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285 Summer 2008 SFRA Editors a Publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg
285 Summer 2008 SFRA Editors A publication of the Science Fiction Research Association Karen Hellekson Review 16 Rolling Rdg. Jay, ME 04239 In This Issue [email protected] [email protected] SFRA Review Business Big Issue, Big Plans 2 SFRA Business Craig Jacobsen Looking Forward 2 English Department SFRA News 2 Mesa Community College Mary Kay Bray Award Introduction 6 1833 West Southern Ave. Mary Kay Bray Award Acceptance 6 Mesa, AZ 85202 Graduate Student Paper Award Introduction 6 [email protected] Graduate Student Paper Award Acceptance 7 [email protected] Pioneer Award Introduction 7 Pioneer Award Acceptance 7 Thomas D. Clareson Award Introduction 8 Managing Editor Thomas D. Clareson Award Acceptance 9 Janice M. Bogstad Pilgrim Award Introduction 10 McIntyre Library-CD Imagination Space: A Thank-You Letter to the SFRA 10 University of Wisconsin-Eau Claire Nonfiction Book Reviews Heinlein’s Children 12 105 Garfield Ave. A Critical History of “Doctor Who” on Television 1 4 Eau Claire, WI 54702-5010 One Earth, One People 16 [email protected] SciFi in the Mind’s Eye 16 Dreams and Nightmares 17 Nonfiction Editor “Lilith” in a New Light 18 Cylons in America 19 Ed McKnight Serenity Found 19 113 Cannon Lane Pretend We’re Dead 21 Taylors, SC 29687 The Influence of Imagination 22 [email protected] Superheroes and Gods 22 Fiction Book Reviews SFWA European Hall of Fame 23 Fiction Editor Queen of Candesce and Pirate Sun 25 Edward Carmien The Girl Who Loved Animals and Other Stories 26 29 Sterling Rd. Nano Comes to Clifford Falls: And Other Stories 27 Princeton, NJ 08540 Future Americas 28 [email protected] Stretto 29 Saturn’s Children 30 The Golden Volcano 31 Media Editor The Stone Gods 32 Ritch Calvin Null-A Continuum and Firstborn 33 16A Erland Rd. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality
Discovering the Lost Race Story: Writing Science Fiction, Writing Temporality This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia 2008 Karen Peta Hall Bachelor of Arts (Honours) Discipline of English and Cultural Studies School of Social and Cultural Studies ii Abstract Genres are constituted, implicitly and explicitly, through their construction of the past. Genres continually reconstitute themselves, as authors, producers and, most importantly, readers situate texts in relation to one another; each text implies a reader who will locate the text on a spectrum of previously developed generic characteristics. Though science fiction appears to be a genre concerned with the future, I argue that the persistent presence of lost race stories – where the contemporary world and groups of people thought to exist only in the past intersect – in science fiction demonstrates that the past is crucial in the operation of the genre. By tracing the origins and evolution of the lost race story from late nineteenth-century novels through the early twentieth-century American pulp science fiction magazines to novel-length narratives, and narrative series, at the end of the twentieth century, this thesis shows how the consistent presence, and varied uses, of lost race stories in science fiction complicates previous critical narratives of the history and definitions of science fiction. In examining the implicit and explicit aspects of temporality and genre, this thesis works through close readings of exemplar texts as well as historicist, structural and theoretically informed readings. It focuses particularly on women writers, thus extending previous accounts of women’s participation in science fiction and demonstrating that gender inflects constructions of authority, genre and temporality. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
A Ficção Científica De Acordo Com Os Futurians Science Fiction According
