2. Innovation and Social Media in Local TV News
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Emmy21-Program.Pdf
- 1 - - 2 - - 3 - The Board of Governors The National Academy of Television Arts & Sciences San Francisco/Northern California Chapter Officers: President: Randy Forsman, KCRA 3 Vice President, San Francisco: Kevin Wing*, KNTV NBC Bay Area Vicr President, Sacramento: Joyce Mitchell*, 4U Productions Vice President, Fresno: Richard Harmelink, KFSN ABC 30 Vice President, Hawaii: Pamela Young*, KHON 2 Vice President, Reno: Terri Russell, KOLO 8 Vice President, Smaller Markets: Lexi Sisk, Iron Pine Media Secretary: Nazy Javid, KAEF/KBVU Treasurer: Alison Gibson, Media Cool Past President: Steve Shlisky*, Laney College Stephanie Sierra, KGO ABC 7 National Trustees: Jefferson Tyler, KTVN 2 Randy Forsman, KCRA 3 Wayne Freedman*, KGO ABC 7 Committee Chairs: Alison Gibson, Media Cool Programs & Activities: Steve Shlisky*, Laney College Joyce Mitchell*, 4U Productions Cinema Club: Don Sanchez* Don Sanchez*, Retired, KGO ABC 7 (Alternate) Archives and Museum: John Catchings*, Retired; Kevin Wing*, KNTV NBC Bay Area Governors: Awards: Wayne Freedman*, KGO ABC 7 Vladimir Araya, KFTV Univision 21 Emmy® Gala: Joyce Mitchell*, 4U Productions Susan A. Bradley, Susan A. Bradley Photography Gold & Silver Circle: open Shane Calvert, KRCR 7 Education: Keith Sanders*, San Jose State University Chris Carpenter, Cal State University, Monterey Bay Finance: James Spalding, Spalding & Company Riley Carroll, KAEF/KBVU Legal/Bylaws: Mark Pearson, ARC Law Group Beth Cloutier, LMC, Inc. Marketing: Larena Baldazo, Laney College Troy Espera, The Filipino Channel Off Camera: -
Dkt/Rm: 85-52 ***
::::: *** DKT/RM: 85-52 *** ::::: 02/15/85 NOTICE OF PROPOSED RULE MAKING AND ORDERS TO SHOW CAUSE ADOPTED BY CHIEF, POLICY AND RULES DIVISION DIRECTING THAT KTVQ, INC., LICENSEE OF STATION KTVQ, BILLINGS, MONTANA, AND BRIGHAM YOUNG UNIVERSITY, LICENSEE OF STATION KBYU-TV, PROVO, UTAH SHALL SHOW CAUSE WHY THEIR LICENSES SHOULD NOT BE MODIFIED TO SPECIFY OPERATION ON CHANNELS 2- AND *11-, RESPECTIVELY, AS PROPOSED THEREIN INSTEAD OF THEIR PRESENT CHANNELS 2 AND *11+; KTVQ AND BYU MAY, NOT LATER THAN 04/22/85, REQUEST THAT A HEARING BE HELD. IF THE RIGHT TO REQUEST A HEARING IS WAIVED, KTVQ AND BYU MAY, NOT LATER THAN 04/22/85, FILE A WRITTEN STATEMENT SHOWING WITH PARTICULARITY WHY ITS LICENSE SHOULD NOT BE MODIFIED AS PROPOSED IN THE ORDER TO SHOW CAUSE. THE COMMISSION MAY CALL UPON KTVQ AND BYU TO FURNISH ADDITIONAL INFORMATION, DESIGNATE THE MATTER FOR HEARING OR ISSUE, WITHOUT FURTHER PROCEEDINGS, AN ORDER MODIFYING THE INDIVIDUAL LICENSES, AS PROVIDED IN THE ORDER TO SHOW CAUSE. IF THE RIGHT TO REQUEST A HEARING IS WAIVED AND NO WRITTEN STATEMENT IS FILED BY THE DATE REFERRED TO ABOVE, KTVQ AND BYU WILL BE DEEMED TO HAVE CONSENTED TO THE MODIFICATIONS AS PROPOSED THEREIN AND A FINAL ORDER WILL BE ISSUED BY THE COMMISSION IF THE ABOVE-MENTIONED CHANNEL MODIFICATIONS ARE ULTIMATELY FOUND TO BE IN THE PUBLIC INTEREST. THE SECRETARY SHALL SEND A COPY OF THIS NOTICE OF PROPOSED RULE MAKING AND ORDERS TO SHOW CAUSE BY CERTIFIED MAIL RETURN RECEIPT REQUESTED TO KTVQ, INC., 3203 THIRD AVENUE NORTH BILLINGS, MONTANA 59101, AND BRIGHAM YOUNG UNIVERSITY, C-302 HFAC, PROVO, UTAH, 84602. -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
Japan Tsunami Marine Debris Overview and Update to Congress | August 2013
