HG Wells' Anticipations
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Ann Veronica a Modern Love Story by H
ANN VERONICA A MODERN LOVE STORY BY H. G. WELLS CONTENTS CHAP. I. ANN VERONICA TALKS TO HER FATHER II. ANN VERONICA GATHERS POINTS OF VIEW III. THE MORNING OF THE CRISIS IV. THE CRISIS V. THE FLIGHT TO LONDON VI. EXPOSTULATIONS VII. IDEALS AND A REALITY VIII. BIOLOGY IX. DISCORDS X. THE SUFFRAGETTES XI. THOUGHTS IN PRISON XII. ANN VERONICA PUTS THINGS IN ORDER XIII. THE SAPPHIRE RING XIV. THE COLLAPSE OF THE PENITENT XV. THE LAST DAYS AT HOME XVI. IN THE MOUNTAINS XVII. IN PERSPECTIVE "The art of ignoring is one of the accomplishments of every well-bred girl, so carefully instilled that at last she can even ignore her own thoughts and her own knowledge." ANN VERONICA CHAPTER THE FIRST ANN VERONICA TALKS TO HER FATHER Part 1 One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. A crisis had been reached, and she was almost glad it had been reached. She made up her mind in the train home that it should be a decisive crisis. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell. She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. -
Inhuman Power: Infrastructural Modernism and the Fiction of Social Form
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form Natalie Amleshi University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Modern Literature Commons, and the Other History Commons Recommended Citation Amleshi, Natalie, "Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form" (2019). Publicly Accessible Penn Dissertations. 3442. https://repository.upenn.edu/edissertations/3442 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3442 For more information, please contact [email protected]. Inhuman Power: Infrastructural Modernism And The Fiction Of Social Form Abstract E.M. Forster’s imperative to “only connect” has long been read as modernist slogan for the rarefied depth of authentic interpersonal intimacy. Reframing the historical co-emergence of literary modernism and modern social science, this project tells a different story—not of connections between exceptional humans, but of connections between persons and environments. The prevailing canons of modernism have not yet grasped the internal complexity of early-twentieth-century debates regarding the interdependence of human and nonhuman agency. Early-twentieth-century sociologists like Émile Durkheim grounded both the autonomy of human culture and the disciplinary authority of sociology on the premise of species exceptionalism—the independence -
Thorstein Veblen and HG Wells
020 brant (453-476) 1/30/08 9:14 AM Page 453 View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks PATRICK BRANTLINGER AND RICHARD HIGGINS Waste and Value: Thorstein Veblen and H. G. Wells Trashmass, trashmosh. On a large enough scale, trashmos. And— of course—macrotrashm! . Really, just think of it, macrotrashm! Stanislaw Lem, The Furturological Congress INTRODUCING FILTH: DIRT, DISGUST, and Modern Life, William Cohen declares: “polluting or filthy objects” can “become conceivably productive, the discarded sources in which riches may lie.”1 “Riches,” though, have often been construed as “waste.” The reversibility of the poles—wealth and waste, waste and wealth— became especially apparent with the advent of a so-called consumer society dur- ing the latter half of the nineteenth century. A number of the first analysts of that economistic way of understanding modernity, including Thorstein Veblen and H. G. Wells, made this reversibility central to their ideas.2 But such reversibility has a much longer history, involving a general shift from economic and social the- ories that seek to make clear distinctions between wealth and waste to modern ones where the distinctions blur, as in Veblen and Wells; in some versions of post- modernism the distinctions dissolve altogether. Cohen also writes: “As it breaches subject/object distinctions . filth . covers two radically different imaginary categories, which I designate polluting and reusable. The former—filth proper—is wholly unregenerate.”3 Given the reversibility of the poles (and various modes of the scrambling or hybridization of values), what is the meaning of “filth proper”? Proper filth? Filthy property? Is there any filth that is not potentially “reusable” and, hence, valuable? Shit is valu- able as fertilizer, and so on. -
Making Meaning Together: Information, Rumor, and Propaganda in British Fiction of the First World War
