DOCSLIB.ORG

Lost Tribe of the Sith: Spiral Pdf, Epub, Ebook

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lost Tribe of the Sith: Spiral Pdf, Epub, Ebook STAR WARS: LOST TRIBE OF THE SITH: SPIRAL PDF, EPUB, EBOOK John Jackson Miller,Andrea Mutti | 128 pages | 05 Jul 2013 | Titan Books Ltd | 9781781164815 | English | London, United Kingdom Star Wars: Lost Tribe of the Sith: Spiral PDF Book Leave a Reply Cancel reply. To add insult to injury despite the mentions of Sith and Jedi, this doesn't even feel like a Star Wars story. September 12 , As always John Miller wrote a great story. We get a little more about the relationship between humans and Keshiri aboard the Southern Star , as well as the motives for both Takara and Parlan Spinner. Science Fiction. Oct 22, Jordan rated it it was amazing Shelves: highest- recommendations , fantasy , pulp-fiction , thrillers , sci-fi , star-wars , comics-graphic-novels , books-i-don-t-own-but-wish-i-did. Contrary to Sith stereotype, Hilts is not a physically imposing man. Most of the character development is kind of broad and almost cliched at times, but that doesn't really harm the overall enjoyment of the story. Other Editions 6. Dec 31, Jaime K rated it really liked it. The Collected Stories. Spiral is set around a year after the final Lost Tribe of the Sith story, 2, years before the Battle of Yavin. Our two protagonists, who can't decide whether they hate each other or not, have to work together to stop him. Mar 20, Michael rated it liked it Shelves: graphic-novels. Showing Home Groups Talk More Zeitgeist. Yaru Korsin. I only realised afterwards that I didn't think anything about the art style - either good or bad. Of particular interest is a tribe descended from both Jedi and Sith, who are neutral and have no beef with how the Force is used. Explore all of Wookieepedia's images for this article subject. Books by John Jackson Miller. Uvak Leviathan. In keeping with her Grand Lord father's philosophy of a Sith meritocracy, Takara is chafing at her low-rank among the other Sith and itching for a chance to prove herself. Like many concepts in the book world, "series" is a somewhat fluid and contested notion. Hope to see a continued storyline. Takara also stowed aboard the Southern Star , intending to hitch a ride to Alanciar where she had hope to start afresh in new frontiers. We still have lightsabers and the Force, and now with the Doomed, some familiar alien species as part of the new player on the board. Spinner also fought with Takara. They both stowaway on the same ship in an attempt to get to another land where they intend to take charge. Start a Wiki. Lists with This Book. Star Wars: Lost Tribe of the Sith: Spiral Writer Now, with the main continents of Kesh under their control, Hilts seeks to learn what else the planet has to offer them. However, I still think the book has some strong points. Star Wars Legends Graphic Novels 1 - 10 of 89 books. When an author manages to pull in a loose thread from earlier in a series in able to offer a new challenge to his characters. These enemies-turned-contentious-allies will find far more than they bargained for at their destination, when an old Keshiri legend that the Sith Tribe has capitalized on for generations turns out to be not quite so legendary as they had all presumed. The plot didn't intrigue me and it all felt a bit simplistic. Spinner used the Last Hope ' s turbolaser cannons to kill most of the Leviathans. The plot probably could have been a bit more solid and a bit less random Sith bad guy resurrection but hey. Poor fools Overall, this was nicely done. We thank you for your patience during this transition. Being a Sith, Takara has a traditional red lightsaber. They are just novella's so they should not take very long. Andrea Mutti Goodreads Author Illustrator. August 8 , They have re-cultivated a new life for themselves. Only bothered to carry on reading as it is just pages long. June 25 , [3]. Sep 04, Mayank Agarwal rated it it was ok Shelves: comics. Before Spinner could explore the wider galaxy, he was contacted by Dreypa who issued the young man with an ultimatum. I like Miller's work, but this is probably my least favorite of his the protagonists are Sith, so they not going to be "heroic", but they lack the class of their more villainous brethren and are Dec 17, Jedi Master Nate Lightray rated it really liked it. By that stage, Dreypa has managed to regain the upper hand and has killed most of the Doomed. That weapon is revealed to be a Sith named Dreypa - and once unleashed, he seeks to