DOCSLIB.ORG

Francis Thompson As a Myth-Maker

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Francis Thompson As a Myth-Maker FRANCIS THOMPSON AS A MYTH-MAKER APPROVED: Major Professor Minoip Professor O A Director of thedepartment of English Dean of the Graduate School FRANCIS THOMPSON AS A MYTH-MAKER THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By George F. Carter, B. A. Denton, Texas May, 1968 TABLE OP CONTENTS Chapter I. INTRODUCTION 1 Purpose of Uhis Paper A Definition of the Term "Myth-maker" II. THE LIFE OP PRANCIS THOMPSON AS IT BEARS UPON HIS MYTHIC. SYSTEM 5 III. DIFFICULTIES WHICH THE STUDENT OP , THOMPSON MUST PACE 7 The Problem of His Drug Addiction The Problem of Dissecting Thompson's. Writings The Problem of Biased Critics Other Problems IV. EVIDENCE THAT THOMPSON IS A SIGNIFICANT MYTH-MAKER, 15 V. THE NATURE OP THOMPSON'S MYTH l8 Thompson's Statement of His Myth Scope Epistemology Conclusion VI. THOMPSON'S MYTHICAL VALUES IN CONNECTION WITH GRECO-ROMAN,CLASSICAL TRADITION ..... .25 Introduction The Proper Use of Classical Materials The Improper Use of Classical Materials Conclusion VII. OTHER MYTHIC VALUES I" Excerpts from Various Sources Basic Primitive Christian Values Examples of Significant.Values Conclusion m VIII. THOMPSON'S MYTHIC VALUES--IN "THE HOUND OF HEAVEN" 72 Introduction Man's Life, a Plight and a SearQh The Place of Pain and Death The Vindication of God's Wisdom and Love Illumination and Surrender Conclusion IV CHAPTER I INTRODUCTION Purpose of This Paper The purpose of this paper is to establish that Francis Thompson, the English poet who lived from 1859 until 1907, is a myth-maker. In doing this, it will be necessary to de- fine the term "myth-maker." The theme will then be developed by considering it in relation to the following topics: a i brief resume of the events of his life having a direct bear- ing upon his mythic system, difficulties the student of his work must face, proof that he is a, myth-maker of noteworthy significance, a consideration of the nature of his myth, a discussion of his most notable mythic values, and a special look at his mythic development of "The Hound of Heaven." A Definition of the Term "Myth-maker" "Myth-maker," as used in this paper, refers to an author who consciously or unconsciously uses a body of symbols to define the views he holds concerning the order of the uni- verse and man's relationship to it. The author may use his symbols to define his values either positively or negatively, according to his view of things. Moreover, he may use them to compare or contrast his values with those of other mytho- poeists. An author's myth usually involves his belief in a metaphysical Being or Principle. It may also involve his views concerning justice and injustice, good and evil, pain am e&sa, turmoil and tranquillity, love ana hate, law end anarchy, or other relationships of this sort as they affect mankind.1 The connotation of the word "myth" itself seems to imply that there must be some acceptance by society of an author1s mythic values in order for them to qualify as myth. ^Richard B. Sewall, "The Tragic Form," A Grammar of Literary Criticism, edited by Lawrence Sargent Hall (New York, 19^5j, pp. 82, «4o CHAPTER II THE LIFE OP FRANCIS THOMPSON AS IT BEARS UPON HIS MYTHIC SYSTEM Francis Thompson was born on December 16, 1859* at Preston, England, and died in London, on November 1J>, 1907, at the age of forty-seven; thus he lived within the age during which the myths having the greatest influence upon this century were being shaped. Before his birth, his parents became fervent converts to the Roman Catholic faith, along with some of their closest relatives. His parents lived in a predominantly Protestant neighborhood and isolated him from other children; thus, he developed early in life an inward turning, contemplative, imaginative nature. Close relatives on his mother's side believed in, and practiced, religious mysticism. This pro- vided his life with a mystical coloring. In later life he appears to have combined his contemplative and,mystical traits with Platonic Idealism in order to produce poetry and prose. When his parents sent him to Ushaw College, near Durham, at age eleven, to prepare for the Roman Catholic priesthood, the shock of this sudden exposure to the thoughtless cruel- ties of the other boys there confirmed him in his' inward turning disposition; for he developed more definitely at Ushaw the habit of retreating within himself through his imaginative dreamings. At the end of seven years at Ushaw, his teachers there deemed him unsuited for ordination as a priest; therefore his father, a physician, sent him to a medical school near their home to prepare him for the medical profession. Thompson's contemplative nature asserted itself again. Instead of attending classes and lectures, he spent the greater part of his time in a nearby library following his literary interests. The result was that he failed to qualify as a physician. Next, he tried to enlist in the army; but he was released from service when he proved unsuccessful as a soldier. Fol- lowing this, he abandoned all ties with his family and friends, and disappeared into the London slums for nearly four years. He had been using opium since the inception of a lung fever when he was about twenty.