DOCSLIB.ORG

HOME & Interiors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
HOME & Interiors BONHAMS 22 QUEEN STREET EDINBURGH, EH2 1JX HOME & interiors EDINBURGH Wednesday 14 June 2017 HOME & interiors Ӏ Edinburgh Ӏ 14 June 2017 THIS SALE FEATURES Silver, Furniture, Works of Art, Ceramics and Glass, Clocks, Paintings, Rugs and Carpets AT HOME WITH 24086 Hugh Buchanan, the celebrated artist INTERNATIONAL AUCTIONEERS AND VALUERS – BONHAMS.COM HOME & interiors EDINBURGH SALE WEDNESDAY 14 JUNE 2017, 10.00 VIEWINGS SUNDAY 11 JUNE 2017, 13.00 - 16.00 MONDAY 12 JUNE 2017, 10.00 - 16.00 TUESDAY 13 JUNE 2017, 10.00 - 16.00 WEDNESDAY 14 JUNE 2017, 9.00 - 10.00 VENUE 22 QUEEN STREET EDINBURGH EH2 1JX MEET THE TEAM Kenneth Naples Georgia Williams Head of Home & Interiors, Furniture & Works of Art Edinburgh [email protected] [email protected] 0131 240 2296 0131 240 0912 Fiona Hamilton Iain Byatt-Smith Silver Pictures [email protected] [email protected] 0131 240 2631 0131 240 0913 Katherine Wright Bruce Addison Ceramics & Glass Head of Furniture [email protected] [email protected] 0131 240 0911 0131 240 0910 SALE INFORMATION FURNITURE, SCULPTURE & WORKS OF PLEASE NOTE THAT BIDS SHOULD BE PAYMENTS ART, CARPETS, TAPESTRIES & RUGS SUBMITTED NO LATER THAN 4PM ON THE BUYERS KENNETH NAPLES DAY PRIOR TO THE SALE. NEW BIDDERS +44 (0) 20 7447 7447 +44 131 240 0912 MUST ALSO PROVIDE PROOF OF IDENTITY +44 (0) 20 7447 7401 FAX [email protected] WHEN SUBMITTING BIDS. FAILURE TO DO THIS MAY RESULT IN YOUR BID NOT BEING SELLERS GEORGIA WILLIAMS PROCESSED. PAYMENT OF SALE PROCEEDS +44 131 240 2296 +44 (0) 20 7447 7447 [email protected] LIVE ONLINE BIDDING IS AVAILABLE +44 (0) 20 7447 7401 FAX PLEASE EMAIL [email protected] WITH SILVER ‘lIVE BIDDING’ IN THE SUBJECT LINE 48 VALUATIONS, TAXATION AND HERITAGE FIONA HAMILTON HOURS BEFORE THE AUCTION TO REGISTER +44 (0) 20 7468 8340 +44 131 240 2631 FOR THIS SERVICE. +44 (0) 20 7468 5860 FAX [email protected] [email protected] PHYSICAL CONDITION OF LOTS PICTURES PLEASE NOTE THAT ANY REFERENCE IN THIS CATALOGUE SUBSCRIPTIONS IAIN BYATT-SMITH CATALOGUE TO THE PHYSICAL CONDITION TO OBTAIN ANY BONHAMS CATALOGUE OR +44 131 240 0913 OF ANY LOT IS FOR GENERAL GUIDANCE TO TAKE OUT AN ANNUAL SUBSCRIPTION: [email protected] ONLY. INTENDING BIDDERS MUST SATISFY SUBSCRIPTIONS DEPARTMENT THEMSELVES AS TO THE CONDITION OF ANY +44 (0) 1666 502200 CERAMICS & GLASS LOT AS SPECIFIED IN CLAUSE 14 OF THE +44 (0) 1666 505107 FAX KATHERINE WRIGHT NOTICE TO BIDDERS CONTAINED AT THE END [email protected] +44 131 240 0911 OF THIS CATALOGUE. [email protected] AS A COURTESY TO INTENDING BIDDERS, FINE FURNITURE BONHAMS WILL PROVIDE A WRITTEN BRUCE ADDISON INDICATION OF THE PHYSICAL CONDITION +44 131 240 0910 OF LOTS IN THIS SALE IF A REQUEST IS [email protected] RECEIVED UP TO 24 HOURS BEFORE THE AUCTION STARTS. THIS WRITTEN INDICATION CUSTOMER SERVICES IS ISSUED SUBJECT TO CLAUSE 3 OF THE MONDAY TO FRIDAY 8.30 TO 18.00 NOTICE TO BIDDERS. +44 (0) 20 7447 7447 IMPORTANT INFORMATION PLEASE SEE NEXT PAGE FOR BIDDER THE UNITED STATES GOVERNMENT HAS INFORMATION INCLUDING AFTER-SALE BANNED THE IMPORT OF IVORY INTO COLLECTION AND SHIPMENT THE USA. LOTS CONTAINING IVORY ARE INDICATED BY THE SYMBOL Ф PRINTED SALE NUMBER BESIDE THE LOT NUMBER IN THIS 24086 CATALOGUE. BIDS +44 (0) 20 7447 7447 +44 (0) 20 7447 7401 FAX TO BID VIA THE INTERNET PLEASE VISIT BONHAMS.COM BUYERS COLLECTION & LOTS MAY ONLY BE RELEASED FROM CITES REGULATIONS STORAGE AFTER SALE BONHAMS, EDINBURGH WAREHOUSE PLEASE BE AWARE THAT ALL LOTS MARKED ALL SOLD