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Al Brancato This Article Was Written by David E
Al Brancato This article was written by David E. Skelton The fractured skull Philadelphia Athletics shortstop Skeeter Newsome suffered on April 9, 1938 left a gaping hole in the club’s defense. Ten players, including Newsome after he recovered, attempted to fill the void through the 1939 season. One was Al Brancato, a 20- year-old September call-up from Class-A ball who had never played shortstop professionally. Enticed by the youngster’s cannon right arm, Athletics manager Connie Mack moved him from third base to short in 1940. On June 21, after watching Brancato retire Chicago White Sox great Luke Appling on a hard-hit grounder, Mack exclaimed, “There’s no telling how good that boy is going to be.”1 Though no one in the organization expected the diminutive (5-feet-nine and 188 pounds) Philadelphia native’s offense to cause fans to forget former Athletics infield greats Home Run Baker or Eddie Collins, the club was satisfied that Brancato could fill in defensively. “You keep on fielding the way you are and I’ll do the worrying about your hitting,” Mack told Brancato in May 1941.2 Ironically, the youngster’s defensive skills would fail him before the season ended. In September, as the club spiraled to its eighth straight losing season, “baseball’s grand old gentleman” lashed out. “The infielders—[Benny] McCoy, Brancato and [Pete] Suder—are terrible,” Mack grumbled. “They have hit bottom. Suder is so slow it is painful to watch him; Brancato is erratic and McCoy is—oh, he’s just McCoy, that’s all.” 3 After the season ended Brancato enlisted in the US Navy following the country’s entry into the Second World War. -
Boxf Score Bunched for Runs in the This with Him
New York Yankees Will Test Red Sox As Pennant Threat eterans, Supposedly KOMONEN SORRY Cant Come Back? These Ball Players Did! Hub Club, Without Grove, Through Last Year, Show FOR SLOW PACE Showed Up Well Against Great Comeback Effort EARLY IN RACE American League Champs Ontario's “Flying Finn” Header From Washington Jackson, Wilson, McManus and Koenig All Hoped to Break Paw- Boston Took Double Doing Well at Start of New Season; son’s Hub Record Yesterday—Giants and Pirates Going Lazzeri Still Strong Boston, April 20—(UP)—Dave Strong in National Circuit Komonen, victor In the 3Xtli an- nual whs JIMMY Boston A. A. marathon, JACK CUDDY By DONAHUE to leave here by automobile early By Press Staff <NKA ServUv S|x>rtM Writer) to-day for to reaumc (United Correspondent) Hulbury, Ont, Red Sox, hav- New York—When the baseball circus folded up its tent hla work aa a carpenter. New York, April 20—(UP)—The Boston Called Canada's ath- * at the end of old Father Time a at Travis outstanding broken even in a four-game series with the pennant- 1933, too^ glance lete, the Boston 26-mlle-3X6-yard ing a stand Jackson, Joe Vosmik, Hack Wilson, Marty McManus, George grind waa the only major road winning Senators, open three-day to-day against Mark and Lazzeri. race In North America that he had the Yankees, the other power in the American league. JJhle, Koenig Tony not hitherto captured. The Kami!, If the Boxh can do as well The (cut with the Hey the wus Finn smoothly-running .finished against the Yanks as they do heard to mumble something in IiIm two-thirds of a mile in front ol against Washington, little doubt beard about having the high sign John A. -
Baseball All-Time Stars Rosters
BASEBALL ALL-TIME STARS ROSTERS (Boston-Milwaukee) ATLANTA Year Avg. HR CHICAGO Year Avg. HR CINCINNATI Year Avg. HR Hank Aaron 1959 .355 39 Ernie Banks 1958 .313 47 Ed Bailey 1956 .300 28 Joe Adcock 1956 .291 38 Phil Cavarretta 1945 .355 6 Johnny Bench 1970 .293 45 Felipe Alou 1966 .327 31 Kiki Cuyler 1930 .355 13 Dave Concepcion 1978 .301 6 Dave Bancroft 1925 .319 2 Jody Davis 1983 .271 24 Eric Davis 1987 .293 37 Wally Berger 1930 .310 38 Frank Demaree 1936 .350 16 Adam Dunn 2004 .266 46 Jeff Blauser 1997 .308 17 Shawon Dunston 1995 .296 14 George Foster 1977 .320 52 Rico Carty 1970 .366 25 Johnny Evers 1912 .341 1 Ken Griffey, Sr. 1976 .336 