Man Woman Magic Book a Recipe for an Ideal Marriage

Total Page:16

File Type:pdf, Size:1020Kb

Man Woman Magic Book a Recipe for an Ideal Marriage Jayasimha’s Man Woman Magic Book A Recipe for an Ideal Marriage Squadron Leader Jayasimha Guinness World Record Holder Memory Maestro, Motivational Speaker, Trainer & Author Man – Woman Magic A Recipe for an Ideal Marriage © All Rights Reserved Squadron Leader Jayasimha All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the Author. © Squadron Leader Jayasimha E-mail: [email protected] Website: www.jayasimha.in Facebook : Jayasimha Squadron Leader Man Woman Magic 4 Foreword Marriage is no child’s play. It calls for adequate preparation to ensure it does not land on the rocks. In a game, you either win or lose. But in marriage both parties have to win. This treasure-trove of wisdom will go a long way in cautioning unwary couples planning to marry in haste. It will remind those serious about their relationship that there is much more to marriage than mere love and fresh air! And yes, it will strengthen the bonds of togetherness of couples who have begun to discover that something is amiss in their relationship. I warmly recommend this Marriage Manual to all couples: those planning to get married as well as those who are students of life as we know it. As you go through this book, you will realize that it is not just theoretical knowledge, but a down-to-earth, practical book, full of rich insights. I congratulate Squadron Leader Jayasimha on this commendable work and on the excellent presentation. This book adopts a novel approach to tackle a timeless concern called marriage and how to make it work. Jayasimha’s book comes not just as a welcome breath of fresh air; but addresses a special need of the hour. This book provides not only inspira- tion but many opportunities for families to learn and grow. I have known Squadron Leader Jayasimha for some time now. He is a person who can motivate, educate and inspire people with his own special sense of humour, with truth and honesty, and above all, with modern ideas clothed in home-spun wisdom. Jayasimha is a self-made man. His passion for training and transforming people’s lives has enabled him to take off from his illustrious career in the Indian Air Force and become a successful trainer. He is a man who ‘walks his talk’. His many Guinness World Records are testimonials of his hard work and commitment. I wish Jayasimha all the best in his future endeavours and wish all the readers of this book a happy married life. With Best Wishes, Dr.B.V. Pattahi Ram Hypnotist & Personality Trainer Man Woman Magic 5 Preface How long does it take to know someone? Is a day enough? A fortnight, perhaps? A decade? There really are no rules in a relationship. Sometimes it can take a lifetime. Sometimes all it takes is a glance. We need to understand relationships, which is why we have to ensure that our relationship with our spouse always stays special. “Man is a knot into which relationships are tied.” - Antoine de Saint-Exupéry, ‘Flight to Arras.’ Man remains knotted into many relationships all his life. There are some which he enters into of his own volition. There are others which are forced on him. For example, a romantic relationship is often a voluntary one. A person is under no compulsion to enter into such a relationship unless he himself needs it and is fully satisfied with what it entails. Coming to instinctive relationships, the relationship between a man and a woman is the most fascinating of all human ties because of the special way in which nature has devised it, incorporating in it the important biological act of propagation of the species. There is some sort of magic in a perfect man- woman relationship. But at the same time, the acts that promote the magic between a man and woman can, if combined incorrectly, produce extremely injurious and devastating results. It is a relationship that has the potential to create or destroy, build or ruin. Another defining feature of a man-woman relationship, legitimized by marriage in the Man Woman Magic 6 normal course of things, is that it is meant to last for life. Rarely do other non-familial relationships turn out to be so long- standing. The traditionally protective role of the man and the submissive role of the woman, which has remained the basis of a strong man-woman relationship for centuries, have now been supplanted by equality in partnership. Sharing each other’s travails and caring for each other have been imperative for the success of man- woman relationship at all times. Today, the role of each is also in