The Heidi Chronicles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
The Heidi Chronicles As Illustration of the Second Feminist Wave in the United States
Facultad de Humanidades Sección de Filología The Heidi Chronicles as Illustration of the Second Feminist Wave in the United States Trabajo de Fin de Grado presentado por la alumna Beatriz Sánchez Ramos bajo la supervisión de la Dra. Matilde Martín González Dpto. Filología Inglesa y Alemana Grado en Estudios Ingleses Curso 2014-15 Convocatoria de julio de 2015 TABLE OF CONTENTS Abstract 1. Introduction 2. Second Feminist Wave: A Brief Account 3. The Heidi Chronicles seen from the perspective of Second Wave Feminist Theory 4. Conclusion 5. Works Cited Abstract This final degree dissertation aims to show how vital was the Second Wave Feminism in the twentieth century in terms of women’s struggle for better conditions. This period of intense fight has been the object of many literary and critical works, such as novels, collections of poetry and scholarly articles. From the huge bibliography on this topic I have chosen to focus on The Heidi Chronicles, a play written by Wendy Wasserstein (1950-2006) which reflects and engages with the main concerns raised by women in the period covering the 1960s, 1970s and 1980s. Thus, I argue that this text could very well illustrate the political, social and theoretical aspects developed within the Second Feminist Wave in the United States. A further reason for choosing this work has to do with the possibilities of theatre as a cultural manifestation to deal with questions that include gender relations and social themes. The theatre has always implied an interaction between characters in a literal way, and this turns it perhaps into the most straightforward genre to involve the public – the audience – or the readership. -
The Heidi Chronicles Comedy/Drama Full Length 3 Men, 5 Women: 8 Total
The Heidi Chronicles Comedy/Drama Full Length 3 men, 5 women: 8 total Winner of the Pulitzer Prize, the Tony Award, the New York Drama Critics Circle Award, the Outer Critics Circle Award, the Drama Desk Award, the Hull-Warriner Award and the Susan Smith Blackburn Prize. A significant and celebrated play, which was first presented by Off- Broadway's Playwrights Horizons and went on to become a long-run Broadway success. Funny, touching, and written with rare grace and sensitivity, the play is a moving examination of the progress of a generation, from the socially and politically activist sixties to the success-oriented eighties—a time during which the status of American women underwent profound, and sometimes unsettling, change. "…not many plays manage Heidi's feat of inducing almost continuous laughter while forcing the audience to examine its preconceptions…It's the play of the season…" —Variety. "…witty, hilarious…not just a funny play, but a wise one…I doubt we'll see a better play this season." —NY Daily News. "…a wonderful and important play." — NY Newsday. "…the writing is emotional and heartfelt, rare qualities in today's trivial theatre, and all the more extraordinary when combined with perceptive characterizations and witty dialogue." —BackStage. Synopsis The plot follows Heidi Holland from high school in the 1960s to her career as a successful art historian more than twenty years later. The play's main themes deal with the changing role of women during this time period, describing both Heidi's ardent feminism during the 1970s and her eventual sense of betrayal during the 1980s. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
About the Cast
ABOUT THE CAST BURTON CURTIS (Watchman) has performed as Pierrot in Stephen Wadsworth’s productions of Molière’s Don Juan (McCarter Theatre, Shakespeare Theatre Company, The Old Globe, and Seattle Rep). He also portrayed Dumas in Wadsworth’s productions of Marivaux’s Triumph of Love (Long Wharf Theatre, Missouri Rep, and Seattle Rep). Burton originated the role of Eddie Wicket in the west coast premiere of Louis Broom’s Texarkana Waltz (Circle X Theatre Co., L.A. and the Empty Space Theatre, Seattle). He also created the dual roles of Brother Mills and Heathcliff in Wuthering! Heights! The! Musical! and performed in The Complete History of America (Abridged) (Empty Space and Actors Theatre of Louisville). Other roles include Tom in The Glass Menagerie (Tacoma Actors Guild) and Freddy in Noises Off (Village Theatre, Issaquah). He played the title role in Jillian Armenante’s production of Camille and Little Mary in a “gender blind” production of The Women (Annex Theatre, Seattle). Film credits