6 Hugh Duffy 1894 .440 18 Mark Grace 1995 .326 16 Ted Kluszewski 1954 .326 49 Darrell Evans 1973 .281 41 Gabby Hartnett 1930 .339 37 Barry Larkin 1996 .298 33 Rafael Furcal 2003 .292 15 Billy Herman 1936 .334 5 Ernie Lombardi 1938 .342 19 Ralph Garr 1974 .353 11 Johnny Kling 1903 .297 3 Lee May 1969 .278 38 Andruw Jones 2005 .263 51 Derrek Lee 2005 .335 46 Frank McCormick 1939 .332 18 Chipper Jones 1999 .319 45 Aramis Ramirez 2004 .318 36 Joe Morgan 1976 .320 27 Javier Lopez 2003 .328 43 Ryne Sandberg 1990 .306 40 Tony Perez 1970 .317 40 Eddie Mathews 1959 .306 46 Ron Santo 1964 .313 30 Brandon Phillips 2007 .288 30 Brian McCann 2006 .333 24 Hank Sauer 1954 .288 41 Vada Pinson 1963 .313 22 Fred McGriff 1994 .318 34 Sammy Sosa 2001 .328 64 Frank Robinson 1962 .342 39 Felix Millan 1970 .310 2 Riggs Stephenson 1929 .362 17 Pete Rose 1969 .348 16 Dale Murphy 1987 .295 44 Billy Williams 1970 .322 42 -
Jimmy Durante Papers PASC-M.0195
http://oac.cdlib.org/findaid/ark:/13030/c8cv4m1z No online items Finding Aid for the Jimmy Durante Papers PASC-M.0195 Finding aid prepared by Alexandra Apolloni; machine-readable finding aid created by Julie Graham and Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2021 January 19. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Jimmy Durante PASC-M.0195 1 Papers PASC-M.0195 Contributing Institution: UCLA Library Special Collections Title: Jimmy Durante papers Creator: Durante, Jimmy Identifier/Call Number: PASC-M.0195 Physical Description: 150 Linear Feet(342 boxes) Date (inclusive): circa 1920s-circa 1990 Abstract: Jimmy Durante had a decades-long career as a musician, songwriter, comedian, and actor. The collection consists of script material, scrapbooks, photographs, written music, audio recordings, printed material and ephemera, and a small amount of correspondence documenting Durante's extensive career as an entertainer on stage, radio, film, and television. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials. Audiovisual materials are not currently available for access, unless otherwise noted in a Physical Characteristics and Technical Requirements note at the series and file levels. -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
Catalog of Donor Scholarships at Carroll University
Catalog of Donor Scholarships at Carroll University arroll University is blessed to have a generous network of friends who believe in the value of a Carroll education, and Cchose to make investments to help students who have a passion for learning. Funding for our scholarships comes from our loyal alumni base, our board of trustees, our dedicated faculty and staff, our corporate partners in the community and other friends of Carroll. The importance of scholarships and financial aid cannot be overstated. More than 98 percent of current students at Carroll receive some type of financial assistance. Scholarships can make the difference not only in whether a student attends college, but also whether that student remains. This listing shares the stories of the people behind the scholarships, and their affinity for Carroll. Many of these scholarships are established as endowed funds, providing a permanent income stream for annual scholarships which carry on the name of the donor and create a personal legacy. As you read through this catalog, you will come to realize we are connected. There is a common thread that binds each one of us to one another. From generations past to today, the people of Carroll—the stories we share, the memories we hold, and the education gained—is what keeps the spirit of Carroll alive. We celebrate the generosity and the legacy these individuals have made in helping advance Carroll’s mission of preparing students for lives of meaning, purpose and success. 2 CATALOG OF DONOR SCHOLARSHIPS AT CARROLL UNIVERSITY Karl F. and Virginia Abendroth Endowed Scholarship Fund Established through the estate of Virginia Abendroth '44 in 2016. -
NBC Transmitter. Her First Before NBC Champs Ed Davies and Jackson; B
