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2. Fighting Corruption: Political Thought and Practice in the Late Roman Republic
2. Fighting Corruption: Political Thought and Practice in the Late Roman Republic Valentina Arena, University College London Introduction According to ancient Roman authors, the Roman Republic fell because of its moral corruption.i Corruption, corruptio in Latin, indicated in its most general connotation the damage and consequent disruption of shared values and practices, which, amongst other facets, could take the form of crimes, such as ambitus (bribery), peculatus (theft of public funds) and res repentundae (maladministration of provinces). To counteract such a state of affairs, the Romans of the late Republic enacted three main categories of anticorruption measures: first, they attempted to reform the censorship instituted in the fifth century as the supervisory body of public morality (cura morum); secondly, they enacted a number of preventive as well as punitive measures;ii and thirdly, they debated and, at times, implemented reforms concerning the senate, the jury courts and the popular assemblies, the proper functioning of which they thought might arrest and reverse the process of corruption and the moral and political decline of their commonwealth. Modern studies concerned with Roman anticorruption measures have traditionally focused either on a specific set of laws, such as the leges de ambitu, or on the moralistic discourse in which they are embedded. Even studies that adopt a holistic approach to this subject are premised on a distinction between the actual measures the Romans put in place to address the problem of corruption and the moral discourse in which they are embedded.iii What these works tend to share is a suspicious attitude towards Roman moralistic discourse on corruption which, they posit, obfuscates the issue at stake and has acted as a hindrance to the eradication of this phenomenon.iv Roman analysis of its moral decline was not only the song of the traditional laudator temporis acti, but rather, I claim, included, alongside traditional literary topoi, also themes of central preoccupation to Classical political thought. -
Girls, Girls, Girls the Prostitute in Roman New Comedy and the Pro
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2016-4 Girls, Girls, Girls The rP ostitute in Roman New Comedy and the Pro Caelio Nicholas R. Jannazo Xavier University, Cincinnati, OH Follow this and additional works at: http://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation Jannazo, Nicholas R., "Girls, Girls, Girls The rP ostitute in Roman New Comedy and the Pro Caelio" (2016). Honors Bachelor of Arts. Paper 16. http://www.exhibit.xavier.edu/hab/16 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Xavier University Girls, Girls, Girls The Prostitute in Roman New Comedy and the Pro Caelio Nick Jannazo CLAS 399-01H Dr. Hogue Jannazo 0 Table of Contents Introduction ......................................................................................................................................2 Chapter 1: The meretrix in Plautus ..................................................................................................7 Chapter 2: The meretrix in Terence ...............................................................................................15 Chapter 3: Context of Pro Caelio -
Near-Miss Incest in Plautus' Comedies
“I went in a lover and came out a brother?” Near-Miss Incest in Plautus’ Comedies Although near-miss incest and quasi-incestuous woman-sharing occur in eight of Plautus’ plays, few scholars treat these themes (Archibald, Franko, Keyes, Slater). Plautus is rarely rec- ognized as engaging serious issues because of his bawdy humor, rapid-fire dialogue, and slap- stick but he does explore—with humor—social hypocrisies, slave torture (McCarthy, Parker, Stewart), and other discomfiting subjects, including potential social breakdown via near-miss incest. Consummated incest in antiquity was considered the purview of barbarians or tyrants (McCabe, 25), and was a common charge against political enemies (e.g. Cimon, Alcibiades, Clo- dius