JANUARY 2020 JANUARY SHOW CHIME Photo Courtesy Carter
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The Microphones Live in Japan, February 19Th, 21St, and 22Nd, 2003
THE MICROPHONES LIVE IN JAPAN, FEBRUARY 19TH, 21ST, AND 22ND, 2003 CAT#: KLP158 FORMAT: CD/LP RELEASE DATE: 2.3.04 LABEL: K RECORDS UPC: 789856115822 CD; 789856115815 LP Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com Great Ghosts • the Blow pt.2 • Universe Conclusion • We Squirm • My Favorite Things • Silent Night • After N. Young • Climb Over • “I love you so much!” • I have been told that my skin is exceptionally smooth. • Thanksgiving The new Microphones album Live in Japan February 19th, 21st and 22nd, 2003 features previously unreleased material from singer/songwriter Phil Elverum. These 11 songs are only a sampling of all new songs performed by Elverum in a two-week tour of Japan in early 2003. After spending five months in isolation in Norway, Elverum emerged with a cache of heart-felt and reflective songs reminiscent of The Glow Part II. A drastic change from 2002’s epic tale of Mount Eerie, we find Elverum playing acoustic pop songs with the bare minimum backing of instrumentation. Kyle Field (Little Wings) and Calvin Johnson (Dub Narcotic Sound System) join Elverum on “Universe Conclusion” and “I Love You So Much.” “Climb Over” features The Mools as the backing band. Critical acclaim: “Not since Guided by Voices’ Alien Lanes have so many unique pieces of melody and music merged to form something this unexpectedly chilling and yet ultimately comforting.” Amplifier Magazine ALSO AVAILABLE by THE MICROPHONES: Don’t Wake Me Up CD/LP (K Records) KLP099 It Was Hot, We Stayed In The Water CD (K Records) KLP116 The Glow Pt. -
Sex Education: out with the Old, in with the New
Herriman High’s Blake Freeland Surviving 4th What I Wish I Knew Breakfast Club - P. 4 Spotlight- P. 6 Quarter - P. 8 About Dating - P. 10 Sex Education: Out with the Old, In with the New Talking about the Elephant in the Room STORY BY CORA ROMERO Let’s talk about sex. 44% of young adults will have sex by age sex, like teaching about it in school and 17, according to the Guttmacher Institute. allowing safe places to talk about sex, is Yes, sex. The big elephant in the room that’s This means that nearly half of our youth crucial to a teenager’s wellbeing.” slowly becoming more and more noticeable population is receiving sexual education As increased attention is being brought each day in the United States. Sex. More that is now no longer applicable to them. to this issue, re-defining the curriculum specifically, sex education. It’s a topic Surely we can’t expect young adults to for sex ed is making an appearance many shy away from, something we avoid practice safe sex if they lack the knowledge on the ballot for Utah legislators. The discussing in hopes that everyone will just to make informed decisions about it. push for a more comprehensive sexual figure it out eventually, right? Wrong. education is on the rise. But what exactly is comprehensive sex education? According to the American Medical According to the Sexuality Information Association (AMA) Journal of Ethics, each and Education Council of the United and every day in the United States 10,000 States, comprehensive sex ed, “includes teens contract an STD, 2,400 get pregnant, age-appropriate, medically accurate and 55 contract human immunodeficiency information on a broad set of topics virus (HIV). -
Jason Anderson New England
JASON ANDERSON NEW ENGLAND CAT#: KLP148 FORMAT: CD RELEASE DATE: 3.16.04 LABEL: K RECORDS UPC: 789856114825 Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com For Kyle • Pen Pals • You Fall • A Book Laid on Its Binding • The Moment • I Swear I Am • Hold On • Thanksgiving • I Want My Summer Back • So Long • Christmas Jason Anderson returns with a studio collaboration with Phil Elvrum of the Microphones/Mount Eerie. New England glows with honest songs and the joy of working with friends. K compatriots Calvin Johnson, Khaela Maricich of the Blow, Adam Forkner of Yume Bitsu/[[VVRRSNN]], Mirah and Elvrum all contribute to the music and the loose, inspired arrangements. After completely finishing an album in 2002 Anderson decided to return to the studio in the summer of 2003 and re-record the best songs from his last year of performing. The result is Jason at his finest: songs with an evolved writing style and obvious maturity. The off-the-cuff, "first take" sessions were so transcendent that Phil even donated a new Mount Eerie song, "Thanksgiving", to the project, as it was recorded with the same pick-up band and was in line with the album's vision and emotional timbre. "You Fall” is an inspired duet between Anderson and Elvrum, their voices intertwining through the melancholy anthem's sublime production. The song flows seamlessly into "A Book Laid On Its Binding"--a song written by Jason's good friend and tour mate Joe Knapp, of Omaha's Son, Ambulance. It consists of nothing more than piano, Jason, and the golden, heartbreaking voice of Mirah. -
