STEPHEN COLLINS FOSTER MEMORIAL OF THE

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-' 1 THE STEPHEN COLLINS FOSTER MI&'fORIAL* OF THE

DEDICATED JUNE 2, 1937

A TRIBUTE TO THE COMPOSER WHOSE MELODIES HAVE BECOME THE HEART SONGS OF THE AMERICAN PEOPLE

BY FLETCHER HODGES, JR.

CURATOR, FOSTER HALL COLLECTION

UNIVERSITY OF PITlSBURGH - PITTSBURGH, PENNSYLVANIA

1941

SIXTH PRI NTING

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-IoW STEPHEN COLLINS FOSTER MEMORIAL OF THE UNIVERSITY OF PITTSBURGH Pittsburgh's tribute to her gifted son, Stephen Collins Foster, has been completed. A structure of stone and steel has been erected, and dedicated to the memory of the modest, unassuming composer who wrote songs which have become the heritage, not only of his native America, but of the world. Who has not heard and loved Stephen's , , Massa's in de Cold Ground, and ? Who can not sing them? His plantation melodies were intended to portray one race of people, one section of our country, one period in our history, yet through his genius he succeeded in creating songs which have leaped the boundaries of space and time, and express universal thoughts and emotions. The best of his sentimental ballads are still sung today: his hauntingly beautiful Jeanie with the Light Brown Hair, his tender Come Where My Love Lies Dreaming and recall the charm of an age which is past. Oh!. Susanna and are evidence that Stephen possessed a sense of humor and occasionally sang in lighter vein. Altogether, he pro- duced more than two hundred original songs and compo- sitions. When he wrote his finest works, he so combined the qualities of poetry, melody, simplicity, and sincerity, that the resulting songs form a remarkable contribution to the music of our nation and of all mankind. In , Pittsburgh has an eloquent proof that her contributions to civilization have been spiritual, as well as material. The thunders of her steel mills have not drowned out the voice of music. Musicians of national and international fame have thrived here. It is appropriate that the city of his birth, in which his best work was accomplished, should honor Stephen

3K I85 [ 3] STEPHEN COLLINS FOSTER Born near Pittsburgh, July 4, 1826. Died in , January 13, 1864.

Foster with one of the finest memorials to a composer which has yet been established. Ten years of conception, planning, financing, and construction are represented in the Stephen Collins Foster Memorial of the University of Pittsburgh. This Memorial is located on the University's Quadrangle, on Forbes Street, facing . It is built in Gothic style, of Indiana limestone, and is designed to harmonize with the soaring idealism of the Cathedral of Learning, which rises above it. Charles Z. Klauder of was the architect.

[ 4 ] The idea of a Memorial to Stephen Foster was born in the mind of Mrs. Will Earhart in I9z7, when she was the president of the Tuesday Musical Club of Pittsburgh. Realizing that Pittsburghers were singing his songs, and yet were forgetting the man himself, Mrs. Earhart pro- posed to the Board of Governors of the Club that their organization sponsor the founding of such a Memorial. Her plan was enthusiastically accepted by her associates. The energy and devotion of Mrs. Earhart and the Tuesday Musical Club have been important factors in the completion of the undertaking. The University of Pittsburgh soon entered into the project. Through the co-operation of Chancellor John G. Bowman, the University offered a site for the Memo- rial on its campus, and agreed to maintain and operate the building after its completion. The $500,000 necessary for construction were raised by the Stephen Collins Foster Memorial Committee under the presidency of Mr. E. T. Whiter, by the Uni- versity of Pittsburgh, and by the Tuesday Musical Club.

