circa survive juturna album zip download Juturna: Deluxe 10 Year Anniversary Edition. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 9.99€ Juturna: Deluxe 10 Year Anniversary Edition. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then €19.99 / month. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2005 Equal Vision Records. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. Circa Survive, MainArtist. (C) 2015 Equal Vision Records, Inc. (P) 2015 Equal Vision Records, Inc. About the album. 2 disc(s) - 29 track(s) Total length: 02:04:44. (C) 2015 Equal Vision Records, Inc. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. It Won't Always Be Like This. Chopin : Piano Concertos. On Letting Go: Deluxe Ten Year Edition. Back the Way We Came: Vol. 1 (2011 - 2021) Noel Gallagher's High Flying Birds. WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? The musicians of Northern Europe have always brought their personal Arctic twist to all genres of music, and the world of electronic music is no exception. Here’s an overview of 11 Danish, Swedish, Norwegian and Finnish artists who have taken techno, house, disco and dub towards new horizons. “If punk was about getting rid of hippies, then I'm getting rid of grunge.” It was with this sentence from Damon Albarn in 1993 that England invaded the stage previously dominated by Nirvana and Seattle grunge. Britpop is deeply linked to politics and local identity and emerged just as Tony Blair and New Labour were entering the scene. English romanticism was once again becoming attractive compared to the American identity, which was considered too hollow in the UK. Make way for “Cool Britannia”. How does one Mancunian group move from perhaps the gloomiest band of the punk era to a master of the dance-floor? In the early eighties, straight out of Joy Division’s ashes, New Order marked one of the first successful unions of rock’n’roll and dance music. A perfect soundtrack for a morose, Thatcherite England. Circa survive juturna album zip download. Album Rating: 4.5. No doubt man. This one seems to have the most replay value for me so far, while On Letting Go has had the least. I’m pretty much all the way through with their discog. Only listened to The Amulet twice so currently on that. Album Rating: 4.5. Fuck I cannot stop listening to this album. Gotta admit it’s a top three CS now. The replay value is insane. Gonna bump to a 4.5 soon most likely. Album Rating: 5.0. It's a 5 all day, my guy. Album Rating: 4.5. Best circa agreed. Album Rating: 4.5. Could very well get there For me in time. Album Rating: 5.0. I'VE BEEN LYING WIIIDE AWAAAAKE PARALYZED BY THE BUZZING OF THE TELEVIIISSIIOOON. didnt like this one. Album Rating: 4.5. It’s a grower for sure. Album Rating: 5.0. Best Circa agreed. Album Rating: 4.5. Album Rating: 5.0. Album Rating: 4.0. least favorite Circa :/ still great doe. Album Rating: 4.5. Man, Stop the Fucking Car is such a tune. Album Rating: 4.5. Yea such an iconic tune, hits hard every time. Album Rating: 5.0. DON'T STOP TALKING TO MEEEEEEE, I HAVEN'T BEEN LISTENING. Album Rating: 4.0. This was such a grower for me. I initially gave it a 3 and found it kinda boring, now it's my favorite Circa. IT'S NOTHING PERSONAL, YOU'RE AN EMBARRASSMENT. Album Rating: 4.5. DON'T STOP TALKING TO MEEEEEEE, I HAVEN'T BEEN LISTENING. One of my all time favorite lyrics. Album Rating: 4.5. This was such a grower for me. I initially gave it a 3 and found it kinda boring, now it's my favorite Circa. Exact same here man. Started at a 3, grew to a 4, and relistening yesterday and today, I’m thinking of bumping to 4.5. Circa Survive Juturna. Juturna edges up to our own universe but never quite settles into it: brief moments of friction with this reality, maybe, but nothing more. It's easy to focus on Anthony Green's helium-powered vocals or Steve Clifford's machine gun drumming, but every listen reveals a hidden lick of paint or subtle stitch of thread: the swirling guitar leading up to "Stop the Fuckin' Car"'s bridge; "Wish Resign" denying us a final rendition of that chorus in favour of twenty monotone seconds of impenetrable guitar; "In Fear and Faith" hooking left halfway through into a massive new chorus, leaving its first half in the dust. "I've been trading ideas with intriguing men", Anthony humbly forewarns us on "The Great Golden Baby", and indeed Juturna draws heavily from some incredible works of art, somehow synthesising influences as diverse as Eternal Sunshine of the Spotless