ABSTRACT Title of Document: MAKING MEANING TOGETHER: INFORMATION, RUMOR, AND PROPAGANDA IN BRITISH FICTION OF THE FIRST WORLD WAR. Rebecca Borden, Ph.D., 2012 Directed By: Associate Professor Peter Mallios, Department of English. Through an examination of fiction by H.G. Wells, Joseph Conrad, and John Buchan, this dissertation examines information as a category as it exists under conditions of modernity, and how the contours of and changes in definitions and understandings of modern information become more visible, and are likely accelerated by, the complex information challenges brought about by the disruptions of the First World War. Given that “information” is a key building-block in understanding systems of knowledge in modernity, this dissertation incorporates theoretical constructs describing information drawn from a variety of disciplines, all of which circle around the problems and concerns of the increasingly saturated, complex, and untethered nature of information as experienced by an individual in modern life. This project also highlights the role that rumor plays in modernity. The war years bring an expansion of government-directed information control, both in the form of actively produced propaganda and in the form of censorship, disrupting the conduits along which information travels under normal conditions. Rumor, generally considered a pre-modern form of communication, remains a part of modern information systems and provides a mechanism for making meaning when other sources of information begin to fail. This dissertation also considers how “wartime” fiction, as a category distinct from pre-war and post-war fiction, is a revealing domain of literature in its own right, and one that has been overlooked in scholarship on literature of the First World War. -
HG Wells and Dystopian Science Fiction by Gareth Davies-Morris
The Sleeper Stories: H. G. Wells and Dystopian Science Fiction by Gareth Davies-Morris • Project (book) timeline, Fall 2017 • Wells biography • Definitions: SF, structuralism, dystopia • “Days to Come” (models phys. opps.) • “Dream of Arm.” (models int. opps.) • When the Sleeper Wakes • Intertextuality: Sleeper vs. Zemiatin’s We • Chapter excerpt Herbert George Wells (1866-1946) The legendary Frank R. Paul rendered several H. G. Wells narratives as covers for Hugo Gernsback’s influential pulp magazine Amazing Stories, which reprinted many of Wells’s early SF works. Clockwise from top: “The Crystal Egg” (1926), “In the Abyss” (1926), The War of the Worlds (1927), and When the Sleeper Wakes (1928) Frank R. Paul, cover paintings for Amazing Stories, 1926-1928. “Socialism & the Irrational” -- Wells-Shaw Conference, London School of Economics Fall 2017 Keynote: Michael Cox Sci-Fi artwork exhibit at the Royal Albert Hall! Fabian stained -glass window in LSE “Pray devoutly, hammer stoutly” Gareth with Professor Patrick Parrinder of England’s U. of Reading • Studied at the Normal School (now Imperial College London) with T.H. Huxley. • Schoolteacher, minor journalist until publication of The Time Machine (1895). • By 1910, known worldwide for his “scientific romances” and sociological forecasting. • By the 1920s, syndicated journalist moving in the highest social circles in England and USA. • Met Lenin, Stalin, and several US Presidents. • Outline of History (1920) a massive best-seller. • World State his philosophical goal; Sankey Declaration/UN -
The New Machiavelli
THE NEW MACHIAVELLI by H. G. Wells CONTENTS BOOK THE FIRST: THE MAKING OF A MAN CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN CHAPTER THE SECOND ~~ BROMSTEAD AND MY FATHER CHAPTER THE THIRD ~~ SCHOLASTIC CHAPTER THE FOURTH ~~ ADOLESCENCE BOOK THE SECOND: MARGARET CHAPTER THE FIRST ~~ MARGARET IN STAFFORDSHIRE CHAPTER THE SECOND ~~ MARGARET IN LONDON CHAPTER THE THIRD ~~ MARGARET IN VENICE CHAPTER THE FOURTH ~~ THE HOUSE IN WESTMINSTER BOOK THE THIRD: THE HEART OF POLITICS CHAPTER THE FIRST ~~ THE RIDDLE FOR THE STATESMAN CHAPTER THE SECOND ~~ SEEKING ASSOCIATES CHAPTER THE THIRD ~~ SECESSION CHAPTER THE FOURTH ~~ THE BESETTING OF SEX BOOK THE FOURTH: ISABEL CHAPTER THE FIRST ~~ LOVE AND SUCCESS CHAPTER THE SECOND ~~ THE IMPOSSIBLE POSITION CHAPTER THE THIRD ~~ THE BREAKING POINT Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com BOOK THE FIRST: THE MAKING OF A MAN Downloaded from https://www.holybooks.com CHAPTER THE FIRST ~~ CONCERNING A BOOK THAT WAS NEVER WRITTEN 1 Since I came to this place I have been very restless, wasting my energies in the futile beginning of ill- conceived books. One does not settle down very readily at two and forty to a new way of living, and I have found myself with the teeming interests of the life I have abandoned still buzzing like a swarm of homeless bees in my head. My mind has been full of confused protests and justifications. In any case I should have found difficulties enough in expressing the complex thing I have to tell, but it has added greatly to my trouble that I have a great analogue, that a certain Niccolo Machiavelli chanced to fall out of politics at very much the age I have reached, and wrote a book to engage the restlessness of his mind, very much as I have wanted to do. -
Feeling Like a Clerk in H. G. Wells