TWO

"BROADSIDES"

IN THE

FOSTER HALL

COLLECTION

[ 5 1 JOSIAH KIRBY LILLY The founder of the Foster Hall Collection

Contributions Eo this fund were received from Pittsburgh citizens, children in the schools, and lovers of Foster's music throughout the state and the nation. Ground for the was broken January I3, I935, the corner stone was laid June 3, I935, and the building was formally dedicated June z, I937. The principal speaker at the dedication was Josiah Kirby Lilly of . Mr. Lilly had for several years been the leading collector of material relating to the life and works of Stephen Foster, and he had given ample evidence of his interest in the Foster Memorial throughout its planning and construction. He had

[ 6 ] already presented his valuable collection of Fosteriana to the University of Pittsburgh, to be housed perma- nently in a special section of the Memorial, for view and study by the American people. As the visitor enters the building through the Forbes Street doors, he finds himself in the spacious foyer. Facing him are the two entrances to the auditorium. Over the entrances are engraved the themes of Stephen Foster's best loved songs: Old Folks at Home on the left, My Old Kentucky Home on the right. The auditorium, seating 700 people, is used for the concerts, lectures, and dramatic productions presented by the University of Pittsburgh, the Tuesday Musical Club, and other groups. The woodwork and the furnishings in the Memorial were planned by Gustav Ketterer of Philadelphia. The metal fixtures were designed and made by of Philadelphia. Stairs lead from the foyer to the floors below. Here are found a large social room, permanent offices of the Tuesday Musical Club, dressing rooms for musicians, lecturers and actors, and a kitchen.

FOSTER HALL, INDIANAPOLIS, THE FIRST HOME OF THE FOSTER HALL COLLECTION.

[ 7 ] .The left wing of the building is devoted entirely to Stephen Collins Foster. In this wing are located a shrine dedicated to the memory of the composer, and the quarters of the Foster Hall Collection, the largest and most complete assemblage of material relating to his life and works. On the south wall of the passage leading to the shrine an inscription is engraved:

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SP°CF L TERT AN~~J~ ~9JY T~IF, LONG 0 ' IN ~AYMF.]~OP TIUS '4UN4'A~LS` DEBT" HE~ ZG~A,'TH~jREt TH AT FJ'$rSLFE

AN EPHiW QN~ NT RYEFSERUL OLETO ANDTlE OVJ~ CLLECTON INTRUS TOTH

[ 8 ] STEPHEN FOSTER'S MELODEO N This portable instrument was played by the composer when serenading with friends.

The Foster Hall Collection was established by Mr. Lilly in Indianapolis, late in I930. His love for the music of Stephen Foster was aroused early in his youth. In the 1870's he was living with his grandparents in the college town of Greencastle, Indiana. Serenading on spring evenings was a custom enjoyed by the students of Asbury College (now DePauw University) Foster's sentimental ballads formed an important part of their singing. Mr. Lilly has often spoken with much pleasure of his memories of hearing the strains of Come Where My Love Lies Dreaming, Jeanie with the Light Brown Hair, and Beautiful Dreamer floating through the darkness of a warm spring evening, when the college boys were serenading in front of his grandparents' home. At his youthful age, these lovely melodies made a lasting im- pkession. From that time on, Stephen Foster was his favorite composer. Throughout his active life, Mr. Lilly enjoyed keenly hearing Foster's music sung or played. But it was not until I930 that he became interested in the collecting of material relating to Foster. Upon discovering that little was known about Foster's life, and that few definite attempts had been made to collect his works or compile a bibliography, Mr. Lilly set for himself the task of filling this vacancy in the history of American music. With the aid of relatives of the composer, librarians, musicians, dealers, fellow- enthusiasts, and his own staff of research workers, he built up a comprehensive collection of Fosteriana, care- fully studied and catalogued. The small granite building in the suburbs of Indianapolis housing the collection was named Foster Hall, and the collection itself soon became known as the Foster Hall Collection.

*gJS'idr 6>Ir~l, JEANIE WITH

l tt 1} rBeOWN' T H E L I C H T , .,Ad .. '. . -. BROWN HAIR

Title page of First Edition.