conquer all of Kesh! They remain separate guarding a weapon their forebears brought to the planet, but vowed never to use. Goodreads helps you keep track of books you want to read. It was entertaining and engaging. Stowing away on the ship is Officer Takara, the woman who arrested Spinner, and daughter of the Grand Lord, ready to prove herself as a worthy Sith leader without her family connections. He is also a comics industry historian, specializing in studying comic- book circulation as presented on his website, Comichron. Did not detract from the story much, but there were times when it was hard to follow the actions of the characters. This is an example of the Star Wars Extended Universe disappearing up it's own backside. Final verdict: pretty solid Star Wars comic. These are not Sith in any way that you would recognize them. I really enjoyed the series of short stories that precedes this five issue comic series. To ask other readers questions about Star Wars , please sign up. Star Wars: Lost Tribe of the Sith: Spiral Reviews Of particular interest Please note that this comic series is now part of Legends, and is no longer canon within the Star Wars expanded universe. Jan 05, Adam rated it liked it Shelves: comics , star-wars. There's nominally some stuff here the Sith philosophy being adapted and diversifying across a whole society, but it's not the focus of the story and I can't say I found it that satisfying. But of course I don't remember any of that context, so this has to stand on its own. My exposure to Star Wars has been just the movies and I am just starting the comics in chronological time order, this being the second series I picked up. I mean, what could they do? Not good enough. Most of the character development is kind of broad and almost cliched at times, but that doesn't really harm the overall enjoyment of the story. Spinner agrees and flies back to Tahv on an uvak with the weakened Iliana. As I mentioned when I reviewed the collected Lost Tribe Of The Sith prose novellas, working together and building a stable society is really not the Sith way. This comic series is different than many Star Wars comics. Newer Post Older Post Home. Following the defeat of Dreypa, the Sith begin rebuilding Tahv and the former outcast Spinner became a hero of the Tribe. And one of the main characters seems to go through a radical off-page transformation that is The story adds another interesting twist to the Lost Tribe tale, although I did think it was a little on the short side and resolved Well that was a quick read. It always makes me wonder whether this was always in the cards from the very beginning or if it was a recent idea, how far in advance the overarching story was planned out. Spiral, Part 2. Most of us never thought to ask—it was a convenient plot device to allow the Sith to easily assume control of a population that could have destroyed them if they had a mind to, overwhelming them with superior numbers despite the power of the individual Sith castaways. These are not Sith in any way that you would recognize them. Thanks for telling us about the problem. While there is definitely some action and a good share of drama, its not as complex a story, but does add something to the overall arc of the short stories. One minute the villain can level a town, the next he's scared off by a bunch of guards on flying animals. Being a Sith, Takara has a traditional red lightsaber. I liked the characters and it was fun getting to "see" Hilts and Iliana. They travel from Tahv to the unexplored frozen continent Eshkrene aboard a wooden sailing ship. Contents [ show ]. One nagging glitch: When Takara draws her saber in mutiny — are those blaster bolts flying toward her from Chegg and his crew in one panel? Because it took that book like two years to come out in paperback. There were some fun surprises and twists scattered throughout that definitely kept my attention. The story arc focuses on the adventures and experiences of the young Tribal outcast Parlan Spinner and his former enemy—turned—companion Takara Hilts , a Sith princess and the daughter of Grand Lord Varner Hilts. The trio manage to escape the battle on an uvak and are shortly joined by Kaliska , the leader of the Doomed. Here we have what is probably the final story of the Old Republic era in this series. He is also a comics industry historian, specializing in studying comic-book circulation as presented on his website, Comichron. This history of the Sith on the planet Kesh is expanded even more in the comic series, and in a very surprising way.
