CBC Times 540627.PDF

Total Page:16

File Type:pdf, Size:1020Kb

CBC Times 540627.PDF -. PRAIRIE RE;Gh 0> SCHEDULE JUlie 27·July 3,1 Issued Each Week by the Canadian Broadcasting Corporation VOLUME VII-No, 26 ISSUED AT WINNIPEG, JUNE 18, 1954 $1.00 Pi This Week: Stratford 1954 (Jlage 2) * Korean Experience (Page 5) * Dominion Day (Page 6) * Vancouver Concert (Page 6) * CBWT's ncwly·formed television organization lIlcl ~I tremendous test on the night of June 7-8, when the greatest fire in the history of \Vinnipcg destroyed or d~maged five huge buildings in the hearl of the Portage Avenue business district. Our picture shows CB\,yT newsmen on locution at tlw Fire-left to right, NOI\MAN LACEY, CB'VT news editor; \-VES HAHVlSOr-:, cameraman, nod I1F.IHI NIXON, CB\VT news. Their vivid picture :.lory of the fire was carried on the evening TV news at 7:00 p.m., June 8, simultaneously in \Vinnipeg and Toronto. It was also released by request to NBC­ TV and affiliates in the United Stales. CBWT news­ men and cameras were on the job at the fire n few lIlinutes after it slarted at 2:00 a.m., June 8. •• • CBC Saskatchewan Organization Forms SaskatooTl. Three appoint­ lIlents to the CBC's new CBWT NewsrnPII At Work Saskatchewan staff, in prepa­ ration for the opening of the will head the Saskntchewan branch as manager of who has bet'n hroadcasting from Regina sincc last Saskatchewan studios at Re­ the Hegina studios. With him at the opening of fall. gina later this summer, were (he new studios will be R. L. Punshon, at present Other appointments to the Rcgin:.l staff have still announced by}. R. Finlay, (·hief operator at en,,, transmitter, Cannan, Mani­ lo be made, .\Jr. Finlay s~lid. They will include n eBe Director for the Prairie toba, and formerly in charge of eBK transmitter at number of technical, announcing and clerical posi­ Provillces, in :m address to the 'VatrOllS, who will be technical supervisor at the tions. The Regina shlclios will be located in the annual conference of the Regina studios; and D. I-I. Innes, fonner news­ Exner Building at 1840 ~Iclnlyre Street. National Farm Radio Forums paper and farm editor of Regina. newly appointed as 'Vith the introduction of the Regina studios, CBK here }llnf' 16. CBC a!'isistant fann commentator for Saskatchewan. transmitter will be fed directly from Regina, which R. H. Roberts, veteran \Vorking with the CBe Regina staff will be Jean will also originate Saskatchewan progr:tms S{oing D. H. Innes r:ldio man of CBC \Vinnipeg, Hinds, morning commentator for Saskatchewan, to cne networks.. Page Two CBC TIMES o v e r t u l' C to Del' FI'cischuetz Hubble, organist; T. M. Taylor, pro­ to listeners, haVing appeared in many « RJlDIO HOTES » (Weber) by tile Clevelaml Orches­ tra, George Szell conducting: Con­ ducer. From VVinnilleg. CBC drama productions. They are: RECITAL. Marian GrudcH, pianist. cerro No. 1 for Horn and Orchestra Lloyd Bochner, Mavor Moore, Eleanor In E Flat l\Iajor (Stl'auss) by the Fill TllOu My Life (JHckson); Praise From Toronto. Phllharmonla Orchestra, Aleeo Gal­ Tile Lord, My Soul (Wesley); 0 Stnart, Barbara Chilcott, Toby Hobins, Papillons, Opus 2 (Schumann); On­ Hera conl111cttng, wltb soloIst Dennis Holy Spirit of Peace (Walker Ron­ son); Jesu, Lover or My SOli I (Par­ Donald Harron, Robert Christie, Eric dine, from Gaspard de la nuH Hrain; c.oncerto No. 1 In D Minor House, ',Villjam Nf'f'dles, Peter Mews, (R a vel); Barcarolle, Opus 60 fOl' Piano and Orchestra (Brahms) ry); 0 Hearken Thon, 0 Lord (Arca­ (ChOpin) . by tbe Cleveland Orchestra. George delt); Through tbe Day Thy Love and Neil Vipond. Szel! conducting, with pianist R\Hlott Has Spared Us «(Jouno<!); 0 Praise This morning Marian Crudeff will bc God In HIs Holiness (Armstrong W-7:00 p.m. K-6:00 p.m. X·S:OO p.m. Serkin. Gibbs). heard in her first CBC recital since W-2:00 p.m. K-l:00 p.m. X-12:00 noon she returned from a winter tour of W-6:00 p.m. K·5:00 p.m. X-4:00 p.m. SUMMER THEATRE. Down Pay­ European cities. The tour was ar­ STRINGALONG. This Sunday marks ment for a House, a suspenseful drama ranged by a London concert agency, the return to the air of this program, ONCE UPON A TIME. Today, "as by Len Peterson, From Toronto. Ab after she had attracted their attention a half-hour of smooth musical arrange­ a result of great effort and persuasion," Koehler, a street-car conductor, lives while studying in Europe with com­ ments by the orchestra's conductor