2. When the Barking Stopped: Censorship, Self-Censorship and Spin in Fiji
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The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
Social Media and Politics: Theoretical and Methodological Considerations in Designing a Study of Political Engagement
Social Media and Politics: Theoretical and Methodological Considerations in Designing a Study of Political Engagement Paper presented at Politics: Web 2.0: An International Conference New Political Communication Unit Royal Holloway, University of London April 17-18, 2008 Maja Turnšek University of Ljubljana, Faculty of Social Sciences, Slovenia [email protected] Nicholas W. Jankowski Virtual Knowledge Studio for the Humanities and Social Sciences, Amsterdam, The Netherlands [email protected] 1 Introduction Web 2.0 has become the buzz word describing a plethora of social media available on the internet, includingblogs, photo and file sharing systems (e.g., Flickr, SlideShare, YouTube), and social networking sites (e.g., Friendster, MySpace, SecondLife). Although these media are largely designed for personal presentation, political speech and action sometime emerge, such as in postings protesting government actions on YouTube, creation of candidate headquarters in SecondLife, and utilization of still image and video functionalities on mobile phones during demonstrations and police confrontations. Last year, as candidates began preparing for the U.S. Presidential Primaries, CNN coined the term YouTube-ification of Politics to describe this development. From a perspective ascribing importance to everyday settings as venues for political expression, these Internet-based social media have become both the tools for and sites of politics. The question, however, is how such manifestations of political life can be empirically investigated within a social science theoretical framework. In this paper we examine the theoretical and methodological approaches involved in studying social media utilized for political expression and action. In question form, we ask: How do empirically oriented social scientists consider the theoretical and methodological challenges involved in investigating social media? We address this question through examining a sample of research-oriented peer reviewed journal articles addressing facets of social media. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 43Rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 43rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Daytime Emmy Awards To be held at the Westin Bonaventure Hotel and Suites on May 1st Daytime Creative Arts Emmy® Awards Gala on April 29th Individual Achievement in Animation Honorees Announced New York – March 24th, 2016 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 43rd Annual Daytime Emmy® Awards. The awards ceremony will be held at the Westin Bonaventure Hotel and Suites on Sunday, May 1st. The Daytime Creative Arts Emmy Awards will also be held at the Bonaventure on Friday, April 29th, 2016. The 43rd Annual Daytime Emmy Award Nominations were revealed today on the Emmy-winning show, “The Talk,” on CBS. “After last year’s critically successful Daytime telecast, it is with great disappointment that The National Academy of Television Arts & Sciences (NATAS) announces that there will not be a broadcast of the 43rd Annual Daytime Emmy ® Awards,” said Bob Mauro, President. “After months of negotiations to find show sponsorship, the NATAS Executive Board has decided that the current climate for awards shows prohibits the possibility of a telecast this year. With that said, we will be putting on a world-class awards celebration honoring the best and brightest of Daytime television and look forward to an exciting show. All efforts regarding returning the annual gala to television in 2017 are underway.” “We are especially grateful for our passionate Daytime fans and are looking forward to producing a grand gala that honors the talents and artistries of all the professionals that represent Daytime television,” said David Michaels, SVP, Daytime Emmy Awards. -
50Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED
1 50th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED The 50th Annual Northern California Area EMMY® Awards were presented Saturday evening, June 5th for the second time via webcast only. The EMMY® Award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statues. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2020 calendar year. A total of 912 entries were received, 765 English and 195 Spanish in 68 English Categories and 34 Spanish Categories. Nominations were announced on May 5th with 195 English and 76 Spanish. Electronic ballots were submitted by a minimum of seven peer judges from other NATAS chapters and were sent directly to our accountant. The Spanish and English awards are judged and scored separately and then presented at the ceremony. 353 Emmy® statues were handed out to 263 individuals. The top two recipients were Maikel D'Agostino, Photograpoher/Editor, KUVS Unvision 19, Sacramento with ten, and Jonathan Bloom, Video Journalist, KNTV NBC Bay Area, with Six. The Emmy® is awarded to individuals but there is a lot of interest in the station counts: KNTV NBC Bay Area took home 16 for the English contest and KUVS Univision 19 with 12 for the Spanish contest. The overall Excellence Emmy® awards went to KNTV NBC Bay Area, English and KUVS Univision 19, Spanish. The prestigious Governors’ Award, the highest honor a regional chapter can award was presented to Wayne Freedman, Reporter, KGO ABC 7, San Francisco. -
The Producer Written by Ivo Burum
