DDA Review Review

Total Page:16

File Type:pdf, Size:1020Kb

DDA Review Review 2013-14 Television Production DDA Television Production DDA Review Review • The DDA (District Developed Assessment) • Questions will come from the followinG areas § Computer or Paper based exam • News OrGanization • Production Phases • News Elements • StoryboardinG § 40 questions (Over 300 possible questions in Test Bank) • News Story Types • EditinG Concepts • Multiple Choice • Camera Movements • Equipment § Will be Given durinG YOUR Exam Week • Camera Shots • Safety • Given durinG your class time, in the Media Center • Will have 90 minutes to complete • Camera AnGles • Lighting • IF you have multiple TV Classes, you WILL take • Shot Set Up • Microphones multiple tests. Each test will be different. (TV2 – TV6) 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Jobs In A News § OrGanization Are Usually ReportinG & Divided Into Two CateGories § Newsroom Jobs News § Production Jobs OrGanization 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Anchor / Talent: • News Director: § The face of the newscast, fiGurehead for the § Head of the newsroom station § Has final say in what the newsroom covers § Reads the newscast copy, and makes chanGes before going live • Assistant News Director: • Reporter: § Second in command § Covers a sinGle story each day § Stands in for News Director when needed § Researches, sets up and records interviews, writes/voices PKGs, presents them on-air 2014 - 2015 2014 - 2015 1 2013-14 Television Production DDA Television Production DDA Review Review • AssiGnment Editor: • Executive Producer § Oversees several show producers and their newscasts § Covers assiGnment desk § Approves reporter scripts § Works with news directors, producers, reporters § Help producers out and photographers to get news stories § Or, in biG markets, runs the ‘biG picture’ of an entire § Monitors press releases, viewer and source newscast phone calls • News Producer § In charGe of one newscast § Stacks, writes, and manaGes the show from start to finish § Directs talent, relays information, supervises control 2014 - 2015 2014 - 2015room Television Production DDA Television Production DDA Review Review • Associate Producer • Sports Anchor § Assists show producers § Usually heads up the sports department § Usually acts as a writer for the producer § Responsible for choosinG the day’s stories § Acts as the face of the station’s sports department • Production Assistant § Entry-level job on a production or news team • MeteoroloGist • News PhotoGrapher § The station’s weathercaster § Keeps up with the latest weather, creates Graphics, and § Drives the live truck, tapes video and interviews, and delivers the forecasts on-air, in front of a green-screen generally edits the PKG together with the reporter’s script 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Editor • Can also be referred § Responsible for assemblinG raw footaGe into to as “technical crew,” the final video for broadcast on-air work is centered in the control room or studio 2014 - 2015 2014 - 2015 2 2013-14 Television Production DDA Television Production DDA Review Review • Director • Floor ManaGer (Floor Director) § In charGe of production crew § Gives anchors camera directions and § Before the show, reviews scripts reGardinG shots countdowns during newscast, relays information and camera assignments from the control room to the studio § DurinG the show, follows the scripts, keeps an eye Camera Operator on the time • § Runs a studio camera durinG a newscast • Technical Director (T.D.) / Switcher § Sets up the shots and makes sure they’re § Operates the switcher durinG the show visually pleasing § Cues and takes shots as directed 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Assistant Director (A.D.) • Audio Technician / EnGineer § Runs computer proGrams that control the on- § Runs the audio board air video, and complex graphics § Responsible for the technical quality of the audio • Teleprompter Operator • Graphics Operator (C.G. or Chyron Operator) § Responsible for scrollinG the script for the § Types up and airs name supers and stills that anchors run durinG the newscast 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Lighting Director § DesiGns the lightinG plot § Determines which types of liGhts to use and their locations News Elements • Craft Services § Provides food for the talent and crew 2014 - 2015 2014 - 2015 3 2013-14 Television Production DDA Television Production DDA Review Review • Newscast Terms • PKG – PackaGe § PackaGe (PKG) § B-Roll § Foundation of a newscast § Voice Over (VO) § Tease § Usually 1-to-3 minute edited report / story § Generally introduced