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A Wish Gregory and the Hawk
A Wish Gregory And The Hawk Self-elected Nicolas send-off that religiousness refiles inappreciably and cheapen chivalrously. Synchronic Maddie lammed unselfconsciously. Ruinable and grubbiest Ishmael sleaved almost quantitatively, though Chane pounces his garbos outwell. Do Perceive, appeared that November. Every time you speak. Każdy może znaleźć u nas teksty piosenek, teledyski oraz tłumaczenia swoich ulubionych utworów. In some cases, companies may disclose that they use your data without asking for your consent, based on their legitimate interests. Just to keep presenting a new idea. Niestety nikt nie dodał jeszcze tłumaczenia tego utworu. Would you like to resubscribe? Gregory and the Hawk. Ariana to start sharing again at a link from around the bands run their respective owners to gregory and a wish. ALL IN ONE PLACE. Rangy init listener threw an exception. There are no active weather alerts. My band played an early set in the back room, a long and narrow venue where the bands run their own sound with cables found in a piano bench on stage. We use cookies to give you the best experience on our site and show you relevant ads. Unable to edit playlist name. Police Chief Pat Budke told TV station KSTP that the shooting happened inside the Allina Clinic Crossroads campus. You might want to transpose the song if it is too high or too low for you to sing. Hear new music first, plus the best artists and DJs live or on demand. Traveling was a major influence on the album, as was personal change and growth. -
Beat Circus Dreamland
What the press has said about: BEAT CIRCUS DREAMLAND (CUNEIFORM, 2008) Lineup: Brian Carpenter (vocals, pump organ, harmonica, trumpet, slide trumpet, toy piano, composition), Ron Caswell (tuba), Käthe Hostetter (violin, viola), Julia Kent (cello), Alec K. Redfearn (accordion, jawharp), Curtis Hasselbring (trombone), Brandon Seabrook (tenor banjo, mandolin, slide guitar), Briggan Krauss (alto, baritone saxophones), Matt McLaren (drums, percussion, washboard) “…the music and the wonderfully well-realized arrangements are, if anything, even better than on the band's debut. This time, Carpenter is working with an expanded version of the band from the first album, including accordionist Alec K. Redfearn and drummer Matt McLaren …and New York alt-folk mainstay Brian Dewan, who provides his trademark electric zither as well as the album's lovely/creepy cover art, and the stylistically varied results make for a wonderfully imaginative record. Instrumental tracks like the opener "Gyp the Blood," and the mad Balkan dance tune "Slavochka" work the same stylistic street as folks like Beirut and A Hawk and a Hacksaw, while the more experimental pop-oriented songs recall the warped imagination of Elephant 6 associated eccentrics the Music Tapes. Fans of any of those acts will find much to love here.” - Stewart Mason, All Music Guide, www.allmusic.com “Dreamland…is proof positive that the concept album did not die with vinyl records and is still very much alive. In fact it is one of the most ambitious and peculiar musical endeavors I’ve ever experienced. … … Dreamland is a swirling maelstrom of theatrical post-cabaret and vaudevillian post-rock jazz. The...collective…create eccentric soundtracks for the equally eccentric stories and bizarre characters that inhabit Dreamland with an exotic array of instruments… …the music…is always a suitable score for Carpenter’s tale of an impoverished, alcoholic gold miner who makes a pact with the devil before fleeing eastward to work in Dreamland’s sideshows. -
C'mon Miracle
MIRAH C’MON MIRACLE CAT#: KLP160 FORMAT: CD/LP RELEASE DATE: MAY 4, 2004 UPC: 789856116027 CD; 789856116010 LP LABEL: K RECORDS Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com Nobody Has to Stay • Jerusalem • The Light • Don’t Die in Me • Look Up! • We’re Both So Sorry • The Dogs of B.A. ∑ The Struggle • You’ve Gone Away Enough • Promise to Me • Exactly Where We’re From Something gentle this way comes in the form of Mirah and her third full-length album, C’mon Miracle (KLP160). Many hands lent themselves, strumming autoharps and bowing strings, accompanying the lilting, soaring voice that can not be mistaken. Mirah’s whole new batch of songs stands solid and un-afraid; pianos and drums, truth and protest. If her first album, you think it’s like this but really it’s like this (KLP112) snuck up and surprised you, then her second album Advisory Committee (KLP135) stunned you with cannon fire. Now sit back and relax as C’mon Miracle washes over you and etches its subtle ways into your psyche. Mirah recorded most of C’mon Miracle at Dub Narcotic studio with Phil Elverum and Calvin Johnson. Lori Goldston (of The Black Cat Orchestra), Emily Kingan (of The Haggard and Sextional), Khaela Maricich (The Blow), Aaron Hartman (OTR), Jason Anderson (Wolf Colonel) and Nora Davidson and Themba Lewis (of Liarbird) are among the other players and helpmates who knew just how to coax the right sounds out of Olympia’s late summer and make this album such a whirl of audio pleasure. -