LOTS WILL REMAIN IN THE ON PRODUCTION OF THE “COLLECTION WITH THE SYMBOL Y ARE SUBJECT TO CITES COLLECTIONS DEPARTMENT AT BONHAMS, ORDER” OBTAINED FROM THE CASHIER’S REGULATIONS WHEN EXPORTING THESE EDINBURGH FOR A PERIOD OF NOT LESS OFFICE AT BONHAMS AND A FORM OF ITEMS OUTSIDE THE EU. THE REGULATIONS THAN 14 CALENDAR DAYS FROM THE SALE PHOTOGRAPHIC I.D. IF A THIRD PARTY IS MAY BE FOUND AT WWW.UKCITES.GOV.UK DATE. COLLECTING ON A CLIENT’S BEHALF THEY OR MAY BE REQUESTED FROM: MUST ALSO PRODUCE A CLIENT’S LETTER SOLD LOTS NOT COLLECTED BY OF AUTHORIZATION. UK CITES MANAGEMENT AUTHORITY WEDNESDAY 28 JUNE 2017 WILL BE ZONE 117 REMOVED TO THE BONHAMS EDINBURGH STORAGE TEMPLE QUAY HOUSE WAREHOUSE FACILITY IN BO’NESS. LOTS STORAGE WILL BE FREE OF CHARGE FOR 2 THE SQUARE REMOVED TO BONHAMS, EDINBURGH THE FIRST 14 CALENDAR DAYS FROM & TEMPLE QUAY WAREHOUSE WILL BE AVAILABLE TO INCLUDING THE SALE DATE WEDNESDAY 14 BRISTOL BS1 6EB COLLECT FROM 10AM MONDAY 3 JULY JUNE 2017.CHARGES WILL COMMENCE ON 2017 AND THEN EVERY WORKING DAY WEDNESDAY 28 JUNE 2017. SYMBOLS BETWEEN 10.00AM AND 4.30PM (PLEASE THE FOLLOWING SYMBOL IS USED TO NOTE – BUYERS NEED TO BE ONSITE AT AFTER THE FREE STORAGE PERIOD AS DENOTE THAT VAT IS DUE ON THE HAMMER THE WAREHOUSE BY 4.00PM). A BOOKING ABOVE THE FOLLOWING CHARGES WILL PRICE AND BUYER’S PREMIUM EMAIL OR PHONE CALL WILL BE APPLY: £10.00 + VAT PER WEEK FOR REQUIRED 24 HOURS IN ADVANCE SMALL ITEMS, AND £15.00 + VAT FOR † VAT 20% ON HAMMER PRICE TO ENSURE LOTS ARE READY AT TIME OF LARGE ITEMS. AND BUYER’S PREMIUM COLLECTION. PLEASE NOTE THAT ALL COLLECTIONS FROM BO’NESS NEED TO BE * VAT ON IMPORTED ITEMS AT A MET BY A MEMBER OF BONHAMS STAFF PREFERENTIAL RATE OF 5% ON HAMMER PLEASE SEE BELOW FOR CONTACT DETAILS. PRICE AND THE PREVAILING RATE ON BUYER’S PREMIUM CONTACT DETAILS FOR COLLECTION FROM BONHAMS WAREHOUSE FACILITY VAT REFUNDS ON EXPORTS FROM THE EU IN BO’NESS: TO SUBMIT A CLAIM FOR REFUND OF VAT PLEASE CONTACT: GEORGIA WILLIAMS HMRC REQUIRE LOTS TO BE EXPORTED DIRECT LINE: +44 131 240 2296 FROM THE EU WITHIN STRICT DEADLINES. EMAIL: [email protected] FOR LOTS ON WHICH IMPORT VAT HAS BEEN CHARGED; MARKED IN THE CATALOGUE WITH A * OR Ω, LOTS MUST BE EXPORTED WITHIN 30 DAYS OF BONHAMS’ RECEIPT OF PAYMENT AND WITHIN 3 MONTHS OF THE SALE DATE. FOR ALL OTHER LOTS EXPORT MUST TAKE PLACE WITHIN 3 MONTHS OF THE SALE DATE. FOR FURTHER VAT INFORMATION PLEASE CONTACT: [email protected] Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Paul Davidson, Jean Ghika, Veronique Scorer, James Stratton, Ralph Taylor, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Charles Graham-Campbell, Matthew Haley, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, Richard Harvey, Robin Hereford, David Johnson, Michael Wynell-Mayow, Suzannah Yip. Caroline Oliphant, Shahin Virani, Charles Lanning, Miranda Leslie, Edward Wilkinson, Leslie Wright. at home with HUGH BUCHANAN The artist talks to Lucinda Bredin on where to find value at auction – and on how history keeps repeating itself Photography by Gilberto Martinez he artist, Hugh Buchanan, has a theory about taste. It is see a pattern. Every 40 years, there is a revival of Classicism. one that offers succour to those who are longing to see Take Lutyens in the early 1900s. His classically inspired buildings the end of the current mode for white cube interiors with were a reaction against Gothic. Jump forward 40 years to Cecil PerspexT chairs, and sleek modernist lines. Moreover, he predicts, Beaton, Evelyn Waugh and Rex Whistler as another reinvention the return of