United Nations Day Concert 2007
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Fiery Pianist Khatia Buniatishvili Makes Indianapolis Symphony Orchestra Debut in Lilly Classical Series Concerts Jan
Date: Monday, January 16, 2012 Contact: Tim Northcutt – (317) 262-4904 Jessica Di Santo – (317) 229-7082 Fiery Pianist Khatia Buniatishvili Makes Indianapolis Symphony Orchestra Debut in Lilly Classical Series Concerts Jan. 26-28 at Clowes Memorial Hall 2008 Arthur Rubinstein Competition prize winner performs Rachmaninoff Second Piano Concerto INDIANAPOLIS – As one of the fast-rising young stars in classical music, pianist Khatia Buniatishvili will make her Indianapolis Symphony Orchestra debut in performances of Sergei Rachmaninoff’s passionate and colorful Second Piano Concerto to highlight Lilly Classical Series concerts Thursday through Saturday, January 26-28, at Clowes Memorial Hall, located at 4602 Sunset Avenue on the Butler University campus. Originally scheduled for the Hilbert Circle Theatre, the venue change was prompted by the needs of the National Football League and the Indianapolis Super Bowl XLVI Committee to reserve large venues in the downtown area that are capable of hosting various Super Bowl events and activities. Preparations to host NBC’s Live with Jimmy Fallon during Super Bowl week will be underway at the ISO’s home that weekend. This all-Russian classical weekend, conducted by Princeton Symphony Orchestra Music Director Rossen Milanov, will open with Dmitri Shostakovich’s Festive Overture, a light and celebratory piece that the composer wrote to mark the anniversary of the Bolshevik overthrow of the Russian government in 1917. Buniatishvili will introduce herself to Indianapolis audiences in performances of one of the crown jewels of the piano repertoire, Sergei Rachmaninoff’s popular Second Piano Concerto. This glittering and melodic work showcases the technical artistry of the soloist with many rhapsodic moments spotlighting the pianist. -
Preparing for the Possibility of a North Korean Collapse
CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that EDUCATION AND THE ARTS helps improve policy and decisionmaking through ENERGY AND ENVIRONMENT research and analysis. HEALTH AND HEALTH CARE This electronic document was made available from INFRASTRUCTURE AND www.rand.org as a public service of the RAND TRANSPORTATION Corporation. INTERNATIONAL AFFAIRS LAW AND BUSINESS NATIONAL SECURITY Skip all front matter: Jump to Page 16 POPULATION AND AGING PUBLIC SAFETY SCIENCE AND TECHNOLOGY Support RAND Purchase this document TERRORISM AND HOMELAND SECURITY Browse Reports & Bookstore Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND National Security Research Division View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This report is part of the RAND Corporation research report series. RAND reports present research findings and objective analysis that address the challenges facing the public and private sectors. All RAND reports undergo rigorous peer review to ensure high standards for re- search quality and objectivity. Preparing for the Possibility of a North Korean Collapse Bruce W. Bennett C O R P O R A T I O N NATIONAL SECURITY RESEARCH DIVISION Preparing for the Possibility of a North Korean Collapse Bruce W. -
SHEDDING LIGHT on BULGARIAN SYMPHONY ORCHESTRAS /PIANO Or FORTЕ
SHEDDING LIGHT ON BULGARIAN SYMPHONY ORCHESTRAS /PIANO or FORTЕ/ Brief historic notes Orchestral music-making in Bulgaria goes back to mid-nineteenth century when in the Northeastern, multilingual town of Shumen the first ensemble was founded. It had entertainment and promotional purposes rather than serious concert activities. The significance of the ensemble though is mainly in the first establishment of a repertoire (Bulgarian and foreign) which was suitable for performance, as well as bringing together professionally educated national musicians and music-makers. Over WW2 orchestras developed in Bulgaria in lows and peaks. Those days gave rise to the Guards Orchestra (1892) conducted by Joseph Hohola; the Academic Symphony Orchestra (1928) and the Royal Military Symphony Orchestra (1936)both founded in Sofia by Prof. Sasha Popov; the State Philharmonic Orchestra at the National Opera (1935). At concerts in Bulgaria and abroad they perform major works by national and international musical classics. These ensembles invited outstanding guest conductors and soloists – Fausto Magnani, Karl Bohm, Bruno Walter, Edmondo de Vecchi, Emil Kupper, Carlo Zecchi, Henry Marteau, Paul Wittgenstein, Dinu Lipatti etc. After the end of the war the dynamic history of Bulgarian orchestras included both the above listed and numerous new ensembles founded all over the country. The Sofia Philharmonic Orchestra continued the tradition of the Sofia-based ensembles. The Philharmonic has performed with conductors Konstantin Iliev, Dobrin Petkov, Vassil Stefanov, Vladi Simeonov, Dimitar Manolov, Yordan Dafov, Emil Tabakov etc. At approximately the same time the capital saw the rise and establishment of yet another outstanding ensemble – the Symphony Orchestra of the Bulgarian National Radio (1948). -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Ning Fengviolin Virtuosismo