ZF Microcommand User Manual
INSTALLATION, OPERATION AND TROUBLESHOOTING MM9110 - MICROCOMMANDER USER MANUAL MARINE PROPULSION SYSTEMS COPYRIGHT Released by After Sales dept. Data subject to change without notice. We decline all responsibility for the use of non-original components or accessories wich have not been tested and submitted for approval. =)UHVHUYHVDOOULJKWVUHJDUGLQJWKHVKRZQWHFKQLFDOLQIRUPDWLRQLQFOXGLQJWKHULJKWWRÀOHLQGXVWULDOSURSHUW\ULJKWDSSOLFD - tions and the industrial property rights resulting from these in Germany and abroad. © ZF Friedrichshafen AG, 2014. 2 EN 3340.758.008a - 2014-10 TABLE OF CONTENT Table of Contents SW15623.0P MicroCommander User Manual..................................................... 1 Table of Contents .................................................................................3 Preface ...............................................................................................15 Revision List .......................................................................................19 1 Introduction........................................................................................21 1.1 Basic Theory of Operation............................................................................................................... 21 1.2 System Features.............................................................................................................................. 21 2 Operation ...........................................................................................23 2.1 DC Power On.................................................................................................................................. -
The Microphones Live in Japan, February 19Th, 21St, and 22Nd, 2003
THE MICROPHONES LIVE IN JAPAN, FEBRUARY 19TH, 21ST, AND 22ND, 2003 CAT#: KLP158 FORMAT: CD/LP RELEASE DATE: 2.3.04 LABEL: K RECORDS UPC: 789856115822 CD; 789856115815 LP Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com Great Ghosts • the Blow pt.2 • Universe Conclusion • We Squirm • My Favorite Things • Silent Night • After N. Young • Climb Over • “I love you so much!” • I have been told that my skin is exceptionally smooth. • Thanksgiving The new Microphones album Live in Japan February 19th, 21st and 22nd, 2003 features previously unreleased material from singer/songwriter Phil Elverum. These 11 songs are only a sampling of all new songs performed by Elverum in a two-week tour of Japan in early 2003. After spending five months in isolation in Norway, Elverum emerged with a cache of heart-felt and reflective songs reminiscent of The Glow Part II. A drastic change from 2002’s epic tale of Mount Eerie, we find Elverum playing acoustic pop songs with the bare minimum backing of instrumentation. Kyle Field (Little Wings) and Calvin Johnson (Dub Narcotic Sound System) join Elverum on “Universe Conclusion” and “I Love You So Much.” “Climb Over” features The Mools as the backing band. Critical acclaim: “Not since Guided by Voices’ Alien Lanes have so many unique pieces of melody and music merged to form something this unexpectedly chilling and yet ultimately comforting.” Amplifier Magazine ALSO AVAILABLE by THE MICROPHONES: Don’t Wake Me Up CD/LP (K Records) KLP099 It Was Hot, We Stayed In The Water CD (K Records) KLP116 The Glow Pt. -
THE TUFTS DAILY Est
Where You Partly Cloudy Read It First 34/25 THE TUFTS DAILY Est. 1980 VOLUME LXV, NUMBER 20 THURsday, FEBRUARY 21, 2013 TUFTSDAILY.COM Sustainability House to debut next fall BY PATRICK MCGRATH Daily Editorial Board Environmentally conscious students still looking for housing for next year can now apply to live in a newly-founded special Sustainability House. The newest of Tufts’ 15 Special Interest Houses will be located in a 10-person suite in Latin Way starting next year. “The goal is to bring students togeth- er with similar interests around envi- ronmental and sustainability issues,” Director of the Office of Residential Life and Learning Yolanda King said in an email to the Daily. “The members of the house will be promoting knowledge and NICK PFOSI / THE TUFTS DAILY awareness around sustainable living, In the wake of multiple alcohol-related violations at this year’s Winter Bash event, Boston Police have issueda license premise violation which will have significant influence and against the event’s venue, the Westin Copley Place Boston Hotel. impact on other students residing in the residence halls and houses.” Seniors Rose Eilenberg and Danielle Boston Police cite Winter Bash hotel for Jenkins, members of the Sustainable Action Squad, last fall developed the idea for the creation of the house and sub- license premise violation mitted a proposal, including letters of support from faculty and the Office of BY STE P HANIE HAVEN tions, which could span from a warning to only arranged for one Boston Emergency Sustainability, according to Jenkins. Daily Editorial Board suspension of the Westin’s license. -