and taGGed by a reporter § Sound On Tape (SOT) § Cold Open / Close § Sound Bite § Editorial § VOSOT § BreakinG News • VO – Voice Over § Natural Sound (NATSOT) § Current News § Narration done by a broadcast reporter, usually § Lead Story § StaGed News readinG from a script § § When you hear someone talkinG, but see video of § Secondary Story Feature Story somethinG else § Kicker Story 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • SOT – Sound On Tape • VOSOT § Video AND Audio of a person talkinG § B-Roll with a written VO script for the anchors, followed by relevant SOT • Sound Bite • B-Roll is VIDEO § A short audio or video clip taken, possibly from a speech or press conference, and • NATSOT broadcast during a news report § Natural, or environmental, sound on tape 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • STAND UP • Cold Open § A standup is when a television reporter § A pre-recorded seGment of VO, or VOSOT, that appears in front of the camera to narrate part airs before a newscast begins of a story – most often at the beGinninG to set up the story, or at the very end • Lead Story § The most important story of the day • LEAD-IN/INTRO § Anchor/Reporter introduces a story or PKG • Secondary Story § Any Story that is after the Lead Story • TAG § Anchor/Reporter adds information about a • Kicker Story story AFTER the PKG airs § A feature story that’s the last story in a newscast 2014 - 2015 2014 - 2015 4 2013-14 Television Production DDA Television Production DDA Review Review • B-ROLL • GOODBYES/CLOSE § Any video that you use in a story. Usually § anchors wrap up the newscast, say goodbye used to cover your V.O. § The video that does not include the talent • EDITORIAL § On-air sharing of SUBJECTIVE views on a • TEASE story covered on the newscast, or on an § Anchor Gives viewers sneak peek of event in the community upcoming stories to keep viewers watching § Usually riGht before a commercial break 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • There are 4 cateGories of News § BreakinG § Current News Story § StaGed § Feature Types • Under the main 4, there are 2 other sub categories § Dated or Non-Dated News § Hard or Soft News 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review Current News • BreakinG News • • An onGoinG event or continuous event • This is an unplanned or unexpected event that has an impact on society § Often may be as a result of breakinG news § Examples of this § Examples of this • Clean up efforts after natural disasters • Weather Events • The Stock Market • Terrorism • Gas Prices • Accidents • Elections (CampaiGninG) • Assassinations 2014 - 2015 2014 - 2015 5 2013-14 Television Production DDA Television Production DDA Review Review • StaGed News • Feature Story • A Preplanned event • Stories that could be of human interest or entertainment related pieces. § Know when and where an event will take § This news is interesting but not necessary place § Sports sometimes fall under this (based upon the audience) § Examples of this: § Examples of this: • A Speech • Movie Reviews or OpeninGs • A Debate • Awards Shows • People recoverinG from health issues • Ribbon CuttinG • Good Samaritans • SportinG Event 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Example of how each of the 4 basic stories • Dated or Non-Dated News can relate to each: • Dated News § Tornado sets down in Oklahoma; destroys town § Information that must be presented at that § BreakinG moment to have any relevance § Clean up of town the week followinG the tornado § Current • Non-Dated § Press Conference about where the displace town will § A story that could be played at anytime and move still have the same importance § StaGed § Return to the town for the openinG of the rebuilt library 2014 - 2015 § Feature 2014 - 2015 Television Production DDA Television Production DDA Review Review • Hard or Soft News • Hard News § This is news that MUST be known Camera • Soft News § News that is Nice to know, but is not as important Movements • may be interestinG, but not necessarily vital: feature stories, sometimes staGed news 2014 - 2015 2014 - 2015 6 2013-14 Television Production DDA Television Production DDA Review Review • 5 Types of Advanced Shots/Camera Moves: Truck • Pan • Tilt • Dolly • Truck • Zoom 2014 - 2015 2014 - 2015 Television Production DDA Television Production DDA Review Review • Pan • A Good Pan has a distinct beGinninG and end § A smooth, riGht-to-left or left-to- • A rapid, blurry pan is called a Whip Pan or a riGht camera movement Swish Pan § The camera stays in one place, but turns
Recommended publications
  • The Producing Process 3
    03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast.