2020 March Showchime.Pdf
From Karl Blau, Interview with Cover Show Chime & AMP Progenitor Artist Melanie Dugan Anacortes artist, Melanie Dugan, has enjoyed MARCH! art ever since she could hold a pencil. She Those who know me know how I feel about this month being received her frst pet portrait commission the obvious frst month of the year. I mean it’s called “March” for at the age of 14 when her junior high home cryin’ out loud. Plus then SEPTember, OCTober, NOVember and room teacher noticed her talent in art and DECember take back their rightful 7th, 8th, 9th and 10th places hired her to do a painting of her two cats. on the calendar respectively. And so many other reasons. Even with the broad experience in different media, she prefers to work in pencil, choosing It was in March 2013 that the frst Show Chime came out colored pencil even for her works in black featuring artist Hannah Stephens—so this means Happy and white. She is largely self-taught as Birthday to Show Chime! And I want to send a HUGE thanks and she has had only one drawing class since congratulations to Laurie Racicot, Editor and Designer of Show junior high. Melanie runs Art Studio 2120 in Chime, for keeping it rolling these past many months. If you’ve Anacortes along with her husband, Greg been following Show Chime over the years you know how it Dugan. Her work can be seen online at their limped along for many of those. Now it’s just rolling tough with a website www.artstudio2120.com or you can head of steam thanks to Laurie and AMP’s hard work. -
Tradition : Euro-Synergies
The Prehistoric Origins of Apollo. Forum des résistants européens EURO-SYNERGIES vendredi, 09 décembre Marcos Ghio - Pensamiento Fuerte o pensamiento Débil: Julius Evola o Gianni Vattimo Marcos Ghio - Pensamiento Fuerte o pensamiento Débil: Julius Evola o Gianni Vattimo Centro Evoliano de América Conferencia organizada por el CENTRO EVOLIANO DE AMÉRICA, Conferencia organizada por el CENTRO EVOLIANO DE AMÉRICA, brindada el 22.11.16 en la ciudad de Buenos Aires Argentina. Expone el Lic. Marcos Ghio. Título: "Pensamiento Fuerte o Pensamiento Débil: Julius Evola o Gianni Vattimo. 19:38 Publié dans Philosophie, Révolution conservatrice, Traditions | Lien permanent | Commentaires (0) | Tags : gianni vattimo, julius evola, marcos ghio, tradition, traditionalisme, philosophie, révolution conservatrice | | del.icio.us | | Digg | Facebook dimanche, 04 décembre The Prehistoric Origins of Apollo The Prehistoric Origins of Apollo By Prof. Fritz Graf, PhD. Ex: http://sciencereligionmyth.blogspot.com Apollo’s name has no clear parallels in other Indo-European languages, and he is the only Olympian god whose name does not figure on the Linear B tablets (a word fragment on a Cnossus tablet has been read as a form of his name, but the reading is highly conjectural and has convinced few scholars). The absence may well be significant. We possess well over a thousand texts that come from the palaces of Thebes in Boeotia, Mycenae, and Pylus in the Peloponnese, Cnossus and Chania on Crete, that is from practically the entire geographical area of the Mycenaean world, with the exception of the west coast of Asia Minor. Only a fraction contains information on religion, not only the names of gods and their sanctuaries, but also month names that preserve a major festival and personal names that contain a divine name (so-called theophoric names); but the sample is large enough to preserve almost all major Greek divine names. -
Lori Goldston Lorigoldston.Com | +1 206.715.4540| [email protected]
Lori Goldston lorigoldston.com | +1 206.715.4540| [email protected] Selected Commissioned Works Death and the Mourning After for Timothy White Eagle Improvised solo acoustic cello score for an livestreamed theater performance, part of La MaMa’s Reflections of Native Voices Festival. 2021 Manzanar, Diverted Composed a score for a feature-length documentary by Ann Kaneko, in collaboration with Steve Fisk, Alexander Mirana, Susie Kozawa and Matt Chamberlain. 2021 What You Can Hear From Here for Art Saves Me Commissioned by One Reel to create new work for an online exhibition. In collaboration with videographer Isaac Hanson. Seattle. 2020 Rivulet, for Nonsequitur Composed and performed an evening-length piece for a small ensemble; with Greg Kelley, Kole Galbraith, Dave Abramson and Haley Freedlund. Chapel Performance Space, Seattle. 