Load more

Recommended publications
  • Authors Series Title the Legend of Eli Rachel Aaron Monpress the Spirit Thief the Legend of Eli Rachel Aaron Monpress the Spirit Rebellion Frank W
    authors series title The Legend of Eli Rachel Aaron Monpress The Spirit Thief The Legend of Eli Rachel Aaron Monpress The Spirit Rebellion Frank W. Abagnale Catch Me If You Can The Dark Sun: Lynn Abbey Chronicles of Athas The Brazen Gambit The Dark Sun: Lynn Abbey Chronicles of Athas Cinnabar Shadows The Dark Sun: Lynn Abbey Chronicles of Athas The Rise and Fall of a Dragonking Edwin A. Abbott Flatland Joe Abercrombie The Heroes Joe Abercrombie The First Law The Blade Itself Joe Abercrombie The First Law Before They Are Hanged Joe Abercrombie The First Law Last Argument of Kings Dan Abnett Torchwood Border Princes Dan Abnett Gaunt's Ghosts First and Only Susan Abulhawa Mornings in Jenin Chinua Achebe Things Fall Apart Rick Acker When the Devil Whistles Peter Ackroyd Albion: The Origins of the English Imagination Peter Ackroyd The House of Doctor Dee C. T. Adams, Cathy Clamp A Tale of the Sazi Hunter's Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Moon's Web C. T. Adams, Cathy Clamp A Tale of the Sazi Captive Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Howling Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Moon's Fury C. T. Adams, Cathy Clamp A Tale of the Sazi Timeless Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Cold Moon Rising C. T. Adams, Cathy Clamp A Tale of the Sazi Serpent Moon C. T. Adams, Cathy Clamp Thrall Touch of Evil C. T. Adams, Cathy Clamp Thrall Touch of Darkness Douglas Adams Last Chance to See Douglas Adams Dirk Gently Series Dirk Gently's Holistic Detective Agency Douglas Adams Dirk Gently Series The
    [Show full text]
  • Comic Book Sales Statistics
    Comic Book Sales Statistics Mattel WWE Basic Action Figures. Comic Relief’s Statement on Modern Slavery and Human Trafficking Comic Relief is the trading name of Charity Projects, a registered charity in England and Wales (326568) and Scotland (SC039730), which is a company limited by guarantee registered in England and Wales (01806414). Choose from dozens of free events and activities at your Library every week. We LOVE action figures and toys. No spoilers inside. iUniverse's most recent Facts and Figures sheet reports that the company published 22,265 titles through 2005, with sales of 3. Click on an element to see a list of comic book pages involvingthat element. My name is Don Seehusen, and I am co- owner of 2d6 Comics, a distributor of comic books, Comic book stores & Quad Cities (Davenport, Harris: fit in, apartments, hotel) - Iowa (IA) - City-Data Forum City-Data Forum > U. Here's how: Historical Accuracy Each article includes the historical record price achieved for each book at auction, and the minimum yours is worth if you've found one. Overstreet Comic Book Price Guide The Overstreet Guide is a must have if you have a lot of comics, are already a collector or plan on having a lot of comics. Each set is supposed to include two figures, accessories, as well as a reprint of the spotlighted comic book. Sell Your Comics. com is a leading retailer of ebooks, with a vast range of ebooks from academic, popular and professional publishers. 26 million units is a significant figure; the last time stores.
    [Show full text]
  • Definition, Construction, and Challenges in a Character Ecology
    The Dynamic Game Character: Definition, Construction, and Challenges in a Character Ecology Joleen Blom Center for Computer Games Research IT University of Copenhagen This dissertation is submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Ph.D.) at IT University of Copenhagen. December 2019 Title: The Dynamic Game Character: Definition, Construction, and Challenges in a Character Ecology Candidate: Joleen Blom Supervisor: Espen Aarseth Evaluation Committee: Martin Pichlmair IT University of Copenhagen Rachael Hutchinson University of Delaware Akinori Nakamura Ritsumeikan University This research has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (Grant Agreement No [695528] – Making Sense of Games). ii Abstract This study presents a theory about dynamic game characters within a broader character ecology in which characters are constantly produced and reproduced in a variety of media. Characters do not appear only in games, they migrate from one medium to another. They are independent from any medium in particular: a character does not require a specific medium to come into existence. Authoritative forces try to shape the overall interpretation of circulating characters transmedially in comics, television series, films, games and more through different venues of control, such as authorship, canonisation and ownership or intellectual property. This study addresses the struggle for interpretive authority by explaining
    [Show full text]
  • Games Are Not Coffee Mugs: Games and the Right of Publicity, 29 Santa Clara High Tech
    Santa Clara High Technology Law Journal Volume 29 | Issue 1 Article 1 12-13-2012 Games Are Not Coffee uM gs: Games and the Right of Publicity William K. Ford Raizel Liebler Follow this and additional works at: http://digitalcommons.law.scu.edu/chtlj Recommended Citation William K. Ford and Raizel Liebler, Games Are Not Coffee Mugs: Games and the Right of Publicity, 29 Santa Clara High Tech. L.J. 1 (2012). Available at: http://digitalcommons.law.scu.edu/chtlj/vol29/iss1/1 This Article is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara High Technology Law Journal by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. FORD LIEBLER 11/26/2012 3:56 PM ARTICLES GAMES ARE NOT COFFEE MUGS: GAMES AND THE RIGHT OF PUBLICITY* William K. Ford† and Raizel Liebler†† * Earlier versions of this paper were presented at the 2011 Works-in-Progress Intellectual Property Colloquium, Boston University (Feb. 11, 2011); 2011 Intellectual Property Scholars Roundtable, Drake University Law School (Apr. 1, 2011); and The Game Behind the Video Game, Rutgers School of Communication and Information (Apr. 9, 2011). We thank Stephanie Acosta, Keidra Chaney, Jessica de Perio Wittman, Shannon Ford, Jon Garon, Greg Lastowka, Tyler Ochoa, David L. Schwartz, and Corey Yung for comments on earlier versions of this paper. We thank Young-Joo Ashley Ahn, Lyndsay Ignasiak, and Kimberly Regan for research assistance. A special thanks to Nathan Ford and Adin Simon for innumerable hours playing “childish” games with the authors in preparation for this paper.