^ Now, he became addicted to the excessive use of narcotics, likely to intensify his mystic dreaming, as well as to ease his malady. While>he was in this Slough of Despond, he must have spent hours at a time in his mystic dream world; however, the later events of his life indicate that he also must have experimented both intellectu- ally and pragmatically with many different philosophical and mythical values. During this time, too, though he lost all outward semblance of human dignity and pride, he still held -'•Peter Butter, Francis Thompson (London, 1961), p. 9. to the forms of his faith, attending worship with -some degree of regularity. Toward the close of these four years, he submitted both a poem and a prose essay to the Catholic publication Merry England, edited by Wilfrid Meynell. Meynell judged the works to be of such merit that he began a search for Thompson. The essay, "Paganism: Old and New," reveals a keen, practical insight into the issues of the time. It also reveals a well- balanced and finely adjusted mind that belied Thompson's outward appearance when he finally stumbled into Meynell's office, showing every sign of poverty, drug addiction, and disease. His inherent fragility, aggravated by overdoses of opium, exposure, and improper diet, had developed into tuber- culosis. By cautious and diligent effort, MeyneU. and his wife, Alice, persuaded Thompson to accept treatment for both his addiction and his illness. They also convinced him that he had great possibilities as a poet. This seems to be the first realization on his part that he had any talent for anything, except failure. Thompson was about thirty-one years old when he began his career as a poet. Most of the other poets of the Romantic and Victorian Ages had, by this time in life, already written some * of their most significant works; thus, compared with them, Thompson began writing at a rather mature age. Nevertheless, he entered into seven years of truly productive poetry writ- ing, though he had to struggle throughout them against succumbing to his two thorns in the flesh, addiction and tuberculosis. In 1897 his illness became active again; and, with it he resumed his use of opium. However, it is significant in inter- preting his mythic symbols that he kept his renewed use of the drug well within the range of safe dosage. Sadly though, the springs of poetry dried within him at this time; and the last ten years of his life were spent in writing prose essays and reviews, but little poetry. CHAPTER III DIFFICULTIES WHICH THE STUDENT OF THOMPSON MUST FACE The Extent of His Knowledge of Catholic Dogma During the time Thompson attended Ushaw, the academic policy emphasized ceremony and ritualistic liturgy, rather than dogma.1 This appealed to his imaginative qualities; but it leaves students of his life facing the question of how much knowledge of Catholic teaching he really had, and how much conviction he had to go along with it. His first liter- ary works are definitely polemic and practical in tone, rather than doctrinal or doctrinaire. His "Paganism: Old and New" is unmistakably a strong apologetic for primitive Christian values instead of classical values. One would find it a most difficult task to make of it an apo,logy for Catho- licism. The same is true of his poem "Assumpta Maria," which he submitted with it. Though the poem's title would seem to indicate that it is concerned with teaching or defending the Catholic doctrine of the Bodily Assumption of Mary into heaven, it does neither. Rather, it deals with the practical benefits mankind gains from the Word made flesh, especially as recipients of Divine love. There is some peculiarly •*-J. C. Reid, Francis Thompson Man and Poet (Westminster, Md., I960), pp. 12, 13». 8 A Catholic doctrine in the poem, but it is not primary. The characteristics exemplified in these two works of the apolo- getic and practical predominating over the purely doctrinal can be observed throughout his works. There are very few exceptions, and many of these might be subject to considerable questioning. It would seem from these facts that Thompson as a writer was concerned primarily with urging the primitive Christian values that have been generally accepted through the ages and which contribute to man1s happiness and peace of mind, rather than with expounding Catholic dogma; also it would seem that he was 'urging his generation to accept them as a Divine and workable mythical system, rather than to fol- low the mythical hybrids being foisted upon them, which he considered to be both unworkable and harmful.
