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Chapter 8 Building a State: Genoa's Rise and Fall
Chapter 8 Building a State: Genoa’s Rise and Fall Many countries today are facing the challenge of building states that effectively promote political stability, curtail political violence, and foster economic prosperity. Late medieval Europe witnessed a wave of attempts to create such states, particularly in the form of the city- states of northern Italy (see, for example, Waley 1988). No micro-analytical examination of this process of state-building has been conducted and its lessons has not been uncovered. This chapter examines the state-building process in the city-state of Genoa, which emerged from obscurity to become one of the wealthiest cities in Europe but whose history was characterized by frequent intracity political violence and relative economic decline. The chapter provides a microanalytical examination of the historical process of state-building in Genoa while explicitly recognizing the need to study the polity as an equilibrium outcome in which actors can choose between predatory and economic behavior. Two perspectives dominate the study of the relationships between political institutions and economic prosperity, neither of which adequately accounts for Genoa’s experience. The first perspective assumes the existence of a predator-ruler, a ruler with a monopoly over coercive power. According to this view, promoting prosperity entails building institutions that enable the ruler to credibly commit to respecting property rights.1 This perspective cannot be applied to the city-state of Genoa, which had no de facto ruler with or without a monopoly over coercive power at the time it was established. The second, neo-Hobbesian, perspective on state-building assumes that the state reflects attempts by economic agents to advance their interests, as “the state produces order,” and provides other public goods that benefit them (Hardin 1997, p. -
9783030335694.Pdf
Research for Development Bruno Daniotti Marco Gianinetto Stefano Della Torre Editors Digital Transformation of the Design, Construction and Management Processes of the Built Environment Research for Development Series Editors Emilio Bartezzaghi, Milan, Italy Giampio Bracchi, Milan, Italy Adalberto Del Bo, Politecnico di Milano, Milan, Italy Ferran Sagarra Trias, Department of Urbanism and Regional Planning, Universitat Politècnica de Catalunya, Barcelona, Barcelona, Spain Francesco Stellacci, Supramolecular NanoMaterials and Interfaces Laboratory (SuNMiL), Institute of Materials, Ecole Polytechnique Fédérale de Lausanne (EPFL), Lausanne, Vaud, Switzerland Enrico Zio, Politecnico di Milano, Milan, Italy; Ecole Centrale Paris, Paris, France The series Research for Development serves as a vehicle for the presentation and dissemination of complex research and multidisciplinary projects. The published work is dedicated to fostering a high degree of innovation and to the sophisticated demonstration of new techniques or methods. The aim of the Research for Development series is to promote well-balanced sustainable growth. This might take the form of measurable social and economic outcomes, in addition to environmental benefits, or improved efficiency in the use of resources; it might also involve an original mix of intervention schemes. Research for Development focuses on the following topics and disciplines: Urban regeneration and infrastructure, Info-mobility, transport, and logistics, Environment and the land, Cultural heritage and landscape, Energy, Innovation in processes and technologies, Applications of chemistry, materials, and nanotech- nologies, Material science and biotechnology solutions, Physics results and related applications and aerospace, Ongoing training and continuing education. Fondazione Politecnico di Milano collaborates as a special co-partner in this series by suggesting themes and evaluating proposals for new volumes. -
The History of Painting in Italy, Vol. V
The History Of Painting In Italy, Vol. V By Luigi Antonio Lanzi HISTORY OF PAINTING IN UPPER ITALY. BOOK III. BOLOGNESE SCHOOL. During the progress of the present work, it has been observed that the fame of the art, in common with that of letters and of arms, has been transferred from place to place; and that wherever it fixed its seat, its influence tended to the perfection of some branch of painting, which by preceding artists had been less studied, or less understood. Towards the close of the sixteenth century, indeed, there seemed not to be left in nature, any kind of beauty, in its outward forms or aspect, that had not been admired and represented by some great master; insomuch that the artist, however ambitious, was compelled, as an imitator of nature, to become, likewise, an imitator of the best masters; while the discovery of new styles depended upon a more or less skilful combination of the old. Thus the sole career that remained open for the display of human genius was that of imitation; as it appeared impossible to design figures more masterly than those of Bonarruoti or Da Vinci, to express them with more grace than Raffaello, with more animated colours than those of Titian, with more lively motions than those of Tintoretto, or to give them a richer drapery and ornaments than Paul Veronese; to present them to the eye at every degree of distance, and in perspective, with more art, more fulness, and more enchanting power than fell to the genius of Coreggio. Accordingly the path of imitation was at that time pursued by every school, though with very little method. -
