JUN–JUL 2018 SEASON 51, ISSUE 8 Barbara Bream, Joined in 2011
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Directing and Assisting Credits American Theatre
917-854-2086 American and Canadian citizen Member of SSDC www.joelfroomkin.com [email protected] Directing and Assisting Credits American Theatre Artistic Director The New Huntington Theatre, Huntington Indiana. The Supper Club (upscale cabaret venue housing musical revues) Director/Creator Productions include: Welcome to the Sixties, Hooray For Hollywood, That’s Amore, Sounds of the Seventies, Hoosier Sons, Puttin’ On the Ritz, Jekyll and Hyde, Treasure Island, Good Golly Miss Dolly, A Christmas Carol, Singing’ The King, Fly Me to the Moon, One Hit Wonders, I’m a Believer, Totally Awesome Eighties, Blowing in the Wind and six annual Holiday revues. Director (Page on Stage one-man ‘radio drama’ series): Sleepy Hollow, Treasure Island, A Christmas Carol, Jekyll and Hyde, Dracula, Sherlock Holmes, Different Stages (320 seat MainStage) The Sound of Music (Director/Scenic & Projection Design) Moonlight and Magnolias (Director/Scenic Design) Les Misérables (Director/Co-Scenic and Projection Design) Productions Lord of the Flies (Director) Manchester University The Laramie Project (Director) Manchester University The Foreigner (Director) Manchester University Infliction of Cruelty (Director/Dramaturg) Fringe NYC, 2006 *Winner of Fringe 2006 Outstanding Excellence in Direction Award Thumbs, by Rupert Holmes (Director) Cape Playhouse, MA *Cast including Kathie Lee Gifford, Diana Canova (Broadway’s Company, They’re Playing our Song), Sean McCourt (Bat Boy), and Brad Bellamy The Fastest Woman Alive (Director) Theatre Row, NY *NY premiere of recently published play by Outer Critics Circle nominee, Karen Sunde *published Broadway Musicals of 1928 (Director) Town Hall, NYC *Cast including Tony-winner Bob Martin, Nancy Anderson, Max Von Essen, Lari White. -
Mú Sica Teatre Dan Sa
emotivitat). dia (amb moments per riure) i el drama (amb escenes de profunda profunda de escenes (amb drama el i riure) per moments (amb dia sector més purità. més sector - comè la alterna escena a l’acció de desenvolupament El obra. aquesta gon nivell. Va ser considerada com a film eròtic i va ser perseguida pel pel perseguida ser va i eròtic film a com considerada ser Va nivell. gon Aquest és el missatge que es pretén fer arribar al públic mitjançant mitjançant públic al arribar fer pretén es que missatge el és Aquest - se de titllada aleshores i 1964 l’any estrenada Wilder, Billy de stupid Organitza: marcables, com en tot ésser humà. ésser tot en com marcables, Fes-me un petó, tonto és una adaptació lliure de la pel·lícula Kiss me, me, Kiss pel·lícula la de lliure adaptació una és tonto petó, un Fes-me - re qualitats unes amb persona una ha hi discapacitat d’una Darrere potser canviaran el seu futur. seu el canviaran potser senta el dia a dia. a dia el senta veniments posaran a prova el matrimoni i l’amistat d’ambdós homes, i i homes, d’ambdós l’amistat i matrimoni el prova a posaran veniments - pre que barreres les superar i endavant tirar possible és vida, la amb - esde els d’aquí, partir A poble. al inesperadament arriba que Latino, demostren amb la seva interpretació que quan hi ha un compromís compromís un ha hi quan que interpretació seva la amb demostren ran vendre alguna cançó a un idolatrat crooner vividor, de nom Dino Dino nom de vividor, crooner idolatrat un a cançó alguna vendre ran Els actors i actrius, tots amb alguna discapacitat o malaltia mental, mental, malaltia o discapacitat alguna amb tots actrius, i actors Els - intenta dos Tots benzinera. -
DAN LEIGH Production Designer