    [Show full text]
  • Previews #323 (Vol
    PREVIEWS #323 (VOL. XXV #8, AUG15) PREVIEWS PUBLICATIONS PREVIEWS #325 OCTOBER 2015 SAME GREAT PREVIEWS! NEW LOWER PRICE: $3.99! Since 1988, PREVIEWS has been your ultimate source for all of the comics and merchandise to be available from your local comic book shop… revealed up to two months in advance! Hundreds of comics and graphic novels from the best comic publishers; the coolest pop-culture merchandise on Earth; plus PREVIEWS exclusive items available nowhere else! Now more than ever, PREVIEWS is here to show the tales, toys and treasures in your future! This October issue features items scheduled to ship in December 2015 and beyond. Catalog, 8x11, 500+pg, PC SRP: $3.99 MARVEL PREVIEWS VOLUME 2 #39 Each issue of Marvel Previews is a comic book-sized, 120-page, full-color guide and preview to all of Marvel’s upcoming releases — it’s your #1 source for advanced information on Marvel Comics! This October issue features items scheduled to ship in December 2015 and beyond. FREE w/Purchase of PREVIEWS Comic-sized, 120pg, FC SRP: $1.25 PREVIEWS #325 CUSTOMER ORDER FORM — OCTOBER 2015 PREVIEWS makes it easy for you to order every item in the catalog with this separate order form booklet! This October issue features items scheduled to ship in December 2015 and beyond. Comic-sized, 62pg, PC SRP: PI COMICS SECTION PREMIER VENDORS DARK HORSE COMICS ABE SAPIEN #27 Mike Mignola (W/Cover), Scott Allie (W), Alise Gluškova (A/C), and Dave Stewart (C) Abe’s memories of his life as a man in the nineteenth century come to the surface as secret societies fight over an object that could prove the true origins of the human race! FC, 32 pages SRP: $3.50 B.P.R.D.
    [Show full text]
  • GRANT MORRISON Great Comics Artists Series M
    GRANT MORRISON Great Comics Artists Series M. Thomas Inge, General Editor Marc Singer GRANT MORRISON Combining the Worlds of Contemporary Comics University Press of Mississippi / Jackson www.upress.state.ms.us The University Press of Mississippi is a member of the Association of American University Presses. Copyright © 2012 by University Press of Mississippi All rights reserved Manufactured in the United States of America First printing 2012 ∞ Library of Congress Cataloging-in-Publication Data Singer, Marc. Grant Morrison : combining the worlds of contemporary comics / Marc Singer. p. cm. — (Great comics artists series) Includes bibliographical references and index. ISBN 978-1-61703-135-9 (cloth : alk. paper) — ISBN 978- 1-61703-136-6 (pbk. : alk. paper) — ISBN 978-1-61703-137-3 (ebook) 1. Morrison, Grant—Criticism and interpretation. 2. Comic books, strips, etc.—United States—History and criticism. I. Title. PN6727.M677Z86 2012 741.5’973—dc22 2011013483 British Library Cataloging-in-Publication Data available Contents vii Acknowledgments 3 Introduction: A Union of Opposites 24 CHAPTER ONE Ground Level 52 CHAPTER TWO The World’s Strangest Heroes 92 CHAPTER THREE The Invisible Kingdom 136 CHAPTER FOUR Widescreen 181 CHAPTER FIVE Free Agents 221 CHAPTER SIX A Time of Harvest 251 CHAPTER SEVEN Work for Hire 285 Afterword: Morrison, Incorporated 293 Notes 305 Bibliography 317 Index This page intentionally left blank Acknowledgments This book would not have been possible without the advice and support of my friends and colleagues. Craig Fischer, Roger Sabin, Will Brooker, and Gene Kannenberg Jr. generously gave their time to read the manuscript and offer feedback. Joseph Witek, Jason Tondro, Steve Holland, Randy Scott, the Michigan State University Library Special Collections, and the George Washington University Gelman Library provided me with sources and images.