    [Show full text]
  • THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 43Rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
    THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 43rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Daytime Emmy Awards To be held at the Westin Bonaventure Hotel and Suites on May 1st Daytime Creative Arts Emmy® Awards Gala on April 29th Individual Achievement in Animation Honorees Announced New York – March 24th, 2016 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 43rd Annual Daytime Emmy® Awards. The awards ceremony will be held at the Westin Bonaventure Hotel and Suites on Sunday, May 1st. The Daytime Creative Arts Emmy Awards will also be held at the Bonaventure on Friday, April 29th, 2016. The 43rd Annual Daytime Emmy Award Nominations were revealed today on the Emmy-winning show, “The Talk,” on CBS. “After last year’s critically successful Daytime telecast, it is with great disappointment that The National Academy of Television Arts & Sciences (NATAS) announces that there will not be a broadcast of the 43rd Annual Daytime Emmy ® Awards,” said Bob Mauro, President. “After months of negotiations to find show sponsorship, the NATAS Executive Board has decided that the current climate for awards shows prohibits the possibility of a telecast this year. With that said, we will be putting on a world-class awards celebration honoring the best and brightest of Daytime television and look forward to an exciting show. All efforts regarding returning the annual gala to television in 2017 are underway.” “We are especially grateful for our passionate Daytime fans and are looking forward to producing a grand gala that honors the talents and artistries of all the professionals that represent Daytime television,” said David Michaels, SVP, Daytime Emmy Awards.
    [Show full text]
  • 50Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED
    1 50th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED The 50th Annual Northern California Area EMMY® Awards were presented Saturday evening, June 5th for the second time via webcast only. The EMMY® Award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statues. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2020 calendar year. A total of 912 entries were received, 765 English and 195 Spanish in 68 English Categories and 34 Spanish Categories. Nominations were announced on May 5th with 195 English and 76 Spanish. Electronic ballots were submitted by a minimum of seven peer judges from other NATAS chapters and were sent directly to our accountant. The Spanish and English awards are judged and scored separately and then presented at the ceremony. 353 Emmy® statues were handed out to 263 individuals. The top two recipients were Maikel D'Agostino, Photograpoher/Editor, KUVS Unvision 19, Sacramento with ten, and Jonathan Bloom, Video Journalist, KNTV NBC Bay Area, with Six. The Emmy® is awarded to individuals but there is a lot of interest in the station counts: KNTV NBC Bay Area took home 16 for the English contest and KUVS Univision 19 with 12 for the Spanish contest. The overall Excellence Emmy® awards went to KNTV NBC Bay Area, English and KUVS Univision 19, Spanish. The prestigious Governors’ Award, the highest honor a regional chapter can award was presented to Wayne Freedman, Reporter, KGO ABC 7, San Francisco.
    [Show full text]
  • The Producer Written by Ivo Burum
    The Producer written by Ivo Burum There are various producer titles each relating to a role in the development, production, delivery and marketing cycle of a film, video, or online media project. Figure 1 Shows a hierarchical order of producing for a magazine and a current affairs show.: Executive Producer or EP credits in television are received by individual(s) who report to the networks, studios, or companies funding and distributing the series/show. The Executive Producer (Showrunner) has final responsibility for the creative and business aspects of producing a series. S/he will have direct authority over a majority of the producing functions throughout all phases of series production. The Executive Producer is often responsible for the creation of the series, including the concept, format and other production elements. Over the course of production, the Executive Producer is expected to serve as the primary point-of-contact with the network, studio, and/or production company regarding the development, production, post-production and marketing of the series. During development of the pilot and/or series, the Executive Producer will supervise or participate in story or script meetings, approve all storylines, and supervise the creation of the series "bible.” The Executive Producer will select or approve the hiring of all series directors, as well as the casting of all on camera talent including hosts and journalists. S/he will similarly select or approve of the hiring of key members of the producing team, such as the production manager, director of photography, and composer. The Executive Producer must supervise or approve the series budget and production schedule.