(3/31/17) DAN LEIGH Production Designer FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “GYPSY” Sam Taylor-Johnson Netflix Rudd Simmons (TV Series) Scott Winant Universal Television Tim Bevan “THE FAMILY” Paul McGuigan ABC David Hoberman (Pilot / Series) Mandeville Todd Lieberman “FALLING WATER” Juan Carlos Fresnadillo USA Gale Anne Hurd (Pilot) Valhalla Entertainment Blake Masters “THE SLAP” Lisa Cholodenko NBC Rudd Simmons (TV Series) Michael Morris Universal Television Ken Olin “THE OUTCASTS” Peter Hutchings BCDF Pictures Brice Dal Farra Claude Dal Farra “JOHN WICK” David Leitch Thunder Road Pictures Basil Iwanyk Chad Stahelski “TRACERS” Daniel Benmayor Temple Hill Entertainment Wyck Godfrey FilmNation Entertainment D. Scott Lumpkin “THE AMERICANS” Gavin O'Connor DreamWorks Television Graham Yost (Pilot) Darryl Frank “VAMPS” Amy Heckerling Red Hour Adam Brightman Lucky Monkey Stuart Cornfeld Molly Hassell Lauren Versel “PERSON OF INTEREST” Various Bad Robot J.J. Abrams (TV Series) CBS Johanthan Nolan Bryan Burk Margot Lulick “WARRIOR” Gavin O’Connor Lionsgate Greg O’Connor Solaris “MARGARET” Kenneth Lonergan Mirage Enterprises Gary Gilbert Fox Searchlight Sydney Pollack Scott Rudin “BRIDE WARS” Gary Winick Firm Films Alan Riche New Regency Pictures Peter Riche Julie Yorn “THE BURNING PLAIN” Guillermo Arriaga 2929 Entertainment Laurie MacDonald Walter F. Parkes SANDRA MARSH & ASSOCIATES Tel: (310) 285-0303 Fax: (310) 285-0218 e-mail: [email protected] (3/31/17) DAN LEIGH Production Designer ---2-222---- FILM & TELEVISION COMPANIES -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
12 Plays and Musicals to Go to in N.Y.C. This Weekend
12 Plays and Musicals to Go to in N.Y.C. This Weekend Our guide to plays and musicals coming to New York stages and a few last- chance picks of shows that are about to close. Our reviews of open shows are at nytimes.com/reviews/theater. Previews and Openings ‘THE DAMNED’ at the Park Avenue Armory (performances start on July 17). And the beautiful. The visionary director Ivo van Hove storms the armory with his adaptation of Luchino Visconti’s screenplay, performed by actors of the Comédie-Française. The script traces the fragmentation of the wealthy, wretched, amoral Essenbeck family during the Nazi party’s rise to power. 212-933-5812, armoryonpark.org ‘FIDLER AFN DAKH’ at the Museum of Jewish Heritage (in previews; opens on July 15). “Fiddler on the Roof” is a theatrical translation of Sholem Aleichem’s Yiddish language tales, and the National Yiddish Theater-Folksbiene has translated it right back, with English and Russian supertitles. Under Joel Grey’s direction, the first Yiddish production of this show in 50 years stars Steven Skybell and the kvetcher extraordinaire Jackie Hoffman. Mazel tov. 866-811-4111, nytf.org ‘FIRE IN DREAMLAND’ at the Public Theater (in previews; opens on July 16). In Rinne Groff’s play, a Dutch filmmaker sees the trash-strewn shores of Coney Island and envisions a paradise. In this three-character drama about hope and disaster, directed by Marissa Wolf and starring Kyle Beltran, Enver Gjokaj and Rebecca Naomi Jones, real worlds clash with imagined ones. 212-967-7555, publictheater.org ‘GETTIN’ THE BAND BACK TOGETHER’ at the Belasco Theater (previews start on July 19; opens on Aug. -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Ben Toth, Vocal Coach to the Stars
Vocal coach Ben Toth is also a player The performer-composer helps prepare Beau Bridges for his Broadway singing debut while his own career flourishes. December 26, 2011 | By Diane Haithman, Special to the Los Angeles Times As the old joke goes: "How do you get to Carnegie Hall?" "Practice, practice." That punch line would have to be rewritten for vocal coach, performer and composer Ben Toth. Toth, 34, got to Carnegie Hall — and the Hollywood Bowl and Broadway — by helping other people practice, practice and practice some more. During a late November interview at a Los Feliz cafe, Toth — whose clients include Lea Michele, Taye Diggs, Josh Radnor, Wayne Brady, Christina Hendricks and Mandy Patinkin — was on a high from serving as musical director, arranger and backup singer for "Cheyenne Jackson's Cocktail Hour: Music From the 'Mad