brown furniture, no less. You see, it is all to do with of Classicism. Jump forward another 40 years you have an cycles. interesting collection of films – Brideshead Revisited on TV, We are sitting in the drawing room at Woodhall, a turreted Werner Herzog looking back to the antique with Aguirre the house dating from 1560 – complete with crenelations – where Wrath of God and Peter Greenaway’s Draughtsman’s Contract. Hugh lives with his family. Shortly after he married art historian You also had a huge interest in Interiors – The World of Interiors and teacher, Ann de Rohan, in 1983, the pair took over the began around this time as well. In between these classical family home and began to slowly but gradually began to turn periods there are eccentric bursts of taste such as Art Deco in it into a temple to Classicism. Among the many highlights, the 1920s and the acid-fuelled take on art nouveau that inspired there is a collection of antique fragments displayed on the wall, the 1970s.” (bought from the closing-down sale of Whytock and Reid, Robert So what phase are we living in now? “Well, it’s a strange Lorimer’s Edinburgh-based cabinet makers) surrounding Hugh’s era of eclecticism we live in now, with its mismatched crockery, portrait of Vespasian. There is a large neo-Classical painting of glass boxes and retro 1950s furniture. Some people say that it a Bacchanal in the drawing room and a further series of Hugh’s is here to stay; that we are now condemned to the equivalent paintings of the Roman emperors that he particularly admires. of an everlasting aesthetic jumble sale. Engaging as he is, I The drawing room is completed by some handsome Biedermeier blame Kevin McCloud and Grand Designs.
Load more

Recommended publications
  • Former Fellows Biographical Index Part
    Former Fellows of The Royal Society of Edinburgh 1783 – 2002 Biographical Index Part Two ISBN 0 902198 84 X Published July 2006 © The Royal Society of Edinburgh 22-26 George Street, Edinburgh, EH2 2PQ BIOGRAPHICAL INDEX OF FORMER FELLOWS OF THE ROYAL SOCIETY OF EDINBURGH 1783 – 2002 PART II K-Z C D Waterston and A Macmillan Shearer This is a print-out of the biographical index of over 4000 former Fellows of the Royal Society of Edinburgh as held on the Society’s computer system in October 2005. It lists former Fellows from the foundation of the Society in 1783 to October 2002. Most are deceased Fellows up to and including the list given in the RSE Directory 2003 (Session 2002-3) but some former Fellows who left the Society by resignation or were removed from the roll are still living. HISTORY OF THE PROJECT Information on the Fellowship has been kept by the Society in many ways – unpublished sources include Council and Committee Minutes, Card Indices, and correspondence; published sources such as Transactions, Proceedings, Year Books, Billets, Candidates Lists, etc. All have been examined by the compilers, who have found the Minutes, particularly Committee Minutes, to be of variable quality, and it is to be regretted that the Society’s holdings of published billets and candidates lists are incomplete. The late Professor Neil Campbell prepared from these sources a loose-leaf list of some 1500 Ordinary Fellows elected during the Society’s first hundred years. He listed name and forenames, title where applicable and national honours, profession or discipline, position held, some information on membership of the other societies, dates of birth, election to the Society and death or resignation from the Society and reference to a printed biography.