Photo credit: Hawaii Department of Land and Natural Resources Photo credit: Peter Mark Photo Credit: Kevin Head Severe Marine Debris Event Report: Japan Tsunami Marine Debris Overview and Update to Congress | August 2013 TABLE OF CONTENTS Introduction .......................................................................................................... 5 Background .......................................................................................................... 6 Potential Impacts .............................................................................................. 8 National Efforts: Monitoring .................................................................................. 10 National Efforts: Federal Coordination .......................................................... 12 National Oceanic and Atmospheric Administration, DOC ...................... 12 Bureau of Land Management, DOI .......................................................... 15 Department of State .................................................................................. 16 Fish and Wildlife Service, DOI .......................................................... 16 National Park Service, DOI ...................................................................... 18 U.S. Coast Guard, DHS ...................................................................... 18 U.S. Environmental Protection Agency .............................................. 19 U.S. Forest Service, USDA ..................................................................... -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 43Rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 43rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Daytime Emmy Awards To be held at the Westin Bonaventure Hotel and Suites on May 1st Daytime Creative Arts Emmy® Awards Gala on April 29th Individual Achievement in Animation Honorees Announced New York – March 24th, 2016 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 43rd Annual Daytime Emmy® Awards. The awards ceremony will be held at the Westin Bonaventure Hotel and Suites on Sunday, May 1st. The Daytime Creative Arts Emmy Awards will also be held at the Bonaventure on Friday, April 29th, 2016. The 43rd Annual Daytime Emmy Award Nominations were revealed today on the Emmy-winning show, “The Talk,” on CBS. “After last year’s critically successful Daytime telecast, it is with great disappointment that The National Academy of Television Arts & Sciences (NATAS) announces that there will not be a broadcast of the 43rd Annual Daytime Emmy ® Awards,” said Bob Mauro, President. “After months of negotiations to find show sponsorship, the NATAS Executive Board has decided that the current climate for awards shows prohibits the possibility of a telecast this year. With that said, we will be putting on a world-class awards celebration honoring the best and brightest of Daytime television and look forward to an exciting show. All efforts regarding returning the annual gala to television in 2017 are underway.” “We are especially grateful for our passionate Daytime fans and are looking forward to producing a grand gala that honors the talents and artistries of all the professionals that represent Daytime television,” said David Michaels, SVP, Daytime Emmy Awards. -
50Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED
1 50th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED The 50th Annual Northern California Area EMMY® Awards were presented Saturday evening, June 5th for the second time via webcast only. The EMMY® Award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statues. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2020 calendar year. A total of 912 entries were received, 765 English and 195 Spanish in 68 English Categories and 34 Spanish Categories. Nominations were announced on May 5th with 195 English and 76 Spanish. Electronic ballots were submitted by a minimum of seven peer judges from other NATAS chapters and were sent directly to our accountant. The Spanish and English awards are judged and scored separately and then presented at the ceremony. 353 Emmy® statues were handed out to 263 individuals. The top two recipients were Maikel D'Agostino, Photograpoher/Editor, KUVS Unvision 19, Sacramento with ten, and Jonathan Bloom, Video Journalist, KNTV NBC Bay Area, with Six. The Emmy® is awarded to individuals but there is a lot of interest in the station counts: KNTV NBC Bay Area took home 16 for the English contest and KUVS Univision 19 with 12 for the Spanish contest. The overall Excellence Emmy® awards went to KNTV NBC Bay Area, English and KUVS Univision 19, Spanish. The prestigious Governors’ Award, the highest honor a regional chapter can award was presented to Wayne Freedman, Reporter, KGO ABC 7, San Francisco. -
Federal Register/Vol. 85, No. 103/Thursday, May 28, 2020
32256 Federal Register / Vol. 85, No. 103 / Thursday, May 28, 2020 / Proposed Rules FEDERAL COMMUNICATIONS closes-headquarters-open-window-and- presentation of data or arguments COMMISSION changes-hand-delivery-policy. already reflected in the presenter’s 7. During the time the Commission’s written comments, memoranda, or other 47 CFR Part 1 building is closed to the general public filings in the proceeding, the presenter [MD Docket Nos. 19–105; MD Docket Nos. and until further notice, if more than may provide citations to such data or 20–105; FCC 20–64; FRS 16780] one docket or rulemaking number arguments in his or her prior comments, appears in the caption of a proceeding, memoranda, or other filings (specifying Assessment and Collection of paper filers need not submit two the relevant page and/or paragraph Regulatory Fees for Fiscal Year 2020. additional copies for each additional numbers where such data or arguments docket or rulemaking number; an can be found) in lieu of summarizing AGENCY: Federal Communications original and one copy are sufficient. them in the memorandum. Documents Commission. For detailed instructions for shown or given to Commission staff ACTION: Notice of proposed rulemaking. submitting comments and additional during ex parte meetings are deemed to be written ex parte presentations and SUMMARY: In this document, the Federal information on the rulemaking process, must be filed consistent with section Communications Commission see the SUPPLEMENTARY INFORMATION 1.1206(b) of the Commission’s rules. In (Commission) seeks comment on several section of this document. proceedings governed by section 1.49(f) proposals that will impact FY 2020 FOR FURTHER INFORMATION CONTACT: of the Commission’s rules or for which regulatory fees. -
The Producer Written by Ivo Burum
The Producer written by Ivo Burum There are various producer titles each relating to a role in the development, production, delivery and marketing cycle of a film, video, or online media project. Figure 1 Shows a hierarchical order of producing for a magazine and a current affairs show.: Executive Producer or EP credits in television are received by individual(s) who report to the networks, studios, or companies funding and distributing the series/show. The Executive Producer (Showrunner) has final responsibility for the creative and business aspects of producing a series. S/he will have direct authority over a majority of the producing functions throughout all phases of series production. The Executive Producer is often responsible for the creation of the series, including the concept, format and other production elements. Over the course of production, the Executive Producer is expected