Download Book
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2018 Adelaide Biennial of Australian Art
DIVIDED ART GALLERY OF SOUTH AUSTRALIA WORLDS 2018 ADELAIDE BIENNIAL OF AUSTRALIAN ART The cat sits under the dark sky in the night, watching the mysterious trees. There are spirits afoot. She watches, alert to the breeze and soft movements of leaves. And although she doesn’t think of spirits, she does feel them. In fact, she is at one with them: possessed. She is a wild thing after all – a hunter, a killer, a ferocious lover. Our ancestors lived under that same sky, but they surely dreamed different dreams from us. Who knows what they dreamed? A curator’s dream DIVIDED WORLDS ART 2018 GALLERY ADELAIDE OF BIENNIAL SOUTH OF AUSTRALIA AUSTRALIAN ERICA GREEN ART ARTISTS LISA ADAMS JULIE GOUGH VERNON AH KEE LOUISE HEARMAN ROY ANANDA TIMOTHY HORN DANIEL BOYD KEN SISTERS KRISTIAN BURFORD LINDY LEE MARIA FERNANDA CARDOSO KHAI LIEW BARBARA CLEVELAND ANGELICA MESITI KIRSTEN COELHO PATRICIA PICCININI SEAN CORDEIRO + CLAIRE HEALY PIP + POP TAMARA DEAN PATRICK POUND TIM EDWARDS KHALED SABSABI EMILY FLOYD NIKE SAVVAS HAYDEN FOWLER CHRISTIAN THOMPSON AMOS GEBHARDT JOHN R WALKER GHOSTPATROL DAVID BOOTH DOUGLAS WATKIN pp. 2–3, still: Angelica Mesiti, born Kristian Burford, born 1974, Waikerie, 1976, Sydney Mother Tongue, 2017, South Australia, Audition, Scene 1: two-channel HD colour video, surround In Love, 2013, fibreglass reinforced sound, 17 minutes; Courtesy the artist polyurethane resin, polyurethane and Anna Schwartz Gallery Melbourne foam, oil paint, Mirrorpane glass, Commissioned by Aarhus European Steelcase cubicles, aluminium, steel, Capital of Culture 2017 in association carpet, 261 x 193 x 252 cm; with the 2018 Adelaide Biennial Courtesy the artist photo: Bonnie Elliott photo: Eric Minh Swenson DIRECTOR'S 7 FOREWORD Contemporary art offers a barometer of the nation’s Tim Edwards (SA), Emily Floyd (Vic.), Hayden Fowler (NSW), interests, anxieties and preoccupations. -
Misión Madres Del Barrio: a Bolivarian Social Program Recognizing Housework and Creating a Caring Economy in Venezuela
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by KU ScholarWorks MISIÓN MADRES DEL BARRIO: A BOLIVARIAN SOCIAL PROGRAM RECOGNIZING HOUSEWORK AND CREATING A CARING ECONOMY IN VENEZUELA BY Cory Fischer-Hoffman Submitted to the graduate degree program in Latin American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master’s of Arts. Committee members Elizabeth Anne Kuznesof, Phd. ____________________ Chairperson Tamara Falicov, Phd. ____________________ Mehrangiz Najafizadeh, Phd. ____________________ Date defended: May 8, 2008 The Thesis Committee for Cory Fischer-Hoffman certifies that this is the approved Version of the following thesis: MISIÓN MADRES DEL BARRIO: A BOLIVARIAN SOCIAL PROGRAM RECOGNIZING HOUSEWORK AND CREATING A CARING ECONOMY IN VENEZUELA Elizabeth Anne Kuznesof, Phd. ________________________________ Chairperson Date approved:_______________________ ii ACKNOWLEDGEMENTS This thesis is a product of years of activism in the welfare rights, Latin American solidarity, and global justice movements. Thank you to all of those who I have worked and struggled with. I would especially like to acknowledge Monica Peabody, community organizer with Parents Organizing for Welfare and Economic Rights (formerly WROC) and all of the welfare mamas who demand that their caring work be truly valued. Gracias to my compas, Greg, Wiley, Simón, Kaya, Tessa and Caro who keep me grounded and connected to movements for justice, and struggle along side me. Thanks to my thesis committee for helping me navigate through the bureaucracy of academia while asking thoughtful questions and providing valuable guidance. I am especially grateful to the feedback and editing support that my dear friends offered just at the moment when I needed it. -
Les Temps Modernes SOMMAIRE N°697