    [Show full text]
  • Of Old Epsomian Biographies Between 1915 and 1939 Doctors: Gps, Consultants and the Most Eminent Researched by MAS Each Old Epsomian Is Listed in Alphabetical Order
    Index of Old Epsomian Biographies between 1915 and 1939 Doctors: GPs, Consultants and the Most Eminent Researched by MAS Each Old Epsomian is listed in alphabetical order. Those with longer biographies are linked to additional pages (click on underlined entries to follow the link). To find an entry, Ctrl+F. Acton, Hugh (born 1911). Epsom College: 1922-1929 HUGH ACTON (born 1911). M.B.E., M.R.C.S., L.R.C.P. (Eng.) [Epsom College 1922-1929] was the son of Lieutenant-Colonel H. W. Acton, I.M.S., brother of Major Gerald Acton, I.A. [Epsom College 1924-1932], and father of David John Acton [Epsom College 1954-1957]. He received his medical education at the Middlesex Hospital, and went into general practice at Upminster, Essex. During the Second World War he served as a Captain in the R.A.M.C. (1939-1945), in India and Burma. In 1945 he was awarded the M.B.E. for outstanding work in Meiktila, Burma. Apart from medicine, Hugh Acton was an important portrait photographer, much in demand with leading stage personalities. Some of his superb portraits have been acquired by well-known national collections. Adamson, Donald Clifford (born 1922). Epsom College: 1936-1941 DONALD CLIFFORD ADAMSON (born 1922). M.R.C.S., L.R.C.P. (Eng.), D.A. (Eng.), F.F.A.R.C.S. [Epsom College 1936-1940] was the son of Dr W. W. Adamson, of Leeds, and brother of Dr Patrick Adamson, M.D. [Epsom College 1932-1937]. He received his medical education at St Thomas’s Hospital, and was appointed Consultant Anaesthetist at the Luton and Dunstable Hospital.
    [Show full text]
  • THE SCOTTISH SALE Tuesday 12 and Wednesday 13 April 2016 Edinburgh
    THE SCOTTISH SALE Tuesday 12 and Wednesday 13 April 2016 Edinburgh THE SCOTTISH SALE PICTURES Tuesday 12 April 2016 at 2pm ANTIQUES AND INTERIORS Wednesday 13 April 2016 at 11am 22 Queen Street, Edinburgh BONHAMS Enquiries Gordon Mcfarlan Sale Number 22 Queen Street Pictures +44 (0) 141 223 8866 23492 Edinburgh EH2 1JX Chris Brickley [email protected] +44 (0) 131 225 2266 +44 (0) 131 240 2297 Catalogue +44 (0) 131 220 2547 fax [email protected] Fiona Hamilton £10 www.bonhams.com/edinburgh +44 (0) 131 240 2631 customer services Colleen Bowen [email protected] Monday to Friday 8.30 to 18.00 VIEWING +44 (0) 131 240 2292 +44 (0) 20 7447 7447 Friday 8 April 10am-4pm [email protected] Arms & Armour Saturday 9 April 1pm-4pm Kenneth Naples Please see back of catalogue Sunday 10 April 1pm-4pm Iain Byatt-Smith +44 (0) 131 240 0912 for important notice to Monday 11 April 10am-4pm +44 (0) 131 240 0913 [email protected] bidders Tuesday 12 April 10am-4pm [email protected] Wednesday 13 April 9am-11am Ceramics & Glass Illustrations Areti Chavale Katherine Wright Bids Front cover: Lot 62 (detail) +44 (0) 131 240 2632 +44 (0) 131 240 0911 +44 (0) 20 7447 7447 Back cover: Lot 66 (detail) [email protected] [email protected] +44 (0) 20 7447 7401 fax Inside front cover: Lot 183 To bid via the internet please Inside back left: Lot 306 London Books, Maps & Manuscripts visit bonhams.com Facing page: Lot 20 Chris Dawson Henry Baggott +44 (0) 131 240 0916 +44 (0) 20 7468 8296 IMPORTANT INFORMATION Telephone Bidding [email protected] Bidding by telephone will only be [email protected] The United States Government has banned the accepted on lots with a low Works of Art, Textiles, Clocks Jewellery import of ivory into the USA.
