Empowering Leadership
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
In the UNITED STATES COURT of APPEALS for the NINTH CIRCUIT
CA Nos. 15-56880, 16-55089, 16-55626 DC No. CV13-06004-JAK (AGRx) In the UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT Pharrell Williams et al. Plaintiffs, Appellants, and Cross-Appellees v. Frankie Christian Gaye et al., Defendants, Appellees, Cross-Appellants On Appeal From The United States District Court For The Central District of California, Hon. John A. Kronstadt, District Judge, No. 13-cv-06004 JAK (AGRx) BRIEF AMICUS CURIAE OF THE INSTITUTE FOR INTELLECTUAL PROPERTY AND SOCIAL JUSTICE MUSICIAN AND COMPOSERS AND LAW, MUSIC, AND BUSINESS PROFESSORS IN SUPPORT OF APPELLEES SEAN M. O’CONNOR LATEEF MTIMA STEVEN D. JAMAR INSTITUTE FOR INTELLECTUAL PROPERTY AND SOCIAL JUSTICE, INC. 707 MAPLE AVENUE ROCKVILLE MD 20850 Telephone: 202-806-8012 IDENTITIES OF MUSICIAN-COMPOSER AMICI Affiliations and credits represent only a portion of those for each amicus and are given for identification purposes only Brian Holland: Inducted into the Songwriter Hall of Fame, Rock & Roll Hall of Fame, Soul Music Hall of Fame, and member of the legendary songwriting trio of Holland-Dozier-Holland. Mr. Holland has written or co- written 145 hits in the US, and 78 in the UK. Eddie Holland: Inducted into the Songwriter Hall of Fame, Rock & Roll Hall of Fame, Soul Music Hall of Fame, and member of the legendary songwriting trio of Holland-Dozier-Holland. Mr. Holland has written or co- written 80 hits in the UK, and 143 in the US charts. McKinley Jackson: Mr. Jackson is known as one of Soul music’s greatest arrangers and producers. Mr. Jackson arranged nearly every song recorded for the Invictus/HotWax/Music Merchant labels. -
Mavis Staples 1
Mavis Staples Feb. 22, 2002 [Chicago Sun-Times reporter Dave Hoekstra recounts his experience as a first-time writer and producer on the Chicago Stories documentary "The Staple Singers." Hoekstra's deep respect for the group - headed by late patriarch Roebuck "Pops" Staples - is rooted in the Staples' dedication to both the civil rights movement and their art.] By Dave Hoekstra The Staple Singers are jewels in the crown of goodwill. Over the past 18 years I have discovered the many genuine dimensions of the Chicago-based family that always sang with a message. In 1984, I interviewed patriarch Roebuck "Pops" Staples in his Calumet City apartment for the Suburban Sun-Times. I wrote his obituary in 2000. And over the years at the Sun-Times I profiled lead singer Mavis Staples and wrote about the family's role in the civil rights movement, in Chicago's gospel community and their induction into the Rock and Roll Hall of Fame. These stories evolved into a friendship that led to the making of a documentary on the Staple Singers, which I produced and co-wrote with Jamie Ceaser, another longtime friend. The documentary, part of the "Chicago Stories" series. The half-hour program includes rare footage of the Staples and interviews with family members Pops, Mavis, Pervis and Yvonne, as well as Harry Belafonte, Jerry Butler, Gene Chandler, Bob Dylan, the Rev. Jesse Jackson, Chicago radio veteran Herb Kent, Natalie Merchant, gospel legend Albertina Walker and gospel star BeBe Winans. It's narrated by Grammy-winning musician and vocalist Bonnie Raitt, who collaborated with Pops on his "Peace to the Neighborhood" album. -
Various Music from the Wattstax Festival & Film
Various Music From The Wattstax Festival & Film mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Blues Album: Music From The Wattstax Festival & Film Country: Europe Released: 2007 Style: Gospel, Rhythm & Blues, Soul, Funk MP3 version RAR size: 1998 mb FLAC version RAR size: 1723 mb WMA version RAR size: 1712 mb Rating: 4.3 Votes: 970 Other Formats: AC3 DXD VQF AU XM FLAC ADX Tracklist Hide Credits –Dale Warren & The Wattstax Salvation Symphony 1-1 7:56 '72 Orchestra Written-By – Dale O. Warren* 1-2 –Rev. Jesse Jackson Introduction 5:50 Lift Every Voice And Sing 1-3 –Kim Weston 3:39 Written-By – Johnson* Heavy Makes You Happy (Sha-Na-Boom-Boom) 1-4 –The Staple Singers 3:39 Written-By – Barry-Bloom* Are You Sure 1-5 –The Staple Singers 4:03 Written-By – Banks*, Jackson* I Like The Things About Me 1-6 –The Staple Singers 5:55 Written-By – Stubbs*, Staples* Respect Yourself 1-7 –The Staple Singers 4:37 Written-By – Ingram*, Rice* I'll Take You There 1-8 –The Staple Singers 5:16 Written-By – Alvertis* Precious Lord, Take My Hand 1-9 –Deborah Manning 4:25 Written-By – Thomas A. Dorsey Better Get A Move On 1-10 –Louise McCord 4:01 Written-By – Bettye Crutcher Them Hot Pants 1-11 –Lee Sain 4:11 Written-By – Leon Moore Wade In The Water 1-12 –Little Sonny 4:21 Written-By – Traditional I Forgot To Be Your Lover 1-13 –William Bell 2:35 Written-By – Jones*, Bell* Explain It To Her Mama 1-14 –The Temprees 2:50 Written-By – Fultz*, Moore* I've Been Lonely (For So Long) 1-15 –Frederick Knight 3:54 Written-By – Weaver*, Knight* Pin The -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the United States History Commons Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. 664. https://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. -