Les Temps Modernes SOMMAIRE N°697 VENEZUELA 1998-2018 LE PAYS DES FRACTURES Avant-propos 3 PAULA VÁSQUEZ LEZAMA Introduction 4 PAULA CADENAS Le Venezuela, ce navire à la dérive... 11 MARGARITA LÓPEZ MAYA L’échec du chavisme 34 EDGARDO GARCÍA LARRALDE, PEDRO NIKKEN, EDGARDO LANDER La crise vénézuélienne : diagnostics et perspectives (entretiens) 62 ALEJANDRO MARTÍNEZ UBIEDA Le Parlement harcelé 91 LUIS GÓMEZ CALCAÑO Exister, est-ce résister ? « Société civile » et protestation 112 HÉCTOR TORRES Les sociétés malades produisent leurs propres anticorps 129 PAULA VÁSQUEZ LEZAMA La faim et le politique. Chavisme et pénurie alimentaire 134 RAFAEL SÁNCHEZ Les yeux de Chávez. Populisme et post-vérité 151 CANTAURA LA CRUZ Morts violentes, incertitudes et pénuries dans les terres d’Aragua 166 G01736_Les_temps_modernes_BAT.indb 1 29/01/2018 17:20:39 2 LES TEMPS MODERNES EMILIANO TERÁN MANTOVANI Une géographie des conflits écologiques 177 JOSÉ MANUEL PUENTE Histoire d’un désastre économique et social 197 FRÉDÉRIQUE LANGUE « Lève-toi, Simón, ce n’est pas l’heure de mourir ». La réinvention du Libérateur et l’histoire officielle au Venezuela 210 ANGELINA JAFFÉ CARBONELL De l’usage politique des commissions de vérité sous le chavisme 231 ANA TERESA TORRES Blessures symboliques : six moments de la Révolution bolivarienne 235 GISELA KOZAK-ROVERO Mémoires d’une universitaire rangée : les fantômes de Castro 243 ANNEXE 253 CHRONIQUES ARNAUD DESPLECHIN Les Quatre Sœurs de Claude Lanzmann. Lumière, Edison 268 MICHELINE B. SERVIN Quel théâtre et pourquoi ? 275 G01736_Les_temps_modernes_BAT.indb 2 29/01/2018 17:20:39 AVANT-PROPOS Le temps des revues n’est pas celui de l’actualité à chaud, elles ne sont « sur » ce qu’il est convenu d’appeler « l’événement » que rare- ment et par un hasard propice ; leur format, les contraintes de leur fabrication et de leur diffusion les obligent au recul. -
Leftist Populism and Sustainable Development in Latin America Carina Kjelstad Seton Hall University
Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) 5-2006 Leftist Populism and Sustainable Development in Latin America Carina Kjelstad Seton Hall University Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Agricultural and Resource Economics Commons, Environmental Policy Commons, Environmental Studies Commons, Latin American Studies Commons, Leadership Studies Commons, and the Policy Design, Analysis, and Evaluation Commons Recommended Citation Kjelstad, Carina, "Leftist Populism and Sustainable Development in Latin America" (2006). Seton Hall University Dissertations and Theses (ETDs). 2385. https://scholarship.shu.edu/dissertations/2385 Leftist Populism and Sustainable Development in Latin America Master's Thesis DIPL6312JA By Carina Kjelstad Advisor: Professor Margarita Balmaceda Second Reader: Professor Maria Gomez-Mera May 2006 APPROVAL OF MASTER'S THESIS DEFENSE tANDIDATE APPROVED BY MENTOR EMEMBER ( � ASSO� OF ACADEMIC AFFAIRS Abstract Sustainable development still remains the best option to secure a viable future. Why are some leaders more prone to implement sustainable development policies than others, and does the leaders' political orientation affect such decision-making? Leaders are often faced with constraints that make them choose policies that do not necessarily lead to sustainability from an ecological point of view. This thesis addresses these issues by examining two case studies that involve an analysis of the sustainable development policies implemented by President Lula in Brazil and President Chavez in Venezuelaand the constraints that have hindered them in doing so. 2 ABSTRACT 2 CHAPTER 1: INTRODUCTION 4 METHODOLOGY 5 REVIEW OF THE LITERATURE 8 Sustainable Development 8 Populism I I POLICY SIGNIFICANCE 13 SUSTAINABLE DEVELOPMENT POLICIES 14 OUTLINE 16 CHAPTER 2. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnadon Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 A CONTEXTUAL ANALYSIS OF CONTEMPOEU^.RY IRAQI ART USING SIX CASE STUDIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Mohammed Al-Sadoun ***** The Ohio Sate University 1999 Dissertation Committee Approved by Dr. -