    [Show full text]
  • Applications and Decisions 2012: Office of the Traffic Commissioner
    OFFICE OF THE TRAFFIC COMMISSIONER (SCOTLAND) APPLICATIONS AND DECISIONS PUBLICATION NUMBER: 2012 PUBLICATION DATE: 31/07/2017 OBJECTION DEADLINE DATE: 21/08/2017 Correspondence should be addressed to: Office of the Traffic Commissioner (Scotland) Hillcrest House 386 Harehills Lane Leeds LS9 6NF Telephone: 0300 123 9000 Fax: 0113 248 8521 Website: www.gov.uk/traffic-commissioners The public counter at the above office is open from 9.30am to 4pm Monday to Friday The next edition of Applications and Decisions will be published on: 07/08/2017 Publication Price 60 pence (post free) This publication can be viewed by visiting our website at the above address. It is also available, free of charge, via e-mail. To use this service please send an e-mail with your details to: [email protected] APPLICATIONS AND DECISIONS Important Information All correspondence relating to public inquiries should be sent to: Office of the Traffic Commissioner (Scotland) Level 6 The Stamp Office 10 Waterloo Place Edinburgh EH1 3EG The public counter in Edinburgh is open for the receipt of documents between 9.30am and 4pm Monday to Friday. Please note that no payments relating to goods vehicles can be made at this counter. General Notes Layout and presentation – Entries in each section (other than in section 5) are listed in alphabetical order. Each entry is prefaced by a reference number, which should be quoted in all correspondence or enquiries. Further notes precede each section, where appropriate. Accuracy of publication – Details published of applications reflect information provided by applicants. The Traffic Commissioner cannot be held responsible for applications that contain incorrect information.
    [Show full text]
  • A Century of British Painting a Century of British Painting
    A Century of British Painting A Century of British Painting Foreword There’s a passage in Tess of the D’Urbervilles, This year’s exhibition is no exception; where Hardy describes the complete sensory in between Greaves and Spear are works by experience of walking across a field, the thrum Farquharson, Tuke, La Thangue, Hemy, and of insects, motes and sunbeams, the ammoniac Heath, artists whose quiet social realism tang of cows, snail shells crunching underfoot. developed out of the sincere connection It’s a very sensual account, and given that it they held to their part of Britain. Masters at comes from what is still held to be one of the manipulating tone and perspective, these most sentimental novels of the Victorian era, artists never tried to modify the realties of their surprisingly unromantic. Farquharson’s Grey world, only the ‘light’ in which they are seen. Morning immediately struck me as a perfect Following on, are pictures by Bond, Knight, cover illustration for one of Hardy’s novels, Wyllie and other artists who explored realism, which led me to get out my copy of Tess. alongside the possibilities of Impressionism to While I skimmed some favourite passages, his depict rural subjects and the more communal characters began to take on faces painted by narratives of maritime trade: the backbone of La Thangue; as I later learned, when the book the British Empire. Well into the post-WWI was serialised in The Graphic, it was illustrated era, Impressionism would prove the perfect by Hubert von Herkomer. vehicle for depicting city life and genteel The pictures in this catalogue cover privilege; sport and leisure, the development of approximately 100 years.
    [Show full text]
  • Scottish Genealogist Cumulative Index 1953 - 2005
    SCOTTISH GENEALOGIST CUMULATIVE INDEX 1953 - 2005 Compiled by Dr. James D. Floyd John & Margaret Kinnaird D. Richard Torrance and Other unidentified members of the Society Copyright The Scottish Genealogy Society 2007 The Scottish Genealogy Society Library & Family History Centre 15 Victoria Terrace Edinburgh EH1 2JL Tel: 0131 220 3677 http://www.scotsgenealogy.com SCOTTISH GENEALOGIST Index Volumes 1-52 1953-2005 INTRODUCTION Over the existence of the Scottish Genealogy Society indexes to the Scottish Genealogist have been published at regular intervals and distributed to those who were members of the Society at the time of publication. The index to the first 28 volumes was one large index with no sub-divisions. As a great number of queries were published it was decided to include these in a section of their own from volume 29 onwards. From volume 41 the index was split into the following sections: General index; Article Titles; Contributors; Reviews; Work in Progress; Queries. A separate section for Illustrations was included in the index for volumes 45-52. NUMBERING There has not been uniformity in the numbering format used by the different compilers of the indexes. A volume covers one year during which 4 journals were issued usually in March, June, September and December. In the current index these have been harmonised to follow the most commonly used pattern: Volume number - Roman numerals capitals Journal number - Roman numerals lower case Page number - Arabic numerals Example: XXXIX.iv.116 -Volume 39, December issue, page 116. Page numbering Page numbering in the journals has not been consistent over the years.