include Crocodile Tears, Money Buys Happiness, and Great Uncle Jimmy as well as Gus Van Sant’s Even Cowgirls Get the Blues. Burton is also a director and choreographer and has received awards for his work on the stage from the Seattle Post Intelligencer and Seattle Weekly. He was listed by Backstage West among “100 Actors We Love.” He received his BFA in theater from Baylor University and now resides in Seattle. Burton is delighted to be making his Getty debut and is thrilled to be joining Mr. Wadsworth in yet another exciting project. NICHOLAS HORMANN (Chorus Leader) has worked in the American theater for thirty-five years, beginning on Broadway with the New Phoenix Repertory Company. -
Brian Cox Feature
THE ARTS 10 GLASGOW HERALD MONDA Y JUL Y 15 1991 ALAN WYLIE • Scottish Youth Theatre patron Brian Cox (left) with BP scholarship winner Paul Nolan: a chance for the youngsters to find out about themselves as well as others. Brian Cox's Scottish reconnection " HA VE a great time in Sin City )ears. Later ox. who was in Cox wa born and brought up in Company and to ured with the over the next four weeks."' the town to present the BP-SYT , Theatre a working-class Catholic family. to ew York and to the ROJ actor Brian Cox told an audience £ 1000 'cholarship to 21-year-old Early this year he plit up from ational Theatre in London, a of more than 100 members of the Glaswegian drama student Pa ul hi s companion Irina Brook. the was in Annexe Theatre Comr Scottish Youth Theatre o n Fri Nolan. said he felt the time had actress daughter of the director ny's Boothies And Vodka A day afternoon before they hied come to reconnect himself with JACKIE ·McGLONE Peter Brook. He is divorced from Daisie s as well a appearing themselves off to rehearsal and cotland. his !irst wife. Caroline. the mo th Taggart a nd with Tom Conti worksho ps for the YT ' summer The greater part of 45-year-old meets two award er of his 2 1-year-old actor son the film Hea\enly Pursuit . festi val produ ti on ' of Tam o' Cox's career has been spent in Alan and daughter Margaret. -
Download Lot Details
Printed Books, Maps & Documents, Vinyl Records & CDs (AUG21) Wed, 11th Aug 2021 Lot 149 Estimate: £200 - £300 + Fees Theatrical Autographs. A large collection of approx. 200 signed theatre flyers, 1990s/2000s Theatrical Autographs. A large collection of approximately 200 mostly multi-signed theatre flyers and programmes for productions mostly at the Theatre Royal Bath, Royal Shakespeare Company, Stratford-upon-Avon, circa 1990s/2000s, virtually all obtained by the vendor in person, autographs include Daryl Hannah, Lauren Bacall, Dorothy Tutin, Maureen Lippman, Maggie Smith, Ian Richardson, Timothy West, Neil Pearson, Emilia Fox, Felicity Kendal, Tony Slattery, Geraldine McEwan, John Nettleton, Hinge and Bracket, Edward Fox, Susannah York, Dennis Waterman, Prunella Scales, Alison Steadman, Peter Bowles, Jane Asher, Richard Briers, David Soul, Stephanie Beacham, Raquel Welch, Patrick Mellor, Adam Faith, Britt Eckland, Paul Nicholas, Charlton Heston, Corinne Redgrave, Nigel Davenport, Joss Ackland, Gene Wilder, Liza Goddard, Steven Berkoff, Gerald Scarfe, Nigel Havers, George Cole, Penelope Keith, Richard Todd, Alan Bates, Juliet Stevenson, Patricia Hodge, Christopher Timothy, Alan Price, Rosemary Leach, Harold Pinter, Gemma Jones, Nigel Hawthorne, Rula Lenska, Leo McKern, Ian McDiarmid, Leslie Ash, Patrick Stewart, Michael Sheen, David Suchet, Omar Sharif, Roy Barraclough, Tom Conti, Elaine Paige, Sian Phillips, Barbara Windsor, Zoe Wanamaker, Nigel Terry, James Bolam, Derek Jacobi, Patricia Routledge & Clive Swift, Nigel Planer, Neil Morrisey, James Aubrey, Jenny Seagrove, Rufus Sewell, Imogen Stubbs, Samantha Bond, Susan Hampshire, Paul Eddington, Brian Glover, Robert Hardy, Andrew Sachs, Pete Postlethwaite, Ronald Pickup, et al., mostly in clip frames (but easily removed), plus a small group of signed photographs including Twiggy, Judge Reinhold, Kenneth Branagh (as Henry V), Bob Hope, Charlton Heston, Beryl Reid, Frank Langella and Dinah Sheridan Qty: approx. -
The Passion of Dracula