A ficção científica de acordo com os Futurians Science Fiction According to the Futurians Andreya Susane Seiffert1 DOI: 10.19177/memorare.v8e12021204-216 Resumo: The Futurian Society of New York, ou simplesmente The Futurians, foi um grupo de fãs e posteriormente escritores e editores de ficção científica, que existiu de 1938 a 1945. O período é geralmente lembrado pela atuação do editor John Cambpell Jr. à frente da Astounding Science Fiction. A revista era, de fato, a principal pulp à época e moldou muito do que se entende por ficção científica até hoje. Os Futurians eram, de certa forma, uma oposição a Campbell e seu projeto. Três membros do grupo viraram editores também e foram responsáveis por seis revistas pulps diferentes, em que foram publicadas dezenas de histórias com autoria dos Futurians. Esse artigo analisa parte desse material e procura fazer um pequeno panorama de como os Futurians pensaram e praticaram a ficção científica no início da década de 1940. Palavras-chave: Ficção Científica. Futurians. Abstract: The Futurian Society of New York, or simply The Futurians, was a group of fans and later writers and editors of science fiction, which existed from 1938 to 1945. The period is generally remembered for the role of editor John Cambpell Jr. at the head of Astounding Science Fiction. The magazine was, in fact, the main pulp at the time and shaped much of what is understood by science fiction until today. The Futurians were, in a way, an opposition to Campbell and his project. Three members of the group became editors as well and were responsible for six different pulp magazines, in which dozens of stories were published by the Futurians. -
Mirrorshade Women: Feminism and Cyberpunk
Mirrorshade Women: Feminism and Cyberpunk at the Turn of the Twenty-first Century Carlen Lavigne McGill University, Montréal Department of Art History and Communication Studies February 2008 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Communication Studies © Carlen Lavigne 2008 2 Abstract This study analyzes works of cyberpunk literature written between 1981 and 2005, and positions women’s cyberpunk as part of a larger cultural discussion of feminist issues. It traces the origins of the genre, reviews critical reactions, and subsequently outlines the ways in which women’s cyberpunk altered genre conventions in order to advance specifically feminist points of view. Novels are examined within their historical contexts; their content is compared to broader trends and controversies within contemporary feminism, and their themes are revealed to be visible reflections of feminist discourse at the end of the twentieth century. The study will ultimately make a case for the treatment of feminist cyberpunk as a unique vehicle for the examination of contemporary women’s issues, and for the analysis of feminist science fiction as a complex source of political ideas. Cette étude fait l’analyse d’ouvrages de littérature cyberpunk écrits entre 1981 et 2005, et situe la littérature féminine cyberpunk dans le contexte d’une discussion culturelle plus vaste des questions féministes. Elle établit les origines du genre, analyse les réactions culturelles et, par la suite, donne un aperçu des différentes manières dont la littérature féminine cyberpunk a transformé les usages du genre afin de promouvoir en particulier le point de vue féministe. -
ASKANCE Whole Number 46
1 July 2019 Volume XII Number 2 ASKANCE Whole Number 46 The Steampunk Issue Edited & published by John Purcell, 3744 Marielene Circle, College Station, TX 77845-3926 USA Proof reading on this issue courtesy of our cats Inga, Eyegore, and Froderick. If there are typos anywhere in this issue, these are the responsible parties. Good help is so hard to find these days. Contents © 2019 by John A. Purcell. Contact information: [email protected] Even so, all rights revert to original artists and authors upon publication. Disclaimers are a dirty business, but are always included. You understand. I know you do. What you have here in your hands (or on screen) is another Mythical Publication. Copies of this fine, back on a quarterly schedule fanzine can be had for The Usual, which means expressed interest, submission and eventual inclusion of articles and artwork, letters of comment, and cold hard cash in the amount of $3.00 USD if you want a printed copy mailed to you. Bribes are also accepted. Of course, if you send in locs, articles, and artwork, you just earned a life-time free subscription. Consider yourself lucky, indeed. Table of Contents Bemused Natterings………………………………………………………..…..3 All Steamed Up: an introduction to “Writing Steampunk”……5 Writing Steampunk: author perspectives from Gail Carriger, Paul di Filippo, Jonathan Fesmire, and Rie Sheridan Rose……………………………………………………….6 Becoming a Steampunk Vendor, by Lloyd Penney……………..11 The Grime is Afoot, fiction by Taral Wayne…………………………14 Sun Thunder, fiction by John Purcell………………………….……….16 -
The Imagined Communities of Toxic Puppies: Considering Fan Community Discourse in the 2015 Hugo Awards ‘Puppygate’ Controversy