The Producer written by Ivo Burum There are various producer titles each relating to a role in the development, production, delivery and marketing cycle of a film, video, or online media project. Figure 1 Shows a hierarchical order of producing for a magazine and a current affairs show.: Executive Producer or EP credits in television are received by individual(s) who report to the networks, studios, or companies funding and distributing the series/show. The Executive Producer (Showrunner) has final responsibility for the creative and business aspects of producing a series. S/he will have direct authority over a majority of the producing functions throughout all phases of series production. The Executive Producer is often responsible for the creation of the series, including the concept, format and other production elements. Over the course of production, the Executive Producer is expected to serve as the primary point-of-contact with the network, studio, and/or production company regarding the development, production, post-production and marketing of the series. During development of the pilot and/or series, the Executive Producer will supervise or participate in story or script meetings, approve all storylines, and supervise the creation of the series "bible.” The Executive Producer will select or approve the hiring of all series directors, as well as the casting of all on camera talent including hosts and journalists. S/he will similarly select or approve of the hiring of key members of the producing team, such as the production manager, director of photography, and composer. The Executive Producer must supervise or approve the series budget and production schedule. -
The Media Democracy Agenda the Strategy and Legacy of Federal Communications Commissioner Michael J
The Media Democracy Agenda The Strategy and Legacy of Federal Communications Commissioner Michael J. Copps by Victor Pickard and Pawel Popiel Annenberg School for Communication, University of Pennsylvania Published by the Benton Foundation The Media Democracy Agenda The Strategy and Legacy of FCC Commissioner Michael J. Copps This Benton Foundation publication is written by Victor Pickard and Pawel Popiel. This work is licensed under the Creative Commons Attribution-Noncommercial 3.0 United States License. A copy of this license is available at http://creativecommons.org/licenses/by-nc/3.0/us Please include the following attribution when citing this report: Pickard, Victor and Pawel Popiel. September 2018. The Media Democracy Agenda: The Strategy and Legacy of FCC Commissioner Michael J. Copps. Evanston, IL: Benton Foundation. https://www.benton.org/publications/Copps-legacy Benton Foundation 727 Chicago Ave. Evanston, IL 60202 www.benton.org Table of Contents Foreword ....................................................................................................................................... 2 Introduction .................................................................................................................................. 4 Historical Context ......................................................................................................................... 5 Biographical Background .............................................................................................................. 7 Democratic Principles -
The Mass Media, Democracy and the Public Sphere
Sonia Livingstone and Peter Lunt The mass media, democracy and the public sphere Book section Original citation: Originally published in Livingstone, Sonia and Lunt, Peter, (eds.) Talk on television audience participation and public debate. London : Routledge, UK, 1994, pp. 9-35. © 1994 Sonia Livingstone and Peter Lunt This version available at: http://eprints.lse.ac.uk/48964/ Available in LSE Research Online: April 2013 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s submitted version of the book section. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Original citation: Livingstone, S., and Lunt, P. (1994) The mass media, democracy and the public sphere. In Talk on Television: Audience participation and public debate (9-35). London: Routledge. Chapter 2 The mass media, democracy and the public sphere INTRODUCTION In this chapter we explore the role played by the mass media in political participation, in particular in the relationship between the laity and established power. -
34Th Winner List
The 34th Annual Boston/New England Emmy® Recipients Newscast-Evening Larger Markets (1-49) Chris Roach, Executive Producer NewsCenter 5 at 11pm: May 13, 2010 WCVB Newscast-Evening Smaller Markets (50-100+) Amy Beveridge, Producer News 8 at Six - February Flooding WMTW General Assignment Report Jonathan Elias, Reporter / Producer America's Most Famous Illegal WBZ Dominick Aielli, Photojournalist Spot News Jim Altman, Reporter Bridgeport Tornado: Surviving the Storm WTIC-TV FOX CT Sharon Burke, Photographer/Editor Continuing Coverage Within 24 Hours ***TIE*** Andrew Vrees, News Director The Massacre in Mattapan WCVB John Verrilli, News Director March Floods WBZ Continuing Coverage No Time Limit Darren Perron, Reporter Mission: Afghanistan WCAX Lance MacKenzie, Photographer Investigative Report Mike Beaudet, Investigative Reporter Fox Undercover Composite WFXT Kevin Rothstein, Producer Jonathan Wells, Executive Producer Richard Ward, Photographer Jim Goff, Photographer Todd Krupa, Editor Allan DiMaio, Editor Feature News Report Light Feature Jim Altman, Reporter Band of Brothers WTIC-TV FOX CT Mike Piskorski, Photographer/Editor Feature News Report Light Series ***TIE*** Sarah French, Reporter Make A Wish Mondays WTIC Jennifer Berryman, Producer The Patients Of Boston Med WCVB Liz Brunner, Reporter News Specialty Report Arts/Entertainment Scott LaPierre, Producer/Videographer 5,000 labels for 5,000 artworks? www.boston.com-The Boston Globe News Specialty Report Business/Consumer Hank Phillippi Ryan, Reporter Consumer Composite WHDH Mary -
