DOCSLIB.ORG

Communication Studies 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Communication Studies 1 Communication Studies 1 Personnel Staff · Public Service Agency Staff · Corporate Media Director COMMUNICATION STUDIES · Communication Consultant · Public Relations Professional · Video Editor · Video Producer or Director · Health Educator · Fund Raiser · Media College of Arts and Letters Sales and Promotion Staff · Multimedia Project Manager · Community College Instructor · Lobbyist · Speech Writer · Minister · Lawyer · Politician Program Description · Consumer Market Researcher · Staff Analyst · Focus Group Leader · Communication Studies is a broad-based discipline concerned with Political Campaign Staff · Public Affairs Director · Advertising Account the exchange of messages in interpersonal and mediated situations Executive and with the impact of such exchanges on society. Courses focus on Reporter · Editor · Columnist · Editorial Writer · Magazine Writer · Speech understanding the communication process and developing skills to Writer · Correspondent · Public Affairs Manager · Legislative Assistant communicate effectively. The Department offers a wide range of courses · Press Relations Officer · Public Information Specialist · Technical in interpersonal, group, and organizational communication, rhetorical Writer/Editor · Broadcast Journalist · News Director · Disc Jockey · News theory and criticism, public relations, mass communication and research Producer · Online Journalist methodologies. Videographer · Cinematographer · Production Coordinator · Production The Sacramento State Journalism program provides both a general Assistant · Lighting Designer · Gaffer · Grip · Film/Video Director · academic experience and professional preparation. Sacramento's Production Sound Mixer · Sound Editor · Screenwriter · Script Supervisor · program emphasizes writing, editing, writing for interactive media, and Video Editor · Effects Editor · Independent Filmmaker · Film Critic other courses necessary to prepare students for success in media- related jobs; it also includes courses that critically examine media as an institution. Contact Information Gerri Smith, Department Chair The Film Program offers interdisciplinary coursework in the areas of Katrina Roose, Administrative Support Coordinator II film production, history, theory, criticism, and writing. The Film major Mendocino Hall 5014 aims at developing a deeper understanding of the art and practice of (916) 278-6688 film, its complex components, and the artists whose vision have inspired Department of Communication Studies Website (http:// generations of filmmakers. All students are required to take a common www.asn.csus.edu/coms/) core that provides a foundation for film criticism and production. After completing the core, students select either the film studies or film Faculty production track. Students are supervised by the Film Coordinator. AGUILAR, KIMBERLY Degree Programs BONILLA, DIEGO Communication Studies (http://catalog.csus.edu/colleges/arts-letters/ communication-studies/communication-studies/) BUSS, STEVEN E. Journalism (http://catalog.csus.edu/colleges/arts-letters/ DUGAN, MOLLY A. communication-studies/journalism/) EARLE, ELIZABETH Film Studies (http://catalog.csus.edu/colleges/arts-letters/ communication-studies/film/) FLORES, CARLOS Special Features FOSS-SNOWDEN, MICHELE S. • Communication Studies faculty possess professional expertise GALE, ELAINE E. and academic excellence. Faculty maintain a high level of scholarly publication, creative activity, consulting, and outstanding teaching. HONG, CHENG • The Sacramento State Debate Program is highly ranked nationwide HOWARD, TIMOTHY L. with opportunities for both experienced and beginning debaters. • The Department's Internship Program serves over 100 students each IRWIN, JACQUELINE "Jaccie" semester with internships in government agencies, private industry, TV stations, and public service organizations. JANOS, DAN • The Department sponsors Epsilon Phi, a chapter of the National KASIC, KATHY Communication honors society Lambda Pi Eta. Students eligible for membership participate in a variety of activities and are recognized at LeFEBVRE, EDITH E. the university's graduation ceremony. LUDWIG, MARK D. • The Department also sponsors PRSA, our student chapter of the Public Relations Student Society of America. MALVINI REDDEN, SHAWNA Career Possibilities MILLER, CHRISTINE Community Relations Director · Organizational Trainer · Organizational NEWSOME, CHEVELLE A. Newsletter Editor · Public Information Specialist · Media Technician · Organizational Consultant · Organizational Trainer and Developer · 2 Communication Studies OMORI, KIKUKO REESE, PHILLIP SMITH, GERRI STARK, JENNY STITT, CARMEN STONER, ANDREW STONER, MARK REED TAYLOR, DONALD TERRY, ANDREA TUDOR, KRISTEN A. VanAIRSDALE, STU WILLIAMS, MARK A.E. WILLIAMS, JOHN L. ZUCKERMAN, S. DAVID.