empowering the other, tapping and promoting the other’s talents and providing opportunities for the other to bloom. “A smiling face is half the meal.” - Latvian Proverb “Ask not what your country can do for you. Ask what you can do for your country,” said US President John F. Kennedy in the 1960s. Though he spoke about one’s country, the statement is true of relationships as well. If a person is concerned more about enriching a relationship with his contribution, rather than reaping the benefits of it, it will be so much easier to have healthier, stronger relationships. A happy marriage is heaven on earth, says the poet, a paradise that even the Gods yearn to enter. Even the best marriages, however, occasionally need to call on reserves of commitment, patience, grit and humour. Easier said than done, you think? This book will answer the questions of all those men and women who have ever sat up at 2 am, ready to pull out their hair while pleading with their partners: “Why don’t you understand?” Relationships fail because men still don’t understand why a woman can’t be more like a man, and women expect men to behave just like they do. I am sure that this book will not only help you come to grips with the opposite sex, but will also help you Man Woman Magic 7 understand yourself, and how you both can lead happier, healthier and more harmonious lives as a result. You are holding this book for a reason. You may be hurting or confused over a marriage or a relationship that has been disturbing you for a long time. You may even feel threatened with what is ahead; a break in communications, a separation, or even a divorce. You are doing everything possible to avoid confrontation with your partner, and sometimes you are able to create the most ingenious plans to prevent pain or to put a band-aid on the bleeding wound of loneliness. Do you want your marriage to improve and to last? If your answer is, “No, I’ve tried everything and nothing works,” then this book is not for you. You have made up your mind that your relationship is irreparable. It is over. However, it is possible that in the privacy of your mind, there is a ray of hope that touches your heart and evokes lingering feelings of love and compassion. Although you hesitate to admit it, you want to say, “Yes, I want this marriage to work. This relationship is important to me. I want to restore it.” If this is the case, then this book is written for you. Stay with it! Give yourself permission to make a new beginning. What do men and women want most from marriage? How can one bring back fun into a marriage? How does one find true love? This book reveals new strategies for reducing the tension and building mutual love and affection in relationships by first recognizing in great detail how men and women are different. Relationships do not have to be such a struggle. Only when we do not understand one another is there tension, resentment, or conflict. In this book you will find practical suggestions about how to reduce frustration and disappointment and to create increasing happiness and intimacy. Man Woman Magic 8 To get the most from this book, consider reading it slowly, underlining the parts that appeal to you, summarizing other parts and reading the summaries again at a later time. Write down, share and discuss some of your thoughts with your partner. Embrace the idea that you are fully in charge of your personal life and that you are capable of improving its quality. Above all, equip yourself with feelings of hope and courage. Anything is possible if you are willing to work at it. And when you have tried, you will know the deep satisfaction of a sincere effort to bring about a reconciliation and bring back love into your relationship. Why writing this book was so tough ? This book took me two years, and more than ten scripts before I could bring myself to rate it ready for publishing. In the course of my research, I have studied papers, interviewed experts and held seminars throughout India. The biggest challenge I faced was when the entire script was accidentally deleted from my laptop after it fell victim to a nasty virus. At one stage, I was so depressed that I even thought of giving up on this book. Somehow, my inner voice told me to do it once again. Hence, I rewrote the entire script, pulling out all the notes I had compiled over so many months. But I never gave up hope: I knew I could do it and I also know that you will definitely like it and recommend this book to others too.
Recommended publications
  • Girish Karnad 1 Girish Karnad
    Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958.
