“First Blues Popular Song” by W.C. Handy “Father of the Blues”

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‘St. Louis Blues’ “First blues popular song” by W.C. Handy “Father of the Blues” Blues Music History ‘Story of the Blues’ Sharon Watkins ‘Singin’ the Blues’ LESSON OBJECTIVES: Blues Vocabulary Brief history of blues genre Characteristics of blues music Famous blues artists & songs ‘Black & Blue’, Broadway Musical Experience blues listening & performing Music History of Blues LANGUAGE ARTS Summarize, compare & contrast recordings Write an original story for ‘St. Louis Blues’ Research an artist & present Write an original blues lyric/song & perform ACTIVITY EXAMPLE: Think of ‘hooks’ from famous blues (or other) tunes… “Hit the Road, Jack…” “Can’t buy me love…” “The Thrill is gone…” ….. ‘Write a Poem ACTIVITY: Cinquain TOPIC: “Lost Love” or “No love yet…” WRITE :Three lines – Six words Five words Four words Recordings John the Revelator Son House St. Louis Blues W.C Handy & his Memphis Blues Band Cab Calloway Bessie Smith & Louis Armstrong Billie Holiday Ella Fitzgerald Doc & Merle Watson Carey Bell Preservation Hall Jazz Band The Magnificent Sevens Isley Brothers Jason Webb Herbie Hancock & Stevie Wonder JAZZ! SING & PLAY The Blues & Jazz are closely related…. Blues bass line in BLUES progression 12 Bar Blues Blues Scale Improvise! Compose & Perform an original blues piece Jazz & Music GLIs VISUAL ART ACTIVITY: Make an album cover Study - Andy Warhol’s Album Cover Art Materials – Jpegs of artists who recorded St Louis Blues & Photoshop Task- create and album cover using that portrait and manipulating it with PhotoShop. Andy Warhol Visual Art: Make an ‘album cover’ Other Ideas • “Sing”a children’s book improvising with the blues scale • Create a collage by making a jazz vocabulary ‘poetry kit’ and gluing the words into an image. • Research the various sets of lyrics used by different artists. Why are they different? • Study the different types of blues. Trace their geography and major artists who influenced the sound ‘Story of the Blues’ Sharon Watkins .

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Queen of the Blues © Photos AP/Wideworld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105 ETF 46 56 2/13/03 2:15 PM Page 47
03-0105_ETF_46_56 2/13/03 2:15 PM Page 46 J Queen of the Blues © Photos AP/WideWorld 46 D INAHJ ULY 2001W EASHINGTONNGLISH T EACHING F ORUM 03-0105_ETF_46_56 2/13/03 2:15 PM Page 47 thethe by Kent S. Markle RedRed HotHot BluesBlues AZZ MUSIC HAS OFTEN BEEN CALLED THE ONLY ART FORM J to originate in the United States, yet blues music arose right beside jazz. In fact, the two styles have many parallels. Both were created by African- Americans in the southern United States in the latter part of the 19th century and spread from there in the early decades of the 20th century; both contain the sad sounding “blue note,” which is the bending of a particular note a quar- ter or half tone; and both feature syncopation and improvisation. Blues and jazz have had huge influences on American popular music. In fact, many key elements we hear in pop, soul, rhythm and blues, and rock and roll (opposite) Dinah Washington have their beginnings in blues music. A careful study of the blues can contribute © AP/WideWorld Photos to a greater understanding of these other musical genres. Though never the Born in 1924 as Ruth Lee Jones, she took the stage name Dinah Washington and was later known leader in music sales, blues music has retained a significant presence, not only in as the “Queen of the Blues.” She began with singing gospel music concerts and festivals throughout the United States but also in our daily lives. in Chicago and was later famous for her ability to sing any style Nowadays, we can hear the sound of the blues in unexpected places, from the music with a brilliant sense of tim- ing and drama and perfect enun- warm warble of an amplified harmonica on a television commercial to the sad ciation.
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` ` Ebook published February 1, 2012 by Guitar International Group, LLC Editors: Rick Landers and Matt Warnock Cover Design: Debra Devi Originally published January 1, 2006 by Billboard Books Executive Editor: Bob Nirkind Editor: Meryl Greenblatt Design: Cooley Design Lab Production Manager: Harold Campbell Copyright (c) 2006 by Debra Devi Cover photograph of B.B. King by Dick Waterman courtesy Dick Waterman Music Photography Author photograph by Matt Warnock Additional photographs by: Steve LaVere, courtesy Delta Haze Corporation Joseph A. Rosen, courtesy Joseph A. Rosen Photography Sandy Schoenfeld, courtesy Howling Wolf Photos Mike Shea, courtesy Tritone Photography Toni Ann Mamary, courtesy Hubert Sumlin Blues Grateful acknowledgment is made to the following for permission to reprint previously published material: 6DPXHO&KDUWHUV³7KH6RQJRI$OKDML)DEDOD.DQXWHK´H[FHUSWIURPThe Roots of the Blues by Samuel Charters, originally published: Boston: M. Boyars, 1981. Transaction Publishers: Excerpt from Deep Down in the Jungle: Negro Narrative Folklore from the Streets of Philadelphia by Roger Abrahams. Warner-7DPHUODQH3XEOLVKLQJ&RUSRUDWLRQ6NXOO0XVLF/\ULFIURP³,:DON2Q*XLOGed 6SOLQWHUV´E\0DF5HEHQQDFN Library of Congress Control Number: 2005924574 All rights reserved. No part of this publication may be reproduced or used in any form or by any means- graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage-and-retrieval systems- without the prior permission of the author. ` Guitar International Reston, Virginia ` Winner of the 2007 ASC AP Deems Taylor Award for Outstanding Book on Popular Music ³:KDWDJUHDWUHVRXUFH«DVfascinating as it is informative. Debra's passion for the blues VKLQHVWKURXJK´ ±Bonnie Raitt ³(YHU\EOXHVJXLWDULVWQHHGVWRNQRZWKHLUEOXHVKLVWRU\DQGZKHUHWKHEOXHVDUHFRPLQJ IURP'HEUD¶VERRNZLOOWHDFK\RXZKDW\RXUHDOO\QHHGWRNQRZ´± Joe Bonamassa ³7KLVLVDEHDXWLIXOERRN$IWHUKHDULQJµ+HOOKRXQGRQ0\7UDLO¶LQKLJKVFKRRO,ERXJKW every vintage blues record available at the time.
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