2019 Pentlands Book Fest F I N a L C O P Y.Cdr

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2019 Pentlands Book Fest F I N a L C O P Y.Cdr A month of great events in Colinton, Currie, The festival is organised Balerno and Juniper Green by a volunteer group of local enthusiasts. This year’s Pentlands Book Festival If you’d like to help consists of 17 events in or have any questions Colinton, Currie, Balerno and Juniper Green, drop us an email: [email protected] organised by local folk in partnership with or use the QR code and the website page ‘Contact Us’. Currie and Colinton Libraries. Sunday 13th October to Saturday 30th November Sunday 13th October to Organised by and for the community, the Festival brings an eclectic mix of events with Saturday 30th November literally something for everyone. From our acclaimed Scots Makar Jackie Kay 2019 to the comedy and murderous thoughts of Denzil Meyrick and Craig Robertson. The popular Scientific Supper and Local In partnership with Edinburgh Libraries Authors’ Event are and part of Book Week Scotland back, and we’ve Books for sale at events kindly arranged by visits to the School of Scottish Studies celebrating Hamish Henderson’s The Festival is kindly centenary and an sponsored and supported by historical walk along the Balerno Branch line with model railway display and exhibition. We’ve two workshops - one on writing and one on book illustration. Colinton Local For full details see ... Look at the website for full History Society www.pentlandsbookfestival.org information and it’s all free! See web site for full details Programme day by day Sun 13 Oct 3pm Dr Guy Cuthbertson: “The Day of Victory” - The War Poets and the Armistice Edinburgh Napier University Craiglockhart Sunday 13th October to Thu 31 Oct 7pm Jackie Kay: “Part Fable, Part Porridge” Currie High School Hall in conversation with Jackie Kay Saturday 30th November Not to be missed! Please check our website, Tue 12 Nov 7.30pm Dr Alison Sheridan: “Solving a Mystery of 4,500 Years Using DNA where you’ll discover details Al Borgo, Juniper Green and Isotope Data” Scientific Supper of every event, author biographies, times and locations with maps for each session. Sat 16 Nov 10am Currie Library Liz Beevers et al: “All Change for the Villages” A railway walk Walk Colinton Library In association with the walk : Colinton Station Model Exhibition 9 - 23 Nov Currie Library In association with the walk : The Balerno Branch Line Exhibition For full details see ... Sat 16 Nov 2 - 5pm Jenny Robertson: “Crafting Dignity from Crime” Local A uthors’ Event Colinton Library Susan Stewart: “Make-up Matters” The history of cosmetics www.pentlandsbookfestival.org Reta MacLennan: “Travelling Scotland with one Yellow Welly”” Mon 18 Nov 6.30pm Rosemary Goring: “Scotland Her Story” Currie Library Tue 19 Nov 7.30pm Timothy Neat: “Hamish Henderson: Poet and War Hero” Juniper Green Bowling Club Wed 20 Nov 6.30pm Liz Macrae Shaw: “The Pool where Finn Paddled and Darkened the Water” Currie Library Thu 21 Nov 6.30pm Kasia Matyjaszek: “Lighting up Words” Children’s book illustration Colinton Library Workshop and demonstration Fri 22 Nov 3pm School of Scottish Studies: Illustrating The Scottish Oral Tradition Meet and speak with the authors. University of Edinburgh - George Square Archive Visit Featured books will be on sale at special discount rates and may be signed at most events Fri 22Nov 7.30pm Eric Melvin: “John Kay - Artist of Edinburgh’s Golden Age” Porteous, Juniper Green Tickets for nearly all events are free Sat 23Nov 2pm Dorothy Baird: Creative Writing Workshop and available online via the website, Currie Library Eventbrite Denzil Meyrick: “A Breath on Dying Embers” and at Currie and Colinton Libraries Mon 25 Nov 6.30pm Currie Library You can also book by calling Currie Library: 0131 529 5609 Wed 27 Nov 6.30pm Craig Robertson: “Bloody Scotland Full of Crime” or Colinton Library: 0131 529 5603 Currie Library Sat 30 Nov 1pm Children’s Writing Competition Awards Ceremony ckets sential. Currie High School Gym Hall - in association with the Christmas Fair .
Recommended publications
  • Explored Through the Revision of Place in Jackie Kay's Fiere, Kathleen Jamie's the Tree House A
    Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Repetition as Revision: Explored through the Revision of Place in Jackie Kay’s Fiere, Kathleen Jamie’s The Tree House, and Crane, a Creative Composition by Lynn Davidson A thesis presented in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English at Massey University, Palmerston North, New Zealand Lynn Davidson 2015 Abstract This thesis examines anaphora, parallelism, and repetends, and asks if and how these techniques of repetition allow for negotiation among meanings, contexts and possibilities in contemporary poetry. The thesis is comprised of two sections, creative and critical, with a seventy percent creative and thirty percent critical split. The critical study is based on a close analysis of anaphora and parallelism in Jackie Kay’s Fiere (2010) and repetends in Kathleen Jamie’s The Tree House (2004), while repetition is explored creatively through Crane, an original collection of poetry shaped and informed by the critical research. Crane uses techniques of formal repetition to enquire into cultural and emotional links to place, and the impact of return journeys to significant places on a reimagining of place and self. There are five sections in Crane, each of which uses repetition slightly differently to engage with questions of movement between places. The collection uses repetition to explore how ‘going back’ can be a powerful part of the process of revising identity and integrating change.