Sex Education: out with the Old, in with the New
Herriman High’s Blake Freeland Surviving 4th What I Wish I Knew Breakfast Club - P. 4 Spotlight- P. 6 Quarter - P. 8 About Dating - P. 10 Sex Education: Out with the Old, In with the New Talking about the Elephant in the Room STORY BY CORA ROMERO Let’s talk about sex. 44% of young adults will have sex by age sex, like teaching about it in school and 17, according to the Guttmacher Institute. allowing safe places to talk about sex, is Yes, sex. The big elephant in the room that’s This means that nearly half of our youth crucial to a teenager’s wellbeing.” slowly becoming more and more noticeable population is receiving sexual education As increased attention is being brought each day in the United States. Sex. More that is now no longer applicable to them. to this issue, re-defining the curriculum specifically, sex education. It’s a topic Surely we can’t expect young adults to for sex ed is making an appearance many shy away from, something we avoid practice safe sex if they lack the knowledge on the ballot for Utah legislators. The discussing in hopes that everyone will just to make informed decisions about it. push for a more comprehensive sexual figure it out eventually, right? Wrong. education is on the rise. But what exactly is comprehensive sex education? According to the American Medical According to the Sexuality Information Association (AMA) Journal of Ethics, each and Education Council of the United and every day in the United States 10,000 States, comprehensive sex ed, “includes teens contract an STD, 2,400 get pregnant, age-appropriate, medically accurate and 55 contract human immunodeficiency information on a broad set of topics virus (HIV). -
Jason Anderson New England
JASON ANDERSON NEW ENGLAND CAT#: KLP148 FORMAT: CD RELEASE DATE: 3.16.04 LABEL: K RECORDS UPC: 789856114825 Box 7154 Olympia, WA 98507 (360) 786-1594 fax (360) 786-5024 www.krecs.com For Kyle • Pen Pals • You Fall • A Book Laid on Its Binding • The Moment • I Swear I Am • Hold On • Thanksgiving • I Want My Summer Back • So Long • Christmas Jason Anderson returns with a studio collaboration with Phil Elvrum of the Microphones/Mount Eerie. New England glows with honest songs and the joy of working with friends. K compatriots Calvin Johnson, Khaela Maricich of the Blow, Adam Forkner of Yume Bitsu/[[VVRRSNN]], Mirah and Elvrum all contribute to the music and the loose, inspired arrangements. After completely finishing an album in 2002 Anderson decided to return to the studio in the summer of 2003 and re-record the best songs from his last year of performing. The result is Jason at his finest: songs with an evolved writing style and obvious maturity. The off-the-cuff, "first take" sessions were so transcendent that Phil even donated a new Mount Eerie song, "Thanksgiving", to the project, as it was recorded with the same pick-up band and was in line with the album's vision and emotional timbre. "You Fall” is an inspired duet between Anderson and Elvrum, their voices intertwining through the melancholy anthem's sublime production. The song flows seamlessly into "A Book Laid On Its Binding"--a song written by Jason's good friend and tour mate Joe Knapp, of Omaha's Son, Ambulance. It consists of nothing more than piano, Jason, and the golden, heartbreaking voice of Mirah. -
2020 March Showchime.Pdf
From Karl Blau, Interview with Cover Show Chime & AMP Progenitor Artist Melanie Dugan Anacortes artist, Melanie Dugan, has enjoyed MARCH! art ever since she could hold a pencil. She Those who know me know how I feel about this month being received her frst pet portrait commission the obvious frst month of the year. I mean it’s called “March” for at the age of 14 when her junior high home cryin’ out loud. Plus then SEPTember, OCTober, NOVember and room teacher noticed her talent in art and DECember take back their rightful 7th, 8th, 9th and 10th places hired her to do a painting of her two cats. on the calendar respectively. And so many other reasons. Even with the broad experience in different media, she prefers to work in pencil, choosing It was in March 2013 that the frst Show Chime came out colored pencil even for her works in black featuring artist Hannah Stephens—so this means Happy and white. She is largely self-taught as Birthday to Show Chime! And I want to send a HUGE thanks and she has had only one drawing class since congratulations to Laurie Racicot, Editor and Designer of Show junior high. Melanie runs Art Studio 2120 in Chime, for keeping it rolling these past many months. If you’ve Anacortes along with her husband, Greg been following Show Chime over the years you know how it Dugan. Her work can be seen online at their limped along for many of those. Now it’s just rolling tough with a website www.artstudio2120.com or you can head of steam thanks to Laurie and AMP’s hard work. -
