More Than Six Or Playing the Notes Other Guitars Cannot Reach, by James R
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Ficha Técnica
FICHA TÉCNICA INSTRUMENTOS MUSICALES INSTRUMENTO DESCRIPCIÓN MARCA CÓDIGO UNSPSC CANT. ACORDEÓN DIATONICO ADG. DIMENSIONES - TAMAÑO: 31A X 32L. PESO: 7.5, COLOR: AZUL, TONALIDADES: ADG, NÚMERO 60131200 ACORDEON ADG 1 DE BOTONES: 31, NÚMERO DE FILAS: 3 FILAS, NÚMERO DE NOTAS: 8 NOTAS, ACCESORIOS: ESTUCHE + CORREA. ACORDEÓN ROJO BESAS. DIMENSIONES - TAMAÑO: 31A X 32L. PESO: 7,5. TONALIDAD: BESAS. NÚMERO DE BOTONES: ACORDEON BESAS 2 31. NÚMERO DE FILAS: 3 FILAS. 60131200 NÚMERO DE NOTAS: 8 NOTAS. ACCESORIOS: ESTUCHE + CORREA. ARPA LLANERA CON ESTUCHE. DE 32 CUERDAS EN CEDRO O 60131300 ARPA LLANERA 15 PINO, LLAVE AFINADORA Y FORRO INCLUIDOS. ATRILES DE BANDEJA TIPO DIRECTOR. 25" A 49" (65 CM A 124 CM), DESDE EL BORDE DE LA MESA HASTA EL PISO. BASE SOLDADA DE ACERO DE CALIBRE 12 QUE BRINDA DURABILIDAD. EL ACOPLAMIENTO DE LA BASE NO SE TAMBALEA. EL DELGADO POSTE DE 1" (2,5 60131500 ATRIL 111 CM) HACE QUE RESULTE SENCILLO TRANSPORTAR DOS ATRILES CON UNA SOLA MANO. LA MESA DE ALUMINIO DE 13½" X 20" (34 CM X 51 CM) POSEE UN SOPORTE DE ALUMINIO DE UNA SOLA PIEZA. EL AJUSTE DE ALTURA POR FRICCIÓN SENCILLA SOPORTA 9 LB (4 KG). BAJO ELECTRICO. CUERPO DE ALISO. MÁSTIL DE ARCE ATORNILLADO. DIAPASÓN DE SONOKELIN. LONGITUD DE LA ESCALA: 864CM (ESCALA BAJO ELECTRICO 8 LARGA). 24 TRASTES. ANCHO 60131300 DE LA CEJILLA: 40MM. 1 PASTILLA DE BOBINA DIVIDIDA. 1 PASTILLA DE BOBINA SIMPLE. HERRAJES DE CROMO. BANDOLA ANDINA ELECTRO ACUSTICA. TAPA ARMÓNICA EN PINO ABETO ALEMÁN O CEDRO ROJO CANADÁ MIL HILOS; ARO Y FONDO EN CEDRO PUERTO ASÍS MACIZO; MÁSTIL EN CEDRO PUERTO ASÍS REFORZADO CON BANDOLA ANDINA 15 NAZARENO; CLAVIJERO DE 60131300 PRECISIÓN; DIAPASÓN EN PALO DE ROSA CON ENTRASTADO ALTACA ( PLATEADO) DEBIDAMENTE ENCORDADO Y CON ESTUCHE DURO EN LONA. -
Ergo Music Collection
M. Bertsch ERGO Collection for Musicians A collection of ergonomical gadgets, physiological tools and instruments to support Music Performance. Keywords: physical therapy | ergonomic instrument | carrying aids | gripping aid | ear protection | footrest | support | seat | shoulder rests | chin Rest | accessory | cases | cold protection | rehabilitation | lips and teeth | breathing | sleep and relaxation | lighting | nails | hearing device | physical handicap | sight | prothesis or dysmelia | prevention Feedback to: [email protected] version of 01.04.2019 For all musical instruments, there are many options for specific accessories or optional gadgets. And there are plenty of physiotherapeutic tools. In fact, for most of all things it is unknown if they are beneficial for practising or useful during performances. Anyway, it is interesting to get an overview of the many options. It always needs individual judgement if specific things can be of any use. All products are presented without any recommendation and no support for purchases can be offered. breathing Ultrabreathe ASI7492 Compact Breathing Exerciser | For breathing control | breathing | wind instrument 182 Angel Sales [see amazon] https://www.amazon.com/Ultrabreathe-ASI7492-Compact-Breathing-Exerciser/dp/B0000E2PBX/ref=pd_bxgy_MI_img_c Breathing Control Trainer | Breathing resistance with grip holes | breathing | wind instrument 700 Storz [see shop.musik-alexander.de/] https://shop.musik-alexander.de/Blasinstrumente/Zubehoer-Blasinstrumente/Zubehoer-fuer-Blasinstrumente/Storz- Atemtrainer::348.html -
Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars
