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Matthew Barney Bibliography

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MATTHEW BARNEY BIBLIOGRAPHY: Selected Monographs: 2019 Hodermarsky, Elisabeth, André Lepecki, Arthur D. Middleton, Molly Nesbit, Gifford Pinchot, Jennifer Raab, and John Rember, Matthew Barney: Redoubt, published by Yale University Press, New Haven, CT, 2019 2016 Nelson, Maggie, and Nancy Spector, Matthew Barney: OTTO Trilogy, published by Yale University Press, New Haven, CT, 2016 Kvaran, Gunnar B., Therese Möllenhoff, Andrea Nitsche-Krupp, and Catherine Taft, Matthew Barney: Bildungsroman, published by Astrup Fearnley Museet, Oslo, Norway, 2016 2014 Enwezor, Okwui, Matthew Barney: River of Fundament, published by Skira Rizzoli, New York, NY, 2014 2013 Obrist, Hans Ulrich, The Conversation Series 27: Matthew Barney, published by Verlag der Buchhandlung Wather Konig, Cologne, Germany, 2013 Horn, Ronnie, Adam Phillips, and Klaus Kertess, Subliming the Vessell: The Drawings of Matthew Barney, published by Rizzoli, New York, NY, 2013 2012 Dusi, Nicola, and Cosetta G Saba, Matthew Barney: polimorfismo multimodalita neobarocco. Published by Silvana Editoriale, Milan, Italy, 2012 2011 Matthew Barney: DJED Playbill, essay “I Am Yesterday I Know Tomorrow” by Angus Cook, published by Gladstone Gallery, New York, NY, 2011 2010 Matthew Barney: KHU Playbill, essay “Osiris in Detroit” by Angus Cook, published by Barney Studio, New York, NY, 2010 Matthew Barney: DRAWING RESTRAINT Volume 6, published by Schaulager/Laurenz Foundation, Basel, Switzerland, 2010 Matthew Barney: Prayer Sheet with he Wound and the Nail, published by Schaulager, Schwabe Verlag Basel, Switzerland, 2010 2009 Cook, Angus, Matthew Barney • Elizabeth Peyton Blood of Two, published by Deste Foundation Centre for Contemporary Art, Greece, Walther Koenig, Cologne, Germany, 2009 Barbera, Alberto, Guido Curto, Arthur C. Danto, Richard Flood, Olga Gambari, and Beatrice Merz, Matthew Barney: Contemporary Mythologies, published by Fondazione merz/ hopefulmonster Editore, Torino, Italy, 2009 2007 Barney, Matthew and Neville Wakefield, Matthew Barney: DRAWING RESTRAINT Volume 5, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2007 Matthew Barney: DRAWING RESTRAINT Volume 4, JMc & GHB Editions, New York, NY, 2007 Goetz, Ingvild, Karsten Löckemann, Brandon Stosuy, Dominika Szope, and Stephan Urbaschek, Matthew Barney, published by Sammlung Goetz, Munich, Germany, 2007 Barney, Matthew, and Dieter Ronte, Matthew Barney: Kaiserring 2007, published by Mönchehaus Museum für moderne Kunst, Goslar, Germany, 2007 Spector, Nancy, Mark Taylor, Christian Scheidemann, and Nat Trotman, Matthew Barney & Joseph Beuys: All in the Present Must Be Transformed, published by Guggenheim Museum, New York, NY, 2007 2005 Mckee, Francis, and Hans Ulrich Obrist, Matthew Barney: DRAWING RESTRAINT Volume 1, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2005 Hasegawa, Itsuko, Shin'Ichi Nakazawa, and Luc Steels, Matthew Barney: DRAWING RESTRAINT Volume 2, published by Uplink Co., Tokyo, Japan, 2005 Matthew Barney: DRAWING RESTRAINT Volume 3, published by Leeum, Samsung Museum of Art, Seoul, South Korea, 2005 2002 Spector, Nancy and Neville Wakefield, Matthew Barney: The Cremaster Cycle, published by Guggenheim Museum Publications, New York, NY, 2002 1999 Flood, Richard, Matthew Barney: CREMASTER 2, published by Walker Art