Listado Completo Rsd2018
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Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
Jlaister of ^Iiilo^Tip^P in ENGLISH
A CRITICAL STUDY OF ROBERT BRIDGES' EARLY POETRY DISSERTATION SUBMITTED FOR THE AWARD OF THE DEGREE OF jlaiSter of ^Iiilo^tip^p IN ENGLISH BY S. MUSAVVIR HUSAIN RIZVI UNDER THE SUPERVISION OF PROFESSOR IQBAL HASAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 1994 DS2618 PS^Cl^ r£ <-> ^'^si,,^'^'"' 2 7 FEB W96 n t• Ir \ 1 ! on- '^003 Ted in Co.Tipm6* DEPART Ml EIMT OF ENGLISH ALIGARH MUSLIM UNIVERSITY AND ALIGAR H —202002 (INDIA) MODERN EUROPEAN LANGUAGES TO WHOM IT MAY CONCERN This is to certify that Mr. S. Muaavvir Husain Rizvi has prepared his M.Phil, dissertation under my supervision. The conclusions which he has drawn are the outcome of his study of the primary source material. )^U H^^ Prof. IQBAL HASAN 31.5.'95 Supervisor DEDICAT MY PARENTS AND TEACHERS •iljC K N O W LED G E^MfEjNJT 5 I bow in reverence to the Almighty God whose benign benediction gave me the required zeal for completion of this work. I take this opportunity to express my deep sense of gratitude to my revered supervisor, Prof. Iqbal Hasan, Department of English, for his illuminating guidance and creative supervision of this work right from its inception to its culmination in the present shape. Without his unceasing encouragement and cooperation this work would not have been completed. I am also grateful to Prof. Maqbool Hasan Khan, Chairman, Department of English, for providing me facilities and continuous encouragement. I would be remiss in my gratitude if I do not express my warmest thanks to Dr. Sardar Ali Zaidi, Prof. -
Download This List As PDF Here
QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
Song Lyrics ©Marshall Mitchell All Rights Reserved
You Don’t Know - Song Lyrics ©Marshall Mitchell All Rights Reserved Freckled Face Girl - Marshall Mitchell © All Rights Reserved A freckled face girl in the front row of my class Headin’ Outta Wichita - Harvey Toalson/Marshall Mitchell On the playground she runs way too fast © All Rights Reserved And I can’t catch her so I can let her know I think she is pretty and I love her so Headin’ outta Wichita; we’re headed into Little Rock tonight And we could’ve had a bigger crowd but I think the band was sounding pretty tight She has pigtails and ribbons in her hair With three long weeks on this road there ain’t nothing left to do, you just listen to the radio When she smiles my heart jumps into the air And your mind keeps a’reachin’ back to find that old flat land you have the nerve to call your home And all through high school I wanted her to know That I thought she was pretty and I loved her so Now, you can’t take time setting up because before you know it’s time for you to play And you give until you’re giving blood then you realize they ain’t a’listenin’ anyway I could yell it in assembly And then you tell yourself that it can’t get worse and it does, and all you can think about is breaking down I could write it on the wall And then you find yourself back on the road following a dotted line to another town Because when I am around her I just cannot seem to speak at all I wanna see a starlit night and I wanna hold my baby tight again While in college I saw her now and then And I’m really tired of this grind and I’d sure like to see the face -
Steven Wilson, 17.07.18, Bonn, Kunst!Rasen