CHANNEL CLASSICS CCS 40719 NING FENG VIOLIN PAGANINI&VIEUXTEMPS VIRTUOSISMO ORQUESTA SINFÓNICA DEL PRINCIPADO DE ASTURIAS ROSSEN MILANOV CONDUCTOR Ning Feng (photo: Lawrence Tsang) 2 NING FENG returns to the Shanghai Symphony Orchestra under the baton of Yu Long. “Ning Feng’s total mastery could be seen in the In recital and chamber music Ning Feng precision and sweep of his bow, and heard in the regularly performs with Igor Levit and Daniel effortless tonal range, from sweet to sumptuous.” Müller-Schott, amongst others, and in 2012 New Zealand Herald - founded the Dragon Quartet. He appears at major venues and festivals such as the Wigmore Hall in Ning Feng is recognised internationally as an artist London, the Concertgebouw Amsterdam, National of great lyricism, innate musicality and stunning Centre for Performing Arts (Beijing) as well as the virtuosity. Blessed with an impeccable technique Schubertiade, Mecklenburg-Vorpommern and Hong and a silken tone, his palette of colours ranges from Kong International Chamber Music Festivals. intimate delicacy to a ferocious intensity. The Berlin Born in Chengdu, China, Ning Feng studied at based Chinese violinist performs across the globe the Sichuan Conservatory of Music, the Hanns Eisler with major orchestras and conductors, in recital School of Music (Berlin) with Antje Weithaas and and chamber concerts. the Royal Academy of Music (London) with Hu Kun Recent successes have included a return to where he was the first student ever to be awarded the Budapest Festival Orchestra with Iván Fischer -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Mango Suite Program Pages
PRINCETON SYMPHONY ORCHESTRA ROSSEN MILANOV, MUSIC DIRECTOR 2018–2019 Sunday May 19, 2019, 4pm Richardson Auditorium DEREK BERMEL’S MANGO SUITE Rossen Milanov, conductor Paulina Villarreal, mezzo-soprano Griset Damas-Roche, flamenco dancer Derek Bermel Mango Suite* (World Premiere) Lyrics by 1. A House of My Own Sandra Cisneros 2. Cathy Queen of Cats 3. Darius and the Clouds 4. Four Skinny Trees 5. One Longing 6. Mango Says Goodbye Sometimes *Princeton Symphony Orchestra Co-Commission The Mango Suite Project is made possible in part through an award from the National Endowment for the Arts. INTERMISSION Be sure to admire the visual art and writing in the lobby created by area middle school students in response to composer Missy Mazzoli’s Sinfonia (for Orbiting Spheres), performed by the PSO in March 2019. The students are participants in this season’s PSO BRAVO! Listen Up! program. Manuel de Falla El amor brujo Introducción y escena (Introduction and Scene) En la cueva (In the Cave) Canción del amor dolido (Song of Love’s Sorrow) El Aparecido (The Apparition) Danza del terror (Dance of Terror) El círculo mágico (The Magic Circle) A medianoche (Midnight) Danza ritual del fuego (Ritual Fire Dance) Escena (Scene) Canción del fuego fatuo (Song of the Will-o’-the-Wisp) Pantomima (Pantomime) Danza del juego de amor (Dance of the Game of Love) Final (Finale) El sombrero de tres picos (The Three-Cornered Hat), Suite No. 1 Introduction—Afternoon Dance of the Miller’s Wife (Fandango) The Corregidor The Grapes La vida breve, Spanish Dance No. 1 This concert is made possible in part through the support of Yvonne Marcuse. -
GEORGIEV Martin
MARTIN GEORGIEV’s artistic activity connects the fields of composition, conducting and research in a symbiosis. As a composer and conductor he has collaborated with leading orchestras and ensembles, such as the Brussels Philharmonic, BBC Symphony Orchestra, Bulgarian National Radio Orchestra, Heidelberg Philharmonic Orchestra, Sofia National Philharmonic Orchestra, National Orchestra of Belgium, Azalea Ensemble, Manson Ensemble, Cosmic Voices choir, Isis Ensemble and Ensemble Musiques Nouvelles. More recently he was Composer in Residence to the City of Heidelberg - 'Komponist für Heidelberg 2012|13", featuring the orchestral commission The Secret which premiered in 2013 with the Heidelberg Philharmonic Orchestra conducted by the composer. Since 2013 he works as Assistant Conductor for the Royal Ballet at ROH Covent Garden, London, where he is involved with a number of world premieres. In 2010-11 he was SAM Embedded Composer with the BBC Symphony Orchestra, London. He has completed a PhD doctorate in Composition at the Royal Academy of Music, University of London (2012), in which he developed his Morphing Modality technique for composition. He also holds Masters' degrees in both Composition and Conducting from the Royal Academy of Music and the National Academy of Music 'Pancho Vladigerov', Sofia, Bulgaria. Born in 1983 at Varna, Bulgaria, he is based in London since 2005, holding both Bulgarian and British citizenship. He is a laureate of the International Composers' Forum TACTUS in Brussels, Belgium, where his works featured in the selection in 2004, 2008 and 2011; the Grand Prize for Symphonic Composition dedicated to the 75th Anniversary of the Sofia National Philharmonic Orchestra in 2003; the UBC Golden Stave Award in 2004; orchestral commission prize in memory of Sir Henry Wood by the Royal Academy of Music, London, in 2011; he was a finalist of the Hindemith Prize of the Schleswig-Holstein Music Festival in Germany in 2011 and a recipient of 15 prizes from national and international competitions as a percussionist. -