    [Show full text]
  • 34Th Winner List
    The 34th Annual Boston/New England Emmy® Recipients Newscast-Evening Larger Markets (1-49) Chris Roach, Executive Producer NewsCenter 5 at 11pm: May 13, 2010 WCVB Newscast-Evening Smaller Markets (50-100+) Amy Beveridge, Producer News 8 at Six - February Flooding WMTW General Assignment Report Jonathan Elias, Reporter / Producer America's Most Famous Illegal WBZ Dominick Aielli, Photojournalist Spot News Jim Altman, Reporter Bridgeport Tornado: Surviving the Storm WTIC-TV FOX CT Sharon Burke, Photographer/Editor Continuing Coverage Within 24 Hours ***TIE*** Andrew Vrees, News Director The Massacre in Mattapan WCVB John Verrilli, News Director March Floods WBZ Continuing Coverage No Time Limit Darren Perron, Reporter Mission: Afghanistan WCAX Lance MacKenzie, Photographer Investigative Report Mike Beaudet, Investigative Reporter Fox Undercover Composite WFXT Kevin Rothstein, Producer Jonathan Wells, Executive Producer Richard Ward, Photographer Jim Goff, Photographer Todd Krupa, Editor Allan DiMaio, Editor Feature News Report Light Feature Jim Altman, Reporter Band of Brothers WTIC-TV FOX CT Mike Piskorski, Photographer/Editor Feature News Report Light Series ***TIE*** Sarah French, Reporter Make A Wish Mondays WTIC Jennifer Berryman, Producer The Patients Of Boston Med WCVB Liz Brunner, Reporter News Specialty Report Arts/Entertainment Scott LaPierre, Producer/Videographer 5,000 labels for 5,000 artworks? www.boston.com-The Boston Globe News Specialty Report Business/Consumer Hank Phillippi Ryan, Reporter Consumer Composite WHDH Mary
    [Show full text]
  • NAB's Guide to Careers in Television
    NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department……………………………………….
    [Show full text]
  • Buying Compliance: Governmental Advertising and Soft Censorship in Mexico
    Buying Compliance: Governmental Advertising and Soft Censorship in Mexico www.wan-ifra.org Buying Compliance: Governmental Advertising and Soft Censorship In Mexico © 2014 WAN-IFRA PUBLISHED BY: RESEARCH PARTNERS: WAN-IFRA Center for International Media Assistance 96 bis, Rue Beaubourg National Endowment for Democracy 75003 Paris, France 1025 F Street, N.W., 8th Floor www.wan-ifra.org Washington, DC 20004, USA www.cima.ned.org WAN-IFRA CEO: Vincent Peyrègne Open Society Justice Initiative 224 West 57th Street EdiTorial coordinaTOR: New York, New York 10019, USA Mariona Sanz Cortell www.opensocietyfoundations.org RESEARCHERS: Justine Dupuy (Fundar) and Ana Cristina Ruelas (Article 19) - lead researchers Antonio Martínez, Diego de la Mora, Regina Ganem and Ricardo Luevano EDITOR: Thomas R. Lansner 2 RESEARCH PARTNERS meXico: SUPPORTED BY: Fundar, Centro de Análisis e Investigación Open Society Foundations Cerrada Alberto Zamora, num. 21 www.opensocietyfoundations.org Colonia Villa Coyoacán, Del. Coyoacán C. P. 04000, México, D. F. SPecial ThanKS TO: www.fundar.org.mx Darian Pavli; Senior Attorney at Open Society Justice Initiative, for his advice on the research methodology, legal and policy questions; the interviewees and survey participants; and all col- leagues who made this research possible. ARTICLE 19, oficina para México y Centroamérica DESIGN AND PREPRESS: José Vasconcelos 131, Col. San Miguel Snezana Vukmirovic, Ivan Cosic, Plain&Hill Serbia Chapultepec Delegación Miguel Hidalgo, c.p. 11850, México D.F. © 2014 WAN-IFRA www.articulo19.org
    [Show full text]
  • Communication Studies 1
    Communication Studies 1 Personnel Staff · Public Service Agency Staff · Corporate Media Director COMMUNICATION STUDIES · Communication Consultant · Public Relations Professional · Video Editor · Video Producer or Director · Health Educator · Fund Raiser · Media College of Arts and Letters Sales and Promotion Staff · Multimedia Project Manager · Community College Instructor · Lobbyist · Speech Writer · Minister · Lawyer · Politician Program Description · Consumer Market Researcher · Staff Analyst · Focus Group Leader · Communication Studies is a broad-based discipline concerned with Political Campaign Staff · Public Affairs Director · Advertising Account the exchange of messages in interpersonal and mediated situations Executive and with the impact of such exchanges on society. Courses focus on Reporter · Editor · Columnist · Editorial Writer · Magazine Writer · Speech understanding the communication process and developing skills to Writer · Correspondent · Public Affairs Manager · Legislative Assistant communicate effectively. The Department offers a wide range of courses · Press Relations Officer · Public Information Specialist · Technical in interpersonal, group, and organizational communication, rhetorical Writer/Editor · Broadcast Journalist · News Director · Disc Jockey · News theory and criticism, public relations, mass communication and research Producer · Online Journalist methodologies. Videographer · Cinematographer · Production Coordinator · Production The Sacramento State Journalism program provides both a general Assistant
