the full sheet, framed. Sheet 22 x 30 inches; 559 x 762 mm. C Estate of Joseph Bedics, Sr. $1,000-1,500 22 19 20 19 20 23 Alexander Calder Georges Braque (1882-1963) Bernard Buffet (1928-1999) SI JE MOURAIS LÀ-BAS (VALLIER 181) ABEILLE (MOURLOT 50) STAR Wood engraving printed in blue, 1962, on Japon nacré Color lithograph, on Arches paper, signed and numbered Color lithograph, 1976, on Arches paper, paper, signed and numbered 19/40 in pencil, published 36/150 in pencil, with full margins. signed and numbered 5/175 in pencil, by Louis Broder, Paris, with full margins, framed. 19 3/8 x 26 1/2 inches; 492 x 673 mm. from Our Unfinished Revolution, published 10 1/4 x 9 1/2 inches; 260 x 241 mm. Sheet 21 1/2 x 29 1/8 inches; 546 x 740 mm. by Alba Editions, New York, to aid the Sheet 18 1/4 x 14 1/2 inches; 464 x 368 mm. C Estate of Carol Mercer National Emergency Civil Liberties Committee, C $700-900 the full sheet, framed. $700-1,000 Sheet 22 x 30 inches; 559 x 762 mm. C Estate of Joseph Bedics, Sr. $1,000-1,500 21 Paul Cadmus (1904-1999) ARABESQUE (DAVENPORT 47) Etching, 1947, on cream laid paper, signed, titled and inscribed Edition of 75 in pencil, with full 23 margins, framed. 6 7/8 x 6 3/4 inches; 175 x 171 mm.
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