2019 Yellowstone, for Jon Jost Recorded an improvised solo amplified cello score for a work-in-progress video installation. Featured as part of Nonsequitur’s “Wayward In Limbo”. Seattle. 2019 Ama (The Woman Diver), for Nalanda West Performed an improvised solo acoustic cello score for Jim Fletcher and Katiana Rangel’s production of a 14th Century Japanese play. Seattle. 2018 Études N°11, for Paris Fashion Week Composed and performed a solo acoustic cello score accompanying the runway show for fashion house Études. Paris, France. 2017 That Sunrise, for the BBC Scottish Symphony Composed and performed a new work for amplified cello and orchestra as part of Glasgow Tectonics Festival. Glasgow. 2017 The Seawall , for the City of Seattle With drummer Dan Sasaki, composed and recorded a response to Seattle’s seawall reconstruction project. -
6 YEARS Written and Directed by Hannah Fidell
! 6 YEARS Written and Directed by Hannah Fidell ! Starring Taissa Farmiga and Ben Rosenfield 80 minutes, color, U.S.A. Sales Contact: ICM/ Jessica Lacy [email protected] / (310) 550-4316 SUBMARINE/ Josh Braun [email protected] / (212) 625-1410 Press Contact: BRIGADE / Gerilyn Shur [email protected] / 917-551-5838 SYNOPSIS A young couple in their early 20s, Dan and Melanie, have known each other since childhood. Now their 6-year romantic relationship is put to the test when Dan receives an attractive job offer from the record label with whom he interns, and he must choose between a move forward and a future with Mel. Growth and temptation happen – but will their relationship remain part of their future? Writer/director Hannah Fidell explores the struggles of young love as it begins to face the next steps into adulthood. Taissa Farmiga and Ben Rosenfield give warm, genuine performances as Mel and Dan, alongside Lindsay Burdge (star of Fidell’s A TEACHER) as a colleague of Dan’s who entices him in more ways than one. HANNAH FIDELL DISCUSSES 6 YEARS I wrote 6 Years focusing on the relationship of two young adults. Who hasn’t had a first love? And who hasn’t gone through a breakup with said first love? (for those of you who are married to that first person...please ignore…) More than anything though, I modeled Dan and Mel’s world on my group of friends in college. Although, the fighting and the physical violence, that was pure fiction. The script was in great hands with Taissa and Ben. -
Erie, Pa., 16501 and at the Moment, the Outcome [email protected] Blunt Terms – 18 Looks Bleak
CONTENTS: From the Editors The only local voice for The future might freak you news, arts, and culture. April 12, 2017 Editors-in-Chief: out, and it probably should. Brian Graham & Adam Welsh erhaps The Amazing Criswell put it best Managing Editor: Nick Warren Just a Thought – 5 in the introduction to Ed Wood’s Plan 9 Copy Editor: Millfair is worth dirtying your PFrom Outer Space, insightfully remark- Katie Chriest ing that “we are all interested in the future, for Contributing Editors: hands. that is where you and I are going to spend the Ben Speggen rest of our lives.” Jim Wertz In her detailed piece, Mary Birdsong warns Contributors: A Candidate’s Future, a Maitham Basha-Agha that our Great Lakes are in danger. Facing Ed Bernik Citizen’s Now – 6 deep budget cuts at the hands of the Trump Mary Birdsong administration, the Environmental Protection Tracy Geibel How what we learn before the Lisa Gensheimer Agency finds itself in dire circumstances. The Gregory Greenleaf-Knepp primary may matter through physical and economic health of our city, along Dan Schank Tommy Shannon 2030 with countless others in the U.S. and Canada, Ryan Smith depends on the health of all the Great Lakes. Ti Sumner Matt Swanseger The stakes are high, and at the moment, the Bryan Toy Sailing on Choppy Waters – 9 outcome looks bleak. Cover Design: Nick Warren Potential devastation in the Photographers: wake of EPA budget cuts Maitham Basha-Agha Ryan Smith The physical and economic health Brad Triana Publisher’s Assistant: News of the Weird – 15 of our city, along with countless Emily Hanisek others in the U.S. -
In This Issue That, Or Anything Else As Far As So-Called Music Sical Additions to Music - Not to Mention John Is Concerned
