Richard Baim Artist/Photographer Selected Exhibitions

2007 REALLIFE MAGAZINE 1979-1990, Artists Space, New York

1992 TURN OF THE CENTURY, The Hood Museum, Dartmouth College Hanover, New Hampshire

1991 TURN OF THE CENTURY, The Projected Image, San Francisco Museum of Modern Art

1990 FAMILIE BECK, Real Art Ways, Hartford Connecticut

1989 TURN OF THE CENTURY, A Forest of Signs, Museum of Contemporary Art, Los Angeles, California

1988 Public Discourse, Real Art Ways, Hartford, Connecticut

Made in Camera, Galleri Sten Eriksson, Stockholm, Sweden WORLD FAIR, Covert, PS1, Long Island City, New York

1987 Sexual Differences, CEPA Gallery, Buffalo, New York; Langton Arts, San Francisco, California; Wallach Art Gallery, Columbia University, New York City

RISE AND FALL Heavenly Embrace, Baskerville and Watson Gallery, New York City

1986 UH-OH, Window on Broadway, New Museum, New York, City

RISE AND FALL, Remembrances of Things Past, Long Beach Museum of Art, Long Beach California

RISE AND FALL, Endgame, Institute of Contemporary Art, Boston Massachusetts

The Real Big Picture, The Queens Museum, Queens, New York

1984 RISE AND FALL, Narrative Photography, Rotunda Gallery, New York City

1983 Dark Rooms, Artists Space, New York City

1982 WATCH AND WAIT, The Kitchen, Artists Space, New York City, CEPA Gallery, Buffalo, NY

1981 THE EDGE OF NIGHT, Gallery Yves Armand, New York City

Selected Bibliography

1992 TURN OF THE CENTURY, exhibition catalogue, text by Timothy Rub, The Hood Museum, Dartmouth College, Hanover New Hampshire

1991 David Joselit, “Projected Identities”, Art in America 79:116-23 November

Kenneth Baker, “Slide Art Out of Shadows”, San Francisco Chronicle, March 7

1991 The Projected Image, exhibition brochure; text by Bob Riley, The San Francisco Museum of Art

1990 FAMILIE BECK, Exhibition brochure; text by Thomas Lawson, Real Art Ways, Hartford Connecticut

Brooks Adams, “Thoughts on ‘A Forest of Signs’,” Art and Design

1989 Jeremy Gilbert-Rolfe, “The Price of Goodness,” Artscribe 78:48-53 (November/December)

A Forest of Signs: Art in the Crisis of Representation”, exhibition catalog, texts by Anne Goldstein and Ann Rorimer, The Museum of Contemporary Art, Los Angeles

Christopher Knight, “Temporary Points Way with Signs”, The Los Angeles Herald Examiner, May 21

Hunter Drohojowska, “The ‘80’s Stop Making Sense”, ARTnews 88:146-51, (October)

Daniel Herwitz, “A Forest of Signs”, Modern Painters (June/July)

POSTMODERN CURRENTS, Margot Lovejoy, UMI Research Press

1988 “The Return of the Hero”, Aperture 110:2-69 (Spring)

Andy Grundberg, “Reviews”, New York Times, January 29

(C)OVERT, exhibition catalog, PS1, Long Island City, New York

Made in Camera, exhibition catalog, text by Peter Andersson, Stockholm, Sweden

1987 Andy Grundberg, “Photography: Images and Issues”, New York Times, May 22

Kristine McKenna, “13 Artists”, Los Angeles Times, January 3

Klaus Ottmann, Flash Art International, #136, October

Abigail Solomon Godeau, CEPA Quarterly, "Sexual Differences: Both Sides of the Camera" Vol.2 Issue # 3&4

Richard Huntington, Buffalo News, "Sexual Differences", May 22

Andrea Liss, Artweek "History Re-conceptualized" Jan. 10

Cathy Curtis, Orance County Register, "Images in Long Beach", January 9

1986 Endgame, “Notes on New Media Theatre”, text by Bob Riley, Institute of Contemporary Art, Boston

Remembrances of Things Past, exhibition catalog, text by Lane Relyea and Connie Fitzsimmons

William Olander, On View, The New Museum, New York City

Robert L. Pincus San Diego Union, "13 Artists Remember the Past", Dec. 25

Shirle Gottlieb, San Diego Press Telegram, "Past Makes Its Presence Known",Dec. 14

1985 Andy Grundberg, New York Times, "Beyond Still Imagery", April 7

Alan Jones, New York Talk, "12 For 85", February

1984 LAICA Journal #39/4

1983 Dark Rooms, exhibition brochure, text by John Hanhardt, Artists Space, New York

1982 John Howell, Soho News, "Wild Nights", March 16

MISCELLANEOUS

1995-2007 Slideshow Programmer: Nan Goldin’s THE BALLAD OF SEXUAL DEPENDENCY, ALL BY MYSELF, THE OTHER SIDE, Multiple Venues

1989 Guest Lecturer: S.F. Art Institute, Cal. Institute of the Arts, Cal. State University, Stanislaus

Multi-Media Instructor, The International Center of Photography, New York City

1988 Guest Lecturer: “Kulturama”, Film Institut, & University of Stockholm, Sweden

Guest Lecturer: New Picture Makers Series, The International Center of Photography, New York City Multi-Media Instructor, The International Center of Photography, New York City

1987 Panelist: College Art Association•: "Photography: Just Another Pencil?" Boston

Slideshow Programmer: Michael Smith's performance, KEEPING UP WITH THE 80's, Dance Theatre Workshop, New York City

1985 Slideshow Programmer: Louise Lawler’s, SLIDES BY NIGHT, Metro Pictures Gallery New York City

Slideshow Programmer: Nan Goldin’s THE BALLAD OF SEXUAL DEPENDENCY Whitney Biennial, New York City

1984 ”R.M. FISCHER: AN INDUSTRIAL• Slides designed, edited and programmed for videotape by Carole Ann Klonarides

Education 1975 - 1977 University of California, Berkeley, Berkeley, California Master of Arts, Fine Art

1970 – 1975 University of California, Stanislaus, Turlock, California Bachelor of Arts, Fine Art