An Educator's Guide to Visiting the Stax Museum of American Soul Music
A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason. -
The Assassination of Dr. Martin Luther King Jr. and the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected]
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2013 Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture Domenico Rocco Ferri Loyola University Chicago, [email protected] Recommended Citation Ferri, Domenico Rocco, "Funk My Soul: The Assassination of Dr. Martin Luther King Jr. And the Birth of Funk Culture" (2013). Dissertations. Paper 664. http://ecommons.luc.edu/luc_diss/664 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2013 Domenico Rocco Ferri LOYOLA UNIVERSITY CHICAGO FUNK MY SOUL: THE ASSASSINATION OF DR. MARTIN LUTHER KING JR. AND THE BIRTH OF FUNK CULTURE A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DOMENICO R. FERRI CHICAGO, IL AUGUST 2013 Copyright by Domenico R. Ferri, 2013 All rights reserved. ACKNOWLEDGEMENTS Painstakingly created over the course of several difficult and extraordinarily hectic years, this dissertation is the result of a sustained commitment to better grasping the cultural impact of Dr. Martin Luther King Jr.’s life and death. That said, my ongoing appreciation for contemporary American music, film, and television served as an ideal starting point for evaluating Dr. King’s legacy in mass culture. This work likewise is wrought from an intricate combination of support and insight derived from many individuals who, in some way, shape, or form, contributed encouragement, scholarly knowledge, or exceptional wisdom. -
Pops Staples by Dave Hoekstra Dec
Pops Staples By Dave Hoekstra Dec. 20, 2000--- The journey of Roebuck "Pops" Staples began on a humble plantation in Drew, iss. Along the way, he became one of the most eminent voices in American soul,blues, gospel and folk music. Mr. Staples died Tuesday morning in his south suburban Dolton home. He was 85. Mr. Staples was the patriarch of the Chicago-based Staple Singers, which featured his daughters Mavis, Cleo and Yvonne. The group had mid-1970s pop-soul hits such as "Respect Yourself," "Heavy Makes You Happy" and "I'll Take You There." The family was inducted into the Rock and Roll Hall of Fame last year. In 1998, Mr. Staples was awarded a National Heritage Fellowship from the National Endowment for the Arts. With a haunting tremolo sound from his Telecaster guitar and honey-soaked vocals that held the promise of a new morning, Mr. Staples set the group's empathetic tone. Every time the Rev. Martin Luther King Jr. traveled with the Staple Singers, he requested Mr. Staples' swampy sermonette "Why? (Am I Treated So Bad)." "Many singers are indifferent to the politics of our time," said the Rev. Jesse Jackson, a friend of the Staples family for 40 years. "Pops and his family turned political pain and agony and put it to music. They never lost their joy, they never sang with a heavy heart. Pops was a real piece of the culture of the 20th century." Mr. Staples was born on the Dockery plantation, about 100 miles from Memphis, Tenn. The youngest of 14 children, Mr. -
An Educator's Guide to Visiting the Stax Museum of American Soul Music
A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music A Facing History and Ourselves Publication The Sounds of Change An Educator’s Guide to Visiting the Stax Museum of American Soul Music Facing History and Ourselves is an international educational and professional development organization whose mission is to engage students of diverse backgrounds in an examination of racism, prejudice, and antisemitism in order to promote the development of a more humane and informed citizenry. By studying the historical development of the Holocaust and other examples of genocide, students make the essential connection between history and the moral choices they confront in their own lives. For more information about Facing History and Ourselves, please visit our website at www. facinghistory.org. Copyright © 2014 by Facing History and Ourselves National Foundation, Inc., and the Stax Museum of American Soul Music. All rights reserved. Facing History and Ourselves® is a trademark registered in the US Patent & Trademark Office. Text