Load more

Recommended publications
  • Suffering: Key to Francis Thompson
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 Suffering: Key to Francis Thompson Vincent J. Forde Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Forde, Vincent J., "Suffering: Key to Francis Thompson" (1949). Master's Theses. 759. https://ecommons.luc.edu/luc_theses/759 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Vincent J. Forde SUFFERING: KEY TO FRANCIS THOMPSON BY VINCENT J. FORDE, S.J. A THESIS SUBMITTED IN PARTIAL F'ULl<'ILMENT OF THE REQUIREMENTS FOR THE DEGREE OF I, MASTER OF ARTS IN LOYOLA UNIVERSITY FEBRUARY 1949 VI TA AUC TORI S Vincent J. Forde, S.J. was born at Dorchester, Mass., May 6, 1925. He graduated from Holy Name Grade School, Birm­ ingham, Michigan, in 1938 and entered the University of Detroit High School, Detroit, Michigan, in the same year. Upon grad­ uation in 1942 he entered the Novitiate of the Society of Jesus at Milford, Ohio. Here he was enrolled in the College of Arts of Xavier University, Cincinnati, Ohio. In September of 1946 he transferred to West Baden College of Loyola University, from which he received the Bachelor of Arts degree in the following June.
    [Show full text]
  • Francis Thompson and His Relationship to the 1890'S
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1947 Francis Thompson and His Relationship to the 1890's Mary J. Kearney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the Literature in English, British Isles Commons Recommended Citation Kearney, Mary J., "Francis Thompson and His Relationship to the 1890's" (1947). Master's Theses. 637. https://ecommons.luc.edu/luc_theses/637 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1947 Mary J. Kearney ii'RJu\fCIS THOi.IPSOH A1fD HIS HELATI01,JSIUP TO Tim 1890'S By Mary J. Kearney A THESIS SUB::iiTTED IN P AHTI.AL FULFILLEENT OF 'riiE HEQUITKii~NTS FOB THE DEGREE OF liil.STEH 01!" ARTS AT LOYOLA UUIV:CflSITY CHICAGO, ILLINOIS June 1947 ------ TABLE OF CO:!TEdT8 CHAPTER PAGE I. Introduction. 1 The heritage of the 1890's--Victorian Liberalis~ Scientific ~laturalism--Intellectual Homanticism Spiritual Inertia--Contrast of the precedi~g to the influence of The Oxford :iJioveo.ent II. Francis Thompson's Iielationsh.in to the "; d <::: • ' 1 ... t ~ _.l:nF ___g_ uleC e \'!rl ers. • •• • • ••••••••• • 17 Characteristics of the period--The decadence of the times--Its perversity, artificiality, egoism and curiosity--Ernest Dawson, the mor­ bid spirit--Oscar Wilde, the individualist-­ the Beardsley vision of evil--Thompson's negative revolt--His convictions--The death of the Decadent movement.