The Power of Images in the Age of Mussolini
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Power of Images in the Age of Mussolini Valentina Follo University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Follo, Valentina, "The Power of Images in the Age of Mussolini" (2013). Publicly Accessible Penn Dissertations. 858. https://repository.upenn.edu/edissertations/858 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/858 For more information, please contact [email protected]. The Power of Images in the Age of Mussolini Abstract The year 1937 marked the bimillenary of the birth of Augustus. With characteristic pomp and vigor, Benito Mussolini undertook numerous initiatives keyed to the occasion, including the opening of the Mostra Augustea della Romanità , the restoration of the Ara Pacis , and the reconstruction of Piazza Augusto Imperatore. New excavation campaigns were inaugurated at Augustan sites throughout the peninsula, while the state issued a series of commemorative stamps and medallions focused on ancient Rome. In the same year, Mussolini inaugurated an impressive square named Forum Imperii, situated within the Foro Mussolini - known today as the Foro Italico, in celebration of the first anniversary of his Ethiopian conquest. The Forum Imperii's decorative program included large-scale black and white figural mosaics flanked by rows of marble blocks; each of these featured inscriptions boasting about key events in the regime's history. This work examines the iconography of the Forum Imperii's mosaic decorative program and situates these visual statements into a broader discourse that encompasses the panorama of images that circulated in abundance throughout Italy and its colonies. -
The Genoese in Chios, I346-1566
418 July Downloaded from The Genoese in Chios, i346-1566 F the Latin states which existed in Greek lands between the Latin conquest of Constantinople in 1204 and the fall of O http://ehr.oxfordjournals.org/ the Venetian republic in 1797, there were four principal forms. Those states were either independent kingdoms, such as Cyprus ; feudal principalities, of which that of Achaia is the best example ; military outposts, like Rhodes ; or colonies directly governed by the mother-country, of which Crete was the most conspicuous. But the Genoese administration of Chios differed from all the other Latin creations in the Levant. It was what we should call in modern parlance a Chartered Company, which on a smaller at Memorial University of Newfoundland on April 4, 2015 scale anticipated the career of the East India and the British South Africa Companies in our own history. The origins of the Latin colonization of Greece are usually to be found in places and circumstances where we should least expect to find them. The incident which led to this Genoese occupation of the most fertile island of the Aegean is to be sought in the history of the smallest of European principalities—that of Monaco, which in the first half of the fourteenth century already belonged to the noble Genoese family of Grimaldi, which still reigns over it. At that time the rock of Monaco and the picturesque village of Roquebrune (between Monte Carlo and Mentone) sheltered a number of Genoese nobles, fugitives from their native city, where one of those revolutions common in the medieval republics of Italy had placed the popular party in power. -
Settlement Patterns and Defence on Northern Chios, 9Th - 16Th Centuries
“CAPITANIA VALISSO CASTRUM DICTI LOCI”: SETTLEMENT PATTERNS AND DEFENCE ON NORTHERN CHIOS, 9TH - 16TH CENTURIES by IOANNA NIKOLAOU KOUKOUNI A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Institute of Archaeology and Antiquity College of Arts & Law University of Birmingham December 2011 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. TO THE REVERED MEMORY OF MY FATHER AND OF MY GRANDPARENTS, AND ALL OUR NORTH-CHIOT ANCESTORS FOR THEY PLOUGHED THIS LAND WITH THE TEARS OF THEIR TOIL. I PAY THIS TRIBUTE ABSTRACT This thesis is a survey of Mount Amani, the northwestern province of Chios island (east Aegean). The thesis examines the natural environment and explores the landscape using different kinds of information, in order to reconstruct the medieval historical topography of this region and to contribute to the problématique of the history and evolution of the Byzantine village and its remarkable longevity. The methodology applied ranges from the scanty literary sources, and visible archaeological evidence, and extends to the tracing of any sign of human activity on the landscape. -