    [Show full text]
  • Limited Editions
    CONTENTS 3 CONTENTS LIMITED EDITIONS Pam Carter 4-10 Kirstie Cohen 18-20 Peter McDermott 30-31 Mark Demsteader 11 Colin Ruffell 21 George Birrell 32-34 James McIntosh Patrick 12-13 Karen McIntyre 22-23 James Bartholomew 35 Davy Brown 14-15 Donald M. Shearer 24-25 Derek Hare 36-39 Francis Boag 16-17 Kirsty Wither 26-27 Alan Cotton 40-41 Ed Hunter 28-29 Joan Somerville 42 SCOTTISH ARTISTS OPEN EDITIONS Sonas MacLean 44-45 David Farquharson 64 Joan Somerville 79 John Lowrie Morrison 46-51 Alfred de Breanski 64 Laura Beveridge 80-81 Gavin Penn 52 Ronnie Leckie 65-67 F. C. B. Cadell 82-83 Davy Brown 53 Lynn McGregor 68 Joan Cheyne 84 Charles Rennie Mackintosh 54-55 Daniel Campbell 69-71 John Houston 85 Margaret Macdonald Mackintosh 54-55 Peter Graham 72-73 John Cunningham 86 Andrew Fitzpatrick 56-57 Sue Biazotti 74 Liz Yule 87 William Green 58 Judith I. Bridgland 75 James Harrigan 88-89 George Birrell 59 Frank Colclough 76 Eleanor McGowan 90-91 Alexander Millar 60-61 Francis Boag 77 John Campbell Mitchell 92 Sam Skelton 62-63 John Spinelli 78 Archie Dunbar McIntosh 93 George Smith 94 EUROPEAN ART & PHOTOGRAPHY John Horsewell 96-98 Arthur Claridge 102-103 Ivars Jansons 107 Jean Kevorkian 99 Pierre Bittar 104-105 Ian M. Young 108 Alan Morgan 100-101 Francois Quilici 106 Skvirsky 109 Murray Mowat 110 GICLÉE Karen McIntyre 112 Daniel Campbell 115 George Birrell 120 James McDonald 113 Gavin Penn 116-117 Derek Hare 121 Davy Brown 114 John Luce Lockett 118-119 Joan Somerville 122-123 ORIGINAL ART Philip Raskin 124-125 Mounting & Framing 126-127 Canvas Transfer 128 BY ARTIST James Bartholomew 35 David Farquharson 64 Archie Dunbar McIntosh 93 Laura Beveridge 80-81 Andrew Fitzpatrick 56-57 Karen McIntyre 22-23, 112 Sue Biazotti 74 Peter Graham 72-73 Alexander Millar 60-61 George Birrell 32-34, 59, 120 William Green 58 John Campbell Mitchell 92 Pierre Bittar 104-105 Derek Hare 36-39, 121 Alan Morgan 100-101 Francis Boag 16-17, 77 James Harrigan 88-89 John Lowrie Morrison 46-51 Judith I.