Gator Cases Guitar Cross Reference Updated 02/22/08 Includes: Acoustic, Bass, Classical, and Electric Guitars Use Ctrl-F to search by Manufacturer or Model Number Manufacturer Model Type Fits (1) Fits (2) Fits (3) Fits (4) Fits (5) Alvarez AC60S Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez Artist Series AD60K Dao Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD60S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD70S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez Artist Series AD80SSB Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez CYM95 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez MC90 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RC10 Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Alvarez RD20S Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD8 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Alvarez RD9 Acoustic Guitar GL-Dread-12 GC-Dread-12 GPE-Dread G-Tour Dread-12 GW-Dread Aria PE-STD Series Electric Guitar GL-LPS GC-LPS GPE-LPS G-Tour LPS GW-LPS Cordoba 32E Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 32EF Classical Guitar GL-Classic GC-Classic GPE-Classic GWE-Class GW-Classic Cordoba 45FM Classical Guitar GL-Classic GC-Classic GPE-Classic -
Guitarist Paul Galbraith to Present Recital Featuring Works by Bach and Mozart (May 30) by Mike Telin
Guitarist Paul Galbraith to present recital featuring works by Bach and Mozart (May 30) by Mike Telin On Saturday, May 30 at 4:00 pm in Mixon Hall at the Cleveland Institute of Music, Paul Galbraith (Scotland) will present a recital as part of the Cleveland International Classical Guitar Festival. Galbraith’s program will feature Bach’s “Allemande” from the Lute Suite in E minor, BWV 996 and Cello Suite No. 5, BWV 1011 and No. 1, BWV 1007. The program also includes Mozart’s “Allemande” from the unfinished Suite in C, K. 399 and the Piano Sonata in F, K. 570. Due to Paul Galbraith’s touring schedule, we were unable to speak to him by telephone, although he graciously agreed to answer some questions via e-mail. Mike Telin: Why did you choose these specific pieces? Paul Galbraith: This program came about through an open invitation from the National Gallery of Art in Washington DC. They had asked for Bach/Mozart programs to be submitted by musicians for their approval, with a view to presenting a program consisting solely of those two composers. I submitted a group of pieces which was a kind of idealized program, showing links between Bach and Mozart, and presenting as a centre- piece a very demanding transcription of Mozart's K. 570 piano sonata. In fact, I hadn’t yet learnt it when I sent the program to Washington, but as I was fairly convinced they wouldn't select a guitarist for such an event, I must admit I wasn’t overly concerned. -
DARREN Final Lecture Document D3
Bach Transcription for Marimba: Creating an Authentic Performance Edition of Johann Sebastian Bach's Sonata no. 1 for Violin Solo, BWV 1001, and Sonata no. 2: Grave, BWV 1003, Using Guitar and Lute Transcriptions as Models Item Type text; Electronic Dissertation Authors Bastian, Darren Bruce Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 22:36:15 Link to Item http://hdl.handle.net/10150/194020 BACH TRANSCRIPTION FOR MARIMBA: CREATING AN AUTHENTIC PERFORMANCE EDITION OF JOHANN SEBASTIAN BACH’S SONATA NO. 1 FOR VIOLIN SOLO, BWV 1001, AND SONATA NO. 2: GRAVE, BWV 1003, USING GUITAR AND LUTE TRANSCRIPTIONS AS MODELS by Darren Bruce Bastian ____________________ Copyright © Darren Bruce Bastian 2009 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2009 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Darren Bastian entitled Bach Transcription for Marimba: Creating an Authentic Performance Edition of Johann Sebastian Bach’s Sonata no. 1 for Violin Solo, BWV 1001, and Sonata no. 2: Grave, BWV 1003, Using -
Palmer-All.Pdf