this program will have as its guest with his wife and two children in :l poser, conductor and teacher Nadia Ricky Hyslop, which proved so popu­ once more "the most unusual celebrity dingy, two-room basement apartment 13oulanger. Recitals were arranged in lar in the early spring. Jack Bingham, ever to appear on this or any other in Toronto. Plagued by collection Stockholm, Copenhagen, The Hague, producer. From Vancouver. program"-Henry the Spook, a musi­ agencies and still paying off a car Amsterdam, Vienna and London. Miss MaUinala; Sicilian Tarantella; Stanley r.:ally-inclined father of five spirited whkh lies in wreckage at a junkyard Crudeff has heen re-engaged to return Park; Plink Plank Plunk; Diverti­ sprites, who wants to set the spook because he could not afford the in­ to Europe for radio broadcasts in Hoi­ mento No. 40 (Mozart); SeCI'et Love; surance for it, he desperately seeks and a current hit parade number. record straight. Two more popular land, and there is also in the offing an a way out of his misery. All his wor­ W·4:00 p.m. K-3:00 p.m. X·2:00 p.m. tales coming 'liP are Lester, the Mos­ engagement to appear with an orches­ quito (July 4), the biography of an ries would be over, he believes, if tra in London. Currently, she is study­ insect born in a rainbarrel who de­ only he had a few thousand dollars ing in New York with Edward Stuer­ WAYS OF MANKIND. No human veloped a different way of attack on for a down payment for a house. He 111ann. society has ever existed without some human beings, and had a monument resorts to stealing. Then, hounded by W-9:30 a.m. kind of family organization, though ff'ar and guilt, he blunders on in his these have diHered widely. In today's raised in his honour in Saskatchewan; and 'Vhen the ,"Vorld \Vas New (July search for security and a little happi­ CHAMBER MUSIC. The de Riman­ program entitled I-Tome Sweet Home, ness. The play ends on an intensely organi~ation 18) about the Disney-like animal.. in oczy Quartet. From Vancouver. two tYill'S of family will hitter and ironical note. be described-the traditional Chinese the early days of the earth. From Quartet No. 5 in A, Opus t 8 W·8:00 p.m. K-7:00 p.m. X·6:00 p.m. ( Beethoven). and the American. In North America Toronto. W~10:30 a.m. K-9:30 a.m. X·8:30 a.m. the emphasis has been on the manied W-6:30 p.m. K·S:30 p.m. X-4:30 p.m. couple-a new family created with CANADIAN SCENES. During the WAY OF THE SPIRIT. This progmm every marriage. China has emphasized week of June 20-27, Saint John, N.B., concludes the twelfth seasOn of Way parent-child relationships, and mar­ STRATFORD 1954. A special pro­ will be celebrating the 350th anni­ of the Spirit broadcasts. It tells the riage has meant the acquisition of a gram prepared by Torn Benson of the versary of its founding by Samuel de story of Dr. 'William Carey, who began daughter-in-law as well as a wife. CBC for broadcasl on the eve of the Champlain and Sieur de Monts. June life as a cobbler in England but W·4:30 p.m. K-3:30 p.m. X·2:30 p.m. opening of the Stratford Festival. "The 24 the actual anniversary will be the turned missionary toward the end of whole idea of this program," says biggest day with parades, a special the 18th century and became recog­ Benson, "will be to present a picture exhibition, -a historical pageant and a ASK THE WEATHERMAN. Today nized as a great religious leader and through sound of Stratford in the days ceremony at the Champlain Monu­ weatherman Rube lIomstein of Hali­ devoted labourer among the people of preceding the festival. One of the ment in Queen's Square with the fax will give a brief Sllrvey of hail­ India. The authorities of the East In­ features will be a conversation with planting of a tree and the laying of a stones and hailstorms. He will direct dia Company were afraid his work an 83-year-old resident named Tom wreath by the Champlain Society of his attention to the internal pattern of would stir up trouhIe among the Orr, who started the Shakespeare Quebec. Ken Homer of CBC Halifax a hailstone, describe the largest hail­ natives and gave him some opposition. ~Iemorial Cardens in Stratford and will record highlights of the week's stones on record, outline two theories The inhuman practices of Hindu ritual planned the beautification of the park­ events for this week's Canadian Scenes currently in existence concerning hail­ also troubled him greatly, including lands and most of the city.