    [Show full text]
  • This Issue: Research in the Firth of Clyde
    A partnership to care for the Clyde: its environment, its people and its visitors Autumn 2014 Issue 17 This Issue: Research in the Firth of Clyde • Marine Protected Area related research in the Clyde • The Clyde Ecosystem Review • Ocean colour comes to the Clyde • Hydrodynamic Modelling in the Clyde Firth of Clyde Forum News Forum Focus Contents Welcome to the Autumn 2014 edition of Clyde Breakers! This edition of Clyde Breakers focuses on reports from a variety of sources on scientific research that has been carried out recently Clyde 2020 on the Firth of Clyde. It gives the researchers an opportunity to Forum Focus reach a wider audience and so we hope you have your thinking The Clyde 2020 Summit was called by Cabinet caps on! Secretary for Rural Affairs and the Environment, 04 has so far proved to be a very busy year. The Forum was Mr Richard Lochhead, as part of the Scottish Government’s commitment to a programme of Sea Level Rise and asked by Scottish Government to co-ordinate the Clyde 00 Summit in April where many stakeholders were invited to start measures that will identify, test and implement Storm Surges work on a process which aims to set out objectives and an action practical actions which may contribute to the plan to recover the ecosystem in the Firth of Clyde. More on this renewal of the Clyde marine ecosystem. in the Project Managers’ Update on the opposite page. We have The meeting was organised by the Firth of Clyde Forum Clyde 00 been involved in several workshops/ conferences – in May we led which was tasked by Marine Scotland to do this work, a session on coastal adaptation for the Glasgow and the Clyde bearing in mind their role as an independent organisation Valley Strategic Development Planning Authority during their © SNH focused on marine planning and integrated coastal zone Research on the Firth of climate change adaptation workshop; in June we were involved in Sea Level Rise and Storm management in the Firth of Clyde.
    [Show full text]
  • Forbes of Callendar Finding Aid Part 3 -2Nd William Forbes
    Falkirk Archives (Archon Code: GB558) FALKIRK ARCHIVES Forbes of Callendar Papers finding aid Part 3 – William Forbes (1806-1855) and family This collection consists of 36m of records from 1531-1974. The records have been arranged into twenty eight series (see introduction for details) and the finding aid has been separated into these series to make it easier to download from our website Part 3 contains a list of the papers of the second William Forbes of Callendar (1806-1855) from his majority in 1831, along with papers of his wife, Lady Louisa Charteris, and their children. Louisa’s papers include a series of inventories of household property compiled at the time of her marriage. The papers also include correspondence on patronage and constituency matters as William Forbes was MP for Stirlingshire, 1835-1837 and 1841-1855. Reference Date Description No A727.1211 1833-1837 Certificates of baptism of children of William Forbes of Callendar. (7 items) A727.1359 28 Jan 1853-30 Letters to William Forbes of Callendar as MP for Dec 1853 Stirlingshire on political and constituency matters. Correspondents - Conservative Land Society, London (1, 2, 24, 25, 43, 44); John D Crum, London (3); Sir A Edmonstone [Edmiston], Exeter (4); Andrew Hutton and others, writers, Stirling (5); Robert Robertson, Belmont (6); Robert McKechnie and others, writers, Falkirk (7); Marshall, Hill & Hill, Glasgow (8, 40); James Chrystal, Stirling (9); John Sawers, provost of Stirling (10); Robert Stuart [Stewart], Edinburgh (11, 12); William Stuart [Stewart], Peebles
    [Show full text]
  • Scottish Artists Open Editions
    43 SCOTTISH ARTISTS OPEN EDITIONS 43 SCOTTISH SCOTTISH ARTISTS OPEN EDITIONS Sonas MacLean 44-45 John Lowrie Morrison 46-51 Gavin Penn 52 Davy Brown 53 Charles Rennie Mackintosh 54-55 Margaret Macdonald Mackintosh 54-55 Andrew Fitzpatrick 56-57 William Green 58 George Birrell 59 Alexander Millar 60-61 Sam Skelton 62-63 David Farquharson 64 Alfred de Breanski 64 Ronnie Leckie 65-67 Lynn McGregor 68 Daniel Campbell 69-71 Peter Graham 72-73 Sue Biazotti 74 Judith I. Bridgland 75 Frank Colclough 76 Francis Boag 77 John Spinelli 78 Joan Somerville 79 Laura Beveridge 80-81 F. C. B. Cadell 82-83 Joan Cheyne 84 John Houston 85 John Cunningham 86 Liz Yule 87 James Harrigan 88-89 Eleanor McGowan 90-91 John Campbell Mitchell 92 Archie Dunbar McIntosh 93 George Smith 94 | 43 SCOTTISH ARTISTS OPEN EDITIONS Sonas MacLean Sonas was born and brought up on the coast of Caithness in the far north of Scotland where she learned an appreciation of the sea and a love of coastal scenes and small harbours. Awarded a B.A in Drawing and Painting she has received several awards and public commissions and is a regular exhibitor throughout Scotland. In her work she combines colour, composition and tones to distil the harmonies and moods she sees in the landscapes around her. Sonas is an exciting new talent appearing in the Ecosse catalogue for the first time in 2006. TOP Sonas MacLean The Boat Comes In SM101 PAPER SIZE 595 x 500mm IMAGE SIZE 495 x 400mm Sonas MacLean Providence SM102 PAPER SIZE 595 x 500mm IMAGE SIZE 495 x 400mm 44 | SCOTTISH ARTISTS OPEN EDITIONS 45 SCOTTISH ARTISTS OPEN EDITIONS 45 SCOTTISH Sonas MacLean Second Chance SM103 PAPER SIZE 595 x 500mm IMAGE SIZE 495 x 400mm Sonas MacLean Bathers Pittenweem SM104 PAPER SIZE 595 x 500mm IMAGE SIZE 495 x 400mm ALL OUR PRINTS OR GICLEES CAN ALSO BE SUPPLIED MOUNTED, MOUNTED AND FRAMED AND IN MOST CASES CANVAS TRANSFERRED.