PLAY LOUDER Electric Guitars This is our Mission The mission of Palmer Guitar Company is to provide affordable instruments that are the best value in quality and features and to support these products in a manner which will establish the utmost confidence in the brand. Palmer Guitars USA. Palmer instruments are developed with input and guidance from professional musicians, music educators and most importantly, Palmer Customers. Palmer is committed to providing an instrument that will encourage the artistic skills of its owner and to help make music a part of more lives. Take a closer look at Palmer instruments. We promise you will see the tradition, quality and innovation that goes into each and every one of our instruments. PLAY LOUDER Electric Guitars This is our Mission The mission of Palmer Guitar Company is to provide affordable instruments that are the best value in quality and features and to support these products in a manner which will establish the utmost confidence in the brand. Palmer Guitars USA. Palmer instruments are developed with input and guidance from professional musicians, music educators and most importantly, Palmer Customers. Palmer is committed to providing an instrument that will encourage the artistic skills of its owner and to help make music a part of more lives. Take a closer look at Palmer instruments. We promise you will see the tradition, quality and innovation that goes into each and every one of our instruments. ELECTRIC GUITAR Palmer PE-Core Palmer PE-Core-PK Electric Guitar I Standard Series Electric Guitar -
CATALOGO DE INSTRUMENTOS DE CUERDA [ STRINGED INSTRUMENT CATALOG ] HILARIO "LAYO" JIMENEZ Master Luthier 1
CATALOGO DE INSTRUMENTOS DE CUERDA [ STRINGED INSTRUMENT CATALOG ] HILARIO "LAYO" JIMENEZ Master Luthier 1 uscando autenticidad y artesanía tradicional, nos unimos con el eeking authenticity and traditional craftsmanship, we collaborated Sr. Hilario “Layo” Jiménez para ofrecer características cruciales, with Master Luthier Hilario “Layo” Jimenez about crucial features, Bespecificaciones, medidas y dibujos de diseño detallado. Nuestra Sspecifications, measurements and detailed design drawings. Our misión fue servir de puente entre las importantes técnicas artesanales mission was to bridge the gap between important traditional handcrafted y la incorporación de fabricación moderna e innovadora. Gradualmente, techniques while incorporating modern manufacturing innovations. surgió un innovador prototipo hibrido H. Jimenez™ Bajo Quinto con una Slowly, an innovative, hybrid prototype H. Jimenez™ Bajo Quinto emerged mezcla de tradición e innovación. with a blend of Tradition and Innovation. MARIO QUINTERO Los Tucanes de Tijuana 3 onrando el diseño tradicional y métodos de construcción a la onoring traditional design and construction methods while vez que incorpora características innovadoras, H. Jimenez ha incorporating innovative features, H. Jimenez created a new Hcreado Bajo Quintos con un nuevo nivel de calidad que son únicos Hquality level of Bajo Quintos that are unique in the Norteño, en los mercados de la música Norteña, Conjunto, y Tex-Mex. Nuestros Conjunto, Tejano and Tex-Mex music genres. Our Bajo Quintos offer Bajos Quintos ofrecen diseños tradicionales Florentinos, y uno de línea traditional Florentine cutaways, non-cutaways, and a thin-line model. delgada. Cada modelo tiene un puente Thunderwing™ H. Jimenez con Each model features an H. Jimenez designed Thunderwing™ bridge with montura para un desempeño óptimo y el diseño de soporte especial de saddle for optimum performance adjustability and the special H. -
Paradigm for Effective Pre-College Classical Guitar Methodology: a Case Study of Two Models of Effective Instruction Renthungo Merry