    [Show full text]
  • Distribution Agreement in Presenting This Thesis As a Partial Fulfillment Of
    Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter now, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Tim Webber 04/18/2012 Never-Ending Battles: Aging and the American Super-Hero by Tim Webber Dr. Michael Moon Adviser Department of American Studies of the Institute for Liberal Arts Eric Reinders Committee Member Sheila Tefft Committee Member 2012 Never-Ending Battles: Aging and the American Super-Hero By Tim Webber Dr. Michael Moon Adviser An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Department of American Studies of the Institute for Liberal Arts 2012 Abstract Never-Ending Battles: Aging and the American Super-Hero By Tim Webber Super-heroes were never designed to grow old. Today, they have far outlived their original purpose as children’s entertainment to become cultural relics of a bygone era, present day celebrities of the screen, and beacons of what tomorrow may bring.
    [Show full text]
  • Implied Continuity in Batman's Contemporary Comic-Book Narratives
    History left unsaid : implied continuity in Batman’s contemporary comic-book narratives Smith, AN Title History left unsaid : implied continuity in Batman’s contemporary comic- book narratives Authors Smith, AN Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/33669/ Published Date 2015 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Chapter 5 History Left Unsaid: Implied Continuity in Batman’s Contemporary Comic-Book Narratives Anthony N. Smith In 2011, DC comics significantly revamped its large line of comic books, resetting the issue numbering of long-enduring superhero titles and streamlining the narrative continuity – the inter-connected backstory – that the characters had accumulated and shared over decades.1 The new line – dubbed ‘The New 52’ – was intended in part to attract new readers to the DC universe.2 As the company’s Co-Publisher (and fan- favourite artist) Jim Lee explained, the line’s high issue numbers (Detective Comics had reached #881 prior to the reset) and complicated character biographies ‘made the world of comic books a little more daunting to jump into’. The changes, the company hoped, would enable ‘new readers’ to ‘jump in and understand what’s going on from the very first issue’.3 The Batman backstory, however, was exempted from the simplification process that DC’s wider narrative universe underwent.4 As Batman writer Scott Snyder stressed shortly after the comic-book line reboot, in contrast to the likes of Superman, many of the significant events that the Caped Crusader had experienced within the prior universe would remain part of DC’s newly-created continuity.
    [Show full text]
  • 'The First Step Into a Smaller World': the Transmedia Economy
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bournemouth University Research Online ‘The First Step into a Smaller World’: The Transmedia Economy of Star Wars William Proctor and Matthew Freeman Introduction: ‘A Disturbance in the Force’ Following the sale of Lucasfilm to Disney, fans of the Star Wars Expanded Universe (EU) were rightly concerned about the future of extra-cinematic narrative material. Despite George Lucas’s insistence that Episode III: Revenge of the Sith (2005) was ‘the final piece in a generation-spanning cinematic epic,’1 the news that Disney would re-awaken the dormant film series and continue chronologically with episodes Seven through Nine, alongside a further trilogy of spin-off movies, meant that the post-Return of the Jedi timeline was in peril. Unless Disney decided to adapt Kathy Tyer’s novel, Truce at Bakura (1994), or Timothy Zahn’s Heir to the Empire (1991), as an authentic continuation of the Skywalker Saga, the fate of the EU stood precariously on the fulcrum between ‘Canon’ and ‘Apocrypha’ (the former sanctioned as official Star Wars ‘fact’ and the latter as speculative ‘what if?’ material). In 2012, Proctor conducted an analysis of Star Wars fans that aimed to capture responses to the Lucasfilm/ Disney merger. One respondent, Michael Caldwell, one of many, expressed concern about the EU: My real worry here is that they will TRASH a 30-some year history of EU that we’ve already had to retcon [retroactive continuity][1] after the prequel trilogy. I don’t know if I can take it again…that is the real reason most EU fans are worried.