Load more

Recommended publications
  • The Producing Process 3
    03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast.
    [Show full text]
  • Different Dimensions, Philosophies and Techniques of Filmmaking
    Different dimensions, philosophies and techniques of filmmaking from a spontaneous one-day film idea to an Independent Film Production of a series ISWI 2021 & DITS - Production 02. June 2021 Who are we? TeamFnD “Freedom and Dependency” We are a student initiative of students of the TU Ilmenau and an independent film production. Together with professional filmmakers, national and international musicians, dancers and artists we currently producing a series called “Dancing in the Shadow” here in Ilmenau. Tamara K. Anastasiia S. Film Marketing & PR, Film Producer, Student at TU Ilmenau Alumni TU Ilmenau Lucas M. Cam Operator, Student at TU Ilmenau What’s the Workshop about? I. One-day film with a Smartphone II. Semi professional Shooting project III. Independent Film Production of a Movie IV. Dancing in the Shadow - Our production I. One-day film with a Smartphone What you need: ● content idea ● mobile phone ● smartphone stabilizer ● big plus: extra light & microphone ● an impression of how the final video should look like microphones for better sound lights stabilizer: gimbal and/or tripod I. One-day film with a Smartphone Useful advices Preparation ● hold cell phone straight ● What should be in the video? ● always film in landscape format, so 16:9 Objects? Persons? ● bring depth into the picture ● What should happen? Actions? ● objects in the foreground ● Write a shotlist for your sequence ● consistent movements and visual concept ● think about the transitions II. Semi professional Shooting project Preproduction Production Postproduction ● develop the story ● “less is more” - film with a ● use a good editing software ● create a storyboard to small crew, a few actors and (the best free one is Davinci visualize the ideas with minimal equipment Resolve which includes ● find actors, crew, location, ● Equipment: DSLR on a tripod professional Features) equipment or small gimbal with good ● build up all of that with a lenses a decent external ● organize the footage minimal budget microphone and 2-3 softboxes ● raw-cut the whole film or LED Panels.
    [Show full text]
  • South Africa's Official Selection for the Foreign Film Oscars 2006
    Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos.
    [Show full text]
  • 7 1Stephen A
    SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Bachelor of Fine Arts in Film Production New York University 1985 Submitted to the Media Arts & Sciences Section, School of Architecture & Planning in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE at the Massachusetts Institute of Technology September, 1990 c Massachusetts Institute of Technology, 1990 All Rights Reserved I Signature of Author Media Arts & Sciences Section Certified by '4 A Professor Glorianna Davenport Assistant Professor of Media Technology, MIT Media Laboratory Thesis Supervisor Accepted by I~ I ~ - -- 7 1Stephen A. Benton Chairperso,'h t fCommittee on Graduate Students OCT 0 4 1990 LIBRARIES iznteh Room 14-0551 77 Massachusetts Avenue Cambridge, MA 02139 Ph: 617.253.2800 MITLibraries Email: [email protected] Document Services http://libraries.mit.edu/docs DISCLAIMER OF QUALITY Due to the condition of the original material, there are unavoidable flaws in this reproduction. We have made every effort possible to provide you with the best copy available. If you are dissatisfied with this product and find it unusable, please contact Document Services as soon as possible. Thank you. Best copy available. SLIPSTREAM A DATA RICH PRODUCTION ENVIRONMENT by Alan Lasky Submitted to the Media Arts & Sciences Section, School of Architecture and Planning on August 10, 1990 in partial fulfillment of the requirements for the degree of Master of Science ABSTRACT Film Production has always been a complex and costly endeavour. Since the early days of cinema, methodologies for planning and tracking production information have been constantly evolving, yet no single system exists that integrates the many forms of production data.