Mind and Danielewksi's House of Leaves . Eternal Sunshine is the more obviously present – and god, if the beauty and the melancholy and the forgotten kindnesses and cruelties of Kaufman's masterpiece aren't all there when Anthony screams "didn't I, didn't I know you?" – but House of Leaves is creeping under the surface the entire time, a drug-addled paranoiac second narrator who only makes his presence clear on the eponymous hidden track. Like both its major influences (and quite unlike any other post-hardcore album I know), Juturna stutter-steps and loops and disappears from focus, a prophecy collapsing on itself as it foresees itself. Minutes before it erupts into one of the best bridges of all time, "Stop the Fuckin' Car" gives us an unnervingly monotone Anthony mumbling "your face is light and cocaine white" : by the next song this line somehow becomes a triumphant cry, the lovelorn narrator stealing diary entries from the feverish, insomniac one, creating choruses from torn pieces of unlined paper. The recurring memory motif is most obviously drawn out in the fist-pumping chorus of "Oh, Hello", but you're never quite ready for how brutally it sets up "Meet Me In Montauk"'s last line; a mic drop ending for the broken-hearted. You can almost taste the tension between the band Circa Survive would quickly become and that spectral other one always at arm's length: it's hard to imagine the new Circa having the stones to drop "House of Leaves" only after seven minutes of silence, or allowing "Meet Me in Montauk" with its brutal anti-climax to just hang in the air, or writing scattershot lyrics that they don't rush to clarify – calcium waste, glitter and falling like icicles . Earlier I said that Juturna doesn't feel of this world. That's a truly honest description that stems from the ambiguous lyrics and intertextuality, combined with my personal years of half-awake listening. Like that hallway in House of Leaves , this album is apart, hard to touch, almost opaque; even the moments when it bangs – and make no mistake, friends, this thing can fucking bang – feel detached, cribbed from some barely remembered childhood idea. The clear-eyed narrator becomes the other, darker one in the final moments of "Meet Me in Montauk"; he sings the final lines, a guitar clatters to the floor, a haze descends on him as he settles back in his chair and forgets what he'd been trying to tell us all this time. The tape seems to glitch, as if even it is struggling to reconcile that we've been hearing the same voice the whole way through. After all this time and against all logic, I'm not entirely sure my own voice isn't somewhere in this album too, captured in a moment of near-sleep, rambling around in between the metaphors and literature references and Anthony Greenisms. Maybe yours is, too. Only one sure way to find out. CIRCA SURVIVE. Living Together starts immediately, with some heartfelt guitars before it quiets down so that Anthony can deliver some insanely unique vocals. "Attached means. Identity," is a beautiful part of the song. The guitar continues with its heavy but heartfelt sound. "Your rational mind is insane," sings Anthony, backed up by melodic guitar touches and tasteful drumming. The guitar work throughout is surreal, as it is in this entire album, almost like a modern Steve Hackett. And what's awesome is that while there are two guitarists, it seems as if both lead rather than having one on rhythm. the duties are split equaly and it really works. Especially at the end of the song, with the guitar squealing as Anthony asks, "would you trade your soul for gold?" Beautiful. The next song picks up quickly (In the Morning and Amazing. ) Check out the time signature change to 11/4 early on, and then again right before Anthony screams, "Infinite Silence!" That's magic. The song switches often and especially at the end there is a switch to 6/8 where everything slightly slows down to make a surreal sound. The next song (The Greatest Lie) continues with similar guitar work, with more emphasis on vocals. There's some prominent bass in the mix. The most standout part would be the vocals. "Nobody's really there. Nobody's real." That hits hard. We continue with a gem of a song (The Difference Between Poison and Medicine is in the Dose). Read the genius lyrics and check out the insane 3/4 drumming in the intro. The bass backs it up with some surreal thumping notes and the guitar runs circles around you. The chorus seems to switch time to 4/4 but if