Otterbein University Digital Commons @ Otterbein 1992 Summer Theatre Productions 1991-2000 8-5-1992 The Passion of Dracula Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_1992 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "The Passion of Dracula" (1992). 1992 Summer Theatre. 3. https://digitalcommons.otterbein.edu/summer_production_1992/3 This Book is brought to you for free and open access by the Productions 1991-2000 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1992 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. THE PASSION OF _ , DracuLA By BOB HALL & DAVID RICHMOND Based upon the novel by Bram Stoker AUGUST 5-16,1992 Otterbein SummerThcatre Otierbcin College 100 West Home Street Westerville, Ohio 43081 Bank One Supports the Arts of Otterbein UPTOWN WESTERVILLE 17 N. State Street Phone: 248-2640 Westerville South & YOGURT SHOP 77 Huber Village Blvd. * Gourmet Desserts Phone: 248-2650 * Colombo frozen Yogurt * Delicious Variety of Beverages * Whole-Bean Coffee BANK5CME. Live Music Featured Thurs., Fri. & Sat. Whatever it takes: 13 East College Avenue ll.WK OS't. COLUMUUi. \'A Minihn miC Uptov/n Westerville Located Next to Rosa's Deli Mon.-Thurs 1 lom-tOpm • Fri.-Sat 1 lam-t2m • Sun 2pm-10pnn DR. ROBERT]. REINKE CHIROPRACTOR 890-2740 642 Brooksedge Blvd. Appointment Preferred Westerville, Ohio 43081 Courtesy Automobile provided for guest artist by: ROUS'HbNDA HOMOA WESTERVILLE SHOPPING CENTER 74 West Schrock Road Telephone 614-882-1535 WESTERVILLE, OHIO 43081 2 Otterbein Summer Theatre 1992 THE ARTISTIC DIRECTOR Dennis Romer, Artistic Director of the Department of Theatre and Dance, is very pleased to be involved with the 26th season of Otterbein Summer Theatre, serving as Artistic Director and Director for The Passion ofDracula. -
A Vicious Viewership
volume 9 issue 17/2020 A VICIOUS VIEWERSHIP TRANSATLANTIC TELEVISION AUDIENCES AND LGBTQ IDENTITIES Bridget Kies Oakland University [email protected] Abstract: This paper uses the series Vicious (2013-2016), which aired on the British network ITV and the American noncommercial network PBS, as a case study in transatlantic reception for LGBTQ content. I draw on critical reception for the series, the star personae of lead actors Derek Jacobi and Ian McKellen, and studies of American perceptions of British masculinities. The varied reception for the series, understood through the networks’ economic models and cultural constructions of masculinities, reveals how notions of “quality” and “social progress” change as canned television travels to different national contexts. Keywords: transatlantic, Vicious, sitcom, PBS, gender, LGBTQ 1 Introduction In recent years, the U.S. and U.K. both faced landmark social changes on same-sex marriage legislation and other civil rights issues related to gender and sexuality. At the same time, both nations have experienced an increase in visibility and representation of LGBTQ characters on television. In the summer of 2013, the United States Supreme Court determined that the national restriction on same-sex marriage was unconstitutional, leaving the legality of same-sex marriage to be determined by each state; this decision paved the way for the 2015 court ruling that required same-sex marriage to be made legal in all fifty American states.1 At nearly the same time, the Marriage Act of 2013 was passed by the British Parliament, granting same-sex couples in England and Wales the right to marry in early 2014. -
Police Charge Student in Ashby Room Wrecking
w e cBt&eze Jamca Madison University Monday, December e, 19S2 Vol.00 No.25 SGA committee Police charge student wants half kegs in Ashby room wrecking Student Government Association By GREG HENDERSON of why Duda and Smith's room was damaged. "I members are pushing to legalize the use of A JMU student has been arrested in connection don't even know them." one-half kegs for dorm parties. with the wrecking of a room in Ashby Hall Friday Balenger does not live in Ashby. He lives in the Currently, university policy allows dnly night. Sigma Phi Epsilon fraternity house, but said the quarter-kegs at dorm parties. Steven W. Balenger, 20, a junior from Leesburg, fraternity had nothing to do with Friday night's in- The Student Services Committee of the Va., was charged with assault and battery of a cident. SGA recently sent a letter to housing police officer, destruction of public property, and Duda said Balenger had told him Saturday that director James Krivoski. The main thrust public drunkenness, according to Rockingham he had had a disagreement with a resident of of the letter was that one one-half keg County jail records. Spotswood Hall, and he thought he was in that costs less than two one-quarter kegs. Witnesses said a man broke into Ashby room 19 person's room. Dave Harvey, the committee's chair- about 9:15 p.m. Friday and began destroying Balenger refused to comment on this. man, said, "To us, it's just a question of things. No one was in the room when the man first Balenger also would not comment on whether he practicality." broke in.