    [Show full text]
  • Basu Chatterjee (1930 - )
    HUMANITIES INSTITUTE Stuart Blackburn, Ph.D. BASU CHATTERJEE (1930 - ) LIFE Basu Chatterjee came from a middle-class family in Rajasthan, where his father worked for the railway department. While studying in Ajmer, he went to the cinema and fell in love with films. After graduating, he went to Bombay and worked there as a cartoonist and illustrator for the weekly magazine Blitz, while at the same time continuing to watch films. After a long 18 years on the magazine, he got a job as assistant director in 1966. In 1969, he directed The Whole Sky (Sara Akash), which won many awards and is still often ranked in the top fifty Indian films of all time. Over the 1970s and 1980s, Chatterjee became one of the most popular directors in Indian cinema, primarily by making films about the lives of ordinary people. He often focused on romance and marriage, always with a light touch but raising the level of the rom-com to new levels in India. Chatterjee also had a successful career directing shows for television. He two daughters, one of whom, Rupali Guha, is also a film director. ACHIEVEMENTS Basu Chatterjee won many prizes at the National Film Awards ceremony in New Delhi, including Best Director for Swami in 1978, Best Movie for Tuberose (Rajnigandha) in 1975, and Best Screenplay for The Whole Sky (Sara Akash) in 1972 and A Small Matter (Chhoti Si Baat) in 1976. FEATURE FILMS (as director) 1969 The Whole Sky (Sara Akash) 1972 My Beloved’s House (Piya ka Ghar) 1974 Tuberrose (Rajnigandha) 1974 Beyond (Us Paar ) 1976 Heart Stealer (Chitchor ) 1976 A
    [Show full text]
  • 51 International Film Festival of India, 2020
    51st Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] 2020 51st International Film Festival of India, 2020 vkf/kdkfjd foojf.kdk: Hkkjrh; flusek Official Catalogue: Indian Cinema Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 vk;kstd & fQYe lekjksg funs'kky; lwpuk vkSj izlkj.k ea=ky;] Hkkjr ljdkj Organized by the Directorate of Film Festivals Ministry of Information and Broadcasting, Government of India 001 OFFICIAL CATALOGUE INDIAN CINEMA IFFI 2020 Festival Director: Chaitanya Prasad, Additional Director General Indian Panorama, Indian Sections & Administration: Tanu Rai, Deputy Director Editors: Shambhu Sahu (English), Pankaj Ramendu (Hindi) Assisted by: Kaushalya Mehra, Arvind Kumar, Kamlesh Kumar Rawat Festival Coordinator: Sarwat Jabin, Rudra Pratap Singh, Shyam R Raghavendran, Design & Creative Director: Mukesh Chandra Photograph (Jury): Photo Division Acknowledgements: NFAI/NFDC/Film Producers/Production Houses for providing the films and other related materials. We are also grateful to various film and festival publications/websites, the extracts from which have helped enrich this book. All views expressed in this publication are not necessarily that of the editor or of the IFFI Secretariat. Published by the Directorate of Film Festivals Ministry of Information & Broadcasting Government of India You can visit us at www.iffigoa.org. www.dif.gov.in Hkkjr dk 51ok¡ vUrjkZ"Vªh; fQ+Ye lekjksg] xksok 51st International Film Festival of India, Goa TkUkOkjh 16-24, 2021 January 16-24, 2021 003 UNION MINISTER INFORMATION & BROADCASTING AND ENVIRONMENT, FOREST & CLIMATE CHANGE GOVERNMENT OF INDIA MESSAGE I welcome you all to the 51st edition of the International Film Festival of India.
    [Show full text]
  • Ahmed Bin Majed Al-Maadheed, the Qatari Artist Who Drew the Iconic ‘Tamim Al Majd’ Portrait Recalls What Pulled Him to It
    Friday, June 5, 2020 Shawwal 13, 1441 AH Doha today 330 - 440 THAT portrait Ahmed bin Majed al-Maadheed, the Qatari artist who drew the iconic ‘Tamim Al Majd’ portrait recalls what pulled him to it. P 2-4 COVER STORY SHOWBIZ BACK PAGE Filmmaker Basu Chatterjee told Diplomatic community hails Qatar’s stories about you and me. resilience on the anniversary of blockade. Page 15 Page 16 2 GULF TIMES Friday, June 5, 2020 COMMUNITY COVER STORY “I drew it with my heart” PRAYER TIME Fajr 3.13am Shorooq (sunrise) 4.44am — Ahmed bin Majed al-Maadheed, Qatari Zuhr (noon) 11.34am Asr (afternoon) 2.58pm Maghreb (sunset) 6.24pm artist who drew ‘Tamim Al Majd’ portrait Isha (night) 7.54pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Because things are the way they are, things will not By Azmat Haroon Al Majd’ (Tamim the Glory) quickly his love and faith in the leadership stay the way they are.” became popular. It was everywhere of Qatar.