    [Show full text]
  • The Case of the American Comic Book Market
    Digital disruption in the creative industries: the case of the American comic book market Wojciech Hardy Faculty of Economic Sciences, University of Warsaw Supervisor: dr hab. Katarzyna Śledziewska Warsaw May 19, 2019 Acknowledgements I would like to thank Katarzyna Śledziewska and Renata Włoch for helping me steer this thesis towards new and exciting areas, while also suggesting how to improve it and for supporting my work. Additional thanks go to Joanna Mazur, Joanna Siwińska-Gorzelak and the participants of the DELab UW internal seminars and conferences where this research was presented, for all the valuable comments and curiosity that pushed me to dig deeper into the researched topics. Last, but definitely not least, I would like to thank my supportive friends and family; my beloved wife who has greatly supported me throughout the process of writing this thesis and who has patiently reviewed all the graphs that I have shown her over the past few years; and my 3-year-old son who has been there to lift my spirits and to help me take my mind off the study when I needed it most. 2 Abstract Digital disruption toppled or transformed most of the incumbent business models in the creative industries. The American comic book market faced the same processes driven by digitalisation that disrupted music and audio-visual industries. Yet, the traditional distribution channels and print formats of the comic book market continued to grow even when new digital formats and intermediaries emerged. This thesis analyses and describes the processes that allowed for this unique development. It first describes digitalisation and the ways it led to disruption of incumbent business models.
    [Show full text]
  • UCLA UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Comics to Film (and Back Again): A Study in Stylistic Remediation from 1978-2009 Permalink https://escholarship.org/uc/item/1jp6q352 Author Morton, Drew Anthony Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Comics to Film (and Back Again): A Study in Stylistic Remediation from 1978-2009 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Drew Anthony Morton 2012 © Copyright by Drew Anthony Morton 2012 ABSTRACT OF THE DISSERTATION Comics to Film (and Back Again): A Study in Stylistic Remediation from 1978-2009 by Drew Anthony Morton Doctor of Philosophy in Film and Television University of California, Los Angeles, 2012 Professor John Caldwell, Co-Chair Professor Denise Mann, Co-Chair In this dissertation, I will examine the formal interchange between American film and American comic books from 1978-2009. Building upon the theory of remediation defined by Jay David Bolter and Richard Grusin, I describe a contemporary facet of the relationship between these two media forms as exemplifying stylistic remediation, or the representation of one medium’s stylistic characteristics within another medium. Through the following chapters, I will investigate the complex and ever evolving formal relationship between these two media forms, which are also experiencing convergence at the levels of the industries which produce them and the customers who consume them. Moreover, I will also offer commentary upon the potential economic future of stylistic remediation and what new hybrid forms of media these trends in form and conglomeration have begun to produce.
    [Show full text]
  • The Relationship Between Societal Stress and the Rise of Vigilantism in Comic Books
    Rochester Institute of Technology RIT Scholar Works Theses 5-11-2018 Justice by any Means: The Relationship Between Societal Stress and the Rise of Vigilantism in Comic Books Gregory Heerkens [email protected] Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Heerkens, Gregory, "Justice by any Means: The Relationship Between Societal Stress and the Rise of Vigilantism in Comic Books" (2018). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. Running head: JUSTICE BY ANY MEANS 1 Rochester Institute of Technology School of Communication College of Liberal Arts Justice by any Means: The Relationship Between Societal Stress and the Rise of Vigilantism in Comic Books by Gregory Heerkens A thesis submitted in partial fulfillment of the Master of Science Degree in Communication & Media Technologies Degree Awarded: May 11, 2018 JUSTICE BY ANY MEANS 2 The members of the Committee approve the thesis of Gregory Heerkens presented on April 30, 2018. Andrea Hickerson, Ph.D. Assistant Professor and Director School of Communication Grant Cos, Ph.D. Professor of Communication Director of Graduate Programs School of Communication Rudy Pugliese, Ph.D. Professor of Communication School of Communication Thesis Adviser Steven Galbraith, Ph.D. Curator, Melbert B. Cary, Jr. Graphic Arts Collection Wallace Center Thesis Adviser Daniel Worden, Ph.D. Assistant Professor, School of Individualized Study Thesis Adviser JUSTICE BY ANY MEANS 3 Acknowledgments Were it not for the constant encouragement from my wife Jenna, and the expectant, wide-eyed gaze of my son Liam, these words would not be present on the page before you.
    [Show full text]