    [Show full text]
  • 44Th Boston/New England Emmy® Award Nominations
    Revised 5/5/2021 44TH BOSTON/NEW ENGLAND EMMY® AWARD NOMINATIONS NEWSCAST-MORNING LARGER MARKETS NewsCenter 5 EyeOpener: November 8, 2020 WCVB Jenny Barron, Executive Producer Samantha Ford, Producer Antoinette Antonio, Anchor Rhondella Richardson, Reporter Kelly Ann Cicalese, Meteorologist Jennifer Eagan, Reporter Donna Hennessey, Director NewsCenter 5 EyeOpener: June 3, 2020 WCVB Jenny Barron, Executive Producer Erika Tarantal, Anchor Cindy Fitzgibbon, Meteorologist Katie Thompson, Anchor Sera Congi, Reporter Clarke Dempsey, Director Ted Wayman, Reporter 7News Today In New England: Boston Riots The Morning After WHDH Kevin Wiles Jr, Assignment Editor Kris Anderson, Anchor Amaka Ubaka, Anchor Michael Fahey, Executive Producer 1 Emma Doherty, Producer Marina Giordano, Director Miguel Da Cruz, Technical Director Kerri Corrado, Reporter Alaina Pinto, Reporter Juliana Mazza, Reporter Polikseni Manxhari, Reporter Boston 25 Morning News - President Trump COVID-19 Boston 25 News Anthony Smith, Executive Producer Timothy Capasso, Producer Heather Hegedus, Anchor/Reporter Jessica DeThomas, Producer Julie Ann Szilagyi, Senior Producer Madeline Eggers, Producer Daniel Miller, Anchor Sara Underwood, Anchor Elizabeth Hopkins, Anchor Emily Murphy, Director WBZ This Morning WBZ Samantha Neely, Executive Producer Aileen Pollard, Producer Melissa Pagano, Producer Emily Manzik, Producer Kate Merrill, Anchor Liam Martin, Anchor Zack Green, Meteorologist Anna Meiler, Reporter Nicholas Giovanni, Reporter WBZ This Morning - President Trump Tests Positive
    [Show full text]
  • Chapter 2 Working in the Television Production Industry 37
    This sample chapter is for review purposes only. Copyright © The Goodheart-Willcox Co., Inc. All rights reserved. Objectives After completing this chapter, you will be able to: • Explain how the responsibilities of each production staff position are dependent on the functions of other production staff positions. • Identify the primary responsibilities of each production staff position. • Recall the activities in each step of a production workfl ow. Introduction To understand an individual role in the broadcasting industry, you must be familiar with Professional Terms all aspects of the production process. Each production area is interconnected to many others, anchor makeup with the interrelationships resembling a spider web, assignment editor makeup artist Figure 2-1. To learn proper camerawork, you must assistant director (AD) news director understand proper lighting technique. Proper lighting audio photographer (photog) technique is dictated by the colors used on the set audio engineer photojournalist and on the costumes. The colors of the set and camera operator post-production costumes directly affect the kind of special effects cast pre-production used in the program. Special effects are created in the CG operator producer special effects generator, but must be edited. Knowing content specialist production the tools and techniques of editing is also required. crew production assistant (PA) To learn television production, you must have a solid cue production manager understanding of all the contributing roles. director production switching distribution production team editing production values editor reporter executive producer (EP) robo operator fl oor director scenery fl oor manager scriptwriter frame special effects framing staff gaffer talent graphic artist video grip video engineer lighting director VTR operator maintenance engineer video operator 35 36 Television Production & Broadcast Journalism Chapter 2 Working in the Television Production Industry 37 Figure 2-1.