Men' Era" at Carnegie Hall" on Nov. 18. But there wasn't much time to relax and enjoy: Toth was also coaching Beau Bridges for his Broadway singing debut in "How to Succeed in Business Without Really Trying." Bridges is stepping in for John Larroquette as corporate tycoon J.B. Biggley in January, and Toth had been working with him for about six weeks, including bicoastal Skype sessions when Toth's career took him to New York. Bridges, whose latest film, "The Descendants," is getting Oscar buzz, joins the cast Jan. 3, at the same time that Darren Criss replaces Daniel Radcliffe. Toth met the actor in 2009 on a production of "Guys and Dolls" at the Hollywood Bowl. Bridges' success in "Guys and Dolls" led to his being cast in "How to Succeed in Business." Bridges, 70, has acted on Broadway before ("Where's Daddy?," "Who's Who in Hell"), but this will be his first time singing on the Great White Way, and he wasn't going to do it without Toth. -
News Release for Immediate
NEWS RELEASE FOR IMMEDIATE RELEASE: April 30, 2020 OFF-BROADWAY CAST OF “THE WHITE CHIP”, SEAN DANIELS’ CRITICALLY ACCLAIMED PLAY ABOUT HIS UNUSUAL PATH TO SOBRIETY, WILL DO A LIVE ONLINE READING AS A BENEFIT Performance Will Benefit The Voices Project and Arizona Theatre Company and is dedicated to Terrence McNally. In line with Arizona Theatre Company’s (ATC) ongoing commitment to bringing diverse creative content to audiences online, the original Off-Broadway cast of The White Chip will perform a live reading of Artistic Director Sean Daniels’ play about his unusual path to sobriety as a fundraiser for The Voices Project, a grassroots recovery advocacy organization, and Arizona Theatre Company. The benefit performance will be broadcast live at 5 p.m. (Pacific Time) / 8 p.m. (Eastern Time), Monday, May 11 simultaneously on Arizona Theatre Company’s Facebook page (@ArizonaTheatreCompany) and YouTube channel. The performance is free, but viewers are welcome to donate what they can. The performance will then be available for four days afterwards through ATC’s website and YouTube channel. All donations will be divided equally between the two organizations. A New York Times Critics’ Pick, The White Chip was last staged Off-Broadway at 59E59 Theaters in New York City, from Oct. 4 - 26, 2019. Tony Award-nominated director Sheryl Kaller, Tony Award-winning sound designer Leon Rothenberg and the original Off- Broadway cast (Joe Tapper, Genesis Oliver, Finnerty Steeves) will return for the reading. The Off-Broadway production was co-produced with Tony Award-winning producers Tom Kirdahy (Little Shop of Horrors, Hadestown) and Hunter Arnold (Little Shop of Horrors, Hadestown). -
25C Strong Winds Befall 36Th St. Tree
\ * i. I I III- I •• I , 25C HCAG a SONS* 30OK DIAPER SPR1NGPORT, MICHIGAN 49284 The Lowell Olume 14. Issue 10 Serving Lowell Area Readers Since 1893 Wednesday, January 17, 1990 Along Main Street City Council accepts substation explanation. J-'l rr In a letter to the Lowell City Council, the Lowell Light * I. Proximity to existing overhead distribution lines. - 'T^T i i and Power Board stated that it reviewed and approved the * 2. Proximity to Bowes Street. v-sn - i.—^ yi K j •' * , jr*. t 1 l\ relocation of the Bowes Road substation without any inten- * 3. Undergmund electric circuits. f tional or malicious intent. 4. Overhead line maintenance. fc L wl i 'V^yv^ The Council received and reviewed the letter and accepted * 5. Vandalism. the explanation," Lowell City Manager Dave Pasquale said. To avoid similar problems in the future, the Lowell Light Under the initial survey reviewed by the council in January and Power Board said it is committed to improving communi- of 1989. it was determined by the Lowell Light and Power cations with the City Council, and furtherrecommended tha t ATTENTION! AREA RECYCLERS! engineer that the substation could not be located under the the City subject all future Light and Power construction sites power lines and would have to be moved back. to the same review process that it would apply to any other The rccyclc station in the FckxI City parking lot (1335 At the time. Williams and Works was instructed to re-survey construction in the City, including site plans, permits, and W. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Creative Arts Emmy® Awards for Programs and Individual Achievements at the Nokia Theatre L.A
