New • Nouveaute • Neuheit

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NEW • NOUVEAUTE • NEUHEIT 3/12-(5) Richard Strauss (1864-1949) Der Bürger als Edelmann op. 60 Vier letzte Lieder Wiegenlied op. 41,1 Zueignung op. 10,1 Morgen! op. 27, 4 Lisa Larsson, soprano Musikkollegium Winterthur Douglas Boyd, cond. 1 Hybrid-SACD Order No.: MDG 901 1738-6 UPC-Code: Listening Facet Lifelong Friendship During recent years the Musikkollegium Winterthur has This is hardly surprising inasmuch as Richard Strauss released an impressive series of recordings carefully maintained lifelong ties of friendship to Winterthur. The produced in multichannel 2+2+2 sound. Under the composer visited the city on repeated occasions and conductor Douglas Boyd the orchestra adds a new facet performed works of his such as the Alpensinfonie and to its discography with Richard Strauss’s suite Der Bürger Don Quixote with the Musikkollegium. Even today original als Edelmann and his Vier letzte Lieder – a fine manuscripts of his music are housed in Winterthur. programme and a splendid role for Lisa Larsson. Magnificent Metaphor Franz Schubert The Swedish soprano’s intense interpretation of these Incidental Music to Rosamunde D 797 masterful late works is a moving experience. Just listen to MDG 901 1633-6 (Hybrid-SACD) “Im Abendrot” to a text by Eichendorff: Strauss enhances the sunset atmosphere, transforming it into a magnificent Franz Schubert metaphor referring to the end of life. The music seems to Symphony No. 7 B minor (Unfinished) stand still at the end; full of confidence in redemption, it Symphony No. 8 C major (The Great) witnesses the opening of paradise – a gripping moment. MDG 901 1636-6 (Hybrid-SACD) Swiss Style Josef Rheinberger The incidental music to Molière’s Der Bürger als Complete Organ Concertos, Edelmann was Strauss’s first collaborative effort with 3 pieces for für Violoncello & Organ Hugo von Hofmannsthal, who here reworked the baroque MDG 901 1643-6 (Hybrid-SACD) French comedy. This comedy focuses on a rich parvenu who clumsily attempts to imitate noble models, and Felix Mendelssohn Bartholdy Strauss illustrates it with humor and wit. The tone of the Symphony No. 3 „ Scottish“ music repeatedly lets baroque stylistic elements shimmer Symphony No. 4 „Italian“ forth and in this way builds a bridge from Molière’s time to (Version 1833/34) the fin de siècle. The work exists in four entirely different MDG 901 1663-6 (Hybrid-SACD) versions published by Strauss with the same opus number, that is, as his op. 60. The genially instrumented Suite op. 60 (!) is practically of chamber dimensions and made to order for the traditional Swiss orchestra. DABRINGHAUS UND GRIMM AUDIOVISION GMBH • BACHSTRASSE 35 • D-32756 DETMOLD TEL.: ++49-(0)5231-93890 • FAX.: ++49-(0)5231-26186 • www.mdg.de • [email protected] .

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Sunday,July 20,2014 3:00Pm
SUNDAY, JULY 20, 2014 3:00PM MADONNA DELLA STRADA CHAPEL MARILYN KEISER, ORGAN Sonata in A Major, Op. 65, No. 3 Felix Mendelssohn (1809-1847) 1) Con moto maestoso Sinfonia from Cantata 29 Johann Sebastian Bach (1685-1750) trans. Marcel Dupré (1886-1971) Ich hatte viel Bekummerniss, from Cantata 21 Johann Sebastian Bach arr. Harvey Grace (1874-1944) Ein feste Burg, from Cantata 80 Johann Sebastian Bach arr. Gerald Near (b. 1942) Sonata Number 8, Op. 132 Josef Rheinberger (1839-1901) 1) Introduction 4) Passacaglia Salem Sonata (2003) Dan Locklair (b.1949) 2) “Hallowed be thy name…” 3) “…We owe thee thankfulness and praise…” Phoenix Processional Dan Locklair Concert Variations on the Austrian Hymn, Op. 3 John Knowles Paine (1839-1906) Symphony 1, Op. 14 Louis Vierne (1870-1937) 4) Allegro Vivace Carillon de Westminster, Op. 54, no. 6 Louis Vierne Marilyn Keiser is Chancellor’s Professor of Music Emeritus at Jacobs School of Music, Indiana University, Bloomington, where she taught courses in sacred music and applied organ for 25 years. Prior to her appointment at Indiana University, Dr. Keiser was Organist and Director of Music at All Souls Parish in Asheville, North Carolina and Music Consultant for the Episcopal Diocese of Western North Carolina, holding both positions from 1970 to 1983. A native of Springfield, Illinois, Marilyn Keiser began her organ study with Franklin Perkins, then attended Illinois Wesleyan University where she studied organ with Lillian McCord, graduating with a Bachelor of Sacred Music degree. Dr. Keiser entered the School of Sacred Music at Union Theological Seminary in New York City, where she studied organ with Alec Wyton and graduated summa cum laude in 1965 with a Master of Sacred Music degree.
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November 20, 2016 an Afternoon of Chamber Music
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Romantic American Choral Music David P. Devenney, Presenter
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Abendlied by Josef Rheinberger Sheet Music
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2002-2003 University of Mississippi Choral Repertoire
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Unsung Heroes Neglected Masterpieces of Choral Music
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A Performance Study of Select Choral Literature for Two-Part Women's Chorus Adrienne R
Southern Illinois University Carbondale OpenSIUC Research Papers Graduate School Spring 6-11-2012 A Performance Study of Select Choral Literature for Two-Part Women's Chorus Adrienne R. Stockley Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/gs_rp Recommended Citation Stockley, Adrienne R., "A Performance Study of Select Choral Literature for Two-Part Women's Chorus" (2012). Research Papers. Paper 288. http://opensiuc.lib.siu.edu/gs_rp/288 This Article is brought to you for free and open access by the Graduate School at OpenSIUC. It has been accepted for inclusion in Research Papers by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. A PERFORMANCE STUDY OF SELECT CHORAL LITERATURE FOR TWO-PART WOMEN’S CHORUS by Adrienne R. Stockley A.A., Lewis and Clark Community College, 2007 B.A, Blackburn College, 2010 A Research Document Submitted in Partial Fulfillment of the Requirements for the Master of Music degree. Department of Music in the Graduate School Southern Illinois University Carbondale August 2012 RESEARCH PAPER APPROVAL A PERFORMANCE STUDY OF SELECT CHORAL LITERATURE FOR TWO-PART WOMEN’S CHORUS by Adrienne R. Stockley A Research Paper Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the field of Choral Conducting Approved by: Dr. Susan G. Davenport, Chair Dr. Christopher Morehouse Dr. Melissa Mackey Graduate School Southern Illinois University Carbondale May 11, 2012 AN ABSTRACT OF THE RESEARCH DOCUMENT OF ADRIENNE STOCKLEY, for the Master of Music degree in CHORAL CONDUCTING, presented on APRIL 13, 2012, at Southern Illinois University Carbondale.
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JV Recital 210820
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Both Modern and Raredownload Pdf(126
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