you pay attention it does not. The chorus is catchy and has great lyrics, and right afterwards, you're attacked by an onslaught of twin guitar, it sounds great. "Accomplishments are transient. " wow. And then the ending is powerful, an overall amazing song. Next up: Mandala. It has a psychedelic intro before some absolutely insane drumming comes in. The guitar work here is also fun and trippy. The lyrics are also great and easily relatable. Overall, the drums are absolutely tasty on this track, let them carry you away. "Dance with me for I'll be leaving soon. " it seems like the drums are dancing here, check it out. Travel Hymn offers some of the best vocal work and some mesmerizing guitar lines. The bass is interesting but unfortunately a little low in the mix. "Time starts to slow down!" Is an awesome vocal deliver, and the music seems to slow a little. The arrangements are definitely very orchestral. "Something set us off into the wrong direction, but within this particular space, time goes to waste. " Semi-Constructive Criticism enters with a resonating guitar chord followed by some immediately hectic Mars Volta-ish jamming. I think there are two time signatures going on here. The interplay between vocals and music is great, especial "tinfoil forest," what great use of imagery in both the music and lyrics! The post-hardcore attitude in this song really takes the best the genre has to offer and makes it completely unique here. The next song has a bit of a Gabriel-Genesis vibe (Kicking your Crosses Down), just a touch. The lyrics are golden here, and the choruses seem to take on a happier sound, it's marvelous. After the first chorus there is a tiny bit of surreal guitar and bass work and then it continues in the same vein. The part after "And all the voices sound just like you" feature intense drumming and a mood shift on guitars and bass, excellent. The Title Track begins with some unique lyrics and then continues to offer what this band does best, although there are some really nice psychedelic touches that help make this an awesome journey. The choruses are so sentimental and heartfelt and even a bit disturbing, but it sounds great. "If blood is thicker than water then you'll drown quicker than we intend," is a disturbing lyric (nice internal rhymes) and the music really augments it. The part towards the ending is incredibly heartfelt. Carry Us Away picks up off of the heartfelt ending and has a post-apocalyptic feel to it. It sounds great and is full or some orchestral guitar work throughout. Amazing interplay. This has a darker feel to it than most of the other songs, really nice. Close Your Eyes to See is a beautiful title and it delivers. These are perhaps the best lyrics on the album (although each song has something awesome to offer). Full of imagery and provoking thought. The drums add their own little touches but the guitars really have this ethereal sound about, along with the basslines. "If we know each other, then why should it be so hard to make it stop?" Finally, Your Friends are Gone (a depressing title) begins with a psychedelic 5/4 section and goes through some different sections before a very beautiful depressing ending. The midsection is one of the most ethereal on the album, but the ending gets even better than that in 6/8. Wow. Overall, this album works so well due everyone's cohesive effort. The biggest problem is definitely the bass, it's too low on the mix and it's doing some really nice things. But besides that, the album is surreal and maybe I'm crazy but it reminds me of early Genesis, it's great. The lyrics are easy to relate to and ultimately, the music is very enjoyable. a great album. What's awesome is the songs work individually and even better as a whole. Both guitarists Colin Frangicetto and Brendan Ekstrom work perfectly with one playing a melodic, shoegaze-like wall of sound and the other playing melodies influenced by heavy noise resulting in an almost dream like atmosphere. Even the melodies have more substance than the typical post hardcore band and manages not to be over used and dull, especially when they play in clean. A really good example of this is in the fast paced "In The Morning and Amazing". I would even put it up to par with Thrice's Teppei Teranishi's playing. Very unique approach of melody and atmosphere that I would like to hear more often. However, the first four songs are really the peak of this album, afterwards, the music becomes dull and while Steve Clifford isn't a bad