[ 10 ] The Collection now comprises more than ioooo separate items: original manuscripts and letters; first editions, and early and modern editions of Foster's music; personal possessions of the composer; books; magazine and newspaper articles; pictures and portraits; phono- graph records; broadsides; and other material. The present quarters of the Collection consist of a reception room, an office for the staff, and a storage room on the floor below. Information about Stephen Foster and his music may be obtained from the curator of the Foster Hall Collection. The shrine dedicated to Stephen Foster is a room of twelve sides, containing a series of stone , deli- cately carved by Edward Ardilino of New York. The room is lighted by stained glass windows, depicting the themes of the best known Foster melodies. The windows are the work of Charles Connick of Boston. Around the walls of the shrine are displayed facsimiles of the music pages of the first or earliest obtainable

OLD FOLKS AT HOME

Original manuscript, showing .?. l Foster's change in selection of

the name of the river he was to L.k immortalize, from the Pedee River of South Carolina to the Suwanee River of Georgia and Florida. _P 1-1 - -&-i k4-c; .2 0, 1,44 Vw, la;c;V

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[11 ] ., edition of every published song, composition, arrange- ment, and translation by Stephen Foster so far discovered. It is the hope of the University of Pittsburgh and the Foster Hall staff that the Stephen Foster Memorial will be not only a tribute to a composer of a past genera- tion, but will also be a living institute of the present, contributing to the musical, the dramatic, and the intellectual progress of the community. The Memorial might well adopt as its own standard the inscription which appears on a bronze tablet at the entrance to Foster Hall in Indianapolis: ''Dedicated to Harmony-Let No Discordant Note Enter Here."

A TRIBUTE TO THE COMPOSER'S GENIUS* ''Stephen Foster touched but one chord in the gamut of human emotions, but he sounded that strain supremely well. His song is of that nostalgia of the soul which is inborn and instinctive to all humanity, a homesickness unaffected by time or space. It is a theme which has always made up a large part of the world's poetry, and will always continue to do so as long as human hearts yearn for love and aspire toward happiness. Among all the poets who have harped the sorrows of Time and Change, no song rings truer than that of Stephen Foster. From the unpromising soil in which he grew, he was able to distill by some strange alchemy of the soul such sweet magic of melody as to win an immortality far beyond his dreaming. These wildflowers of music which blossomed, unwatched and untended, from unsuspected seeds, have found for themselves a spot which is all their own, where they may bloom forever in Fields Elysian.''

*From 's biography, Stephen Collins Foster. Quoted by permission of the author.

[12 ] BIBLIOGRAPHY Additional information may be obtained from the curator of the Foster Hall Collection. The standard biography of Stephen Collins Foster is listed first, followed by other important works, arranged in their chronological order of publication.

1. HOWARD, JOHN TASKER, Stephen Foster, America's Troubadour. New York; Thomas Y. Crowell, 1934. (A new edition was published in 1939 by the Tudor Publishing Co. of New York.) 2. FOSTER, MORRISON, Biography, Songs and Musical Compositions of Stephen C. Foster. Pittsburgh; Percy F. Smith Printing and Lithographing Company, 1896. (Out of print. The biograph- ical section of this work has been republished under the title of My Brother Stephen. See No. 8, below.) 3. The Melodies of Stephen C. Foster. Pittsburgh; T. M. Walker, 1909. (Out of print.)

4. WHITTLESEY, WALTER R., and SONNECK, 0. G., Catalogue of First Editions of Stephen C. Foster (1826-1864). Washington, D. C.; Government Printing Office, 1915. (Out of print. An up-to-date check list of Foster first editions may be found in the Foster Hall Reproductions described below. Mr. Whittlesey, listed above, was one of the editors of the Foster Hall Reproductions.)

5. MILLIGAN, HAROLD VINCENT, Stephen Collins Foster, a Biography of America's Folk-Song Composer. New York; G. Schirmer, 1920.