. Volume 15, Issue 1 May 2018 The imagined communities of Toxic Puppies: Considering fan community discourse in the 2015 Hugo Awards ‘Puppygate’ controversy J. Richard Stevens & Rachel Lara van der Merwe, University of Colorado, USA Abstract: In 2015, toxic fan conflicts disrupted the Hugo Awards selection proceedings. The conflict between the awards voters and a movement known as ‘Puppygate’, led by angry fans, dates back to at least 2012 and comprises thousands of networked conversations enacting toxic frames of contemporary culture wars (heated and often disruptive exchanges characterized by challenges to identity politics, arguments over representation, and conflicting tastes) from all sides. However, these toxic fan discourses emerged within the context of significant cultural changes. Fans exist in communal spaces formed among institutional and cultural forces, yet the drive to create communal culture through shared communication exchanges continually encourage toxic conflicts of social identity and taste. This article considers the toxic exchanges between various actors in the blogs, social media, and formal public statements of the Puppygate controversy to chronicle how structural change is subsumed into frames of ‘culture war’ rhetoric. Keywords: science fiction, toxic fan exchanges, fan studies, Hugo Awards Introduction In the past few years, toxic fan conflicts have increasingly captured news and social media attention. Such exchanges, which are often cited for their uncivil rhetoric and anti-social tendencies, strategically disrupt spaces of communal cultural appreciation, and represent the growing tensions between fan gatekeeping and conflicts over social values in an increasingly mediated culture. Scholarly analyses of inter- and intra-fandom Othering ‘of fans, by fans’ (Hills, 2012, p. -
Bruce Pelz Collection on Science Fiction Fandom
http://oac.cdlib.org/findaid/ark:/13030/c8d2241s No online items Bruce Pelz collection on Science Fiction fandom Special Collections & University Archives The UCR Library P.O. Box 5900 University of California Riverside, California 92517-5900 Phone: 951-827-3233 Fax: 951-827-4673 Email: [email protected] URL: http://library.ucr.edu/libraries/special-collections-university-archives © 2014 The Regents of the University of California. All rights reserved. Bruce Pelz collection on Science MS 343 1 Fiction fandom Descriptive Summary Title: Bruce Pelz collection on Science Fiction fandom Date (inclusive): circa 1940-2000 Collection Number: MS 343 Creator: Pelz, Bruce Extent: 94.79 linear feet(80 boxes) Repository: Rivera Library. Special Collections Department. Riverside, CA 92517-5900 Abstract: This collection contains programs, rosters, ballots, progress reports, fliers, and other material regarding Science Fiction and Fantasy fandom. Includes material related to Science Fiction and Fantasy based organizations and conventions. Languages: The collection is in English. Access This collection is unprocessed. Please contact Special Collections & University Archives regarding the availability of materials for research use. Publication Rights Copyright Unknown: Some materials in these collections may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, the reproduction, and/or commercial use, of some materials may be restricted by gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing agreement(s), and/or trademark rights. Distribution or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. To the extent other restrictions apply, permission for distribution or reproduction from the applicable rights holder is also required. -
Zenith-Speculation 11 Weston
ZENITH SPECULATION ' review and comment on speculative fiction JANUARY 1966 2'- Christopher Anvil, Competent Hack. PART 2 RUSSELL A AN EVALUATION THE DROWNED PLOT (of J.G.Ballard) ANO FURTHER CRITICISM AND DISCUSSION REVIEW AND COMMENT UPON SPECULATIVE FICTION January 1966 Vcl.l, No. 11 ZENITH SPECULATION is an amateur Articles magazine containing criticism & RUSSELL 4 discussion of speculative fiction Richard Gordon It is published quarterly from THE DROWNED PLOT (of J.G.Ballard) 10 the editorial address, tn which J.P.Patrizio all articles,. artwork, comments ....ABOUT TELEPATHIST 18 on the magazine, and UK subscrip John Brunner tions should be addressed. CHRISTOPHER ANVIL, COMPETENT HACK 27 No payment can at present be made Peter R.Weston (Part 2.) for published material, but com plimentary copies will be sent to Departments contributors tn the magazine. CONTENTS & EDITORIAL 1 ZENITH will be exchanged with DOUBLE BOOKING 19 other amateur magazines, as pre (Book Reviews) arranged with the editor. Archie & Boryl Mercer THE MELTING POT 1 35 Subscriptions are 10/- for five (Letters from readers) issues, and should be sent to the editor. Single copies each 2/-, U.S. subscriptions are /1.50 for all unsigned work is by the editor five issues, and should be sent to our Agent, Albert J. Lewis,c/<. 