Steven Wilson, 17.07.18, Bonn, Kunst!Rasen Der Prince of PopProg als (teils) übellauniger Bademeister »You look wet!« Was die Galligkeit seiner Ansagen angeht, ist Steven Wilson offensichtlich bei seinem Storm Corrosion-Buddy Mikael Akerfeldt in die Lehre gegangen. Allerdings ohne die Leichtigkeit von dessen Humor kopieren zu können. Apropos Sturm und Unwetter: ein solches hatte sich unbemerkt von wetter.de und Regenradar an den Kunst!Rasen angeschlichen und alle frühzeitig Erschienenen einmal gründlich gebadet. Bis der Regen dann nachließ. Nicht nur der ausnahmsweise mal mit dem Fahrrad entlang des Rheins angereiste Autor war – wie man sagen könnte – wet to the bone, ein anderer Betreuer ließ sich von den kurzzeitig wahrnehmbaren Blitzen und Donner sogar leider komplett in die Flucht schlagen. Allen, die zu bleiben riskiert haben, ward auf Wunsch ein rosa Cape zum Lohn (was ein weiteres Steven- Bonmot provozierte: „I see a lot of Pink –Nick (Beggs)‘ favourite colour!“). Zum Schutz Deiner persönlichen Daten ist die Verbindung zu www.flickr.com blockiert worden. Klicke auf Inhalt laden, um die Blockierung zu www.flickr.com aufzuheben. Durch das Laden des Inhalts akzeptierest Du die Datenschutzbestimmungen von www.flickr.com. Für mehr Informationen zum Datenschutz des Anbieters www.flickr.com bitte auf dessen Website informieren, bevor Du den Inhalt nachlädst. Inhalt von www.flickr.com laden Im Folgenden die strukturierte Kurzkritik von Betreuer Wolfgang zum weiteren Geschehen auf dem Rasen: Der Spaß stand wesentlich mehr im Vordergrund als das etwas programmhafte Musizieren der letzten Jahre (das jedoch auch seinen Reiz hatte). Live wirkten die Stücke des letzten Albums wesentlich besser und der Spannungsbogen des Konzerts war auch gut gewählt. -
Water-Saving Ideas Rejected at Meeting
THE TWEED SHIRE Volume 2 #15 Thursday, December 10, 2009 Advertising and news enquiries: Phone: (02) 6672 2280 Our new Fax: (02) 6672 4933 property guide [email protected] starts on page 19 [email protected] www.tweedecho.com.au LOCAL & INDEPENDENT Water-saving ideas Restored biplane gets the thumbs up rejected at meeting Luis Feliu years has resulted in new or modified developments having rainwater tanks Water-saving options for Tweed resi- to a maximum of 3,000 litres but re- dents such as rainwater tanks, recy- stricted to three uses: washing, toilet cling, composting toilets as well as flushing and external use. Rainwater population caps were suggested and tanks were not permitted in urban rejected at a public meeting on Mon- areas to be used for drinking water day night which looked at Tweed Some residents interjected, saying Shire Council’s plan to increase the that was ‘absurd’ and asked ‘why not?’ shire’s water supply. while others said 3,000 litres was too Around 80 people attended the small. meeting at Uki Hall, called by the Mr Burnham said council’s water Caldera Environment Centre and af- demand management strategy had fected residents from Byrrill Creek identified that 5,000-litre rainwater concerned about the proposal to dam tanks produced a significant decrease their creek, one of four options under in overall demand but council had no discussion to increase the shire’s water power to enforce their use. supply. The other options are rais- Reuse not explored Nick Challinor, left, and Steve Searle guide the Tiger -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
January/February 2014
A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 January / February 2014 VOL. 30 nO. 1 January and February Artists at Sundin Music Hall Pete Huttlinger—Fingerstyle Guitar Friday, January 24, 8 pm ete Huttlinger has become widely As part of our statewide known as one of the most awe-inspiring outreach, Mr. Huttlinger will also acoustic guitar players in the world. His perform on Thursday, Jan. 23, Punique arrangements and spell- binding musi- 2014, 7:30 pm, in Grand Rapids, cality and precision have entertained audienc- MN, at the Reif Center—followed es all the way from Los Angeles to Milan. by a concert and school visit the As a recording artist Huttlinger has released next morning. numerous albums and received wide-accep- tance ranging from his critically acclaimed Naked Pop continuing to his current instrumental tour de force, The Black Swan. Praise from the media has been overwhelmingly positive and Huttlinger continues to expand his