Edition 4 | 2019-2020
A Message from the Chair of the Board of Trustees 4 2020 Musician Roster 5 MARCH 6-7 11 Peaks of Beauty and Devotion MARCH 20-21 19 Beethoven at 250: An Apotheosis of Energy MARCH 27-28 27 The Rite of Spring APRIL 17-18 35 Beethoven at 250: The Ninth Symphony Spotlight on Education 50 Board of Trustees/Staff 51 Friends of the Columbus Symphony 53 Columbus Symphony League 54 Future Inspired 55 Partners in Excellence 57 Corporate and Foundation Partners 57 Individual Partners 58 In Kind 61 Tribute Gifts 61 Legacy Society 64 Concert Hall & Ticket Information 67 ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com The Columbus Symphony program is published in association with Onstage Publications, 1612 Prosser Avenue, Dayton, Ohio 45409. The Columbus Symphony program may not be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business!, Inc. Contents © 2020. All rights reserved. Printed in the U.S.A. A MESSAGE FROM THE CHAIR OF THE BOARD OF TRUSTEES Dear Columbus Symphony Supporter, As our 2019–20 season comes to a close, we again thank you for your support of quality, live performances of orchestral music in our community! We are thrilled to end our season with four amazing performances. Our wonderful spring concerts start with Peaks of Beauty and Devotion (March 6–7, Ohio Theatre). American artist Joshua Roman performs his own evocative Cello Concerto in a CSO premiere. Rossen Milanov conducts this powerful performance, culminating in Anton Bruckner’s majestic Symphony No. -
2020 Korean Books for Young Readers
2020 Korean Books for Young Readers Korean Board on Books for Young People (IBBY Korea) About Contents KBBY and this Catalog KBBY(Korean Board on Books for Young People) was founded in 1995 7 Korean Nominees for the Hans Christian Andersen Awards 4 as the Korea national section of the International Board on Books for Young People (IBBY). Korean Nominations for the IBBY Honour List 2020 12 To fulfill IBBY’s mission, KBBY works as a network of professionals from both home and abroad, collecting and sharing information on Korean Nominations for BIB 2019 14 children’s and juvenile literature. KBBY also works in close partnership with the other national sections of IBBY to contribute to promoting Korean Nominations for Silent Books 2019 22 cross-cultural exchange in children’s literature. Recent Picture Books Recommended by KBBY Since 2017 25 KBBY organizes international book exhibitions in collaboration with library networks, in efforts to share with the Korean audience the in- formation on global books generated through the awards and activ- Recent Chapter Books and Novels Recommended by KBBY Since 2017 37 ities of IBBY. Moreover, KBBY is committed to providing information on outstanding Korean children’s and juvenile literature with readers Recent Non-fiction Recommended by KBBY Since 2017 50 across the world. This catalog presents the Korean nominees of the Hans Christian An- dersen Awards, who have made a lasting impact on children’s litera- ture not only at home but also to the world at large. Also included is a collection of the Korean children’s books recommended by the book selection committee of KBBY: Korean nominations for the IBBY Honour List, BIB, Silent Books; recent picutre books, chapter books & novels, and non-finction books. -
A Study and Performance Analysis of Selected Art Songs by Un-Yeong Na" (2010)
Graduate Theses, Dissertations, and Problem Reports 2010 A Study and Performance Analysis of Selected Art Songs by Un- Yeong Na Min Sue Kim West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Kim, Min Sue, "A Study and Performance Analysis of Selected Art Songs by Un-Yeong Na" (2010). Graduate Theses, Dissertations, and Problem Reports. 2991. https://researchrepository.wvu.edu/etd/2991 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A Study and Performance Analysis of Selected Art Songs by Un-Yeong Na Min Sue Kim Research Project submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Performance: Voice Dr. Kathleen Shannon, Chair and Research Advisor Professor Robert Thieme Dr. Chris Wilkinson Dr. Peter Amstutz Dr. Georgia Narsavage Division of Music Morgantown, West Virginia 2010 Keywords: Un-Yeong Na, Korean Art Song, Korean Traditional Music Copyright 2010 Min Sue Kim ABSTRACT A Study and Performance Analysis of Selected Art Songs of Un-Yeong Na Min Sue Kim Korea‘s history spans over 5,000 years. -