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks Feeling Like a Clerk in H. G. Wells Richard Higgins We’re all respectable householders—that’s to say Tories, yes-men and bumsuckers. —George Orwell, Coming Up for Air (16) . G. Wells was an explosively moody man, subject to caprice, reckless passion, and perverse, self-defeating acts of impru- Hdence (MacKenzie xxx). His powerful emotions led to resent- ment and irresponsibility as a clerk, to rebellion and failure at university, and to life-long philandering that threatened his relations with those closest to him. Let’s begin, then, with an interpretation of these emotions, the impulses that he would later spend so much time describing in his autobiographies, Experiment in Autobiography (1934) and H. G. Wells in Love (1984). I would contend that his impulses were largely the product of his lower-middle-class origins, both a reaction to his strained circum- stances and a way to distinguish himself from others like him. These impulses led to reckless acts that deflected his frustration and shame as a member of the lower middle class. From his own perspective, though, they helped to make him an “originative intellectual worker,” emerging from a sea of small-minded clerks and students (Experiment 17). Even as they resulted in acts of self-sabotage, they masqueraded as sui generis emotions that, like the inspirations of a self-made man, marked him as something more than a product of his class. And yet, even late in life, Wells’s impulses were bound up with Abstract: In three turn-of-the-century novels about clerks and scholarship boys, H. -
English Literature in Past Times
International Journal of Academic Multidisciplinary Research (IJAMR) ISSN: 2643-9670 Vol.5 Issue 5, May – 2021, Pages: 71-73 English literature in past times 1Gulmira Juraboyeva and 2Dinara Saydullayeva Lutfulla qizi 1Student of Samarkand state institute of foreign languages +998979214973 [email protected] 2Student of National University of Uzbekistan named after Mirzo Ulugbek +998935531901 Abstract: In general, literature can function as the mirror that reflects the society. The world has been a subject to a large number of wars and battles. Specifically, the Second World War was a major destructive conflict that has left its effects on the international level. Since war existed, there have been many writers trying creatively to explore it in a way of turning the battlegrounds into influential narratives. In this regard, numerous British authors of post- WWII era have been attracted to respond to the Second World War in their post-war fiction in order to portray its barbarism and devastation. Keywords: literature, Herbert George Wells, genres, works, affection. Introduction In fact, in the aftermath of World War the British society witnessed a series of social changes that dramatically lead to general feeling of disillusionment and uncertainty. Consequently, post-World War British writers took it upon themselves to create narratives that investigate in sometimes a philosophical manner the damages of war and its impact on individuals. Among the writers of post-World war era is Herbert George Wells who is one the greatest contemporary authors. Undoubtedly, war and literature are inseparable. Numerous literary texts were written in order to respond to the wars and to trace its impacts on the individual’s sense of existence. -
1 Introduction
Notes 1 Introduction 1. H. G. Wells, Interview with the Weekly Sun Literary Supplement, 1 December 1895; reprinted in ‘A Chat with the Author of The Time Machine, Mr H. G. Wells’, edited with comment by David C. Smith, The Wellsian, n.s. 20 (1997), 3–9 (p. 8). 2. Wells himself labelled his early scientific fantasies as ‘scientific romances’ when he published a collection with Victor Gollancz entitled The Scientific Romances of H. G. Wells in 1933, thus ensuring the adoption of the term in subsequent critical discussions of his work. The term appears to have origi- nated with the publication of Charles Howard Hinton’s Scientific Romances (1886), a collection of speculative scientific essays and short stories. 3. It should be noted, however, that Wells’s controversial second scientific romance, The Island of Doctor Moreau (1896), did not appear in a serialised form. However, The Invisible Man was published in Pearson’s Weekly in June and July 1897, When the Sleeper Wakes was published in The Graphic between January and May 1899, The First Men in the Moon was published in the Strand Magazine between December 1900 and August 1901 and A Modern Utopia was serialised in the Fortnightly Review between October 1904 and April 1905. 4. A number of Wells’s most significant scientific essays have been available for some time in an anthology, H. G. Wells: Early Writings in Science and Science Fiction, ed. by Robert M. Philmus and David Y. Hughes (London: University of California Press, 1975). 5. ‘A Chat with the Author of The Time Machine’, p. -