    [Show full text]
  • In Conversation with Bollywood Insider
    Vol. 5 No. 06 New York June 2020 Amitabh Bachchan TTributeribute TToo In Conversation with Good Samaritan Wajid Khan Sonu Sood Basu Chatterjee Bollywood Insider Shah Rukh Khan Singing I Was Meant Sensation! for Bollywood Madhuri Dixit Vidya Balan CALL TODAY 516.680.8037 516.965.8667 Facebook: www.facebook.com/IndiaVisa123 Website: www.CLBVisaCenter.com 2 June 2020 Alia’s Bollywood Stars beautiful boys Go Back in Time While most actors were busy By Dhaval Roy posting their own images from the past, Alia Bhatt did something veryone loves a bit of nostalgia, especially when it involves their adorable. The Raazi actress favorite stars. While B-Towners usually like to go into uploaded a pic of her boyfriend, flashback mode, giving fans a glimpse of their younger days, Ranbir Kapoor with his father some of them went to a time way back. They uploaded their kiddie Rishi Kapoor soon after the latter Eimages with adorable captions, which would make anyone go ‘Aww!’ passed away. She had a simple Here are some of the best ones. caption, “Beautiful boys,” to go with it. Just two words, but loaded with emotions! A sweet way to pay homage. When Aamir didn’t offer Deepika food Sonam’s been a Batgirl! Who would have guessed that fashionista Sonam K Ahuja was once a nerd? She confessed to being one as a kid with a throwback pic to the time she put on a DIY Batman costume, with a cape and socks featuring the superhero. And no, it wasn’t a fancy-dress competition! It was for her brother Harshvardhan Kapoor’s birthday party, which her dad Anil Kapoor reminded in a comment.
    [Show full text]
  • Current Affairs
    Current Affairs By: MG Jayasankar (20+ Years Teaching Experience) ExamLounge.com Practice Problems with Solution Question 1: Kolkata Port Trust has been renamed as __________ A: Syama Prasad Mookerjee Port Trust B: A B Vajpayee Port Trust C: Jawaharlal Nehru Port Trust D: Pandit Deendayal Upadhyaya Port Trust E: Kamarajar Port Trust Question 2: What is India’s rank in world’s best start-up ecosystem ranking 2020? A: 17 B: 22 C: 23 D: 19 E: 43 Question 3: According to QS Asia University Rankings 2021 released in November 2020, which is the highest ranked Indian university? A: IIT Bombay B: IISc Bangalore C: IIT Delhi D: IIT Madras E: IIT Kanpur Question 4: Basu Chatterjee, who passed away in June 2020, was a _______ A: Singer B: Writer C: Social Activist D: Politician E: Film Maker Question 5: India pledged how much amount to the Global Vaccine Alliance GAVI? A: USD 10 million B: USD 15 million C: USD 20 million D: USD 25 million E: USD 35 million Downloaded from ExamLounge.com 1 Question 6: The first “virtual bilateral summit” of India was held with which of the following countries? A: USA B: Bhutan C: Israel D: China E: Australia Question 7: Which Indian personality won the prestigious Richard Dawkins award in June 2020? A: M Vijayan B: K V Subba Rao C: Lalji Singh D: Javed Akhtar E: Urjit Patel Question 8: The oldest and largest monument of ancient Maya civilisation “Aguada Fenix” which was discovered recently is located at ______ A: Gulf of Mexico B: Gulf of Mannar C: Gulf of Kutch D: Gulf of Khambhat E: Gulf of Aden Question 9: ‘Poonam
    [Show full text]
  • SHIVAJI UNIVERSITY, KOLHAPUR Syllabus for MA English Programme
    1 SHIVAJI UNIVERSITY, KOLHAPUR Syllabus for M. A. English Programme (Choice Based Credit System with Internal Evaluation) To be implemented from June 2018 M.A. Part II SEMESTER III C7: Drama in English up to 19th century Unit 1: General Topic: Sanskrit Drama Text: Vishakhadatta’sMudrarakshasa (4/8c. BC) Unit 2: General Topic: Greek Drama Text: Euripides’s – Medea (431 BC) Unit 3: General Topic: Elizabethan Drama Text: Christopher Marlowe’sThe Jew of Malta (1589/90) Unit 4: General Topic: Realism in Drama Text: Henrik Ibsen’s Hedda Gabler (1891) Reference Books: Leech, Clifford, Tragedy (Critical Idiom Series: Methuen) Kitto, H.D.F. Greek Tragedy: A Literary Study. London: University Paperbacks, 1950. Fyfe, Hamilton W., Aristotle’s Art of Poetry: A Greek View of Poetry and Drama, London OUP, 1957 Varadpande, Manohar Laxman. History of Indian Theatre: Classical theatre. Volume 3 of History of Indian Theatre, Abhinav Publications, 1987. Keith, A.B. The Sanskrit Drama its Origin, Development, Theory and Practice. London : OUP, 1959. Mirashi, Vasudev Vishnu. Kalidasa: Date, Life andWorks (Bombay Popular, 1969) Eliot, T. S.. Essays on Elizabethan Drama. New York: Harvest Book. 1932. Schelling, Felix Emmanuel. Elizabethan Drama, 1558-1642: A History of the Drama in England from the Accession of Queen Elizabeth to the Closing of the Theaters. Read Books, 2008 Boulton, Marjorie: The Anatomy of Drama. Ludhiana: Kalyani Publishers, 1979. Raymond Williams. Drama: From Ibsen to Brecht. London: University Press, 1987. Esslin, Martin: An Anatomy of Drama. London: Temple Smith 1976 Kitto, H.D.F.: Form and Meaning in Drama. (London: Methuen). 2 Styan, J.