    [Show full text]
  • THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES the 43Rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS
    THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 43rd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Daytime Emmy Awards To be held at the Westin Bonaventure Hotel and Suites on May 1st Daytime Creative Arts Emmy® Awards Gala on April 29th Individual Achievement in Animation Honorees Announced New York – March 24th, 2016 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 43rd Annual Daytime Emmy® Awards. The awards ceremony will be held at the Westin Bonaventure Hotel and Suites on Sunday, May 1st. The Daytime Creative Arts Emmy Awards will also be held at the Bonaventure on Friday, April 29th, 2016. The 43rd Annual Daytime Emmy Award Nominations were revealed today on the Emmy-winning show, “The Talk,” on CBS. “After last year’s critically successful Daytime telecast, it is with great disappointment that The National Academy of Television Arts & Sciences (NATAS) announces that there will not be a broadcast of the 43rd Annual Daytime Emmy ® Awards,” said Bob Mauro, President. “After months of negotiations to find show sponsorship, the NATAS Executive Board has decided that the current climate for awards shows prohibits the possibility of a telecast this year. With that said, we will be putting on a world-class awards celebration honoring the best and brightest of Daytime television and look forward to an exciting show. All efforts regarding returning the annual gala to television in 2017 are underway.” “We are especially grateful for our passionate Daytime fans and are looking forward to producing a grand gala that honors the talents and artistries of all the professionals that represent Daytime television,” said David Michaels, SVP, Daytime Emmy Awards.
    [Show full text]
  • 50Th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED
    1 50th Annual NORTHERN CALIFORNIA AREA EMMY® AWARD RECIPIENTS ANNOUNCED The 50th Annual Northern California Area EMMY® Awards were presented Saturday evening, June 5th for the second time via webcast only. The EMMY® Award is presented for outstanding achievement in television by The National Academy of Television Arts & Sciences (NATAS). San Francisco/ Northern California is one of the nineteen chapters awarding regional Emmy® statues. Northern California is composed of media companies and individuals from Visalia to the Oregon border and includes Hawaii and Reno, Nevada. Entries aired during the 2020 calendar year. A total of 912 entries were received, 765 English and 195 Spanish in 68 English Categories and 34 Spanish Categories. Nominations were announced on May 5th with 195 English and 76 Spanish. Electronic ballots were submitted by a minimum of seven peer judges from other NATAS chapters and were sent directly to our accountant. The Spanish and English awards are judged and scored separately and then presented at the ceremony. 353 Emmy® statues were handed out to 263 individuals. The top two recipients were Maikel D'Agostino, Photograpoher/Editor, KUVS Unvision 19, Sacramento with ten, and Jonathan Bloom, Video Journalist, KNTV NBC Bay Area, with Six. The Emmy® is awarded to individuals but there is a lot of interest in the station counts: KNTV NBC Bay Area took home 16 for the English contest and KUVS Univision 19 with 12 for the Spanish contest. The overall Excellence Emmy® awards went to KNTV NBC Bay Area, English and KUVS Univision 19, Spanish. The prestigious Governors’ Award, the highest honor a regional chapter can award was presented to Wayne Freedman, Reporter, KGO ABC 7, San Francisco.
    [Show full text]
  • The Producer Written by Ivo Burum
    The Producer written by Ivo Burum There are various producer titles each relating to a role in the development, production, delivery and marketing cycle of a film, video, or online media project. Figure 1 Shows a hierarchical order of producing for a magazine and a current affairs show.: Executive Producer or EP credits in television are received by individual(s) who report to the networks, studios, or companies funding and distributing the series/show. The Executive Producer (Showrunner) has final responsibility for the creative and business aspects of producing a series. S/he will have direct authority over a majority of the producing functions throughout all phases of series production. The Executive Producer is often responsible for the creation of the series, including the concept, format and other production elements. Over the course of production, the Executive Producer is expected to serve as the primary point-of-contact with the network, studio, and/or production company regarding the development, production, post-production and marketing of the series. During development of the pilot and/or series, the Executive Producer will supervise or participate in story or script meetings, approve all storylines, and supervise the creation of the series "bible.” The Executive Producer will select or approve the hiring of all series directors, as well as the casting of all on camera talent including hosts and journalists. S/he will similarly select or approve of the hiring of key members of the producing team, such as the production manager, director of photography, and composer. The Executive Producer must supervise or approve the series budget and production schedule.