Pulcher). In Greek tragedy, incest causes lasting catastrophe (Archibald, 56). Greece fa- vored endogamy, and homopatric siblings could marry (Cohen, 225-27; Dziatzko; Harrison; Keyes; Stärk), but Romans practiced exogamy (Shaw & Saller), prohibiting half-sibling marriage (Slater, 198). Roman revulsion against incestuous relationships allows Plautus to exploit the threat of incest as a means of increasing dramatic tension and exploring the degeneration of the societies he depicts. Menander provides a prototype. In Perikeiromene, Moschion lusts after a hetaera he does not know is his sister, and in Georgos, an old man seeks to marry a girl who is probably his daughter. In both plays, the recognition of the girl’s paternity prevents incest and allows her to marry the young man with whom she has already had sexual relations. In Plautus’ Curculio a soldier pursues a meretrix who is actually his sister; in Epidicus a girl is purchased as a concu- bine by her half-brother; in Poenulus a foreign father (Blume) searches for his daughters— meretrices—by hiring prostitutes and having sex with them (Franko) while enquiring if they are his daughters; and in Rudens where an old man lusts after a girl who will turn out to be his daughter. -
New Light on Jonson and Roman Comedy: Volpone and Eunuchus, Magnetic Lady and Truculentus
RICHARD F. HARDIN New Light on Jonson and Roman Comedy: Volpone and Eunuchus, Magnetic Lady and Truculentus Behind the practice of imitation in Renaissance literature lay the knowledge that the ancients themselves had imitated. Roman followed Greek comedy as Virgil followed Homer. Terence readily countered the charge that he had kidnapped characters from Greek comedy. So do all comic playwrights: indeed, “Nothing in fact is ever said which has not been said before” (Nullumst iam dictum quod non sit dictum prius).1 As it happens, Terence’s remark appears in the preface to a play that shows evidence of Ben Jonson’s imitation in Volpone – The Eunuch. The connection between these plays has apparently not previously been made, despite work on Jonson and ancient comedy over the past century.2 My discussion of Volpone and Eunuchus will lead into observations on the English playwright’s The Magnetic Lady as it echoes the plot of the mysterious pregnancy in Plautus’s Truculentus. Peter Happé writes that The Magnetic Lady shows Jonson, beginning around 1632, inclining toward “the staging practices of Plautus and Terence. The latter in fact are the chief debt, and Jonson both The Ben Jonson Journal 20.2 (2013): 179–200 DOI: 10.3366/bjj.2013.0080 © Edinburgh University Press www.euppublishing.com/bjj 180 BEN JONSON JOURNAL acknowledges their importance to him at this time and makes several minor allusions to them.”3 TheallusionsinbothVolpone and The Magnetic Lady are beyond minor. Volpone and Eunuchus Volpone and Eunuchus both involve a seduction attempt on an innocent woman by a man faking impotence. -
PONTEM INTERRUMPERE: Plautus' CASINA and Absent
Giuseppe pezzini PONTEM INTERRUMPERE : pLAuTus’ CASINA AnD ABsenT CHARACTeRs in ROMAn COMeDY inTRODuCTiOn This article offers an investigation of an important aspect of dramatic technique in the plays of plautus and Terence, that is the act of making reference to characters who are not present on stage for the purpose of plot, scene and theme development (‘absent characters’). This kind of technique has long been an object of research for scholars of theatre, especially because of the thematization of its dramatic potential in the works of modern playwrights (such as strindberg, ibsen, and Beckett, among many others). extensive research, both theoretical and technical, has been carried out on several theatrical genres, and especially on 20 th -century American drama 1. Ancient Greek tragedy has recently received attention in this respect also 2. Less work has been done, however, on another important founding genre of western theatre, the Roman comedy of plautus and Terence, a gap due partly to the general neglect of the genre in the second half of the 20 th century, in both scholarship and reception (with some important exceptions). This article contributes to this area of theatre research by pre - senting an overview of four prototypical functions of ‘absent characters’ in Roman comedy (‘desired’, ‘impersonated’, ‘licensing’ and ‘proxied’ absentees), along with a discussion of their metatheatrical potential and their close connection archetypal in - gredients of (Roman) comedy. i shall begin with a dive into plautus’ Casina ; this play features all of what i shall identify as the ‘prototypes’ of absent characters in comedy, which will be discussed in the first part of this article (sections 1-5). -