    [Show full text]
  • List of Songs in Disc Distributed with Meragana's Karaoke Studio
    List of Songs in Disc distributed with MeraGana’s Karaoke Studio Microphone List of Songs by SongTitle - Album List of Songs in Disc distributed with MeraGana’s Karaoke Studio Microphone Sl Title of Song - Album / Film / Singer Folder 1 Aaj Ei Dintake - Antarale (1985) Bengali 2 Aami Je Jalsaghare - Antony Firingi (1967) Bengali 3 Amar Pujar O Fool - Kishore Kumar Bengali 4 Ami Ek Jajabar - Bhupen Hazarika Bengali 5 Ami Eto Je Tomay - Manabendra Mukherjee Bengali 6 Bedona Modhur Hoyejay - Jagjit Singh Bengali 7 Borney Gandhey Chandey - S. D. Burman Bengali 8 Ei Raat Tomar Amar - Hemanta Mukherjee Bengali 9 Hanumaan Ji Ki Aarti - Pt. Hariprasad Chaurasia Bengali 10 Kato Na Nadir Janma Hoy - Manna Dey Bengali 11 Kon Se Aalor Swapnaa - Asha Bhosle Bengali 12 Aisa Pyar Bada De Re Maiya - Hari Om Sharan Bhajan 13 Chala Vasi Des - Lata Mangeshkar Bhajan 14 Chhod Musafir Maya Nagar (Bhajan) - Pankaj Mullick Bhajan 15 Hey Gobind Hey Gopal - Jagjit Singh Bhajan 16 Mahaare Ri Girdhar Gopal - Lata Mangeshkar Bhajan 17 Mere Mann Ke Andh Tamas Mein Jyotirmayi Utro - Jagjit Singh Bhajan 18 Shyaam Se Neha Lagaaye - Mohd. Rafi Bhajan 19 Sur Ki Gati Main Kya Jaanu - Mukesh Bhajan 20 Tere Mandir Ka Hoon - Pankaj Mullick Bhajan 21 Ye Garv Bhara Mastak Mera Prabhu Charan - Hari Om Sharan Bhajan 22 Baaje Re Muraliya Baaje - Lata Mangeshkar & Pt. Bhimsen Joshi Devotional 23 Daata Ek Raam - Hari Om Sharan Devotional 24 Dukh Haro Dwarkaa Naath - Mukesh Devotional 25 Jai Jai Jai Hanuman Gosain Kripa Karo Maharaaj - Hari Om Sharan Devotional 26 Jai Mata Di (Jai Mata Chint Purni ) - Mohd.