    [Show full text]
  • List of Non-Exhaustive Crew Titles That Will Be Considered for Funding
    List of non-exhaustive crew titles that will be considered for funding: Director Best boy (lighting) Key make-up artist Producer Lighting technician / Electrics Special make-up effects Artist Line producer Grips (SFX makeup) Production assistant Key grip Make-up supervisor Production managements Best boy/Best Babe (grip) Make-up artist Production manager Dolly grip Key hair Assistant production Production sound Hair stylist manager Production sound mixer Special effects Unit manager Boom operator Special effects supervisor Production coordinator Second assistant sound Stunts First assistant director Art department Stunt coordinator Second assistant director Production designer Film editor Accounting Art director Editorial[edit] Production accountant Line Standby art director Negative cutter Producer Assistant art director Colorist Location manager Set designer Telecine colorist Assistant location manager Illustrator Visual effects[edit] Location scout Graphic artist Visual effects Unit publicist Set decorator Visual effects producer System administrator Buyer Visual effects creative Continuity Leadman director Script supervisor Set dresser Visual effects supervisor Script Writers Greensman Visual effects editor Casting Construction Compositor Casting director Construction coordinator Matte painter Cast PA Head carpenter Sound and music Drivers Carpenters Sound designer Camera and lighting Studio hands Dialogue editor Director of photography Propmaker Sound editor Camera Scenic Re-recording mixer Camera operator Key scenic Music supervisor First assistant camera Property Foley artist Second assistant camera Propmaster Conductor/ orchestrator Film loader Weapons master Score recorder/ mixer Digital imaging technician Costume department Music preparation Steadicam operator Costume supervisor Music editor Motion control Key costumer Previs technician/Operator Breakdown artist Animation Lighting Costume buyer Gaffer Cutter .
    [Show full text]
  • 34Th Winner List
    The 34th Annual Boston/New England Emmy® Recipients Newscast-Evening Larger Markets (1-49) Chris Roach, Executive Producer NewsCenter 5 at 11pm: May 13, 2010 WCVB Newscast-Evening Smaller Markets (50-100+) Amy Beveridge, Producer News 8 at Six - February Flooding WMTW General Assignment Report Jonathan Elias, Reporter / Producer America's Most Famous Illegal WBZ Dominick Aielli, Photojournalist Spot News Jim Altman, Reporter Bridgeport Tornado: Surviving the Storm WTIC-TV FOX CT Sharon Burke, Photographer/Editor Continuing Coverage Within 24 Hours ***TIE*** Andrew Vrees, News Director The Massacre in Mattapan WCVB John Verrilli, News Director March Floods WBZ Continuing Coverage No Time Limit Darren Perron, Reporter Mission: Afghanistan WCAX Lance MacKenzie, Photographer Investigative Report Mike Beaudet, Investigative Reporter Fox Undercover Composite WFXT Kevin Rothstein, Producer Jonathan Wells, Executive Producer Richard Ward, Photographer Jim Goff, Photographer Todd Krupa, Editor Allan DiMaio, Editor Feature News Report Light Feature Jim Altman, Reporter Band of Brothers WTIC-TV FOX CT Mike Piskorski, Photographer/Editor Feature News Report Light Series ***TIE*** Sarah French, Reporter Make A Wish Mondays WTIC Jennifer Berryman, Producer The Patients Of Boston Med WCVB Liz Brunner, Reporter News Specialty Report Arts/Entertainment Scott LaPierre, Producer/Videographer 5,000 labels for 5,000 artworks? www.boston.com-The Boston Globe News Specialty Report Business/Consumer Hank Phillippi Ryan, Reporter Consumer Composite WHDH Mary
    [Show full text]
  • The Still Photographer
    _____________________________________________________________________________ ______ The Still Photographer (Stills/Portrait Photographer) by Kim Gottlieb-Walker, Doug Hyun, Ralph Nelson, David James, Melinda Sue Gordon and Byron Cohen Duties The Still/Portrait Photographer's primary job is to interpret the project in single frames which accurately represent the story, production value, stars, and feeling of the show. These images are used to publicize, entice, and seduce the potential audience into watching the show. Whenever the public is exposed to images other than video or film regarding a show, they must be shot by the unit still photographer. The still person will work both during actual filming/taping, during rehearsals, on or off the set. He or she will shoot available light but is also capable of doing fully lit shoots with either his own lighting or in conjunction with production. More specifically, the still photographer takes production stills that the publicity department can use to promote the film or television show in press kits and various print media and the increasingly important DVD stills galleries. This includes characteristic shots of each scene, shots which show the actors acting together, shots which give a feeling of the look and atmosphere of the show, good character shots of the actors, shots of the director directing, special effects being rigged, special make-up being created, anything which could be supplied to the regular or genre press or used later on the DVD to promote interest in and expand knowledge about a production. But beyond that, because the Still Photographer is the only person on the set authorized to take photographs, he or she may, if time allows, serve some of the photographic needs of the crew.