Theodore Harry Mcmillan Gellar
SACRIFICE AND RITUAL IMAGERY IN MENANDER, PLAUTUS, AND TERENCE Theodore Harry McMillan Gellar A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2008 APPROVED BY: Sharon L. James, advisor James B. Rives, reader Peter M. Smith, reader © 2008 Theodore Harry McMillan Gellar ALL RIGHTS RESERVED ii ABSTRACT Theodore Harry McMillan Gellar SACRIFICE AND RITUAL IMAGERY IN MENANDER, PLAUTUS, AND TERENCE (Under the direction of Sharon L. James) This thesis offers a systematic analysis of sacrifice and ritual in New Comedy. Sacri- fice normally signifies a healthy community, often celebrating a family reunification. Men- ander, Plautus, and Terence treat sacrifice remarkably, each in a different way. In Menander, sacrifice seals the formation of healthy citizen marriages; in Plautus, it operates to negotiate theatrical power between characters. When characters use sacrificial imagery, they are es- sentially asserting authority over other characters or agency over the play. Both playwrights mark habitual sacrificers, particularly citizen females, as morally upright. Terence, by con- trast, stunningly withholds sacrifice altogether, to underscore the emotional dysfunction among the citizen classes in hisplays. Chapter 1 sets sacrifice in its historical and theatrical context. Chapter 2 considers how sacrifice might have been presented onstage; chapter 3 examines its theatrical functions. Chapter 4 focuses on gender and status issues, and chapter 5 moves out from sacrifice to rit- ual and religion overall. iii τῷ φίλῳ καί µοι ἐγγυηκότι optimis parentibus iv ACKNOWLEDGEMENTS I have endless gratitude first of all for Sharon James, my advisor, mentor, and role model, without whom my thesis simply could not be. -
Loeb Classical Library
LOEB CLASSICAL LIBRARY 2015 Founded by JAMES LOEB 1911 Edited by JEFFREY HENDERSON DIGITAL LOEB CLASSICAL LIBRARY For information about digital Loeb Classical Library access plans or to register for an institutional free trial, visit www.loebclassics.com Winner, PROSE Award for Best Humanities eProduct, Association of American Publishers “For the last couple of decades, the Loeb Library has been undergoing a renaissance. There are new or revised translations of many authors, and, a month or two back, the entire library was brought online at loebclassics.com. There are other searchable classics databases … Yet there is still something glorious about having all 500-plus Loebs online … It’s an extraordinary resource.” —ROGER KIMBALL, NEW CRITERION “The Loeb Library … remains to this day the Anglophone world’s most readily accessible collection of classical masterpieces … Now, with their digitization, [the translations] have crossed yet another frontier.” —WALL STREET JOURNAL The mission of the Loeb Classical Library, founded by James Loeb in 1911, has always been to make Classical Greek and Latin literature accessible to the broadest range of readers. The digital Loeb Classical Library extends this mission into the twenty-first century. Harvard University Press is honored to renew James Loeb’s vision of accessibility and to present an interconnected, fully searchable, perpetually growing, virtual library of all that is important in Greek and Latin literature. e Single- and dual-language reading modes e Sophisticated Bookmarking and Annotation features e Tools for sharing Bookmarks and Annotations e User account and My Loeb content saved in perpetuity e Greek keyboard e Intuitive Search and Browse e Includes every Loeb volume in print e New volumes uploaded regularly www.loebclassics.com also available in theNEW i tatti TITLES renaissance library THEOCRITUS. -
