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Irish Cultural Center of Cincinnati to Hold Green Tie Affair
Irish Cultural Center November 2013 of Cincinnati to Hold ianohio.com Green Tie Affair Saturday, November 2nd Saw Doctors Leo and Anto Hit the Road … page 2 Irish Cultural Center of Cincinnati Celebrates 4th Anniversary . page 6 Rattle of a Thompson Gun … page 7 Opportunity Ireland . page 9 Home to Mayo. pages 13 - 16 Big Screen to Broadway: Once Comes to Cleveland . page 19 Cover artwork by Cindy Matyi http://matyiart.com 2 IAN Ohio “We’ve Always Been Green!” www.ianohio.com November 2013 Saw Doctors Solo, Leo and Anto Hit the Road a little place back in Ireland where we together quite quickly. So we wanted it tested it out, and got a good response. to be different from anything we’d re- By Pete Roche, Special to the OhIAN of their stepping off the plane, and the And it looks like it worked. But we’ll be corded before. So we used the mandolin, guitarist sounded enthusiastic about tweaking it as we figure it out! which is a very different thing than what The North Coast’s music-loving Irish winding his way through the Midwest OhIAN: Apart from the music, how we’d done before with the Saw Doctors. contingent always turns out in strong in true troubadour fashion. will this tour be different from a Saw And I think that’s important. People are numbers whenever the rock quintet OhIAN: Hello again, Leo! Great to Doctors tour? saying to me it feels like they came to from the little Galway town of Tuam be catching up with you again! So you LEO: It’s going to be a whole new Ireland before we left it, because they’d play our neck of the woods. -
Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
“Voice of Ireland”. Today Tommy Is One of Ireland’S Top Entertainers with Over 6.5 Million Youtube Hits and Over 3.5 Million Album Sales Worldwide
TOMMY FLEMING BIOGRAPHY With his powerfully distinctive voice, Tommy Fleming has been described as the “Voice of Ireland”. Today Tommy is one of Ireland’s top entertainers with over 6.5 million YouTube hits and over 3.5 million album sales worldwide. The youngest of six children, Tommy was born in 1971 in Aclare, County Sligo. His natural singing ability was evident at a young age whilst participating in local talent competitions. While still at school, Tommy formed his first rock band, The Face of February, and embarked on gigging in local pubs. After leaving school Tommy joined a quartet, Jarog, gaining a legion of fans. However, despite this success, record companies weren’t exactly knocking on Tommy’s door. Then a chance encounter with renowned producer and composer Phil Coulter changed all that. In July 1993, Phil heard Tommy performing at a charity event in Westport, County Mayo. Within days Tommy was guesting with Phil and his orchestra at the Opera House (Cork), the National Concert Hall (Dublin) and The University Concert Hall (Limerick). Four months later he was playing to huge audiences across the US and Canada, culminating in two shows in the Boston Symphony Hall and the legendary Carnegie Hall in New York. Tommy’s career then took another leap forward when he was invited by Galway traditional group De Danann, to join them as lead vocalist, following in the footsteps of living legends as Mary Black, Maura O’Connell, Dolores Keane and Paul Brady. The collaboration lasted three years and introduced Tommy to a worldwide audience touring Australia, Hong Kong, China and the US. -
This Week at the Bridge WELCOME Sunday 21St January 9.00Am Morning Worship Jackie Adams 10.30Am Morning Worship Rev Ruth Wilson January 21St 2018 10.30Am Café Church
This week at The Bridge WELCOME Sunday 21st January 9.00am Morning Worship Jackie Adams 10.30am Morning Worship Rev Ruth Wilson January 21st 2018 10.30am Café Church Tuesday 23rd January 6.00pm Girls Brigade A warm welcome to our services today especially if this is your first visit to The Bridge. Wednesday 24th January 9.30am Holy Communion 7.45pm Everywoman’s Circle As Jesus walked beside the Sea of Galilee, he saw Simon and his brother Andrew casting a net into the lake, for Friday 26th January 6.00pm Boys Brigade they were fishermen. “Come, follow me, “Jesus said,” and I will make you fishers of men.” At once they left their nets and followed him. Sunday 28th January 9.00am Holy Communion Rev Glenn Reading Mark 1 vv16,17,18 10.30am Morning Worship Rev Ruth Wilson 10.30am Messy Café Church Exciting News: Some members of our congregations met recently to start 6.00pm Farewell service for Deacon Gwynn thinking about the Church Without Walls Mission Project. It was a good Bamford at Bromsgrove meeting and lots of ideas were shared, and we’ll be feeding back some of those ideas very soon. At the heart of what we discussed was, of course, our community and the commitment we have, as a church, to our Music for 21 January 2018 neighbours. Out of this came the suggestion that we should go on a local Organ A Legend Tchaikovsky Prayer Walk – everyone agreed it was a good idea. St Paul reminds us that we are to “pray without ceasing”, and since walking is something we do Prelude Dicks daily, surely part of praying without ceasing is praying while walking. -
Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone
19 juin, 2020. June 19, 2020. MAN MAN DREAM HUNTING IN THE VALLEY OF THE IN-BETWEEN CD / 2XLP / CS / DIGITAL SP 1350 RELEASE DATE: MAY IST, 2020 TRACKLISTING: 1. Dreamers 2. Cloud Nein 3. On the Mend 4. Lonely Beuys 5. Future Peg 6. Goat 7. Inner Iggy 8. Hunters 9. Oyster Point 10. The Prettiest Song in the World 11. Animal Attraction 12. Sheela 13. Unsweet Meat 14. Swan 15. Powder My Wig 16. If Only 17. In the Valley of the In-Between GENRE: Alternative Rock Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. 0 9 8 7 8 7 1 3 5 0 2 209 8 7 8 7 1 3 5 0 1 5 CD Packaging: Digipack 2xLP Packaging: Gatefold jacket w/ custom The 17-track effort, featuring “Cloud Nein,” “Future Peg,” “On the with poster insert dust sleeves and etching on side D Includes mp3 coupon Mend” “Sheela,” and “Animal Attraction,” was produced by Cyrus NON-RETURNABLE Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only,” and Rebecca Black (singer of the viral pop hit, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch,“ Man Man’s contributions to Vol. -
Edinburgh Eh8
EDINBURGH EH8 9JG BOOKING TICKETS ONLiNE www.thequeenshall.net OvER THE PHONE +44 (0)131 668 2019 Mon –Sat 10am –5pm or until one hour before start on show nights iN PERSON 85 –89 Clerk Street, Edinburgh EH8 9JG Mo n–Sat 10a m–5pm or until 15 mins after start on show nights Booking charge A £1 fee is charged on all bookings made online and over the phone. This is per booking, not per ticket and helps support the running of our Box Office. Booking fees The ticket price shown is the price you will pay. if you would like to know which tickets include a £2 booking fee, please ask the Box Office. Postage Tickets can be posted out to you second class up to seven days before the event for a cost of £1.00 per transaction. Alternatively you can collect tickets free of charge from the Box Office during opening hours. Concessions Concessionary priced tickets are available where indicated. if you book online, please bring proof of eligibility with you to the event. Doors open /start times For most events, the time shown is when the artist will begin their performance. Where we don’t have this information in advance, a ‘doors open’ time is given, with more precise details available on our social media channels, website and via the Box Office on the day of the event. Accessibility Our venue is fully accessible for wheelchair users and we welcome assistance animals. Wheelchair spaces can currently be booked over the phone and in person only. -
Mohawk Valley Irish Cultural
MOHAWK VALLEY IRISH CULTURAL Volume 13, Issue 11 EVENTS NEWSLETTER Nov 2016 Enter the Haggis Comes Back Home November 5th is no doubt going to be a long day for Toronto Celtic Rockers Enter the Haggis. Beginning at 10 AM at the F.X. Matt Brewery’s 1888 Tavern, they’ll be hosting a listening party for their latest release, “Broken Arms,” and then at 7 PM they’ll be giving a concert in MVCC’s Schafer Theater. Since 1995, Enter the Haggis has led the charge among Celtic Folk Rock bands, with their most recent album debuting at No. 9 on the U.S. national Billboard Heatseekers charts. And while their ambitious touring schedule has earned them fans around the globe, they seem to have a special affinity for the folks in this area. Their first trip here was in April 2005 to perform at Utica’s legendary club, the Devereux, and they’ve returned at least once a year ever since then. Besides their several appearances as headliners at the Great American Irish Festival and playing at every “festival eve” Saranac Thursday since 2009, they have also included Utica as one of only two cities to hold listening parties for their last two CD releases (the other being a small Irish town called Boston). The band’s new album, “Broken Arms” is their third EP (fourth if you include the one the released as Jubilee Riots) to go along with their eight studio, five live and one compilation CDs (and if that wasn’t enough, guitarist/vocalist Trevor Lewington just released a new solo album, “Lion of Grace,” while House of Hamill -- the duo made up of bandmate Brian Buchanan and his fiancée, Burning Bridget Cleary’s Rose Baldino -- has just released an album called “Wide Awake”). -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Sunspot Concerts at the Lyceum Furnace Mountain Martin Hayes