credits: Song lyrics for “Soul Man,” “Respect,” “Respect Yourself,” and “If You’re Ready (Come with Me)” are used with permission from Universal Music Publishing Group. Cover art credit: API Photography, Memphis, TN. For additional resources, visit Facing History’s The Sounds of Change website. Facing History and Ourselves Headquarters 16 Hurd Road Brookline, MA 02445-6919 2 Facing History and Ourselves Facing History and Ourselves is a global nonprofit organization founded in 1976 by educators who wanted to develop a more effective and rewarding way to engage students. We’re guided by the belief that the lifeblood of democracy is the ability of every rising generation to be active, responsible decision makers who’ve learned to value compassion as much as reason. -
Lesson 3:Respecting Yourself and Others
Lesson 3: Respecting Yourself and Others "Respect" was written and performed by Otis Redding (1965). "Respect Yourself" was written by Luther Ingram and Mack Rice and performed by the Staple Singers (1971). Introduction This lesson opens a dialogue between two Stax recordings on a shared theme: Otis Redding’s “Respect” and the Staple Singers’ “Respect Yourself.” One song focuses on the human need to be respected by others, while the other song emphasizes respect for oneself. Facing History Theme: Respect Essential Questions ● What is respect? ● If you feel respected (or disrespected), how does that impact the way you see yourself and others? ● How does feeling respected or disrespected influence the choices you make? Guiding Question ● How do Otis Redding’s “Respect” (1965) and the Staple Singers’ “Respect Yourself” (1971) represent changing attitudes and ideas in the civil rights movement? Objectives ● Students will use the song’s lyrics as a primary text for analysis. ● Students will compare and contrast the lyrics and music of two songs about respect. ● Students will make text-to-world connections between the songs, the civil rights movement, and current events. Common Core Anchor Standards for Reading (R), Writing (W), and Speaking and Listening (SL) ● CCSS.ELA-Literacy.CCRA.R.1—Citing Textual Evidence ● CCSS.ELA-Literacy.CCRA.R.2—Theme/Central Idea ● CCSS.ELA-Literacy.CCRA.R.3—Plot & Character/Process ● CCSS.ELA-Literacy.CCRA.R.4—Word Meaning ● CCSS.ELA-Literacy.CCRA.R.6—Point of View/Purpose in a Text(s) ● CCSS.ELA-Literacy.CCRA.R.9—Compare and Contrast Themes and Topics in Two or More Texts ● CCSS.ELA-Literacy.CCRA.SL.1—Collaborative Discussion Lesson 3: Respecting Yourself and Others 28 ● CCSS.ELA-Literacy.CCRA.SL.2—Interpreting Information in Diverse Media ● CCSS.ELA-Literacy.CCRA.W.2—Write Informative/Explanatory Texts Outcomes/Assessment Students will write a brief essay exploring how the songs “Respect” and “Respect Yourself” responded to and represented changing ideas in the civil rights movement. -
Robert Fink Professor IV Department of Musicology Chair, Music Industry Program FAC UCLA Herb Alpert School of Music Los Angeles, CA 90095-1623 03-03-2019
Music Industry 29 Robert Fink Professor IV Department of Musicology Chair, Music Industry Program FAC UCLA Herb Alpert School of Music Los Angeles, CA 90095-1623 03-03-2019 Michael Hackett, Chair General Education Governance Committee Attn: Chelsea Hackett, Program Representative A265 Murphy Hall Mail Code: 157101 Members of the GE Governance Committee: I am writing you in my role as Chair of the Faculty Advisory Committee for the Music Industry Minor in the Alpert School of Music to request GE credit be associated with two newly revised Music Industry classes: Music Industry 29 (formerly 109). The Music Documentary in History and Practice. Music Industry 55 (formerly 105). Songwriters on Songwriting. Both of these classes were approved in the FAC and approved as part of a general revision of the Music Industry Minor program requirements by the School of Music’s FEC. I am now submitting to you syllabi and GE Information sheets for both classes, as well as PDFs of the relevant CIMS forms, which have been routed to our School’s FEC Coordinator, Nam Ung. Please let me know if there is anything else I can do to help the process along. We hope to offer these courses with GE credit during Summer Sessions. Sincerely, Robert Fink Page 1 of 30 Music Industry 29 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Course Title Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities ñ Literary and Cultural Analysis ñ Philosophic and Linguistic Analysis ñ Visual and Performance Arts Analysis and Practice Foundations of Society and Culture ñ Historical Analysis ñ Social Analysis Foundations of Scientific Inquiry (IMPORTANT: If you are only proposing this course for FSI, please complete the updated FSI information sheet.