Pro Filia, Pro Uxore: Young Women in the Conventional and Unconventional Families of Roman Comedy
PRO FILIA, PRO UXORE: YOUNG WOMEN IN THE CONVENTIONAL AND UNCONVENTIONAL FAMILIES OF ROMAN COMEDY Hannah Sorscher A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Classics Department. Chapel Hill 2021 Approved by: Sharon L. James David Konstan Dorota Dutsch Amy Richlin Alexander Duncan ©2021 Hannah Sorscher ALL RIGHTS RESERVED ii ABSTRACT Hannah Sorscher: Pro filia, pro uxore: Young Woman in the Conventional and Unconventional Families of Roman Comedy (Under the direction of Sharon L. James) In this dissertation, I explore both the diverse variability and the traditional ideologies of the Roman family in the powerfully relevant medium of Roman comedy, with a particular focus on how different types of families in the genre treat young women. Plautus and Terence reinvented their dramatic form to depict families that would be recognizable, meaningful, and resonant for their audiences in Rome and Italy of the 200s–160s BCE. These playwrights show an expanded definition of family beyond the familiar citizen form repeatedly presented in later evidence. Around the citizen families that are the focus of the genre, they stage families of choice created by marginalized people (lower-class women and foreign soldiers in particular). In Plautus’ and Terence’s plays, I identify tWo patterns: (1) a critique of the legal and social institutions that governed citizen family life in Rome of their day and (2) a counter- staging, as it were, of alternate models of families that contrast sharply with the citizen family in their structures, members, and priorities. -
Character Development in Terence's Eunuchus Samantha Davis
University of New Mexico UNM Digital Repository Foreign Languages & Literatures ETDs Electronic Theses and Dissertations 6-9-2016 Mixing the Roman miles: Character Development in Terence's Eunuchus Samantha Davis Follow this and additional works at: https://digitalrepository.unm.edu/fll_etds Recommended Citation Davis, Samantha. "Mixing the Roman miles: Character Development in Terence's Eunuchus." (2016). https://digitalrepository.unm.edu/fll_etds/31 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Foreign Languages & Literatures ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Candidate Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: , Chairperson by THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of The University of New Mexico Albuquerque, New Mexico iii Acknowledgements I would like to express the deepest appreciation to my committee chair Professor Osman Umurhan, through whose genius, dedication, and endurance this thesis was made possible. Thank you, particularly, for your unceasing support, ever-inspiring words, and relentless ability to find humor in just about any situation. You have inspired me to be a better scholar, teacher, and colleague. I would also like to extend the sincerest thanks to my excellent committee members, the very chic Professor Monica S. Cyrino and the brilliant Professor Lorenzo F. Garcia Jr., whose editorial thoroughness, helpful suggestions, and constructive criticisms were absolutely invaluable. In addition, a thank you to Professor Luke Gorton, whose remarkable knowledge of classical linguistics has encouraged me to think about language and syntax in a much more meaningful way. -
Loeb Classical Libary Titles
Middlebury College Classics Department Library Catalog: Loeb Classical Library Titles - Sorted by Author Publish Title Subtitle Author Translator Language Binding Pages Date A. S. Hunt Select Papyri I, Non-Literary Loeb Classical A. S. Hunt & C. Ancient (Editor) & C. C. 06/01/1932 Hardcover 472 Papyri, Private Affairs Library, No. 266 C. Edgar Greek/English Edgar (Editor) A. S. Hunt Select Papyri II, Non-Literary Loeb Classical A. S. Hunt & C. Ancient (Editor) & C. C. 06/01/1934 Hardcover 0 Papyri, Public Documents Library, No. 282 C. Edgar Greek/English Edgar (Editor) Loeb Classical Ancient Historical Miscellany Aelian Nigel Guy Wilson 06/01/1997 Hardcover 520 Library, No. 486 