1825 Greenfield Ave., J»os Angeles California, Single copies JO/ FRONT COVER by Joseph Zajackowski Column advertising rates; 6d for 10 words (10/). Rates for display Interior illustrations by Latto, advertisements on request. Zajackowski, & Pitt. Edited and Published by Pater R. Weston, 9 Porlock Crescent, Northfield, Birmingham, JI. -
Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org “The Mindworm”: C. M. Kornbluth’s Post-War American Vampire Tale at the Dawn of the Atomic Age Kristin Bidoshi Abstract: Through a close reading of C. M. Kornbluth’s “The Mindworm” (1950), this paper focuses on the socioeconomic and political anxieties of post- war America including: fears of uncontrolled technological development (nuclear weapons), pathologies of consumerism (material affluence), and the McCarthyite suppression of dissent (the second Red Scare and government surveillance) to reveal the author’s significantly veiled anti-authoritarian message. Published during the height of revived anti-Communist hysteria, Kornbluth’s story challenges the legitimacy of American values of the 1950s, including consumerism, patriotism and conformity. A reworking of the traditional science-fiction narrative where the enemy represents the fear of the Other (i.e. Communists), Kornbluth’s story exposes the real threat to American democracy: the American government’s suppression of its citizens’ rights. Keywords: science fiction, supernatural, post-war America “The Mindworm” appeared in the first issue of the science-fiction magazine Worlds Beyond (Dec 1950), edited by Damon Knight. Knight is said to have suggested to C. M. Kornbluth the title and story, which would center on “a mental vampire” (Rich 151). Upon first read, “The Mindworm” appears to be typical of the pulp science fiction stories of the Golden Age: the characters seem to be almost indistinguishable and the plot is relatively simple – a mutant vampire protagonist stalks and kills his prey and is himself killed at the end.1 Kornbluth’s story, a beautifully crafted tribute to the author’s conviction that science fiction can and should function as social criticism, is in fact a 1 This era was also noted for science-fictional vampires in films including The Thing (1951), Not of this Earth (1956), and It (1958). -
In the Beginning – a Very Abbreviated History of the Earliest Days of Science Fiction Fandom
In the Beginning – A Very Abbreviated History of the Earliest Days of Science Fiction Fandom by Rich Lynch The history of science fiction fandom in certain ways is not unlike the geological history of the Earth. Back in the earliest geological era, most of Earth’s land mass was combined into one super- continent, Pangaea. The earliest days of science fiction fandom were comparable, in that once there was a solitary fan group, the Science Fiction League (or SFL), that attempted to bring most of the science fiction fans together into a single organization. The SFL was created by publisher Hugo Gernsback in the May 1934 issue of Wonder Stories. Science fiction fandom was already in existence by then, but it mostly consisted of isolated individuals publishing fan magazines with one or two fan clubs existing in large population centers. This would soon change. That issue of Wonder sported the colorful emblem of the SFL on its cover: a wide-bodied multi-rocketed spaceship passing in front of the Earth. Inside, Gernsback’s four-page editorial summed up the SFL as an organization “for the furtherance and betterment of the art of science fiction” and implored fans to join the new organization and “spread the gospel of science fiction.” The response was almost immediate. Fans from various parts of the United States wrote enthusiastic letters, many of which were published by Gernsback in Wonder’s letters column. Some of the respondents started chapters of the SFL in various cities, and most of the science fiction clubs that already existed became affiliates of the SFL.