The Suffragette Movement in H.G. Wells's Ann Veronica
The suffragette movement in H.G. Wells’s Ann Veronica and May Sinclair’s… 143 P O L I L O G . S T U D I A N E O F I L O L O G I C Z N E nr 6 ss. 143-154 2016 ISSN 2083-5485 © Copyright by Institute of Modern Languages of the Pomeranian University in Słupsk Received: 29.08.2015 Original research paper Accepted: 25.05.2016 THE SUFFRAGETTE MOVEMENT IN H.G. WELLS’S ANN VERONICA AND MAY SINCLAIR’S THE TREE OF HEAVEN Brygida Pudełko Uniwersytet Opolski Opole, Polska [email protected] Key words: H.G. Wells, May Sinclair, suffragette movement, militant suffragettes, feminism The Edwardian writer1 was writing for a steadily growing reading public, the ma- jority of which were, however, still middle-class and the texts they read largely de- scribed the sort of life many were living in middle-class society. Novels dealing with society, social problems and situations – what is often called the “social novel” – were the dominant form. This kind of text varies from the family saga, offering the depiction of a large number of characters over a period of time, to the portrayal of only a very short span of the character’s life. Many writers of the period would, in fact, make use of the novel to enlighten the public about contemporary life, and for this purpose the amplitude of form was useful. There were a range of negative repre- sentations of suffragists written by both men and women writers and, equally, there was suffrage fiction that endorsed the cause for the reading public. -
Utopia: an Idea-Centered Activity for Accelerated
UTOPIA: AN IDEA-CENTERED ACTIVITY FOR ACCELERATED TWELFTH GRADE STUEBNTS THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER Of AITS By Mary F. Mull, B. S., M. E, if Denton, Texas January, 1970 TOCFIAl AH IEBA-CENTERED ACTIVITY FOR ACCELERATED TWELFTH GRACE STUDENTS APPROVED? <r.. ex. f Major Professor Director of th# Department of English Dean of the Graduate School TABLE OF CONTENTS Chapter Page I, INTRODUCTION 1 11. SIR THCMAS MQRB'S UTOPIA 9 III. THE UTOPIA OF B. F. SKimmM . 33 IV. EVALUATION. 62 BIBLIOGRAPHY 63 lii CHAPTER I INTR ODUCT ION Through the apis dissatisfaction with his environment has provoked man to envision th« ideal oar "Utopian" setting which would be more to his liking. The discontent of today's youth with the world it has inherited echoes the com- plaints of past generations and yet is of particular signifi- cance and relevance to the twelfth grade student soon to enter the college community where protests are becoming in- creasingly more articulate and effective. Established insti- tutions and behavior codes are challenged with impunity although critics charge that such dissent is irresponsible and unsupported by positive, alternative proposals for im- provement . English teachers have long suspected that the unsatis- factory mastery of language skills may be partially attributed to the fact that students quite simply have nothing to say. Language is, after all, a vehicle for the communication of thought rarely stimulated by the well-worn topics presented futilely though faithfully to students year after year. -
The Journal of the HG Wells Society. This Is My First Editorial in the C
EDITORIAL Welcome to the 2016 issue of The Wellsian: The Journal of the H. G. Wells Society. This is my first editorial in the capacity of Editor-in-Chief, which I have taken over from Simon J. James. Therefore, I would like to use this opportunity to give him a big hand for all the editorial work he has accomplished in the course of nearly a decade. I mean not only the excellent quality of the materials he selected and saw through the publication process, but also the creation and maintenance of a digital archive wherein back issues of the journal will be stored and become available on a specially designated platform, increasing the international visibility of our Society. My thanks also go to Patrick Parrinder, who shared his valuable advice and Wells- related bibliographies. The cover image for this issue was designed by my friend, Natallia Lameka of the Belarusian State University. Most recently, The Wellsian has received positive re-evaluation as an integral part of the European Reference Index for the Humanities (ERIH) in line with the newest requirements for the review, presentation and availability of academic outputs. Such a level of recognition means that our journal meets the high standards for an international peer-reviewed periodical. This current issue features four articles, two of which stem from the 2015 conference on war in Wells’s fiction and thought. Matthew Wraith and Bernard Loing explore the distinct meanings of war circumscribed by anticipations and warnings, on the one hand, and inner experience, on the other; war as an imaginative exercise in destruction and subsequent re- organisation of society, and war as private loss, dilemma and struggle.