FOR IMMEDIATE RELEASE August 16, 2014 7:00 PM PT The Television Academy tonight (Saturday, August 16, 2014) presented the 2014 Creative Arts Emmy® Awards for programs and individual achievements at the Nokia Theatre L.A. LIVE in Los Angeles. This first ceremony of the 66th Emmy Awards honored guest performers on television dramas and comedy series, as well as the many talented artists and craftspeople behind the scenes to create television excellence. Produced for the 20th year by Spike Jones, Jr., this year’s Creative Arts Awards featured an array of notable presenters, among them Jane Lynch, Tony Hale, Amy Schumer, Allison Janney, Tim Gunn and Heidi Klum, Comedy Central’s Key & Peele, Fred Armisen and Carrie Brownstein, Morgan Freeman, Tony Goldwyn, Aisha Tyler, Joe Manganiello and Carrie Preston. Highlights included Jon Voight’s moving posthumous presentation of the Academy’s prestigious Governors Award to casting icon, Marion Dougherty. Voight was one of Dougherty’s discoveries. The awards, as tabulated by the independent accounting firm of Ernst & Young LLP, were distributed as follows: Program Individual Total HBO 4 11 15 NBC 1 9 10 PBS 2 6 8 Fox 1 6 7 Netflix - 7 7 CBS 1 5 6 ABC 1 4 5 Discovery Channel 2 2 4 Disney Channel 1 3 4 FOX/NatGeo - 4 4 Showtime 1 3 4 Cartoon Network - 3 3 FX Networks - 3 3 Comedy Central - 2 2 Starz - 2 2 Adult Swim - 1 1 AMC - 1 1 CartoonNetwork.com - 1 1 CNN 1 - 1 comcast.com 1 - 1 ESPN 1 - 1 FunnyOrDie.com 1 - 1 justareflektor.com 1 - 1 Nat Geo WILD - 1 1 National Geographic Channel 1 - 1 pivot.tv 1 - 1 TNT 1 - 1 TELEVISION ACADEMY 2014 CREATIVE ARTS EMMY AWARDS This year’s Creative Arts telecast partner is FXM; a two-hour edited version of the ceremony will air Sunday, August 24 at 8:00 PM ET/PT with an encore at 10:00 PM ET/PT on FXM. -
December, 2009 CAST & CREW
Issue No. 111 Single Copy $3.00 December, 2009 CAST & CREW “The Source For Theater Happenings” PORTLAND PLAYBACK WANTS TO TELL YOUR STORY by Muriel Kenderdine “When I read the first paragraph in a pamphlet about playback world! I think I was 34 years old before I ever set foot on a stage. theater, I knew immediately that’s what I wanted to do,” said David My first play was DAMES AT SEA with Portland Players in 1979. La Graffe when we talked in mid-November. “I wanted to do It was so much fun! Later I was in JESUS CHRIST SUPERSTAR improvisation with a purpose to it, some kind of higher aim than there and that’s where I met Claudia (Hughes). A few years later just to simply entertain.” we were married on the stage at Portland Players. “While teaching at the Center for Performance Studies, I learned to like the improvisational aspect of theater most of all. So I went for some improv training with Keith Johnstone, who has taught at the Celebration Barn and is pretty famous around the world as an improv teacher. Meanwhile I was also acting in plays, got some really good roles: Tevye in FIDDLER ON THE ROOF at Players, Willie Loman in DEATH OF A SALESMAN at The Theater Project; THE TEMPEST (Prospero), AMERICAN BUFFALO, and TRUE WEST with the Maine Theatre Company; and Sweeney Todd at Players in 1990, the last show Joe Thomas directed there before his death. (Ed. Note: David reprised the title role in SWEENEY TODD at Players in May 2009, taking over the role after another actor withdrew.) Oh, yes, in 1989 Claudia and I were asked by Joe Thomas to do WHO’S AFRAID OF VIRGINIA WOLFF? about 3 weeks before the opening performance because he couldn’t cast the scheduled show the way he wanted.