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  • Full Bibliography (PDF)
    SOMHAIRLE MACGILL-EAIN BIBLIOGRAPHY POETICAL WORKS 1940 MacLean, S. and Garioch, Robert. 17 Poems for 6d. Edinburgh: Chalmers Press, 1940. MacLean, S. and Garioch, Robert. Seventeen Poems for Sixpence [second issue with corrections]. Edinburgh: Chalmers Press, 1940. 1943 MacLean, S. Dàin do Eimhir agus Dàin Eile. Glasgow: William MacLellan, 1943. 1971 MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. London: Victor Gollancz, 1971. MacLean, S. Poems to Eimhir, translated from the Gaelic by Iain Crichton Smith. (Northern House Pamphlet Poets, 15). Newcastle upon Tyne: Northern House, 1971. 1977 MacLean, S. Reothairt is Contraigh: Taghadh de Dhàin 1932-72 /Spring tide and Neap tide: Selected Poems 1932-72. Edinburgh: Canongate, 1977. 1987 MacLean, S. Poems 1932-82. Philadelphia: Iona Foundation, 1987. 1989 MacLean, S. O Choille gu Bearradh / From Wood to Ridge: Collected Poems in Gaelic and English. Manchester: Carcanet, 1989. 1991 MacLean, S. O Choille gu Bearradh/ From Wood to Ridge: Collected Poems in Gaelic and English. London: Vintage, 1991. 1999 MacLean, S. Eimhir. Stornoway: Acair, 1999. MacLean, S. O Choille gu Bearradh/From Wood to Ridge: Collected Poems in Gaelic and in English translation. Manchester and Edinburgh: Carcanet/Birlinn, 1999. 2002 MacLean, S. Dàin do Eimhir/Poems to Eimhir, ed. Christopher Whyte. Glasgow: Association of Scottish Literary Studies, 2002. MacLean, S. Hallaig, translated by Seamus Heaney. Sleat: Urras Shomhairle, 2002. PROSE WRITINGS 1 1945 MacLean, S. ‘Bliain Shearlais – 1745’, Comar (Nollaig 1945). 1947 MacLean, S. ‘Aspects of Gaelic Poetry’ in Scottish Art and Letters, No. 3 (1947), 37. 1953 MacLean, S. ‘Am misgear agus an cluaran: A Drunk Man looks at the Thistle, by Hugh MacDiarmid’ in Gairm 6 (Winter 1953), 148.
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    The Folkniks in the Kailyard: Hamish Henderson and the ‘Folk-song Flyting’ Corey Gibson This chapter is an examination of the ‘Folk-song Flyting’ between Hamish Henderson and Hugh MacDiarmid, which raged in the pages of the Scotsman throughout 1964. It uncovers some of the connections between the folk revivalists’ agenda, as represented in Henderson’s work, and contemporary debates among Scottish writers, particularly those among Edwin Morgan and a new generation of writers who sought to distance themselves from MacDiarmid’s coterie. The ‘Flyting’ is situated as a dramatic, condensed account of Scotland’s literary landscape in the 1960s. Keywords: folk revival, Literary Renaissance, Hamish Henderson, Hugh MacDiarmid, politics, poetry. In March 1964 the literary historian David Craig wrote to the Scotsman lambasting the Scottish Home Service for their part in the underrepresentation of Scottish folk-song in popular cultural life. Craig was also reacting to what he saw as a growing problem: the depreciation of this traditional oral idiom by Scotland’s well-known poets. He singled out Norman MacCaig for criticism, reporting that the poet had recently proclaimed: ‘folksongs might be good enough for berry-pickers and steel mill workers, but not for him – he had read Homer.1 Responding to the poet’s snobbery, Craig insisted that, at their best, Scotland’s ballads were equal ‘in quality, in beauty and truth if not in scale’ to the great European epics.2 A few days later Hugh MacDiarmid countered Craig’s letter with his own contribution to the ‘Points of View’ column in the Scotsman. He described folk- song as inherently antithetical to the demands of modern literature, and in doing so he lit the touch-paper of a vigorous, drawn-out public dispute that lasted into the summer of that year.
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  • The Voice of the People Hamish Henderson and Scottish Cultural Politics Corey Gibson Chapter 1
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  • Hamish Henderson's War Poetry and Soldier's Songs
    Studies in Scottish Literature Volume 40 | Issue 1 Article 14 11-15-2014 In the Midst of Our Human Civil War: Hamish Henderson’s War Poetry and Soldier’s Songs Corey Gibson University of Groningen Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Gibson, Corey (2014) "In the Midst of Our Human Civil War: Hamish Henderson’s War Poetry and Soldier’s Songs," Studies in Scottish Literature: Vol. 40: Iss. 1, 146–166. Available at: https://scholarcommons.sc.edu/ssl/vol40/iss1/14 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. In the Midst of Our Human Civil War: Hamish Henderson’s War Poetry and Soldier’s Songs Cover Page Footnote Corey Gibson, "In the Midst of Our Human Civil War: Hamish Henderson’s War Poetry and Soldier’s Songs," Studies in Scottish Literature, 40 (2014): 146-166; (c) Studies in Scottish Literature, 2014. This article is available in Studies in Scottish Literature: https://scholarcommons.sc.edu/ssl/vol40/iss1/14 IN THE MIDST OF OUR HUMAN CIVIL WAR: HAMISH HENDERSON, WAR POETRY, AND SOLDIERS’ SONGS 1 Corey Gibson Writing in 1968, in a brief passage explaining the “idea” behind a new poem series, Hamish Henderson (1919-2002) began with a quotation from Heinrich Heine: “Freedom, which has hitherto only become man here and there, must pass into the mass itself, into the lowest strata of society, and become people.” Henderson insisted that what Heine says of freedom applies also to poetry: that it has the potential to become everyone, and indeed, that it has, like freedom, a moral imperative to become everyone.
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