Genoa and Its Treasures
Comune di Genova - Ufficio sviluppo e Promozione del Turismo Palazzo delle Torrette - Via Garibaldi, 12r [email protected] www.genova-turismo.it Tourist Information Centres (T.I.C.) IAT Via Garibaldi Useful info: Via Garibaldi 12r Ph. +39 010 55 72 903/ 751 Genoa Aquarium Fax +39 010 55 72 414 www.acquariodigenova.it (7/7 - h. 9.00 - 18.30) C. Colombo Airport [email protected] Ph. +39 010 60 151 - www.airport.genova.it IAT De Ferrari City sightseeing open top bus Largo Pertini 13 Genova in Tour Pesci Viaggi Ph. +39 010 86 06 122 Ph. +39 010 53 05 237 - Mobile +39 328 98 55 419 Fax +39 010 86 06 476 www.pesciviaggi.it (7/7 - h. 9.00 - 13.00 / 14.30 - 18.30) [email protected] Hop-on hop-off city tour CITYSIGHTSEEING GENOVA IAT C. Colombo Airport (arrivals area) Ph. +39 010 86 91 632 Genova - Sestri Ponente www.genova.city-sightseeing.it Ph./Fax +39 010 60 15 247 (7/7 - h. 9.00 - 13.00 / 13.30 - 17.30) Genoa Museums [email protected] www.museidigenova.it - www.rolliestradenuove.it Radio Taxi Walking guided tour to the historical centre Ph. +39 010 5966 - www.cooptaxige.it and the Palazzi dei Rolli, UNESCO World Heritage Visit of the city with little train Every weekend you can visit the historical city Trenino Pippo centre and discover the fascination of some of Ph. +39 328 69 42 944 - www.treninopippo.it the famous Palazzi dei Rolli. Trains More information about costs and languages Ph. -
Selected Directory of the Italians in Chicago : Market Guide and Yearly
Selecueoi dilrecxoiry of ihe Ilolieoas in Chic:A< ™r>3'''''^«9SsslM^ \;1 LfBRARy OF THF .NIVERSfTY 0:- Selected Directory OF THE Italians of Chicago MARKET GUIDE AND YEARLY INFORMATION BULLETIN Listing 4,500 Firms, Stores and Professional Men Compiled by Lisi Cipriani, Ph. D., U. of C. and issued under the Auspices of The Royal Italian Consulate of Chicago ISSUE 1930 Dedico commossa a quel cari emigrati e figli che con santo lavoro crescono gloria airitalia. CHICAGO, ILL. Copyrighted 1930 by Lisi Cipr'ani MARKET GUIDE AND YEARLY BULLETIN OF INFORMATION BANKS \Second Security BANK] A^re / MilwaxiUoc. Ave, cu_JWpit£rjt Queste Banche sono governate dallo stesso Consiglio di Direttori ed hanno risorse sopra Quindici Milioni di Dollar! Sotto il controllo dello Stato e della Chicago Clearing House Association Depositi a risparmio al 3^'' e commerciali contro Cheques Vaglia Postali e Telegrafici Si spediscono lire e doUari telegraficamente in Italia e gli ordini vengono eseguiti dalle nostre Banche di la dal mare in 4 giorni. Real Estate Department — Comprate i Primi Mortgages che vi fruttano il Sei per cento Assicurazioni — Atti Notarili — Francobolli Italiani Cassette forti di sicurezza Ogni servizio e Trust Department JAMES B. FORGAN Jr., Chairman of Board NORMAN B. COLLINS. President Security Bank Milv^ravikoe Ave. or Carpcritor Si. ;^ ) ; MARKET GUIDE AND YEARLY BULLETIN OF INFORMATION BANKS 'Htt. Li^iJiiU Or ji'ic ^f/ir^^ ',^rj. IINIVFBSITV OF m'tnr,'.<* BANCO DI NAPOLI LA BANCA PIU' ANTICA DEL MONDO Fondato nell'Anno 1539 Patrimonio e Riserve L. 1.315.000.000 AGENZIA DI CHICAGO 906-08-10 so. -
Domenico Piola and His Drawings
DOMENICO PIOLA AND HIS DRAWINGS: A STUDY OF HIS FRESCO PREPARATIONS By TESSA MARIECHEN TER HORST Bachelor of Arts, 2017 University of Denver Denver, CO Submitted to the Faculty Graduate Division of the College of Fine Arts Texas Christian University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2019 DOMENICO PIOLA AND HIS DRAWINGS: A STUDY OF HIS FRESCO PREPARATIONS Thesis Approved: Major Professor, Dr. Babette Bohn, Professor of Art History Dr. Jessica Fripp, Assistant Professor of Art History Dr. Nancy Edwards, Curator of European Art, Kimbell Art Museum Dr. Joseph Butler, Associate Dean, College of Fine Arts ii iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to my primary thesis advisor, Dr. Babette Bohn, for her support and guidance through the thesis process. I also want to thank my other thesis committee members, Dr. Jessica Fripp and Dr. Nancy Edwards, whose expertise and advice greatly enhanced my thesis. I would like to thank the staff of the Palazzo Rosso, the British Museum, the Victoria and Albert Museum, the Blanton Museum of Art, and the Morgan Library for aiding my primary research at their collections. A special thanks to Dr. Margherita Priarone at Palazzo Rosso for kindly directing me through their collection- Grazie! I would like to express my gratitude to Dr. Lori Diel, Dr. Mark Thistlethwaite, and Dr. Frances Colpitt for their continued support throughout the program. Thank you to Edith Riley- Peinado, Taylor Day, and Hannah Plank in the Visual Resource Library for their constant encouragement and help with any issues, technological or otherwise. -
Christopher Columbus a Greek Nobleman