the transbay Creative Music Calendar FEBRUARY 2009 INTERVIEW AFTER FULL CONSIDERATION greenlief @50 top ten of 2008 February 2009 marks local musician and This year’s Top Ten Transbaynian Musical composer Phillip Greenlief’s 50th birthday. Moments includes some diverse definitions The Transbay found Phillip by logging on the of “top” and “ten” as well as some elasticity to interWebs and exhanging several messages in the interpretation of “transbaynian” and, with the artist as he reflected on his art and you knew this, “music.” The lists draw from life. sources as disparate as the pages of Wallace’s (RIP 2008) Infinite Jest and a pedestrian Transbay: This month you’re presenting a ton plaza in Manhattan’s Meat Packing District, of events that reflect your 50th year. Which with plenty of noise, extended technique, re- of the performances commemorate your work markable record releases and regime change to date? Which ones represent fully matured in between. It’s all wrapped in the highlights ideas? Which ones are based on new inquiry? and lowlights of the beloved venue 21 Grand Phillip Greenlief: I don’t think you can parcel Arts Group, Inc. To balance, this issue also in 2008, 2009 (and 2010, 11 and 12, but only out what aspect of your artistic life rises to includes a manifesto on the subject of per- until the pole shift) is still available for that the surface on any given occasion. With all of petual anxiety among musicians: the death purpose. the groups I’m working with this month (Lost of our art form. -
The BG News November 11, 2020
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-11-2020 The BG News November 11, 2020 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation State University, Bowling Green, "The BG News November 11, 2020" (2020). BG News (Student Newspaper). 9147. https://scholarworks.bgsu.edu/bg-news/9147 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Record-breaking BGSU sees highest bg enrollment rates in 10 years news An independent student press serving Page 2 the campus and surrounding community, ESTABLISHED 1920 Bowling Green State University Wednesday, November 11, 2020 Volume 100, Issue 13 Fall albums to check out Page 4 Opinion: Biden is a win for America Page 5 Hockey players to cheer fo Page 7 PHOTO PROVIDED BY BGSU MARKETING AND COMMUNICATIONS BG NEWS November 11, 2020 | PAGE 2 BGSU achieves record enrollment during pandemic Hallie Riley | Campus Editor So far, the National Student Compared to last fall, there has been a Having that offering along with the virtual Clearinghouse Research Center has reported 20% jump in graduate students seeking offering is the perfect formula because COVID-19 has forced students to reconsider a 4% drop in undergraduate enrollment degrees with the largest population enrolled you can kind of pick your own adventure. -
P Oetry Five Bodies
Thu 13 May 6.30-8.30pm Five Bodies Live transcript KEYWORDS language, feel, contemporary, mother, form, conversation, sound SPEAKERS Sofia Lemos, Maureen N. McLane, Jack Thacker, Mirene Arsanios, Lila Matsumoto Sofia Lemos 00:04 Good evening folks. Welcome. My name is Sofia Lemos, I’m the Curator of Public Programmes and Research at Nottingham contemporary and tonight it is my pleasure welcoming you to Five Bodies, our online poetry programme. For those of you who are tuning in for the first time, Nottingham Contemporary works with artists, with academics, with thinkers, poets, to reflect on how research and practice intertwine in contemporary art and visual culture. Our public programmes and to understand how sensing, feeling, knowing might support different world-making narratives. So, this evening is the last session of our year-long poetry series, which looks at how creative critical practices of attention, invention, and experimentation might help us develop new sensibilities. The programme welcomes some unexpected pairings, drifts, but most importantly, it welcomes multiple voices to reflect on how poetics is not the recognised or given modalities of form, but it’s a practice that welcomes creative critical practice, hybrid methodologies and experimental thinking. So, Five Bodies was imagined in conjunction with my colleague Sarah Jackson at Nottingham Contemporary, pardon, at Nottingham Trent University, who has led the Critical Research, the Critical Poetics Research Group since 2015, and with her, I also want to thank my colleagues Jack Thacker and Olivia Ahearne for their support in putting together this year-long poetry series. I’d like to take this opportunity to show our gratitude to tonight’s poets Mirene Arsanios, Lila Matsumoto, and Maureen N. -
Preservation Hall Jazz Band a Tuba to Cuba Cd / Lp Sp1310 Release Date: November 29Th, 2019
PRESERVATION HALL JAZZ BAND A TUBA TO CUBA CD / LP SP1310 RELEASE DATE: NOVEMBER 29TH, 2019 About Preservation Hall Jazz Band: At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow. The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny TRACKLISTING: 1. Yesteryear Clinch. The film follows Ben Jaffe of New Orleans’ 2. Tumba famed Preservation Hall Jazz Band as he seeks to fulfill 3. I Am his late father's dream of retracing their musical roots to 4. Descarga del Son the shores of Cuba in search of the indigenous music 5. Keep Your Head Up 6. Corazon that gave birth to New Orleans jazz. A Tuba to Cuba 7.