Center, Minneapolis, MN, 1999 1997 Matthew Barney: CREMASTER 5, published by Portikus Frankfurt, Germany and Barbara Gladstone Gallery, New York, NY, 1997 Matthew Barney: CREMASTER 1, published by Kunsthalle Wien, Museum für Gegenwartskunst Basel, Switzerland, 1997 1995 Lingwood, James, Matthew Barney: CREMASTER 4, Fondation Cartier, Paris and Barbara Gladstone Gallery, New York, NY, 1995 Flood, Richard, and Neville Wakefield, Matthew Barney: PACE CAR FOR THE HUBRIS PILL, published by Museum Boymans van Beuningen, Rotterdam, Netherlands, 1995 Kertess, Klaus, Matthew Barney: DRAWING RESTRAINT Volume 7, published by Cantz Verlag, Ostfildern, Germany, 1995 1991 Riley, Robert, MATTHEW BARNEY: New Work, published by San Francisco Museum of Modern Art, San Francisco, CA, 1991 Selected Catalogues and Publications: 2021 Burkeman, DB, Art Sleeves: Album Covers by Artists, published by Rizzoli, New York, NY, 2021 [ill.] 2020 Corcoran, Sean and Chrissie Iles. Marco Anelli: Artist Studios New York, published by Damiani, 2020 2019 Cosulich, Sarah, Surface Matters: A photographic collection on ceramics, published by Mutina for Art, Italy, 2019, pp. 77, 85, 121 [ill.] 2016 Lencsés, Leo, Inszeniert! Spektakel und Rollenspiel in der Gegenwartskunst, published by Kunsthalle der Hypo-Kulturstiftung, Sammlung Goetz, and Hirmer Verlag, Munich, Germany, 2016, pp. 1, 32 – 43 [ill.] 2015 Blessing, Jennifer, Body of Art, published by Phaidon, London, UK, 2015, p. 289 [ill.] Friedli, Isabel and Heidi Naef, eds., Future Present: The Collection of the Emanuel Hoffman Foundation, published by Laurenz Foundation, Schaulager, Basel, Switzerland, 2015, pp. 534-539 Marcopoulos, Ari, Ari Marcopoulos: Fumes, published by Karma, New York, NY, 2015 Writers Respond: Storylines: Contemporary Art at the Guggenheim, published by Guggenheim Museum, New York, NY, 2015 Miller, Dana, and Adam D. Weinberg, Whitney Museum of Art: Handbook of the Collection, published by Whitney Museum of American Art, New York, NY, and Yale University Press, New Haven, CT, 2015, p. 55 [ill.] Schwartz, Alexandra, Come As You Are: Art of the 1990s, published by University of California Press, Oakland, CA, 2015 Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015 2014 Grachos, Louis, and Heather Pesanti, A Secret Affair: Selections from the Fuhrman Family Collection, published by The Contemporary Austin, Austin, TX, 2014 2013 Holzwarth, Hans – Werner, ed., Art Now 4, published by Taschen, Köln, Germany, 2013, pp. 56 – 59 Gioni, Massimiliano, ed., NYC 1993: Experimental Jet Set Trash and No Star, published by New Museum, New York, NY, 2013 2012 Maggia, Filippo and Patrizia Sandretto Re Rebaudengo, The Collector’s Choice: Opere dalla Collezione Sandretto Re Rebaudengo, published by Skira, Milan, Italy, 2012 2011 Birnbaum, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, and Hans Ulrich Obrist, Defining Contemporary Art – 25 years in 200 pivotal artworks, published by Phaidon Press Limited, London, 2011, pp. 16 – 17, 158 – 159 Wilson, Michael, ed., Contemporary Art in North America, published by Black Dog Publishing, London, UK, 2011, pp. 40 – 43 Fineberg, Jonathan, Art Since 1940: Strategies of Being, 3rd edition, Laurence King Publishing Ltd: London, 2011, pp. 471 – 472 [ill.] The Luminous Interval, published by The Solomon R. Guggenheim Foundation, New York, NY, 2011, pp. 54 – 59 [ill.] 2009 Bedford, Christopher, Peggy Phelan, and Julia Bryan-Wilson, Mixed Signals: Artists Consider Masculinity in Sports, published by Independent Curators International, New York, NY, 2009, pp. 15 – 17 [ill.] 2008 Roberts, Rebecca, MoMA: Highlights since 1980, published by The Museum of Modern Art, New York, 2008, pp. 225, [ill.] Heiser, Jörg, All of a Sudden: Things that Matter in Contemporary Art, published by Sternberg Press, Berlin, Germany, 2008, pp. 47, 180, 183, 186, 187, 191, [ill.] Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008, pp. 127 – 8, 168 Holzwarth, Hans Werner, Art Now: Vol 3, Taschen: Cologne, 2008, pp. 384 – 387 [ill.]. Arte Contemporanea, published by La Biblioteca di Republica – L’espresso, Electa, Spain, 2008, pp. 58 – 9, 108 [ill.] Collage: Assembling Contemporary Art, published by Black Dog Publishing Ltd. London, UK, 2008, pp. 39 [ill.] 2007 Sculptors Drawing, essay by Heidi Zuckerman Jacobson, published byAspen Art Press, Aspen, CO, 2007, p. 15 [ill] Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts, Hornu, Belgium, 2007 Contemporains au Grand – Hornu, Tournai, Belgium, August 2007, pp. 68, 70, 110, 135, 174, 328, [ill] Fast Forward: Contemporary Collections for the Dallas Museum of Art, published by the Dallas Museum of Art, Dallas, Texas, 2007, pp. 294 – 6, [ill.] 2006 Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, Oct 2006, [ill.] Material Time Work Time Life Time, co – published by Eidar Art Centre and Revolver, 2006, pp. 6 – 9 [ill.] Dark Places, curated by Joshua Decter, published by Santa Monica Museum of Art, Santa Monica, California, 2006, pp. 11 [ill.] Esquiador en el Fondo de un Pozo, published by La Colección Jumex, Hong Kong, 2006, pp. 199 [ill.] Bollen, Christopher, Alix Browne and Jason Schmidt eds., Artists, published by Edition 7L, Paris, France, 2006, p. 13 Bowman, Rob and Jen Hoffman, Surprise Surprise, published by the Institute of Contemporary Arts, London, UK, 2006 2005 Ward, Ossian, “Matthew Barney,” Art Now: Volume 2, published by Taschen, 2005, pp. 48 – 51 [ill.] Richer, Francesca and Matthew Rosenzweig, eds., No. 1: First Works by 362 Artists, published by D.A.P., New York, NY, 2005, pp. 29 [ill.] Universal Experience, curated by Francesco Bonami, published by Museum of Contemporary Art, Chicago, IL, pp. 24 [ill.] Drawing from the Modern, 1975 – 2005, organized by Jordan Kantor, published by The Museum of Modern Art, New York, NY, pp. 146 – 7 [ill.] Mahon, Alyce, Eroticism & Art, published by Oxford University Press, New York, NY, 2005, pp. 279 – 81 [ill.] Robertson, Jean and Craig McDaniel, Themes
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    Theanyspacewhatever, 2008, Guggenheim Museum, 2008, 254 pages, Nancy Spector DOWNLOAD http://bit.ly/1YVlSxF http://www.barnesandnoble.com/s/?store=book&keyword=Theanyspacewhatever During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond. DOWNLOAD http://u.to/PP1cc3 http://bit.ly/1FMQSDN New York Family Adventure Guide, Anne Holler, Aug 18, 1996, Travel, 212 pages. Suggests family trips in New York State, and recommends historical sights, zoos, nature centers, festivals, museums, recreation areas, and amusement parks. Jean Prouvé the poetics of the technical object, Jean Prouvé, Alexander von Vegesack, Vitra Design Museum, 2006, Architecture, 384 pages. With his exploration of technical thinking and the objects that arose from this pursuit, Jean Prouve is one of the major figures in architecture and design of the 20th century.