musical breadth. continued on page 3 Colin Davin—Classical Guitar Saturday, February 15, 8 pm ailed as “the real thing, a player with a virtuoso’s technique, a deeply expressive musicianship, and a probing imagination” (American Record Guide), guitarist Colin Davin is quickly emerging as one of today’s most Hdynamic young artists. He has performed across the United States, including appearances at Alice Tully Hall, the Metropolitan Museum of Art (on historic instru- ments from the museum’s collection), and venues in Los Angeles, Chicago, Miami, Cleveland, Portland, and Austin, in addition to international appearances in France and Spain. -
Claudia Richter, Photos/Layout: Claudia Richter
No Fear of a blank interview By Uwe Häberle And Claudia Richter, Photos/Layout: Claudia Richter During the „Fear of a blank planet“ autumn tour 2007 Steven Wilson was ready to answer the questions of the editors from www.Voyage-PT.de on 13th Novem- ber 2007 at the „LKA“ in Stuttgart, despite the fact that there is no massive promotion effect for the band to be expected from a fan website as e.g. from re- spective music magazines or radio stations. Mr. Wilson presented himself as a deeply grateful conversational partner. And if he enjoyed the questions than the coverage of his answers exceeded the questions many times over. Steven allo- wed fascinating insights into his intellectual world, which significantly influences his creativity. And en passant he proved that he still is a down-to-earth person. There is probably nothing a blank planet“ tour in au- take several pictures. Our Well prepared we came on better for a diehard Porcu- tumn 2007 we retried our main goal was to conduct the dot to the „LKA“ to fire pine Tree fan (beside the miss out chance again and an interview that steps be- our questions at Steven. live events of course ) as to started a new inquiry at the yond the usual questions Not an easy undertaking, ask Steven Wilson exactly record label „Roadrunner“. and that addresses as- as it all causes a great those questions that you „Roadrunner“ arranged pects on which Steven, in excitement on ourselves always wanted to ask. Du- an interview appointment our humble opinion, never that we had to keep under ring the Blackfield tour in on the 13th of November commented on. -
The Clash and Mass Media Messages from the Only Band That Matters
THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people. -
Record Store Day 2018 - 21.04.2018
RECORD STORE DAY 2018 - 21.04.2018 Interpret Titel Format Inhalt Label Aaliyah Back & Forth 12" 1 Legacy Abba Summer Night City 7" 1 Universal Abruptum Evil Genius (Ltd. Marble Silver-Black LP / RSD) LP 1 SOUND POLLUTION / BLACK LODGE RECORDS AC / DC Back In Black MC 1 Epic Adam Sandler They’re All Gonna Laugh At You! LP VINYL 2 Warner Bros. Label Air Sexy Boy SINGLE VINYL 1 PLG France Allman Brothers Band, The Live At The Atlanta Pop Festival July 3 & 5, 1970 LP Set 4 Epic ALTERNATIVE TV DARK PLACES 12" 1 FOURTH DIMENSION Amorphous Androgynous The Isness (The Abbey Road Version) (RSD LP 1 JUMPIN & PUMPIN Angelika Express Best of and Rarities (Limited 10") Vinyl 10" 1 Unter Schafen Records Antonio Sanches Buli povo! (RSD) LP 1 ANALOG AFRICA Antony Gormley Sounds Of The Studio 1 LP 1 Gearbox Records Anywhere Anywhere II (RSD 2018 Exclusive) LP 1 ORG Music ARABROT SINNERMAN LP 1 PELAGIC Arcade Fire Arcade Fire EP 12" 1 Columbia ARMSTRONG,TIM A Poet's Life - RSD Edition LP 1 Epitaph AT THE GATES GARDENS OF GRIEF EP 1 BACK ON BLACK RECORD STORE DAY 2018 - 21.04.2018 Interpret Titel Format Inhalt Label Awolnation Live in Vienna 7" 1 Red Bull BALDRY, LONG JOHN & HOOCHIE COOCHIE MEN FILTHY MCNASTY EP 7" 1 1960'S RECORDS BALMORHEA TILLERY / CHIME 7" 1 WESTERN VINYL Base, Rob & DJ EZ Rock It Takes Two LP 1 Legacy BASS COMMUNION (STEVEN WILSON) BASS COMMUNION LP 2 HIDDEN ART BATMOBILE TEENAGE LOBOTOMY 7" 1 Music On Vinyl Baxter Dury Miami (Ltd.