Sunspot Concerts at the Lyceum Furnace Mountain Saturday, March 20, 2010, 8 PM $18 advance/$21 door Furnace Mountain, named after the tallest peak of the Catoctin Mountains, is a quartet of traditional musicians who play the music of the Virginia countryside and mountains. Dave Van Deventer (fiddle) and Danny Knicely (mandolin & guitar) front the instrumental side of things, while vocalists Morgan Morrison (bouzouki) and Aimee Curl (bass) layer in a stunning mix of the earthy and ethereal. Their music is at times lively and raucous, with spirited fiddle melodies weaving in and around the powerful rhythms of the bass and bouzouki. At other times it is poignant and poetic, with sublime vocal harmonies beautifully interpreting some of the oldest songs ever written. They’ve just released a new CD, Fields of Fescue. www.furnacemountain.com. Martin Hayes & Dennis Cahill Saturday, April 10, 2010, 8 PM $26 advance/$30 door Martin Hayes has drawn musical inspiration from sources as diverse as the Estonian composer Arvo Pärt, the Spanish viola da gamba master Jordi Savall and the jazz genius John Coltrane to create his own signature style of Irish fiddle music. Still, he remains grounded in the music he grew up with in his own locality, Maghera, Feakle, East County Clare. Coming this Summer & Fall: Saturday, July 31, The Kane Sisters Friday, Sept. 17, Red Molly Tickets available at www.sunspotpro.com The Lyceum, 201 South Washington St, Alexandria, VA Join Sunspot online at www.myspace.com/sunspotpro and on Facebook www.groups.to/sunspotconcerts Sunspot Production • www.sunspotpro.com • 800 404-9049 About the Concerts Past Sunspot Shows Sunspot Concerts Sunspot showcases musicians from the United Irish singer Karan Casey ● Irish-American At The Lyceum States and around the globe, representing all singer Cathie Ryan ● American banjo master styles of traditional and contemporary folk Tony Trischka ● Connemara fiddlers The Kane Spring 2010 music. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Current, November 12, 2012 University of Missouri-St
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 11-12-2012 Current, November 12, 2012 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, November 12, 2012" (2012). Current (2010s). 123. http://irl.umsl.edu/current2010s/123 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. November 12, 2012 Vol. 46 Issue 1392 In This Issue: Peabody Energy Controversy Page 3 Week 2 of StL Spotlight: Touhill Independant Film Festival Page 6 Spanish Lake documentary at SLIFF Page 6 Self-discipline ‘Festival of Dance’ features choreography from UMSL faculty, students and guest MADCO. Photo: Ahmad Aljuryyed / The Current in Japan Page 7 ‘Festival of Dance’ entertained, Last week’s amused with modern dance Last week’s CATE MARQUIS Hall stage, the University of Missouri-St. student dancers, choreography by UMSL students from Incarnate Word Academy. poll question: Editor-in-Chief Louis Department of Theatre, Dance, and faculty and guest artists from MADCO, the The evening’s program was surprisingly pollDo you question: feel like you'll Dancers took over the Blanche M. Touhill Media Studies presented “The Festival of professional dance company in residence at full, with four dance pieces before the Performing Arts Center this weekend. While Dance” in the E. Desmond and Mary Ann the Touhill, in three performances, Nov. -
QH 40Th Anniversary Press Release
EMBARGOED TILL 5/11/18 at midday THE QUEEN’S HALL – LIFE BEGINS AT 40 1979-2019: Former church celebrates 40 years of welcoming music worshippers through its doors Southside of the Tracks 12.01.19 Steven Osborne & Alban Gerhardt 06.07.19 The Queen’s Hall enters its fortieth year in 2019 with a packed and varied programme of high quality events which reflect the wealth of entertainment it has provided audiences over the years, whilst also looking forward to a bright future. The celebrations start on 12 January with a who’s who of singer-songwriters brought together on the same stage for the first time by Scotland’s foremost fiddle player, John McCusker. Renowned for his skill at transcending musical boundaries, John has shared stages with Paul Weller, Paolo Nutini and Teenage Fanclub and has been a member of Mark Knopfler’s house band since 2008. In Southside of the Tracks: 40 years of traditional music at The Queen’s Hall he will perform with his chosen house band of James Mackintosh, Ian Carr, Ewen Vernal, Michael McGoldrick and Louis Abbott (Admiral Fallow) with special guests, so far, Roddy Woomble (Idlewild), Kathleen MacInnes, Phil Cunningham, Adam Holmes, Daoiri Farrell, Heidi Talbot and Rachel Sermanni. More guests are to be announced. Nigel Griffiths, Chair of The Queen’s Hall Board of Trustees says, “We’re starting our fortieth year as we mean to go on and have a bold and ambitious programme which reflects the calibre of artists performing on our stage. In the face of developing competition it is so important for Edinburgh, as the capital city, to keep this beloved institution on the map and I believe we’re now poised to enter a truly dynamic era in The Queen’s Hall’s history.” To commemorate the concert on 6 July 1979 when The Queen’s Hall was officially opened by HM Queen Elizabeth II, we have multi-award-winning Scottish pianist Steven Osborne with one of the world’s finest cellists Alban Gerhardt performing a programme of Schumann, Brahms, De falla, Debussy and Ravel.