20TH ANNIVERSARY SEASON of SUNSET CONCERTS Thursday Evenings, July 21–August 25, at 8:00 P.M
FOR IMMEDIATE RELEASE: May 5, 2016 Media Contacts: Laura B. Cohen, LC Media, (310) 867-3897, [email protected] David Monnich, LC Media, (210) 422-1764, [email protected] Mia Cariño, Skirball Cultural Center, (310) 440-4544, [email protected] Skirball Cultural Center celebrates 20TH ANNIVERSARY SEASON OF SUNSET CONCERTS Thursday evenings, July 21–August 25, at 8:00 p.m. 2016 season showcases leadings acts on both the global and national music scene— from Bay Area alt folk-rock artists to West African desert bluesmen to Colombian funk fusion players, from one of LA’s best in Brazilian samba and jazz to Southern boogie all-stars to the next generation of Middle Eastern rock musicians LOS ANGELES, CA—The Skirball Cultural Center proudly celebrates the twentieth anniversary season of its annual free music series, Sunset Concerts. Presented every summer since 1997 in the Skirball’s one-of-a-kind hillside setting, Sunset Concerts have showcased both emerging and established talents, drawing music fans from across greater Los Angeles. The new season will once again feature an eclectic lineup of artists who tap into traditional roots music for inspiration while forming their own unique, contemporary sounds. The 2016 schedule is as follows: Thao and the Get Down Stay Down (July 21); Songhoy Blues (July 28); Thalma de Freitas (August 4); M.A.K.U. Soundsystem (August 11); Music Maker Blues Revue (August 18) in their LA debut; and Shai Tsabari and the Middle East Groove All Stars (August 25). “We are grateful for the opportunity to present boundless music from around the globe with our Sunset Concerts, and we couldn’t be more excited for our milestone twentieth season,” remarked Andrew Horwitz, Vice President and Director of Programs at the Skirball. -
The Curation of Worldviews
Bard College Bard Digital Commons Senior Projects Fall 2016 Bard Undergraduate Senior Projects Fall 2016 The Curation of Worldviews Jason Toney Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2016 Part of the Comparative Philosophy Commons, Ethics and Political Philosophy Commons, Other Philosophy Commons, and the Philosophy of Language Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Toney, Jason, "The Curation of Worldviews" (2016). Senior Projects Fall 2016. 38. https://digitalcommons.bard.edu/senproj_f2016/38 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. The Curation of Worldviews Senior Project submitted to The Division of Social Studies of Bard College by Jason Toney Annandale-on-Hudson, New York December 2016 Acknowledgements All thanks go to my folks back home, the many professors who helped turn nonsense nearer to meaning, but most notably Garry Hagberg, Roger Berkowitz, Kritika Yegnashankaran, and Norton Batkin, and most of all my editor, partner, co-conspirator, and source of any grace I have come to possess, Ali Overing. -
Lori Goldston Lorigoldston.Com | +1 206.715.4540| [email protected]
Lori Goldston lorigoldston.com | +1 206.715.4540| [email protected] Selected Commissioned Works Death and the Mourning After for Timothy White Eagle Improvised solo acoustic cello score for an livestreamed theater performance, part of La MaMa’s Reflections of Native Voices Festival. 2021 Manzanar, Diverted Composed a score for a feature-length documentary by Ann Kaneko, in collaboration with Steve Fisk, Alexander Mirana, Susie Kozawa and Matt Chamberlain. 2021 What You Can Hear From Here for Art Saves Me Commissioned by One Reel to create new work for an online exhibition. In collaboration with videographer Isaac Hanson. Seattle. 2020 Rivulet, for Nonsequitur Composed and performed an evening-length piece for a small ensemble; with Greg Kelley, Kole Galbraith, Dave Abramson and Haley Freedlund. Chapel Performance Space, Seattle. 2019 Yellowstone, for Jon Jost Recorded an improvised solo amplified cello score for a work-in-progress video installation. Featured as part of Nonsequitur’s “Wayward In Limbo”. Seattle. 2019 Ama (The Woman Diver), for Nalanda West Performed an improvised solo acoustic cello score for Jim Fletcher and Katiana Rangel’s production of a 14th Century Japanese play. Seattle. 2018 Études N°11, for Paris Fashion Week Composed and performed a solo acoustic cello score accompanying the runway show for fashion house Études. Paris, France. 2017 That Sunrise, for the BBC Scottish Symphony Composed and performed a new work for amplified cello and orchestra as part of Glasgow Tectonics Festival. Glasgow. 2017 The Seawall , for the City of Seattle With drummer Dan Sasaki, composed and recorded a response to Seattle’s seawall reconstruction project.