Diss Final 4.04.11
Senses of Beauty by Natalie Michelle Carnes Graduate Program in Religion Duke University Date:_______________________ Approved: ___________________________ Stanley Hauerwas, Supervisor ___________________________ Jeremy Begbie ___________________________ Elizabeth Clark ___________________________ Paul Griffiths ___________________________ J. Warren Smith Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2011 i v ABSTRACT Senses of Beauty by Natalie Michelle Carnes Graduate Program in Religion Duke University Date:_______________________ Approved: ___________________________ Stanley Hauerwas, Supervisor ___________________________ Jeremy Begbie ___________________________ Elizabeth Clark ___________________________ Paul Griffiths ___________________________ J. Warren Smith An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2011 Copyright by Natalie Carnes 2011 Abstract Against the dominant contemporary options of usefulness and disinterestedness, this dissertation attempts to display that beauty is better—more fully, richly, generatively—described with the categories of fittingness and gratuity. By working through texts by Gregory of Nyssa, this dissertation fills out what fittingness and gratuity entail—what, that is, they do for beauty-seekers and beauty-talkers. After the historical set-up of the first chapter, chapter 2 considers fittingness and gratuity through Gregory’s doctrine of God because Beauty, for Gregory, is a name for God. That God is radically transcendent transforms (radicalizes) fittingness and gratuity away from a strictly Platonic vision of how they might function. Chapter 3 extends such radicalization by considering beauty in light of Christology and particularly in light of the Christological claims to invisibility, poverty, and suffering. -
Brillo: Is It Art?
Brillo: Is It Art? Andy Warhol, Brillo Soap Pads Box, 1964, © AWF © The Andy Warhol Museum, one of the four Carnegie Museums of Pittsburgh. All rights reserved. You may view and download the materials posted in this site for personal, informational, educational and non-commercial use only. The contents of this site may not be reproduced in any form beyond its original intent without the permission of The Andy Warhol Museum. except where noted, ownership of all material is The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. Brillo: Is It Art? Andy Warhol, Brillo Box (3¢ Off), 1963-1964, © AWF © The Andy Warhol Museum, one of the four Carnegie Museums of Pittsburgh. All rights reserved. You may view and download the materials posted in this site for personal, informational, educational and non-commercial use only. The contents of this site may not be reproduced in any form beyond its original intent without the permission of The Andy Warhol Museum. except where noted, ownership of all material is The Andy Warhol Museum, Pittsburgh; Founding Collection, Contribution The Andy Warhol Foundation for the Visual Arts, Inc. Brillo: Is It Art? An example of the tastes and biases web worksheet, filled out with thoughts related to Warhol's Silver Clouds. © The Andy Warhol Museum, one of the four Carnegie Museums of Pittsburgh. All rights reserved. You may view and download the materials posted in this site for personal, informational, educational and non-commercial use only. The contents of this site may not be reproduced in any form beyond its original intent without the permission of The Andy Warhol Museum. -
Aesthetic Play and Bad Intent