    [Show full text]
  • NAB's Guide to Careers in Television
    NAB’s Guide to Careers in Television Second Edition by Liz Chuday TABLE OF CONTENTS Table of Contents…………………………………..……………………......... 1-3 Introduction………………………………………………………………... ......... 4 Acknowledgements…………………………………………………………....... 6 A Word About Station Ownership………………..…………… ..................…7 The General Administration Department…………………. ...................... 8-9 General Manager……………..……………….……………… ..................... 8 Station Manager……..…………………………………………….. .............. 8 Human Resources…………………………..………………........................ 8 Executive Assistant…………………………..…………………… ............... 9 Business Manager/Controller…………………………… ........................... 9 The Sales and Marketing Department………………………….............. 10-11 Director of Sales…………………..………………………….. ................... 10 General Sales Manager…………………………………………................ 10 National Sales Manager……...……………………..……......................... 10 Marketing Director or Director of Non-Traditional Revenue……….……………...................... 10 Local Sales Manager..……………………………………………. ............. 11 Account Executive..……………………….………………………............. .11 Sales Assistant..………………………….…………………………............ 11 The Traffic Department………………..…………………………................... 12 Operations Manager…………………………………………..................... 12 Traffic Manager…………………………………….………………. ............ 12 Traffic Supervisor………………………………….……………….............. 12 Traffic Assistant…………………………………………….………............. 12 Order Entry Coordinator/Log Editors………………………. .................... 12 The Research Department……………………………………….
    [Show full text]
  • Production Safety Task Force Overview August 28, 2020
    PRODUCTION SAFETY TASK FORCE OVERVIEW AUGUST 28, 2020 2 INTRODUCTION Producers of independent scripted and unscripted content may use these materials as planning companions in conjunction with the June 2020 “The Safe Way Forward” guideline generated by the Director’s Guild of America (“DGA”), the Screen Actors Guild – American Federation of Television and Radio Artists (“SAG-AFTRA”), International Alliance of Theatrical Stage Employees (“IATSE”), Teamsters and the “Basic Crafts and the Industry White Paper”, which was developed by the Industry Wide Labor Management Safety Committee TasK Force.1 These materials will be updated periodically as the guidelines described above, scientific data and additional industry guidelines develop (visit https://www.ProducersGuild.org/COVIDProtocols). The following materials are included as guidelines: Summary of COVID-19 Safety Mandates Considerations to include in a Production COVID-Safety Plan. Greenlight / Startup Questions How to assess when and where to greenlight a project. Prepro Recommendations Pre-production recommendations specifically for Producers starting a production during the COVID-19 worldwide pandemic. Red Light Protocols How to manage production when a team memBer exhiBits COVID-19 symptoms or tests positive for COVID-19, including potentially shutting down and restarting a production. Red Light Protocols Flowchart Red Light Replacement Flowchart Code of Conduct Recommendations to promote a responsiBle and ethical work environment. Health and Safety Dept Description JoB descriptions and requirements for new health and safety positions, including Health and Safety Supervisor and Health and Safety Manager. Sample Health and Safety Dept Structure Budget Considerations Potential Budgetary considerations to account for while ensuring the safety of the production team during the COVID-19 pandemic.
    [Show full text]