to serve as the primary point-of-contact with the network, studio, and/or production company regarding the development, production, post-production and marketing of the series. During development of the pilot and/or series, the Executive Producer will supervise or participate in story or script meetings, approve all storylines, and supervise the creation of the series "bible.” The Executive Producer will select or approve the hiring of all series directors, as well as the casting of all on camera talent including hosts and journalists. S/he will similarly select or approve of the hiring of key members of the producing team, such as the production manager, director of photography, and composer. The Executive Producer must supervise or approve the series budget and production schedule. -
Microsoft Outlook
Emails pertaining to Gateway Pacific Project For April 2013 From: Jane (ORA) Dewell <[email protected]> Sent: Monday, April 01, 2013 8:12 AM To: '[email protected]'; Skip Kalb ([email protected]); John Robinson([email protected]); Brian W (DFW) Williams; Cyrilla (DNR) Cook; Dennis (DNR) Clark; Alice (ECY) Kelly; Loree' (ECY) Randall; Krista Rave-Perkins (Rave- [email protected]); Jeremy Freimund; Joel Moribe; 'George Swanaset Jr'; Oliver Grah; Dan Mahar; [email protected]; Scott Boettcher; Al Jeroue ([email protected]); AriSteinberg; Tyler Schroeder Cc: Kelly (AGR) McLain; Cliff Strong; Tiffany Quarles([email protected]); David Seep ([email protected]); Michael G (Env Dept) Stanfill; Bob Watters ([email protected]); [email protected]; Jeff Hegedus; Sam (Jeanne) Ryan; Wayne Fitch; Sally (COM) Harris; Gretchen (DAHP) Kaehler; Rob (DAHP) Whitlam; Allen E (DFW) Pleus; Bob (DFW) Everitt; Jeffrey W (DFW) Kamps; Mark (DFW) OToole; CINDE(DNR) DONOGHUE; Ginger (DNR) Shoemaker; KRISTIN (DNR) SWENDDAL; TERRY (DNR) CARTEN; Peggy (DOH) Johnson; Bob (ECY) Fritzen; Brenden (ECY) McFarland; Christina (ECY) Maginnis; Chad (ECY) Yunge; Douglas R. (ECY) Allen; Gail (ECY) Sandlin; Josh (ECY) Baldi; Kasey (ECY) Cykler; Kurt (ECY) Baumgarten; Norm (ECY) Davis; Steve (ECY) Hood; Susan (ECY) Meyer; Karen (GOV) Pemerl; Scott (GOV) Hitchcock; Cindy Zehnder([email protected]); Hallee Sanders; [email protected]; Sue S. PaDelford; Mary Bhuthimethee; Mark Buford ([email protected]); Greg Hueckel([email protected]); Mark Knudsen ([email protected]); Skip Sahlin; Francis X. Eugenio([email protected]); Joseph W NWS Brock; Matthew J NWS Bennett; Kathy (UTC) Hunter; ([email protected]); Ahmer Nizam; Chris Regan Subject: GPT MAP Team website This website will be unavailable today as maintenance is completed. -
Its Stories, People, and Legacy
THE SCRIPPS SCHOOL Its Stories, People, and Legacy Edited by RALPH IZARD THE SCRIPPS SCHOOL Property of Ohio University's E.W. Scripps School of Journalism. Not for resale or distribution. Property of Ohio University's E.W. Scripps School of Journalism. Not for resale or distribution. THE SCRIPPS SCHOOL Its Stories, People, and Legacy Edited by Ralph Izard Ohio University Press Athens Property of Ohio University's E.W. Scripps School of Journalism. Not for resale or distribution. Ohio University Press, Athens, Ohio 45701 ohioswallow.com © 2018 by Ohio University Press All rights reserved To obtain permission to quote, reprint, or otherwise reproduce or distribute material from Ohio University Press publications, please contact our rights and permissions department at (740) 593-1154 or (740) 593-4536 (fax). Printed in the United States of America Ohio University Press books are printed on acid-free paper ™ 28 27 26 25 24 23 22 21 20 19 18 5 4 3 2 1 Frontispiece: Schoonover Center for Communication, home of the school, 2013–present. (Photo courtesy of Ohio University) Photographs, pages xiv, xx, 402, and 428: Scripps Hall, home of the school, 1986–2013. (Photo courtesy of Ohio University) Hardcover ISBN: 978-0-8214-2315-8 Electronic ISBN: 978-0-8214-4630-0 Library of Congress Control Number: 2018945765 The E.W. Scripps School of Journalism is indebted to G. Kenner Bush for funding this project through the Gordon K. Bush Memorial Fund. The fund honors a longtime pub- lisher of The Athens Messenger who was a special friend to the school. -