CHRISTOPHER COLUMBUS A GREEK NOBLEMAN © James L. Marketos 2008 A Lecture Presented to the Hellenic Society “Prometheas” Friday, October 3, 2008 at 7:30 p.m. St. George Greek Orthodox Church, Founders Hall 7701 Bradley Boulevard, Bethesda, Maryland 20817 Introduction When I was young, I could count on an argument with my father every year right around this time -- around Columbus Day. I would insist that Christopher Columbus was Italian -- Genoese to be precise -- as I had been taught in school. My father would smile and respond, “No, he was Greek.” I would roll my eyes, thinking this was just another example of ardent Greek chauvinism. “And I’ve got the book to prove it,” he would continue, pointing to a blue-covered book high on a shelf. That book came to me after my father died. And last year, around Columbus Day, I decided to find out what my father had been talking about. So I pulled the book off the shelf and, rather skeptically, began to read it. I simply could not 2 put it down; and when I was finished it completely changed my thinking about Christopher Columbus. This evening, I would like to bring that book and its thesis to your attention, and reconsider with you the possibility that Columbus was in fact Greek. It turns out that we know precious little about Columbus before he “sailed the ocean blue in 1492.” There is very little documentary evidence about him before about 1476, when he says he arrived in Portugal. And Columbus was cryptic about his origins -- some say purposely. -
THE ZACCARIA DEAL * Contract and Options to Fund a Genoese Shipment of Alum to Bruges in 1298 Eric Briys ‡ Didier Joos De
© Eric Briys, Didier Joos de ter Beerst, all rights reserved THE ZACCARIA DEAL * Contract and options to fund a Genoese shipment of alum to Bruges in 1298 Eric Briys ‡ Didier Joos de ter Beerst § This draft : July 2006 Presented at XIV International Economic History Congress, (Helsinki, August 2006) Abstract : This paper analyses one of the most fascinating late medieval commercial contract. Some have advanced that it is was the first ever written maritime insurance. If any contract is a nexus of options, our inquiry demonstrates that Genoese merchants in XIIIe designed unique option-based provisions in order to match all together: (I) expectations and risk appetite from contracting parties; (ii) the logic of the business model for long distant maritime trade; (iii) the prevailing institutional context. Benedetto Zaccaria (circa 1240-1307), the central figure in this deal, established his leadership in the trading of alum from mines in the East, in today’s Turkey, to Western Europe. This leadership was based on his unique business franchise : exclusivity of supply from one of the two biggest alum mines, diplomatic and military connections with many rulers, nautical skills. Zaccaria managed this franchise by numerous contracts with family members, associates, external financiers. These contracts were aimed at both managing his business but also designing original risks management solutions to mitigate, transfer and finance risks attached to his business: price, casualty, currency, liquidity. Contracting had some institutional constraints : the sea loan prohibition (Naviganti, 1334), the absence of a stock- exchange and insurance underwriters, the lack of Genoese sedentary agents and public institutions in Low Countries. -
Journaf of Tfie !French-Canaiian Heritage Society of Mic!Zigan I
E R ' ' I A G' E .· Journaf of tfie !French-Canaiian Heritage Society of Mic!zigan I . Vol. 28 #2 Apr. 2007 Correction of Catherine Baillon's Grimaldi Ancestry John P. DuLong, FCHSM member ([email protected]) Many French Canadians descend from the noble lady Catherine Baillon and through her they have ancestors far removed from the cold shores of the St. Lawrence. Among her medieval Franco-Italian ancestors who once basked in the warmth of the Mediterranean are the Grimaldis. In the Table d'ascendance de Catherine Bail/on (12 generations) two Grimaldi descents for Catherine Baillon are presented. 1 The first goes through the Grimaldi of Beuil family and the second is through the Grimaldi of Antibes family. 2 While the former stands intact, the latter is in need of correction. In the ninth generation of Catherine Baillon's ancestry she descends from Rainier Lascaris, count of Vintimille and eo-seigneur of La Briga and Limone. He was the son of Ludovic (or Louis) Lascaris, count of Vintimille, and Tiburge Grimaldi de Beuil. Rainier was married around 1400-1403 to Madeleine Grimaldi, the daughter of Luc Grimaldi and Yolande Grimaldi, whose parents, and thus her relationship to Luc, are unknown. Luc was the brother of Marc Grimaldi, with whom he shared the seigneuries of Antibes, Cagnes, and Menton. 3 It is well established that Luc and Marc were the sons of Antoine Grimaldi who was married to Catherine Doria. 4 The issue is who are the parents of Antoine Grimaldi? In the Table d'ascendance de Catherine Baillon (12 generations) the answer to this question is that Antoine Grimaldi was the son of Rainier I Grimaldi, the founder of the family that eventually became the princes of Monaco.