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STEPHEN FOSTER'S POCKETBOOK Found in his possession at the time of his death. It contains thirty-eight cents and the scrap of paper here displayed. This paper bears five pencilled words which were evidently the title or the theme of a song he did not live to write: ''Dear Friends and Gentle Hearts." This phrase I is affectionately known to Foster students and collectors as "Stephen Foster's Last Message."

t 13 ] 6. WOHLGEMUTH, E. JAY, Within Three Chords. the Place of Cincinnati in the Life of Stephen Collins Foster. Indianapolis,.Ind.; The Rough Notes Press, 1928.

7. MAcGOWAN, ROBERT, The Signifianece of Stephen Collins Foster. Indianapolis, Ind.; privately printed, 1932. (Reprinted from The Pittsburgh Record, December, 1931-January, 1932.)

8. FOSTER, MORRISON, My Brother Stephen. Indianapolis, Ind.; privately printed, 1932. (This book is a reprint of the biograph- ical section in Morrison Foster's Biography, Songs and Musical Compositions of Stephen C. Foster. See No. 2, above.)

9. EARHART, WILL, and BIRGE, EDWARD B., Songs of Stephen Foster, Preparedfor Schools and General Use. Indianapolis, Ind.; printed by Josiah K. Lilly, 1934. (Reprinted by the University of Pitts- burgh Press in 1938, 1939, 1940 and 1941.)

10. WALTERS, RAYMOND, Stephen Foster: Youth's Golden Gleam; a Sketch of His Life and Background in Cincinnati, 1846-1850. Prince- ton, N. J.; Princeton University Press, 1936.

11. HODGES, FLETCHER, JR., A Pittsburgh Composer and His Memorial. Pittsburgh; The Historical Society of , 1938. 12. PURDY, CLAIRE LEE, He Heard America Sing, the Story of Stephen Foster, New York; Julian Messner, Inc., 1940.

13. MORNEWECK, EVELYN FOSTER, Chronicles of Stephen Foster'sFamily. (Still in manuscript. To be published in 1941, by the University of Pittsburgh Press.)

LILLY, JOSIAH KIRBY. FOSTER'S complete works have been published under the title of Foster Hall Reproductions of the Songs, Composi- tions and Arrangements by Stephen Collins Foster. This collection was printed by Josiah Kirby Lilly of Indianapolis in 1933. One thousand sets were prepared, and were presented by Mr. Lilly to the principal libraries of the and Great Britain.

Information about the location of sets of the Foster Hall Reproductions may be obtained from the curator.

[14 ] Foster's music is being printed in large numbers today. Many arrangements of his best works are published by the standard firms. Phonographic recordings of Foster melodies may be obtained from the standard firms.

STEPHEN COLLINS FOSTER MEMORIAL COMMITTEE *

E. T. WHITER, President MRS. WILL EARHART, Vice President MRS. JOSEPH W. MARSH, Vice President WARREN I. BICKFORD, Vice President A. L. HUMPHREY, Vice President MRS. ARTHUR B. SIVITER, Secretary MRS. LEWIS E. HUSEMEN, Business Secretary RICHARD K. MELLON, Treasurer FREDERIC SCHAEFER, Assistant Treasurer DR. JOHN G. BOWMAN MRS. PHILLIP CRITTENDEN MRS. T. C. DONOVAN DR. JOSIAH K. LILLY MRS. JAMES STEPHEN MARTIN JACKSON C. MCQUISTON

* See page 5.

[ 15 ] 'INFORMATION FOR PROSPECTIVE VISITORS

The University of Pittsburgh welcomes visitors to the Stephen Foster Memorial, either individually or in groups. There is no ad- mission charge. Special arrangements will be made for clubs and schools wishing to inspect the building. All such arrangements must be made in advance, at least a week before the proposed visit. The auditorium and the social room of the Memorial are now being used several times a week by various musical, educational and dramatic organizations. The building is not open to visitors during most of these programs. In order to avoid the inconvenience of coming to the Memorial and finding it closed to the public, the management suggests that prospective visitors first determine whether the building is open. The Memorial is never open Sundays and holidays. Information about visiting hours may be obtained from FLETCHER HODGES, JR., Curator of the Foster Hall Collection. A",,

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