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-1-2010 Paradigm for effective pre-college classical guitar methodology: a case study of two models of effective instruction Renthungo Merry Follow this and additional works at: http://digscholarship.unco.edu/dissertations Recommended Citation Merry, Renthungo, "Paradigm for effective pre-college classical guitar methodology: a case study of two models of effective instruction" (2010). Dissertations. Paper 212. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A PARADIGM FOR EFFECTIVE PRE-COLLEGE CLASSICAL GUITAR METHODOLOGY: A CASE STUDY OF TWO MODELS OF EFFECTIVE INSTRUCTION A Dissertation Submitted in Partial Fulfillment Of the Requirements for the Degree of Doctor of Arts Renthungo Merry College of Performing and Visual Arts School of Music December 2010 © 2010 RENTHUNGO MERRY ALL RIGHTS RESERVED i ABSTRACT Merry, Renthungo. A Paradigm for Effective Pre-College Classical Guitar Methodology: A Case Study of Two Models of Effective Instruction. Doctor of Arts in Music Education dissertation, University of Northern Colorado, 2010. Many classical guitar teachers of the past had stated that the field of classical guitar education in general was an area that was in need of re-evaluation in terms of proper teaching methodology, especially at the beginner level. However, the last twenty years have seen the steady growth and expansion of classical guitar education. -
LA GUITARRA BRAHMS Spyros Kaniaris Resumen El Presente Trabajo Examina Las Características De Una Nueva Guitarra Clásica De 8 Cuerdas Denominada Como Guitarra Brahms
1 marzo 2017 número 4 LA GUITARRA BRAHMS Spyros Kaniaris Resumen El presente trabajo examina las características de una nueva guitarra clásica de 8 cuerdas denominada como guitarra Brahms. Su forma de afinación es novedosa y permite nuevas posibilidades técnicas y sonoras, facilitando digitaciones que sería imposible realizarlas en otro tipo de guitarras clásicas de 6 o de más cuerdas. De tal forma se abre un nuevo camino para poder realizar nuevas transcripciones de música sobre todo de la época barroca y así enriquecer el repertorio de la guitarra con obras de alta calidad. El instrumento se diseñó el 1994 por el lutier David Rubio que utilizó la forma de los trastes del instrumento renacentista orfárion para conseguir, por primera vez, añadir una cuerda todavía más aguda en la guitarra. La guitarra Brahms ha sido presentada discográficamente por el guitarrista Paul Galbraith pero hasta ahora no se ha publicado ninguna partitura de obras originales o transcritas para este instrumento. El autor del artículo pretende dar el primer paso de documentar el repertorio para la guitarra Brahms, aportando una nueva transcripción completa de la sonata I Op.2 de Antonio Vivaldi, originalmente para violín y continuo, una obra en 4 movimientos. Palabras clave: Guitarra Brahms, guitarra de 8 cuerdas, orfarion, David Rubio, Paul Galbraith 2 número 4 marzo 2017 Resum El present treball examina les característiques d'una nova guitarra clàssica de 8 cordes denominada com a guitarra Brahms. La seua forma d'afinació és molt innovadora i ofereix noves possibilitats tècniques i sonores, facilitant digitacions que seria impossible realitzar-les en un altre tipus de guitarres clàssiques de 6 o de més cordes. -
Tres Estudios Para Guitarra Basados En El Son Jarocho Mexicano
Tres estudios para guitarra basados en el Son Jarocho mexicano María Camila Agudelo Mejía. Septiembre 2017. Pontificia Universidad Javeriana. Carrera de Estudios Musicales - Énfasis en interpretación guitarra. Proyecto de grado. Agradecimientos A Juan David Bermúdez y Sergio Rusinque, por su disposición y ayuda al grabar los estudios, a Natalia Molina por su gran colaboración en la edición de las partituras. A todos quienes hicieron posible mi estadía en México, donde surgió la idea este proyecto. 