    [Show full text]
  • Applications and Decisions 2008: Office of the Traffic Commissioner
    OFFICE OF THE TRAFFIC COMMISSIONER (SCOTLAND) APPLICATIONS AND DECISIONS PUBLICATION NUMBER: 2008 PUBLICATION DATE: 03/07/2017 OBJECTION DEADLINE DATE: 24/07/2017 Correspondence should be addressed to: Office of the Traffic Commissioner (Scotland) Hillcrest House 386 Harehills Lane Leeds LS9 6NF Telephone: 0300 123 9000 Fax: 0113 248 8521 Website: www.gov.uk/traffic-commissioners The public counter at the above office is open from 9.30am to 4pm Monday to Friday The next edition of Applications and Decisions will be published on: 10/07/2017 Publication Price 60 pence (post free) This publication can be viewed by visiting our website at the above address. It is also available, free of charge, via e-mail. To use this service please send an e-mail with your details to: [email protected] APPLICATIONS AND DECISIONS Important Information All correspondence relating to public inquiries should be sent to: Office of the Traffic Commissioner (Scotland) Level 6 The Stamp Office 10 Waterloo Place Edinburgh EH1 3EG The public counter in Edinburgh is open for the receipt of documents between 9.30am and 4pm Monday to Friday. Please note that no payments relating to goods vehicles can be made at this counter. General Notes Layout and presentation – Entries in each section (other than in section 5) are listed in alphabetical order. Each entry is prefaced by a reference number, which should be quoted in all correspondence or enquiries. Further notes precede each section, where appropriate. Accuracy of publication – Details published of applications reflect information provided by applicants. The Traffic Commissioner cannot be held responsible for applications that contain incorrect information.
    [Show full text]
  • John Fleming of Greenock (1792-1845)
    John Fleming of Greenock (1792-1845) “The Father of Landscape Painting in the West of Scotland” George A. Woods John Fleming 1792-1945 – His Life and Works 1 PART ONE: FLEMING’S BIOGRAPHY • INTRODUCTION • EARLY LIFE 1792-1810 • EARLY CAREER 1820-1820 • MID CAREER 1820-1835 • LATE CAREER 1835-1845 • FLEMING’S SON: WILLIAM C. FLEMING PART TWO: LIST OF WORKS • INTRODUCTION • IDENTIFICATION OF FLEMING’S WORKS • CHRONOLOGICAL LIST OF DATED WORKS • UNDATED WORKS • DERIVATIVE WORKS • WORKS ATTRIBUTED TO FLEMING • SPECULATIVE WORKS AND MISATTRIBUTIONS John Fleming 1792-1945 – His Life and Works 2 INTRODUCTION The early history of painting in the West of Scotland has hitherto been rather a neglected area of research, yet, in many aspects, the artists working in this part of the world laid the foundations for the achievements of the later nineteenth century when Glasgow and west of Scotland artists were to rise to international prominence. In this early industrial, pre-railway period, the merchant and professional classes of local towns provided a clientele which encouraged artists, often locally trained, to develop local schools and traditions which reflected the interests of their patrons. The best of these artists were aware of recent developments and trends in the wider art world, yet found sufficient patronage locally to sustain their practices and maintain a professional artistic presence in the rapidly growing industrial towns of this part of Scotland. Pre-eminent amongst these local schools was the group of artists who worked in Greenock and the Inverclyde area in the first half of the nineteenth century. These artists worked in the fields of portraiture and landscape painting as well as the local tradition of marine painting, a specialty of artists working in Inverclyde until the present day.
    [Show full text]