    [Show full text]
  • Genius and Tuberculosis. by Arthur C
    GENIUS AND TUBERCULOSIS I6 3 adequate education being enforced, in justice to our profession, which has to compete with so many now open to women offering greater educational and financial advantages; also in justice to the public, which has every right to the best nursing skill available. GENIUS AND TUBERCULOSIS. BY ARTHUR C. JACOBSON, M.D. IN a paper written some six years since I discussed the influence of the toxins of tuberculosis upon temperament and genius, citing examples. 1 Dr. John Bessner Huber, in his well-known work, has dealt with the same subject3 He has shown the influence which tuber- culosis has exerted upon literature and the arts, as indicated specially by Robert Louis Stevenson, Chopin, Keats, and Marie Bashkirtseff. The spurring influence of the @es ~hthisica and related psychological phenomena upon the creative mind has, of course, often been noted. Regarding Schiller, Nevinson wrote that "it is possible that the disease served in some way to increase his eager activity, and fan his intellect into keener flame." Certain phrases of Keats would seem to show that he apprehended the same influence, and Lanier gave himself up quite understandingly to the intoxication. Stevenson is probably the most familiar example of the genius whose powers are quickened by reason of the general psychic excitation resulting from the action of tuberculous by-products. The natural optimism of such a mind is intensified by the characteristic effect of the toxins, until (strange paradox) evil is seen to incite good--pathology to warm and colour delightful qualities of temperament. We see a very similar instance in Emerson, likewise an intense optimist.
    [Show full text]
  • Francis Thompson: the Am N and the Poet in Sister Songs Paul Lynch O'connor Loyola University Chicago
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1938 Francis Thompson: The aM n and the Poet in Sister Songs Paul Lynch O'Connor Loyola University Chicago Recommended Citation O'Connor, Paul Lynch, "Francis Thompson: The aM n and the Poet in Sister Songs" (1938). Master's Theses. Paper 677. http://ecommons.luc.edu/luc_theses/677 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1938 Paul Lynch O'Connor FRANCIS THOMPSON THE MAN AND THE POET IN SISTER SONGS PAUL LYNCH 0 'CONNOR, S. J. August 1938 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Loyola University. VITA AUCTORIS Paul Lynch O'Connor, S.J. was born in Joliet, Illinois, August 10, 1909. He moved to Chicago where he attended St. Jerome's Grammar School, graduating in 1923. The following year he attended De Paul Academy. From 1924 until 1927 he attended Loyola Academy, and from 1927 until 1929 he attend­ ed Loyola University. In 1929 he entered Milford Novitiate of the Society of Jesus, and received the degree of Bachelor of Literature from Xavier University, Cincinnati, in 1932. He attended the Graduate School of Xavier University from 1932-1933; taught at St. John's High School, Toledo, from 1933 to 1934.
    [Show full text]
  • Boston College Collection of Francis Thompson 1876-1966 (Bulk 1896-1962) MS.2006.023
    Boston College Collection of Francis Thompson 1876-1966 (bulk 1896-1962) MS.2006.023 http://hdl.handle.net/2345/2815 Archives and Manuscripts Department John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Related Materials ........................................................................................................................................... 5 Biographical note ........................................................................................................................................... 6 Scope and Contents ........................................................................................................................................ 7 Arrangement ................................................................................................................................................... 8 Collection Inventory ....................................................................................................................................... 9 I: Created or collected by Thompson ......................................................................................................... 9
    [Show full text]
  • Rubáiyát of Omar Khayyám : a Paraphrase from Several Literal
    FcVBAlY^T KHAYYi^ ArKICHARJ) UGALUENNE GIFT OF Mrs, I. V:. Aiken University of California • Berkeley RUBAIYAT OF OMAR KHAYYAM By Richard Le Gallienne REVISED Purple Cloth. Price, ^i . 25 net Forthcoming Price, ;^i.25 net RUBAIYAT OF OMAR KHAYYAM A PARAPHRASE FROM SEVERAL LITERAL TRANSLATIONS BT RICHARD LE GALLIENNE A NEW EDITION WITH FIFTY ADDED QUATRAINS JOHN LANE THE BODLEY HEAD MCMII Copyright, l8g'/, igoi, by John Lane NEW EDITION €o SFxdie i^onregarft FAN^, DENMARK AUGUST 24, 1897 Co tl^e MtaUt I am told that an apology will be expected of me for this humhlt attempt to add to the poetry of nations. For my party I believe be its and that in so as the that poetry should own apology ^ far is it will need no following paraphrase poetry ^ further justification. as there is another name the besides Howevery upon title-page my own^ perhaps I owe it to my reverence for Omar Khayyam and Edward FitzGerald to make a few minor explanations. "To plead that the idea of a new verse rendering of Omar Khay- yam was not my own unassisted impertinence^ is but to hint at the the without the burden originality of English publisher^ easing of my responsibility. that matter would it to As for very minor ^ my Persian^ I put my friends of the Omar Khayyam Club—whether Persian be any ^necessary adjunct or true ornament* ofyour true Omarian, In'- II ' 1 V JA0 2y AiS ii;iiAIM u deed^ I have a notion^—whichy of course, may be quite erroneous— that a knowledge of Persian disqualifies one for membership in that genial society.