    [Show full text]
  • 2010 Firstlight Catalog
    2011 Sports Reporting for Television & Radio NEW Take students into the Broadcast Booth, Pro- duction Trailer & on the field, for a realistic, close-up look at the work done by reporters, play-by-play announcers, sports anchors & sports broadcast producers. Students will learn from broadcast veterans who are announcers for major league, professional teams as they share their valuable insights and experience. Designed for students who want careers in sports announcing, sports journalism or for those who want to work as a Media Relations specialist for a college or professional team. (see page 2) The Crew Series NEW HHH - Video Librarian Series Go Behind the Scenes of the Film Industry & Discover the Secrets of ‘Breaking in’ to Film Production Valuable for students aspiring to enter the world of Filmmaking In this six program series, The Crew unravels the mystery and explores the various technical posi - tions that form a film production unit. Covering 18 different departments from Grips to Costume, Lighting to Makeup, the series vividly presents the jobs and lives of film production workers and explores the technical aspects of producing a film by talking to the people who make it happen. (see page 3) FIRST LIGHT TARGETED TRAINING by Industry, Craft & VIDEO PUBLISHING 2321 Abbot Kinney Blvd. Discipline for Career Paths in Media Venice, CA 90291 FIRST LIGHT VIDEO , the premiere distributor of media training programs for students, institutions, teachers Toll Free: 1-800-262-8862 & professionals. We are pleased to announce a wide spectrum of new programming for broadcast journalism, film - International: 1-310-577-8581 making, videography & theatre for school instruction, community education & digital delivery.
    [Show full text]
  • CTV Freelance Videographer Description
    CTV Freelance Videographer Description: Freelance Videographers are responsible for creating video stories/covering beats for CTV by attending events and reporting using video equipment. Must be actively engaged in the production of video content and dedicated to the journalism code of ethics. This position requires a commitment of at least 6 stories a semester. Freelance Beats: 1. Senate Beat Reporter - required weekly Wednesday commitment to attending the ASCSU Senate meetings in the LSC Chamber at 6:30 p.m. and creating a package for - Thursday show 2. Tuesday News Beat - bi-weekly commitment 3. Thursday News Beat - bi-weekly commitment An ideal candidate for this position has the following qualities: • Possesses a strong grasp of videography and editing skills. • Understands the importance of working outside of business hours to respond to newsworthy events. • Strong understanding of social media principles and ethics. • Possesses strong communication skills and an ability to plan content ahead of time with supervisors. • Effectively balances time commitments outside of work. • Responds to newsworthy events and prioritizes timeliness. • Possesses a strong understanding of journalist ethics. Main Responsibilities: • Works with the News Director and show Producers to cover content that is newsworthy and relevant to the specific show, i.e., news, sports, music, food, politics, etc. • Attends weekly news meetings led by the News Director. • Works with the Social Media & Graphics Coordinator to create social media posts to tease the stories being covered. • Films and edits packages, VO/SOTS, VOs and writes lead in/tags or readers for the stories. • Upload videos to YouTube and collegian.com in a timely manner.
    [Show full text]