    [Show full text]
  • Language Wise List of the Feature Films Indian/Foreign (Digital & Video)
    Language wise List of the feature films Indian/Foreign (Digital & Video) Certified during period (01/01/2019 - 01/12/2019) Certified Type Of Film Certificate Sr. No Title Language Certificate No. Certificate Date Duration/ (Video/Digital/C Producer Name Production House Type Length elluloid) ARABIC ARABIC WITH ENGLISH 1 YOMEDDINE DFL/1/16/2019-MUM 26 March 2019 99.2 Digital WILD BUNCH - U SUBTITLES CAPHARNAUM ( Arabic With English Capharnaum Film 2 DFL/3/25/2019-MUM 02 May 2019 128.08 Digital - A CHILDREN OF CHAOS) Subtitles Ltd BVI CAPHARNAUM Arabic with English Capharnaum Film 3 VFL/2/448/2019-MUM 13 August 2019 127.54 Video - UA (CHILDREN OF CHAOS) Subtitles Ltd BVI ASSAMESE DREAM 1 KOKAIDEU BINDAAS Assamese DIL/1/1/2019-GUW 14 February 2019 120.4 Digital Rahul Modi U PRODUCTION Ajay Vishnu Children's Film 2 GATTU Assamese DIL/1/59/2019-MUM 22 March 2019 74.41 Digital U Chavan Society, India ASSAMESE WITH Anupam Kaushik Bhaworiya - The T- 3 BORNODI BHOTIAI DIL/1/5/2019-GUW 18 April 2019 120 Digital U ENGLISH SUBTITLES Borah Posaitives ASSAMESE WITH Kunjalata Gogoi 4 JANAKNANDINI DIL/1/8/2019-GUW 25 June 2019 166.23 Digital NIZI PRODUCTION U ENGLISH SUBTITLES Das SKYPLEX MOTION Nazim Uddin 5 ASTITTWA Assamese DIL/1/9/2019-GUW 04 July 2019 145.03 Digital PICTURES U Ahmed INTERNATIONAL FIREFLIES... JONAKI ASSAMESE WITH 6 DIL/3/2/2019-GUW 04 July 2019 93.06 Digital Milin Dutta vortex films A PORUA ENGLISH SUBTITLES ASSAMESE WITH 7 AAMIS DIL/2/4/2019-GUW 10 July 2019 109.07 Digital Poonam Deol Signum Productions UA ENGLISH SUBTITLES ASSAMESE WITH 8 JI GOLPOR SES NAI DIL/3/3/2019-GUW 26 July 2019 94.55 Digital Krishna Kalita M/S.
    [Show full text]
  • Song Listing Station Listing Lata Mangeshkar
    SONG LISTING STATION LISTING LATA MANGESHKAR 01. Chupchup Khade Ho Zaroor Koi Baat Hai 37. Dekh Liya Maine Kismat Ka Tamasha 71. Chandan Ka Palna Resham Ko Dori Film: Badi Bahen Film: Deedar Film: Shabab Artistes: Lata Mangeshkar, Premlata Artistes: Mohammed Rafi, Artistes: Lata Mangeshkar,Hemant Kumar Lata Mangeshkar 02. Chhod Gaye Balam Mujhe 72. Dekho Woh Chand Chhupke Film: Barsaat 38. Hamein Ho Gaya Tumse Pyar Film: Shart Artistes: Lata Mangeshkar, Mukesh Film: Madhosh Artistes: Lata Mangeshkar, Artiste: Lata Mangeshkar Hemant Kumar 03. Hawa Mein Udta Jaye Film: Barsaat 39. Thandi Hawayein 73. Gaya Andhera Hua Ujala Artiste: Lata Mangeshkar Film: Naujawan Film: Subah Ka Tara Artiste: Lata Mangeshkar Artistes: Lata Mangeshkar, 04. Barsaat Mein Humse Mile Talat Mahmood Film: Barsaat 40. Aaja Aaja Tera Intezar Hai Artiste: Lata Mangeshkar Film: Sazaa 74. Jeevan Ke Safar Mein Rahi Artistes: Lata Mangeshkar, Film: Munimji 05. Jiya Beqarar Hai Talat Mahmood Artiste: Lata Mangeshkar Film: Barsaat Artiste: Lata Mangeshkar 41. Mohe Bhool Gaye Sanwariya 75. Suno Chhoti Si Gudiya Ki Kahani Film: Baiju Bawra (Happy) 06. Patli Kamar Hai Artiste: Lata Mangeshkar Film: Seema Film: Barsaat Artiste: Lata Mangeshkar Artistes: Lata Mangeshkar, Mukesh 42. Tu Ganga Ki Mauj Film: Baiju Bawra 76. Man Mohana Bade Jhoothe 07. Meri Ankhon Mein Bas Gaya Koi Re Artistes: Lata Mangeshkar, Film: Seema Film: Barsaat Mohammed Rafi Artiste: Lata Mangeshkar Artiste: Lata Mangeshkar 43. Jhoole Mein Pawan Ki Aai Bahar 77. O Janewale Mud Ke Zara 08. Uthaye Ja Unke Sitam Film: Baiju Bawra Film: Shree 420 Film: Andaz Artistes: Lata Mangeshkar, Artiste: Lata Mangeshkar Artiste: Lata Mangeshkar Mohammed Rafi 78.
