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“TransJenner” Exploring the role of Caitlyn Jenner in I Am Cait; an unsolicited spokesperson for the trans community? Kristian Otterstad Andresen A Master Thesis presented to the Department for Literature, Area Studies and European Languages North American Area Studies Faculty of Humanities ENG4790 (Credits: 30) Supervisor: Associate Professor Deborah L. Kitchen- Døderlein, Ph.D. UNIVERSITY OF OSLO Spring 2016 “TransJenner” Exploring the role of Caitlyn Jenner in I Am Cait; an unsolicited spokesperson for the Trans community? Kristian Otterstad Andresen II © Kristian Otterstad Andresen 2016 “TransJenner”: Exploring the role of Caitlyn Jenner in I Am Cait; an unsolicited spokesperson for the trans community? Kristian Otterstad Andresen http://www.duo.uio.no/ Trykk: Allkopi, Høvik III Abstract This thesis looks at the TV-show I Am Cait to explore Caitlyn Jenner’s transition and to discuss some important implications raised from particular scenes in the show. The thesis argues that the TV-show is made for a cis audience and discusses the plausible beneficial and detrimental functions of this choice. Another important discussion is Caitlyn Jenner’s political viewpoints – if she wants to be the Trans community’s spokesperson, why is she so eager to defend the Republicans? I tie this discussion into a larger argument on privilege (cis privilege and white privilege) and on the narrow and limiting tropes of this and other trans narratives. Should we praise I Am Cait for making the Trans cause more visible, or are the ideas and privileged journeys depicted in the show – often accompanied by many glasses of wine and cheese plates – too unachievable and too shallow to serve the Trans cause any good? IV V Acknowledgements I am deeply grateful and forever in debt to Endre, who not only provided me with a physical space (an actual apartment!) in which to reside when writing, but whose good mood and endless optimism has been a great source of motivation to complete this paper. My heartfelt appreciation goes to my supervisor Deborah Lynn Kitchen-Døderlein for her insightful feedback and persistent encouragement during our meetings, in which my fellow students Oda and Frida also participated actively and contributed with helpful ideas. Thank you. I would like to thank my mother, Hege, for always being there for me, as well as my father Thomas, and his partner in business Svein-Erik, for lending me an office whenever I needed to change my surroundings for a while. Another expression of gratitude goes to Mikkel, a fierce friend who always works hard for the best of those around him. Lastly, I would like to thank “Natteranglerne”, a group of friends that has constituted an irreplaceable fundament of motivation, comfort and safety to lean on (probably without knowing it themselves.) This paper would not have materialized without any of you. Kristian Otterstad Andresen Oslo May 24th, 2016 VI VII Table of Contents 1 INTRODUCTION ............................................................................................................ 1 1.1 Introduction ................................................................................................................. 1 1.2 Historiography: Transgender studies, the civil rights movement of our time ............. 2 1.2.1 Not only a field of study, but also an activist movement ..................................... 8 1.3 Justification of the method used .................................................................................. 8 1.4 Outline of the chapters ............................................................................................... 10 2 “I AM CAIT”: A CIS NARRATIVE............................................................................ 12 2.1 A show intended for cisgender men and women: the perplexing and contending first impressions ........................................................................................................................... 12 2.2 “I AM CAIT” and Jenner’s Transition: Produced in, and meant for, a commercial context .................................................................................................................................. 21 2.3 The lack of portrayed flaws and softness .................................................................. 24 2.4 The Bathroom issue – using a universal human need to reach the wide (cis) audience 27 3 JENNER WAS A WHITE MAN, AND STILL IS ...................................................... 30 3.1 White hegemony and white supremacy ..................................................................... 30 3.2 Political impasse? Acting like a trans woman, thinking like an anti-trans man? ...... 31 3.3 Disproportional media coverage: relegating the margins .......................................... 34 3.4 Media disproportion exemplified: Angelica Ross ..................................................... 36 3.5 Questioning the gender essentialism and polarized politics of “I Am Cait” ............. 39 3.6 Caitlyn (or was it Bruce?) dating - what makes a woman? ....................................... 41 4 CONCLUSION ............................................................................................................... 44 Bibliography ........................................................................................................................... 47 VIII 1 INTRODUCTION 1.1 Introduction The transgender movement has definitely gained some fierce momentum during the previous year(s). In April 2015, Bruce Jenner – a former gold medalist Olympian – told Diane Sawyer that he in fact was a woman, and declared later in Vanity Fair that one should “Call me Caitlyn”1. In whatever philosophy, country or period one researches one will find people who disregard the conventional gender boundaries. The topic of gender, it seems fair to state, has for a long time been subject to varying degrees of awareness and academic approach. The many different manifestations of gender, as well as the many definitions of the related concepts, therefore seem to split, frustrate and confuse many in 2016. With the exception of the traditional and obvious biological sex differential of male and female, the definitions of what gender, sex and identity are differ greatly. For instance, what does it really mean to be feminine or masculine? Is it not likely that these terms are invested with different meanings that are relative to one’s own culture and understanding? Who decides what attributes these labels carry? How has society handled the inflexibility of such structuralism-binaries? With these problems as a basis, this thesis has tried to explore a recent and what looks like an ever increasing topic in the media, namely Trans people. The research question materialized out of a strong desire to analyze media representations of gender-variant people and it reads; This thesis seeks to explore the role of Caitlyn Jenner in “I Am Cait”2 and the functions of the obvious cis focus of the narrative. Is Caitlyn Jenner an unsolicited spokesperson for the trans community? With the apparent explosion of transgender portrayals in the U.S. media (as well as in the worldwide media) it seems more than interesting and significant to explore various 1 Bissinger, Buzz. "Caitlyn Jenner: The full story." Vanity Fair (2015). 2 I Am Cait (2015 TV-Mini Series). Episodes 1-16. Bunim/Murray Productions for E! Entertainment. July 2015- present. Disclaimer: All quotes and situations from the show that are referred to in this text are from Season 1 and Season 2 (produced 2015-present). In lack of an established Chicago-style way of citing episodes underway, I hereby confirm that all examples are retrieved from the general quote, which is to be found above and in the Bibliography section. 1 aspects of how this phenomenon of gender reassignment is treated and received in the U.S. media. What happens to our definitions and understandings of the issue when we read or watch certain representations? Societal change is continuously confusing to the present circumstances and life, but the recent developments – in which it seems that gender is more fluid than ever before – may seem even more puzzling and difficult to comprehend. This thesis aims, as explained, to focus on a specific show for analysis. In “I Am Cait”, for instance, Caitlyn Jenner shares her experience (and idea) of what it means to be a transgendered person and what it means – to her – to be feminine. What does this particular show do to our own definitions and understanding of terms such as transgender? Is being transgendered about more than just the dresses and looking feminine? Furthermore, this thesis seeks to explore the significance of Caitlyn Jenner’s story - the “Call me Caitlyn”-story – and to interrogate the major appraisal of it. With the birth of a vibrant transgender studies scholarship in the early 90s, why is it that Caitlyn’s story seems to have such an impact? And, what does the show really manage to look past the simplistic binary of "man" and "woman"? Is the show truly representative? 1.2 Historiography: Transgender studies, the civil rights movement of our time Apparently, there is a parallel between the state of gender freedoms and gender studies. The world has changed technologically, industrially and politically during the last century. When it comes to freedoms dependent on or related to sex (or gender), whether it concerns the right to vote or to marry someone with the same sex, colossal leaps have been made the last century. Despite the changes in the

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