Article Aesthetic Play and Bad Intent Andrew J. Kerr† Threatening words or images are assumed by American courts to be non-art. But this threshold question of art status is complicated by the evolution of rap and performance art. There is no articulable way to discern art from non-art for these non- textual media, a problem compounded in the unique context of the Internet. In civil litigation we can resort to institutionalist tests like audience reception. But mens rea matters in criminal prosecution. I favor judicial pragmatism in what I argue here is a very non-legal area of law. I. INTRODUCTION In March 2016, Compton rapper YG released the single, “FDT”, shorthand for “fuck Donald Trump,” as a critical response to the then Republican primary challenger. The track was rec- orded in about an hour,1 and eventually became a summer an- them because of its political appeal.2 VICE Media’s Noisey pub- lication celebrated it as the best track of 2016. Some of the lyrics are rote and predictable. Still, it possesses a vital energy and contains several clever lines, such as the couplet: “Reagan sold coke / Obama sold hope.”3 Any rap fan would recognize the song † Lecturer of Legal English, Georgetown University Law Center. I thank Robin West, Alexa Freeman, Sonya Bonneau, and Xiangyu Zhang for their help- ful comments, as well as the organizers and participants of the 2017 Law and Literature conference at Masaryk University for their formative feedback on this project. Copyright © 2018 by Andrew J. Kerr. 1. Adelle Platon, YG & Nipsey Hussle Discuss Their Anti-Donald Trump Track ‘FDT’ & Why ‘Trump Is Not the Answer’, BILLBOARD (Apr. -
Film Culture in Transition
FILM CULTURE IN TRANSITION Exhibiting Cinema in Contemporary Art ERIKA BALSOM Amsterdam University Press Exhibiting Cinema in Contemporary Art Exhibiting Cinema in Contemporary Art Erika Balsom This book is published in print and online through the online OAPEN library (www.oapen.org) OAPEN (Open Access Publishing in European Networks) is a collaborative in- itiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Sections of chapter one have previously appeared as a part of “Screening Rooms: The Movie Theatre in/and the Gallery,” in Public: Art/Culture/Ideas (), -. Sections of chapter two have previously appeared as “A Cinema in the Gallery, A Cinema in Ruins,” Screen : (December ), -. Cover illustration (front): Pierre Bismuth, Following the Right Hand of Louise Brooks in Beauty Contest, . Marker pen on Plexiglas with c-print, x inches. Courtesy of the artist and Team Gallery, New York. Cover illustration (back): Simon Starling, Wilhelm Noack oHG, . Installation view at neugerriemschneider, Berlin, . Photo: Jens Ziehe, courtesy of the artist, neugerriemschneider, Berlin, and Casey Kaplan, New York. Cover design: Kok Korpershoek, Amsterdam Lay-out: JAPES, Amsterdam isbn e-isbn (pdf) e-isbn (ePub) nur / © E. Balsom / Amsterdam University Press, Amsterdam All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. -
The Future of Penal Reform, the Carceral State, and American Politics*
Bring It On: The Future of Penal Reform, the Carceral State, and American Politics* Marie Gottschalk** Fifteen years ago, mass imprisonment was largely an invisible issue in the United States. Since then, criticism of the country’s extraordinary incarceration rate has become widespread across the political spectrum. The huge prison buildup of the past four decades has few ardent defenders at present. But reforms to reduce the number of people in jail and prison have been remarkably modest so far. Meanwhile, a tenacious carceral state has sprouted in the shadows of mass imprisonment and has been extending its reach far beyond the prison gate. It includes not only the country’s vast archipelago of jails and prisons, but also the far-reaching and growing range of penal punishments and controls that lie in the never-never land between the prison gate and full citizenship. As it sunders families and communities, and radically reworks conceptions of democracy, rights, and citizenship, the carceral state poses a formidable political and social challenge. The reach of the carceral state today is truly breathtaking. It extends well beyond the estimated 2.2 million people sitting in