Greek/English On the Characteristics of Loeb Classical Ancient Aelian A. F. Scholfield 06/01/1958 Hardcover 400 Animals I, Books I-V Library, No. 446 Greek/English On the Characteristics of Loeb Classical Ancient Aelian A. F. Scholfield 06/01/1958 Hardcover 432 Animals II, Books VI-XI Library, No. 448 Greek/English On the Characteristics of Loeb Classical Ancient Aelian A. F. Scholfield 06/01/1958 Hardcover 464 Animals III, Books XII-XVII Library, No. 449 Greek/English The Speeches of Aeschines, Loeb Classical Charles Darwin Ancient Against Timarchus, On The Aeschines 06/01/1919 Hardcover 552 Library, No. 106 Adams Greek/English Embassy, Against Ctesiphon Aeschylus I, Suppliant Maidens, Persians, Loeb Classical Herbert Weir Ancient Aeschylus 12/01/1970 Hardcover 464 Prometheus, Seven Against Library, No. 145 Smyth Greek/English Thebes Aeschylus II, Agamemnon, Loeb Classical Aeschylus Herbert Weir Ancient 06/01/1960 Hardcover 624 Publish Title Subtitle Author Translator Language Binding Pages Date Libation-Bearers, Eumenides, Library, No. -
Plautus, with an English Translation by Paul Nixon
THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, LL.D. EDITED BY fT. E. PAGE, C.H., LTTT.D. t E. CAPPS, PH.D., LL.D. t W. H, D. ROUSE, litt.d. L. A. POST, M.A. E. H. WARMINGTON, m.a., r.B.HisT.soc. PLAUTUS V P L A U T U S WITH AN ENGLISH TRANSLATION BY PAUL NIXON DKAK OF BOWDOIN OOLUKGK, XAIKS IN FIVE VOLUMES V SnCHUS THREE BOB DAY TRUCULENTUS THE TALE OF A TRAVELLING BAG FRAGMENTS .#e LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MCMLII First printed 193S Reprinted 1952 Pfl T Printed in Great Britain THE GREEK ORIGINALS AND DATES OF THE PLAYS IN THE FIFTH VOLUME The Stichus was adapted from Menander's 'A8*A^oi, a second 'A3eA<^oi, and was presented at Rome in A.D. 200. The date of presentation of its original is less certain. The combined facts that the brothers had been able to enjoy three years of apparently peaceful ^ trading in Asia, that the people of Am- bracia had envoys \isiting Athens,^ that Pinacium intends to make things unpleasant for any " king " ^ who blocks his path and expects such an impressive * welcome from his mistress, lead Hueffner ^ to believe that the 'ABe\(f>oi was produced in 306 b.c. when Demetrius Poliorcetes wintered at Athens with much pomp and circumstance. References in the Trinummus to Asian trade and war,® and to busybodies knowing quid in aurem rex reginae dixerit ' cause Hueffner ® to assign its Greek original, Philemon's ©T^cravpos, to the period when this same Demetrius Poliorcetes ruled in Athens, 292-287 B.C. -
Abbreviations List A
Oxford Classical Dictionary, 4th Edition Abbreviations List A. General abr. abridged/abridgement adesp. adespota Akkad. Akkadian app. appendix app. crit. apparatus criticus Aeol. Aeolic art. article Att. Attic b. born Bab. Babylonian beg. at/nr. beginning bibliog. bibliography bk. book c. circa cent. century cm. centimetre/s comm. commentary corr. corrected d. died Diss. Dissertation Dor. Doric end at/nr. end ed. editor, edited by ed. maior/minor major/minor edition of critical text edn. edition Einzelschr. Einzelschrift El. Elamite Eng. English esp. especially Etr. Etruscan exhib. cat. exhibition catalogue fem. feminine f., ff. and following fig. figure fl. floruit Fr. French fr. fragment ft. foot/feet g. gram/s Ger. German Gk. Greek ha. hectare/s Hebr. Hebrew HS sesterces hyp. hypothesis i.a. inter alia ibid. ibidem, in the same work IE Indo-European imp. impression Oxford Classical Dictionary – Abbreviations List in. inch/es introd. introduction Ion. Ionic It. Italian kg. kilogram/s km. kilometre/s lb. pound/s l., ll. line, lines lit. literally lt. litre/s L. Linnaeus Lat. Latin m. metre/s masc. masculine mi. mile/s ml. millilitre/s mod. modern MS(S) manuscript(s) Mt. Mount n., nn. note, notes n.d. no date neut. neuter no. number ns new series NT New Testament OE Old English Ol. Olympiad ON Old Norse OP Old Persian orig. original (e.g. Ger./Fr. orig. [edn.]) OT Old Testament oz. ounce/s p.a. per annum PIE Proto-Indo-European pl. plate plur. plural pref. preface Proc. Proceedings prol. prologue ps.- pseudo- Pt. part ref. reference repr.