NATIONAL BROADCASTING COWPANY.m GENERAL LIBRARY 30 ROCKEFELLER PLAZA, NEW YORK, Digitized by the Internet Archive in 2016 https://archive.org/details/nbctransmitter7131nati NBC TRANSMITTER •1 &ir*u||H i^^kbv. /‘*^S '*'-*§ ^ A l^!l^P* \im m , 2 NBC TRANSMITTER DAVID SARNOFF TELEVISION RCA Laboratories Noran E Kersta Since the first of the year, the clude a lecture auditorium and the combined technical and patent National Broadcasting Company libraries of the RCA organization. has continued transmitting sport- We hope to have the build'ng com- ing events from the Madison pleted before the end of this year. Square Carden and other arenas in “We believe that this step the area, two or three times a rriarks a milestone in the progress week. Among these sporting of radio. Such important fields as events were basketball, hockey, television, facsimile, electron op- boxing, wrestling and track meets. tics, wave propagation and ultra- Of most importance was a series high frequencies open to radio a of six indoor track meets from the future even greater than its past. Madison Square Carden ending up The developments in these fields with the K. of C. track meet on will contribute to the creation of Saturday, March 8th. Two other new industries and to the improve- outstanding events televised were ment of existing services. the finals of the Golden Gloves “More and more of our research Boxing Tournament, and the Tour- work is being concentrated on nament of Champions from the problems of national defense. The Carden. new RCA Laboratories will make On January 24th, a demonstra- it possible to increase these efforts tion was given to the FCC. -
Babe Ruth's Value in the Lineup As "The Most Destructive Force Ever Known in Base Ball." He Didn't Mean the Force of Ruth's Homers Alone
£ as I knew IIim BY WAITE HOYT, THE BABE 'S FRIEND AND TEAMMATE; AN INTIMATE STORY OF RUTH 'S FABULOUS CAREER WITH EXCLUSIVE PHOTOGRAPHS AND RECORDS BABE RUTH AS I KNEW HIM-BY WAITE HOYT • I MET Babe Ruth (or the first time in. late July, 1919. There was nothing unusual in the meeting. It was the routine type of introduction accorded all baseball players joining a new team. I had just reported to the Boston Red Sox and was escorted around the clubbouse meeting all the boys_ McInnis, Shannon, Scott, Hooper, Jones, Bush and the rest. Ed Barrow, the man ager, was making the introductions and wben we-reached Ruth's locker, the Babe was pulling on bis baseball socks. His huge head bent toward the floor, his black, sbaggy, curly hair dripping Waite Hoyt. now sports downward like a bottle of spilled ink. caster and radio direc Ed Barrow said, " Babe, look here a minute." tor of station wepo Babe sat up_ He turned that big, boyish, homely face in my Cincinnati, spent fifteen direction. For a second I was starUed. I sensed that this man yeors playing on the same diamond with was something different than the others I had met. It might Babe Ruth. A great ball have been his wide, flaring nostrils, his great bulbous nose, his player ~imself. Hoyt was generally unique appearance---the early physical formation wbich top pitcher of the 1927 Yon,ee World Cham later became so familiar to the American public. But now I pions with 0 record of prefer to believe it was merely a sixth sense which told me I 21 games won, 7 lost. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Estimated Age Effects in Baseball
Journal of Quantitative Analysis in Sports Volume 4, Issue 1 2008 Article 1 Estimated Age Effects in Baseball Ray C. Fair, Yale University Recommended Citation: Fair, Ray C. (2008) "Estimated Age Effects in Baseball," Journal of Quantitative Analysis in Sports: Vol. 4: Iss. 1, Article 1. DOI: 10.2202/1559-0410.1074 ©2008 American Statistical Association. All rights reserved. Brought to you by | Yale University Library New Haven (Yale University Library New Haven) Authenticated | 172.16.1.226 Download Date | 3/28/12 11:34 PM Estimated Age Effects in Baseball Ray C. Fair Abstract Age effects in baseball are estimated in this paper using a nonlinear fixed-effects regression. The sample consists of all players who have played 10 or more "full-time" years in the major leagues between 1921 and 2004. Quadratic improvement is assumed