jail or prison today in the United States.1 It encompasses the more than 8 million people—or 1 in 23 adults―who are under some form of state control: including jail, prison, probation, parole, community sanctions, drug courts, immigrant detention, and other forms of government supervision.2 It also includes the millions of people who are booked into jail each year— nearly twelve million—and the estimated 7.5 percent of all adults who are felons or ex-felons.3 * This article is based on a revised and updated version of the concluding chapter of Marie Gottschalk, Caught: The Prison State and the Lockdown of American Politics (Princeton, NJ: Princeton University Press, 2015). -
I Kebijakan-Kebijakan Pemerintahan Hugo Chavez Di
KEBIJAKAN-KEBIJAKAN PEMERINTAHAN HUGO CHAVEZ DI VENEZUELA (1999-2011) SKRIPSI Diajukan kepada Fakultas Ilmu Sosial Universitas Negeri Yogyakarta untuk Memenuhi Sebagian Persyaratan Guna Memperoleh Gelar Sarjana Pendidikan Oleh: AFEB ANDRIANTO 08406241039 PROGRAM STUDI PENDIDIKAN SEJARAH JURUSAN PENDIDIKAN SEJARAH FAKULTAS ILMU SOSIAL UNIVERSITAS NEGERI YOGYAKARTA 2012 i MOTTO Pikirkanlah Nasib Rakyat (Pesan Soekarno) Orang biasa layak mendapat kehormatan yang lebih daripada seorang penjahat yang mengenakan mahkota. (Thomas Paine) Kita mesti mengalahkan imperialisme untuk menyelamatkan diri kita, dan tidak hanya diri kita sendiri, tetapi juga menyelamatkan dunia. (Hugo Chavez) Saya bukanlah Presiden, saya adalah Pelayan Rakyat! (Mahmoud Ahmadinejad) v PERSEMBAHAN Dengan tidak mengurangi rasa syukurku kepada Allah SWT yang telah memberiku karunia yang tak terhingga, skripsi ini kupersembahkan untuk. Kedua orang tuaku. Ibu Nunung Hazanah dan Bapak Poniran. Atas limpahan doa, keikhlasan, semangat, kerja keras, pengorbanan, dukungan baik moril maupun materiil, dan segalanya yang telah diberikan. Almamater tercinta Universitas Negeri Yogyakarta Fakultas Ilmu Sosial Kubingkiskan skripsi ini untuk. Adikku, Taufiq Marta Kurniawan yang selalu mendukung dan mendoakan serta menyayangiku, terimakasih. Keluarga Besar di Magelang, Purworejo, Semarang, Bandung, dan Pontianak terimakasih banyak atas segala bantuan yang telah diberikan. Annisa Fajarani yang selalu membantu, memberikan semangat, dukungan serta doa selama ini, terimakasih banyak atas -
A Decade Under Chávez Political Intolerance and Lost Opportunities for Advancing Human Rights in Venezuela
A Decade Under Chávez Political Intolerance and Lost Opportunities for Advancing Human Rights in Venezuela Copyright © 2008 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 1-56432-371-4 Cover design by Rafael Jimenez Human Rights Watch 350 Fifth Avenue, 34th floor New York, NY 10118-3299 USA Tel: +1 212 290 4700, Fax: +1 212 736 1300 [email protected] Poststraße 4-5 10178 Berlin, Germany Tel: +49 30 2593 06-10, Fax: +49 30 2593 0629 [email protected] Avenue des Gaulois, 7 1040 Brussels, Belgium Tel: + 32 (2) 732 2009, Fax: + 32 (2) 732 0471 [email protected] 64-66 Rue de Lausanne 1202 Geneva, Switzerland Tel: +41 22 738 0481, Fax: +41 22 738 1791 [email protected] 2-12 Pentonville Road, 2nd Floor London N1 9HF, UK Tel: +44 20 7713 1995, Fax: +44 20 7713 1800 [email protected] 27 Rue de Lisbonne 75008 Paris, France Tel: +33 (1)43 59 55 35, Fax: +33 (1) 43 59 55 22 [email protected] 1630 Connecticut Avenue, N.W., Suite 500 Washington, DC 20009 USA Tel: +1 202 612 4321, Fax: +1 202 612 4333 [email protected] Web Site Address: http://www.hrw.org September 2008 1-56432-371-4 A Decade Under Chávez Political Intolerance and Lost Opportunities for Advancing Human Rights in Venezuela I. Executive Summary .................................................................................................... 1 Political Discrimination ............................................................................................2 The Courts ...............................................................................................................3