    [Show full text]
  • Mistress of Vision
    MISTRESS OF VISION Amy Hereford RANCIS THOMPSON DESCRIBES in poetry the bleak autumn night in F 1887 when he attempted suicide by drug overdose as ‘that nightmare-time which still doth haunt’: I had endured through watches of the dark The abashless inquisition of each star; … Stood bound and helplessly For Time to shoot his barbed minutes at me.1 Yet this time of desolation would be a wellspring from which poetry would flow abundantly over the next two decades. ‘Mistress of Vision’ is one such poem, which also illustrates Thompson’s powerful and original theological imagination. Thompson grew up near Manchester, in England, the son of a physician. After failed attempts at seminary and medical school he made his way to London where his life deteriorated and within a few years he was a homeless vagrant with an opium addiction. In the spring of 1887, at the urging of Canon John Carroll, a family friend, Thompson submitted some of his poems to Merry England, a Roman Catholic literary journal in London; the submission did not receive immediate attention. Meanwhile, still living on the streets of London, Thompson’s situation worsened and he made his suicide attempt. He was rescued by a young woman, perhaps a prostitute, who sheltered him through the winter. The following spring, Merry England published one of his poems, and Thompson began a lifelong friendship with Wilfred Meynell, the editor of that journal. Meynell, his wife, Alice, and their family were a significant influence, helping Thompson in establishing his literary career and in his battle with opium addiction.
    [Show full text]
  • Robert Browning: an Interpreter's Analysis of Selected Monologues
    Robert Browning: an interpreter's analysis of selected monologues Item Type text; Thesis-Reproduction (electronic) Authors Salgado, Ralph Henry, 1941- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 17:10:05 Link to Item http://hdl.handle.net/10150/317968 ROBERT BROWNING: AN INTERPRETER’S ANALYSIS OF SELECTED MONOLOGUES By Ralph H« Salgado3 Jr. A Thesis Submitted to the Faculty of the DEPARTMENT OF SPEECH In Partial Fulfillment of the Requirements' For the•Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 6 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED : f4. APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: <L'.A 6? J f ALETHEA SMITH MATTINGLY ' / Date Professor of Speech ACKNOWLEDGMENTS Sincere appreciation is extended to Alethea Smith Mattingly, Ph.
    [Show full text]
  • FRANCIS THOMPSON: the POET REVEALED in HIS IMAGES by Joseph J
    FRANCIS THOMPSON: THE POET REVEALED IN HIS IMAGES by Joseph J. George Thesis presented to the Faculty of Arts of the University of Ottawa in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Ottawa, Canada, 1952 UMI Number: DC53682 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform DC53682 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ACKNOWLEDGMENT I am sincerely grateful to all my academic professors and especially to the following: William J. Leonard S. J. and John A. McCarthy S. J., of the Boston College Graduate School; to Dr. Maurice Roy Ridley, of Harvard University, and to Dr. Antanas Paplauskas-Ramunas, of the University of Ottawa. I acknowledge continued indebt­ edness to Terence L. Connolly S. J. for introducing me to Francis Thompson, and to Dr. E. Emmett 0'Grady who encouraged and guided the preparation of this study. CURRICULUM STUDIORUM Full Name: Joseph John George Date of Birth: June 26, 1922 Birthplace: Boston, Massachusetts, U.