60001549155.Txt Dear FCC, I Like to Express My Views on M.B
60001549155.txt Dear FCC, I like to express my views on M.B. Docket 10-25 on localism. Localism is still important to the state and community you live in. My parents are DIRECTV subscribers since January 2009, and Greenwood, SC is in the Greenville, SC/Asheville, NC DMA. The TV stations in the Greenville/Asheville area tells irrelevant North Carolina and Georgia local news along with in-state relevant South Carolina local news. I don't live in North Carolina or Georgia, I live in South Carolina. I want to know what's happening in South Carolina since I'm a resident of that state. The Nielsen's DMA system is broken. We need more choices on DIRECTV, get out-of-market in-state locals from Columbia, SC and Charleston, SC markets because both markets tells 100% relevant in-state South Carolina local news. Besides Greenville, I wanted to know what's happening on the other side of my state like Columbia and Charleston. But the problem? The controversial program exclusivity rules haven't been eliminated, and it needs to be. Even Greenville, SC's NBC affiliate does not carry NBC's Today Show 4th hour with Kathie Lee Gifford and Hoda Kotb in the mornings while Columbia, SC and Charleston, SC NBC affiliates do carry it in its entirety live at 10am Eastern Time. We also live in a moderate to bad over the air TV reception despite getting three adjacent markets over the air (one in state of Columbia, SC and two out-of-state ones from Augusta, GA and Charlotte, NC). -
Channel Affiliate Market Timeframe of Move Call
TV Broadcasters’ Impact on South Carolina Broadcasters have an impact of $14.74 billion annually on South Carolina’s economy. 32,530 Jobs 23 Commercial TV Stations Call Channel Affiliate Market Timeframe of Move WJWJ-TV 16 Public Television Savannah, GA (91) Phase 7: Oct 19, 2019 - Jan 17, 2020 WSAV-TV 3 NBC Savannah, GA (91) Phase 7: Oct 19, 2019 - Jan 17, 2020 WTGS 28 FOX Savannah, GA (91) Phase 7: Oct 19, 2019 - Jan 17, 2020 WVAN-TV 9 Public Television Savannah, GA (91) Phase 9: Mar 14, 2020 - May 1, 2020 WCBD-TV 0 NBC Charleston, SC (94) Phase 5: Aug 3, 2019 - Sept 6, 2019 WCIV 36 My Network TV Charleston, SC (94) Phase 5: Aug 3, 2019 - Sept 6, 2019 WCSC-TV 5 CBS Charleston, SC (94) Phase 5: Aug 3, 2019 - Sept 6, 2019 WITV 7 Public Television Charleston, SC (94) Phase 10: May 2, 2020 - Jul 3, 2020 WTAT-TV 24 FOX Charleston, SC (94) Phase 5: Aug 3, 2019 - Sept 6, 2019 WACH 57 FOX Columbia, SC (77) Phase 5: Aug 3, 2019 - Sept 6, 2019 WKTC 63 CW Television Network Columbia, SC (77) Phase 5: Aug 3, 2019 - Sept 6, 2019 WLTX 19 CBS Columbia, SC (77) Phase 5: Aug 3, 2019 - Sept 6, 2019 WOLO-TV 25 ABC Columbia, SC (77) Phase 10: May 2, 2020 - Jul 3, 2020 WRJA-TV 27 Public Television Columbia, SC (77) Phase 5: Aug 3, 2019 - Sept 6, 2019 WRLK-TV 35 Public Television Columbia, SC (77) Phase 5: Aug 3, 2019 - Sept 6, 2019 WZRB 47 ION Media Networks Columbia, SC (77) Phase 5: Aug 3, 2019 - Sept 6, 2019 WBPI-CD 49 Independent Auga, GA (111) Phase 8: Jan 18, 2020 - Mar 13, 2020 WEBA-TV 14 Public Television Auga, GA (111) Phase 5: Aug 3, 2019 - Sept