drummer, he tries to be technical and just doesn't work that well, especially in the decent song "Kicking Down Your Crosses". A very well idea on paper that wasn't executed very well, however, the first four songs here are quite impressive compared to what is in this genre nowadays. Review by Marty McFly Special Collaborator Errors and Omissions Team. 2(+), consider that 1)I have heard a lot of music like Circa Survive is making here (genre popular these days), 2)There's not much Prog in this music, if there is something 3)it's quite repetitive. No from me on this one. But if you are expecting something on par with Circa's former work, you won't buy this album. Compare these lyrics from "Stop the Car" off Juturna: "Spinning lights, don't be scared, You have given so much more. Spinning lights, take me there, He has risen, pull me under. Don't stop talking to me, I haven't been listening." with "Imaginary Enemy:" "You're so careless, careless. How did you get so ungrateful? You treat me like I'm a disease and it's been killing me." As you can see, the lyrics have downgraded tremendously, and this trend continues with every other element of the band. I'll work from the bottom up. Steve Clifford's drumming on Juturna is fantastic; on OLG, god-like. He opens solo on "The Difference Between Medicine and Poison. " and that groove alone stands to prove his prowess as a drummer. Compare that, or any other groove on OLG, to Blue Sky Noise, and you will find a poorly simplified, poorly recorded sound that doesn't belong. Being a bass player, I have always been envious of Nick Beard's style and sound. That stops with Blue Sky Noise. When Beard is audible, he does not groove. He sounds crunchy and disconnected, overlooked. Colin Frangicetto and Brendan Eckstrom, Circa's twin guitarists, seemed more interested in making up crummy build-ups than focusing on their tone and playing. They don't sound like they've developed as musicians. Of course, Green's singing is respectable as always. He has the kind of powerful, unique voice that can cut through lame instrumentals. Unfortunately, his vocals are dumbed down and over-mastered. Gone are the subtle harmonies and counter-melodies of his former work. He sounds like he's trying too hard. And that is another common thread of BSN. This sounds like a hastily mastered, poorly written album by a new band trying to get their sound out, not like established musicians with a dedicated fan base that are broadening their horizon. If you took any band that had two strong albums on a respectable indie label like Equal Vision, and gave them a massive contract with Atlantic, change would be expected. If you were to take said band and give them the opportunity to work with people like David Bottrill and Rich Costey, a year devoted to writing alone, and a massive major label contract, you would expect a great album. Mainstream? Yes. Easier on the ears than their former work? Yes. The shoddy, inebriating, poppy-bull[&*!#]-schlep that is Blue Sky Noise? Long time fans will still recognize what they fell in love with but with more crisp, energy and aggressiveness. The first track "Living Together" is a great opening to the album since it demonstrates what they are all about. Some parts are energetic and distorted and others more clean and calm. You can hear the different tracks I was talking about above. Most of the tracks stand on their own having that special thing but some of them just pass by but are still really good. The first songs are the best and gets you hooked to the music and you let yourself go flowing through the last songs which are the ones that are less "hooking". That's why I only gave the album 4 stars. Circa survive juturna album zip download. This is a digital download (320kb MP3's - not a physical cd). The album will be delivered after checkout via email. Released on April 19, 2005. Part emo, part math-rock, part New Wave-influenced pop of the Fixx variety, Circa Survive's music lays down a bed of effects-laden guitar tones and complex bass/drum figures under Green's spooky, pre-pubescent-sounding vocals. "Stop the Car" features speedy, Rush-like hi-hat matched with vibrato guitar and Green's melancholy, legato phrasing, while the ska-influenced rhythm and high-pitched pop melody of "In Fear and Death" recalls REGATTA DE BLANC-era Police. With its driving, hardcore-influenced, dissonance-infused rock, Circa Survive's first album is an intriguing record that points to a promising future for the group.