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Mar 06, 2020 11:02 GMT Have you got it? Our new album 'See You See Me' was released last week. The response so far has been fantastic, and we're pleased you like it. If you're curious about the making of the album - or whether Willie and Jon prefer to fight duck-sized horses or horse-sized ducks (?) read this interview by Johnny Hayward from PRM Online. If for some reason you haven't yet ordered your copy of 'See You See Me' yet, you can do so directly from the band here, or via all good digital platforms, including iTunes/Apple Music, Amazon (Digital), Amazon (Physical), Google Play and Bandcamp. You'll also find the album in good old fashion record stores such as HMV (see store list below.) If you like the album, please actively spread the word everywhere and maybe add your review to Amazon. And definitely share your opinions throughout the social media universe! Love, Willie & Jon The Dowling Poole links Website Facebook Twitter Instagram Spotify Youtube Watch video on YouTube here HMV stores that stock The Dowling Poole, See You See Me (369 Music/Cargo Records) HMV MIDDLESBROUGH HMV ABERDEEN HMV NEWCASTLE HMV NORWICH CHAPELFIELD HMV BATH HMV BELFAST DONEGALL HMV BIRMINGHAM BULLRING HMV BLACKPOOL HMV PRESTON HMV READING ORACLE HMV SHEFFIELD HIGH ST HMV SHEFFIELD MEADOWHALL HMV SWANSEA HMV TUNBRIDGE WELLS HMV WESTFIELD HMV YORK HMV FOPP COVENT GARDEN HMV FOPP EDINBURGH HMV FOPP GLASGOW HMV CARDIFF HMV CHELTENHAM HMV CHESTER HMV COLCHESTER HMV COVENTRY HMV DERBY HMV EDINBURGH HMV EXETER HMV GATESHEAD HMV ARGYLE STREET HMV GUILDFORD HMV HULL HMV INVERNESS HMV LEICESTER HMV LIVERPOOL ONE HMV MAIDSTONE HMV MANCHESTER HMV MERRY HILL HMV NOTTINGHAM HMV WORKINGTON HMV BRIGHTON HMV REDDITCH HMV BIRMINGHAM VAULT HMV LEEDS ST JOHNS .

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Digitalisation and Intermediaries in the Music Industry
CREATe Working Paper 2017/07 (June 2017) Digitalisation and intermediaries in the Music Industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, Finance, University of East Anglia University of East Anglia and Economics, University of Huddersfield [email protected] [email protected] [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.809949 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Abstract Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of artists [composers, lyricists and musicians] supplying creative expressions to a small number of larger record labels and publishers who funded, produced, and marketed the resulting recorded music to subsequently sell these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with “self- publishing” by artists, will lead to the demise of powerful firms in the record label segment, thus shifting market power from the record label and publisher segment to the retail segment, rather than increasing the number of segments with market power. i Table of Contents 1. Introduction ................................................................................................................................. 1 2. How the advancement of technologies shapes the music industry .................................
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