    [Show full text]
  • The Hound of Heaven
    The Hound of Heaven by Francis Thompson PUBLIC DOMAIN NOTICE The text of this poem is in the public domain. This electronic version was created for free distribution by Philip A. Morgan. You are encouraged to pass it on to others, but please do not alter its contents or sell it for profit. For more help and resources please visit www.philmorgan.org To get our regular updates and announcements of great new ebooks like this one, Sign up for Classic eBook Alerts. FLED Him, down the nights and down the days; I fled Him, down the arches of the years; II fled Him, down the labyrinthine ways Of my own mind; and in the mist of tears I hid from Him, and under running laughter. Up vistaed hopes I sped; And shot, precipitated, Adown Titanic glooms of chasmèd fears, From those strong Feet that followed, followed after. But with unhurrying chase, And unperturbèd pace, Deliberate speed, majestic instancy, They beat—and a Voice beat More instant than the Feet— ‘All things betray thee, who betrayest Me.’ pleaded, outlaw-wise, By many a hearted casement, curtained red, I Trellised with intertwining charities; (For, though I knew His love Who followèd, Yet was I sore adread Lest, having Him, I must have naught beside). But, if one little casement parted wide, The gust of His approach would clash it to. Fear wist not to evade, as Love wist to pursue. Across the margent of the world I fled, And troubled the gold gateways of the stars, Smiting for shelter on their clangèd bars; Fretted to dulcet jars And silvern chatter the pale ports o’ the moon.
    [Show full text]
  • Harris Library
    GB 0889 Harris Library This catalogue was digitised by The National Archives as part of the National Register of Archives digitisation project NRA 35054 The National Archives FRANCIS THOMPSON CONTENTS MANUSCRIPTS FRANCIS THOMPSON AMPHICYPELLON. Wrought and upbrimmed for Two Sisters. With an inscription. Manuscripts Page 1 Seventy-four exercise book sheets. Letters Page 6 A fair copy, written in ink, with a small number of correc­ Collected Editions tions. There are also several verses in the manuscript which Page 8 were omitted from the published version. Poems - Editions Page 8 This poem was probably composed during 1890. It was first printed for private circulation as Songs wing to wing: an Poems - Individual works - Page 13 offering to two sisters, and then immediately published as Sister songs. Poems - Published in other works Page 15 Prose Works For Thompson's reasons for his choice of title and the sub­ Page 16 sequent change in title, see two of his letters to Wilfrid Meynell. Periodical Literature Page 19 BODY AND SPRITE Reviews and Criticisms Page 22 Two exericse-bobk sheets. Miscellanea Page 62 Three eight-line stanzas. Biographies and Criticisms - Books - Page 63 Biographies and Criticisms Appeared in Health and holiness, an essay published in 1905. - Periodicals Page 67 Thompson wrote: "A poet I know "has put, after his own fas­ 11 Bibliographies hion, the caBe between body and spirit, followed by the Page 72 text of the poem. Wilfrid Meynell has added a note in the Collected edition of 1913, stating "The verses are Thompson1 own." ALICE MEYNELL Page 75 CARMEN GENESIS WILFRID MEYHELL Page 74 Six exercise-book sheets.
    [Show full text]
  • Francis Thompson Was Suggested by the Erection of The
    Francis Thom son p , T HE Preston-born Poet wi h N s ome Of hi w orks ( t otes on s ) , N JOHN THOMSO . P R E STON ooo oo o ooo oo o o o r i r C oz e 8: C c. P r i nt er s , No t Rd . P r eston r h . PRE F A C E . T h e i dea of th i s brief outline of the l ife and works of Francis Thompson was suggested by the erection of the e commemorative tablet on his birthplace , and by enquiri s then made concerning his l ife and career . I am indebted to Mr . ' h om so n s Meynel l for permission to quote from T p poems , to ' Sir Alfred Hopkinson for information as to the poe t s stay at - R ev . K . o n Owens College , and to the H Mann (Newcastle Tyne) , for leave to reproduce the two photographs of Thompson n 8 I Ush aw Ma azi e 1 0 . which appeared in the g of March , 9 am also indebted to the Magaz ine articles referred to (particularly Ush aw Ma azi ne . the g ) , and to the prefatory note by Mr Meynel l and the “ appreciations in the volume of Selected Poems s s . B e d i sued by Me srs urns Oates, Orchard Stre t , Lon on , the ' Poet s publ ishers . JOH N THOMSON . Gr ea A venh am S tr eet 44 , t , P r es ton e temb er 1 1 2 .
    [Show full text]