NAB's Guide to Careers in Television
NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department………………………………………. -
Evidence of Social Media Blocking and Internet Censorship in Ethiopia
ETHIOPIA OFFLINE EVIDENCE OF SOCIAL MEDIA BLOCKING AND INTERNET CENSORSHIP IN ETHIOPIA Amnesty International is a global ABOUT OONI movement of more than 7 million The Open Observatory of Network Interference people who campaign for a (OONI) is a free software project under the Tor world where human rights are enjoyed Project that aims to increase transparency of internet censorship around the world. We aim to by all. empower groups and individuals around the world with data that can serve as evidence of internet Our vision is for every person to enjoy censorship events. all the rights enshrined in the Since late 2012, our users and partners around the Universal Declaration of Human world have contributed to the collection of millions of network measurements, shedding light on Rights and other international human multiple instances of censorship, surveillance, and rights standards. traffic manipulation on the internet. We are independent of any government, political We are independent of any ideology, economic interest or religion. government, political ideology, economic interest or religion and are funded mainly by our membership and public donations. © Amnesty International 2016 Except where otherwise noted, content in this document is licensed under a Creative Commons Cover photo: Youth in Addis trying to get Wi-Fi Connection. (attribution, non-commercial, no derivatives, international 4.0) licence. ©Addis Fortune https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode For more information please visit the permissions page on our website: www.amnesty.org Where material is attributed to a copyright owner other than Amnesty International this material is not subject to the Creative Commons licence. -
Buying Compliance: Governmental Advertising and Soft Censorship in Mexico
Buying Compliance: Governmental Advertising and Soft Censorship in Mexico www.wan-ifra.org Buying Compliance: Governmental Advertising and Soft Censorship In Mexico © 2014 WAN-IFRA PUBLISHED BY: RESEARCH PARTNERS: WAN-IFRA Center for International Media Assistance 96 bis, Rue Beaubourg National Endowment for Democracy 75003 Paris, France 1025 F Street, N.W., 8th Floor www.wan-ifra.org Washington, DC 20004, USA www.cima.ned.org WAN-IFRA CEO: Vincent Peyrègne Open Society Justice Initiative 224 West 57th Street EdiTorial coordinaTOR: New York, New York 10019, USA Mariona Sanz Cortell www.opensocietyfoundations.org RESEARCHERS: Justine Dupuy (Fundar) and Ana Cristina Ruelas (Article 19) - lead researchers Antonio Martínez, Diego de la Mora, Regina Ganem and Ricardo Luevano EDITOR: Thomas R. Lansner 2 RESEARCH PARTNERS meXico: SUPPORTED BY: Fundar, Centro de Análisis e Investigación Open Society Foundations Cerrada Alberto Zamora, num. 21 www.opensocietyfoundations.org Colonia Villa Coyoacán, Del. Coyoacán C. P. 04000, México, D. F. SPecial ThanKS TO: www.fundar.org.mx Darian Pavli; Senior Attorney at Open Society Justice Initiative, for his advice on the research methodology, legal and policy questions; the interviewees and survey participants; and all col- leagues who made this research possible. ARTICLE 19, oficina para México y Centroamérica DESIGN AND PREPRESS: José Vasconcelos 131, Col. San Miguel Snezana Vukmirovic, Ivan Cosic, Plain&Hill Serbia Chapultepec Delegación Miguel Hidalgo, c.p. 11850, México D.F. © 2014 WAN-IFRA www.articulo19.org -
Demokratiereport
THE KAS DEMOCRACY REPORT 2008 MEDIA AND DEMOCRACY VOLUME II PUBLISHER Konrad-Adenauer-Stiftung e.V. EDITORS Karsten Grabow Christian E. Rieck www.kas.de © 2008 Konrad-Adenauer-Stiftung e. V. Sankt Augustin / Berlin All rights reserved. No part of this book may be reproduced or utilised in any form or by any means, electronically or mechanically, without written permission of the publisher. Layout: Switsch Kommunikationsdesign, Cologne Typesetting: workstation gmbh, Bonn This publication was printed with financial support of the Federal Republic of Germany. Printed in Germany. All contributions in this volume reflect the opinion of their authors, not necessarily that of the KAS, unless otherwise stated. ISBN: 978-3-940955-25-8 CONTENTS 3 | PREFACE 5 | INTRODUCTION: OBJECTIVES, METHOD AND STUDY DESIGN 13 | COUNTRY REPORTS BY REGION 15 | AFRICA 17 | NIGERIA 33 | SENEGAL 43 | ASIA 45 | CHINA 59 | GEORGIA 72 | MALAYSIA 82 | PHILIPPINES 94 | THAILAND 101 | EUROPE 103 | BULGARIA 116 | POLAND 126 | RUSSIA 135 | UKRAINE 143 | LATIN AMERICA 145 | BOLIVIA 155 | BRAZIL 165 | VENEZUELA 177 | MIDDLE EAST 179 | EGYPT 189 | TURKEY 199 | ANALYSIS: MEDIA AND MEDIA FREEDOM – DEVELOPMENTS AND TRENDS 214 | PROMOTING FREE MEDIA: THE MEDIA PROGRAMME OF THE KONRAD-ADENAUER-STIFTUNG 222 | APPENDIX: QUESTIONNAIRE 227| CONTRIBUTORS 3 PREFACE The KAS Democracy Report describes the state of key democracy sectors in partner countries of the Konrad-Adenauer-Stiftung. With the publication of the first three volumes, Media and Democracy (2005), Rule of Law (2006), and Parties and Democracy (2007) the first cycle of the series was completed. This year, the cycle starts again with a study on the media, although the selection of countries differs to some extent from that of 2005.