3 Índice Introducción....................................................................................................................................5 El Son Jarocho: Contexto histórico-geográfico...........................................................................7 El Fandango: Fiesta popular.........................................................................................................9 Instrumentación del Son Jarocho...............................................................................................10 Características musicales y líricas del Son Jarocho..................................................................16 Los estudios..................................................................................................................................19 Estudio I: El Siquisirí......................................................................................................20 Estudio II: El Coco..........................................................................................................23 -
Classroom Guitar Supplements
Bill Swick’s Classroom Guitar Supplements www.BillSwick.com All books and ensemble arrangements are available only in PDF format. The following is a suggested sequence of how to use materials available from BillSwick.com. Year One – Quarter One Beginning Guitar Class-Quarter One 57 pp. $49.95 Notes on the First 3 Strings in First Position 40 Songs, 19 String Exercises, 9 Duets and 12 Trios Good for a one-quarter, 9-week class. A perfect supplement to a basic first-year beginning method book. Intended to teach 8 notes in first position on the first three strings. Beginning Guitar Class-Quarter One - Mixed 57 pp. $49.95 Notes on Strings 4, 5 & 6 in First Position 40 Songs, 19 String Exercises, 9 Duets and 12 Trios On occasion, the guitar class has students who already have learned notes on the first three strings, but are placed in the beginning guitar class. This edition is designed for the teacher to teach both levels, strings 1-3 AND strings 4-6 simultaneously! Same as the above edition, but intended to teach strings 4, 5 & 6. Beginning Guitar Method Teacher’s Manual Quarters 1 & 2 70 pp. $49.95 The Teacher's Manual offers a step-by-step method for teaching classroom guitar. This edition is Ideal for first-year teachers or for the non-guitarist music teachers. This package offers 2 quarters of weekly instruction, 18 lesson plans, 2 curriculum maps, 2 backward assessment models, 6 pre-tests, and more to make your beginning guitar class run smoothly from day 1. -
Guitar in Oxford Music Online
Oxford Music Online Grove Music Online Guitar article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/43006 Guitar (Fr. guitare; Ger. Gitarre; It. chitarra; Sp. guitarra; Port.viola; Brazilian Port. violão). A string instrument of the lute family, plucked or strummed, and normally with frets along the fingerboard. It is difficult to define precisely what features distinguish guitars from other members of the lute family, because the name ‘guitar’ has been applied to instruments exhibiting a wide variation in morphology and performing practice. The modern classical guitar has six strings, a wooden resonating chamber with incurved sidewalls and a flat back. Although its earlier history includes periods of neglect as far as art music is concerned, it has always been an instrument of popular appeal, and has become an internationally established concert instrument endowed with an increasing repertory. In the Hornbostel and Sachs classification system the guitar is a ‘composite chordophone’ of the lute type (seeLUTE, §1, andCHORDOPHONE). 1. Structure of the modern guitar. Fig.1 shows the parts of the modern classical guitar. In instruments of the highest quality these have traditionally been made of carefully selected woods: the back and sidewalls of Brazilian rosewood, the neck cedar and the fingerboard ebony; the face or table, acoustically the most important part of the instrument, is of spruce, selected for its resilience, resonance and grain (closeness of grain is considered important, and a good table will have a grain count about 5 or 6 per cm). The table and back are each composed of two symmetrical sections, as is the total circumference of the sidewalls.