up to a peak-performance age, which is estimated, and then quadratic decline after that, where the two quadratics need not be the same. Each player has his own constant term. The results show that aging effects are larger for pitchers than for batters and larger for baseball than for track and field, running, and swimming events and for chess. There is some evidence that decline rates in baseball have decreased slightly in the more recent period, but they are still generally larger than those for the other events. There are 18 batters out of the sample of 441 whose performances in the second half of their careers noticeably exceed what the model predicts they should have been. All but 3 of these players played from 1990 on. -
Conglomerate Picture: Viewlex Purchase of KS-Buddah Imminent; MCA-Westinghouse Merge • • • RCA- Ford Ink 3-Yr
Conglomerate Picture: Viewlex Purchase Of KS-Buddah Imminent; MCA-Westinghouse Merge • • • RCA- Ford Ink 3-Yr. Tape Deal • • • Anti- Piracy Law Signed In Calif. ••• Willis To Manage New Victor Dept. • • • Ed Barsky Named Marketing VP At Tetragrammaton HUGH MASAKELA: STRIKES RICH GRAZIN' GROUND Int’l. Section Begins Pg. 59 TheGreat 4-446X6 O.C.Smith made it happen It was just one of eleven funky songs “Little Green Apples.” By O.C., of course I in Hickory Holler Revisited { cs 9680),the Then DJ’s began tossing “Little Green Apples latest O.C. LP. Well, as the album was all over the country. The result is another played, people started demanding more crisp O.C. single. * "COLUMBIA, MARCAS REG. PRINTED IN U.S A. LITTLE GREEN APPLES”/ ON COLUMBIA RECORDS® : — THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXX—Number 2/ August 10, 1968 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 / Cable Address: Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President LEON SCHUSTER Treasurer IRV LICHTMAN Editor in Chief EDITORIAL TOM McENTEE Assoc. Editor DANIEL BOTTSTEIN JOHN KLEIN MARV GOODMAN ALLAN RINDE EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER New York BILL STUPER New York HARVEY GELLER Hollywood WOODY HARDING Art Director COIN MACHINES & VENDING As the record industry its great enthusiasm, the future is ED ADLUM goes through but General Manager big annual convention season we hear where it’s going to be at. The youthful BEN JONES Asst. many words of encouragement, accom- larks, the joyful noises of the fickle CAMILLE COMPASIO Chicago LISSA MORROW Hollywood plishment, hope and perhaps a bit of generation hooked on sound. -
Summer 2021 A Publication of the Caltech Women’S Club
Summer 2021 a publication of the Caltech Women’s Club A Summer Fair Tour Featuring the CWC Summer Fair Awards CHATS Update Around Caltech Featuring the Caltech Y Casita Report The Story of Beryl Wallace & the Errol Carroll Theater History of the Carousel PRESIDENT’S MESSAGE thank you I’d like to take this opportunity to thank the hard-working, dependable and energetic team who have stepped up to take on positions with the CWC during the past two years when I’ve been lucky enough to serve as President. It is exciting to see how everyone has risen to meet the challenges we’ve faced and found creative ways to pro- mote the club’s mission of “promoting friendship and the sharing of mutual interests.” I also want to thank all our loyal members who have re- newed their membership, and I encourage you all to reach out to both new arrivals in the area and long-standing members of our community to let them know about all the CWC can offer. I’m confident the CWC will be under excellent leadership next year with Gloria Mullendore as President and with a talented board ready to serve. I’m excited to continue serv- ing as Membership Chair next year. Just like last year, we are not spending a delightful evening in the garden of the President’s House at the Spring Scattering, but I’m hoping that I will have the opportunity to see more CWC mem- bers in person soon. Katie The mission of the Caltech Women’s Club shall be to promote friendship and the sharing of mutual interests and to provide service and cultural enrichment to the wider Caltech community.