    [Show full text]
  • Issn –2395-1885 Issn
    IJMDRR Research Paper E- ISSN –2395-1885 Impact Factor: 4.164 Refereed Journal ISSN -2395-1877 ABSTRACT GIRISH KARNAD HIS GRAND WORKS D.J.Naganatha Durai Associate Professor & Vice-Principal, Mary Matha College of Arts And Science,N.K.Patty, Periyakulam(Dt). Based on Girish karnad’s serious explorations of folklore, mythology and history, the subject of his plays reflect the problems and challenges of contemporary life, and endeavor to forge a link between the past and the present. The creative intellectual that he is obviously views the subjects of his plays from his own perspective develops them in the crucible of his own imagination and personal experiences, and employees them as a medium to communicate his own independent and original feelings, thoughts and interpretations.(dodiya 89). Though known for his controversial themes, his plays are widely read and enjoyed because of his wonderful dramatic techniques, vivid images and symbols and his outstanding ability to portray some of the harshest and bitter most realities of life with forthright simplicity. Whereas Indian classical and folk theatre is at the centre of grish karnad’s plays. Karnad keeps the reactions of his audience in his mind while writing his plays and he deliberately uses myth and history to sugar coat the bitter realities of life. Key words Own perspective Endeavour Interpretations Vivid images Forthright simplicity Girish karnad’s grand works His first play, yahati (1961),was written neither in english nor in his mother tongue konkani. Instead, it was composed in his adopted language kannada. The play,which chronicled the adventures of mythical characters from the mahabharatha, was an instant success and was immediately translated and staged in several other indian languages.
    [Show full text]
  • Spring 2017 Program
    AMERICAN MUSICOLOGICAL SOCIETY SOUTH-CENTRAL CHAPTER Annual Meeting March 17 – 18, 2017 University of Louisville Louisville, Kentucky FRIDAY, March 17 8:00 – 9:00 am Registration 9:00 – 10:30 am Session 1: Music for the Masses in the Nineteenth Century Chair: Douglas Shadle, Vanderbilt University Strength and Beauty Are in the Sanctuary: Participatory and Presentational Music in Lowell Mason’s Late Publications ERIN FULTON, University of Kentucky Music at Louisville’s Southern Exposition of 1883 ANN GLAZER NIREN, Indiana University Southeast Ruslan and Russianness: the Envoicing of National Values in Glinka’s Ruslan and Lyudmila LAIKIN MORRIS, University of Georgia 10:30 – 10:45 am Break 10:45 am – 12:15 pm Session 2: Fruits of Collaboration Chair: Kevin Kehrberg, Warren Wilson College Engaged Musicology: Out of the Library and into the Fray RON PEN, University of Kentucky Healing Sounds: Timbres of Loss and Remembrance in the Duke Ellington Orchestra KIMBERLY HANNON TEAL, University of Arkansas “So Happy Together:” Exploring Collaboration in the Music History Classroom from Productive Discussion to Assessment ANGELA HAMMOND, Independent Scholar 1:15– 2:15 pm Business Meeting 2:30 – 4:00 pm Session 3: Music, Race, and Ethnicity Chair: Esther Morgan-Ellis, University of North Georgia Whiteness, Musical Borrowing, and Ethnic Boundary Policing in the Parodies of Cledus T. Judd JOHN HAUSMANN, Pellissippi State Community College 606: From Hymn to “Mennonite National Anthem” AUSTIN McCABE JUHNKE, Ohio State University “Snatchin’ Your People
    [Show full text]