Recommended publications
  • Grodzinski Named Elora Festival GM
    CYAN MAGENTA YELLOW BLACK B4 -JT #4 ARTS WEDNESDAY,OCTOBER 18, 2006 ARTS EDITOR:SUSAN CHILTON 519-894-2231, EXT. 2642 [email protected] B4 Diversity of show illuminates Exhibition displays research materials that act as inspiration for five local artists BY ROBERT REID ART EXHIBIT RECORD STAFF Who: Studio Alert: KITCHENER Illuminating the Source hose who doubt the vitality and di- Where: Kitchener-Waterloo Tversity of the visual arts in Water- Art Gallery loo Region are in for a pleasantly rude When: Through Jan. 7 awakening when they drop by the lat- Phone: 519-579-5860 est instalment of the Studio Alert se- ries at the Kitchener-Waterloo Art Gallery. Curated by Allan MacKay, the Viewers are invited to make their gallery’s curatorial and collections own intuitive associations with the consultant, the fourth annual exhibi- work. Happily,there are no pat visual tion showcases the range and quality equations. of artistic practice across the region by MELISSA DOHERTY focusing on five artists. “We’re trying to pay attention to our Melissa Doherty’s series of Tree- own neighbourhood,” MacKay noted hugger oil paintings depicts clusters of during an informal chat. deciduous trees as soft, fuzzy,cotton- Aptly titled Illuminating the ball objects that bring to mind the cud- Source, the exhibition features three dly,stuffed toys young children love to Kitchener artists, Melissa Doherty,So- hug. heila Esfahani and Paul Roorda; one As warm and fuzzy as the images Waterloo artist, Noriko Maeda; and are, Doherty is keenly aware of how one Elora artist, Paul Dignan, an assis- humanity has reduced nature to a tant professor in the University of Wa- fetish object after imposing our will on terloo’s fine arts department.
    [Show full text]
  • The Cbc Radio Drama Project and Its Background
    THE CBC RADIO DRAMA PROJECT AND ITS BACKGROUND by Howard Fink Radio drama for me, as for many people who were growing up just after the War, was, quite simply, my introduction to theatre: the classics, Renaissance drama, and modern and contemporary plays, including European and Canadian. It is rare that one gets the opportunity to re-examine a major formative influence later in one's life, rarer still to find that in this objective light its value holds up. I have had that happy experience with CBC radio drama. I have also had an experience of a completely different kind, in attempting to trace the materials of this influ- ential phenomenon: one which, as regards the history of Canadian theatre in general, has been shared in some measure by many: it was almost impossible to study the achievement of CBC radio drama as a whole, or even at first to locate the vast majority of the plays created and produced. Of course this is partly owing to the particular nature of theatre, the original form of which, unlike a novel or a book of verse, is a live performance, which remains rather in the memories than in the bookcases of its audience. More particularly, the CBC has always considered itself a production organization rather than a repository of culture, and quite rightly so. It has, in fact, been discouraged from archival activities by the government, which considers the Public Archives of Canada as a more appropriate institution for that role. 3f course such well-known figures as Robertson Davies, George Ryga and James Reaney are well represented in print.
    [Show full text]
  • CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
    CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians.
    [Show full text]
  • Rules for Archival Description
    RULES FOR ARCHIVAL DESCRIPTION Copies of this publication in English or French may be obtained from: Bureau of Canadian Archivists Canadian Committee on Archival Description c/o Canadian Council of Archives 130 Albert Street, Suite 501 Ottawa, Ontario K1P 5G4 Produced in cooperation with the Canadian Council of Archives and with the financial assistance of the National Archives of Canada. CANADIAN ARCHIVAL STANDARD RULES FOR ARCHIVAL DESCRIPTION Prepared under the direction of the PLANNING COMMITTEE ON DESCRIPTIVE STANDARDS a committee of the Bureau of Canadian Archivists, representing: L'Association des archivistes du Québec The Association of Canadian Archivists Bureau of Canadian Archivists Ottawa, Canada 1990 Copyright 1990 by the Bureau of Canadian Archivists Canadian Cataloguing in Publication Data Main entry under title: Rules for archival description ISBN 0-9690797-3-7 1. Cataloging of archival material. 2. Descriptive cataloging. I. Bureau of Canadian Archivists. Planning Committee on Descriptive Standards Z695.2.R84 1990 025.3'414 C90-090354-6 The Canadian Library Association has generously given permission to reprint excerpts from Anglo-American Cataloguing Rules, 2d ed., 1988 revision; copyright 1988, Canadian Library Association. CONTENTS Committees and Working Groups vi Foreword xi Preface xii General Introduction 0-1 PART I Description Introduction 1 General Rules for Description 2 Multiple Media Fonds 3 Textual Records 4 Graphic Materials 5 Cartographic Materials 6 Architectural and Technical Drawings 7 Moving Images 8 Sound Recordings 9 Records in Electronic Form 10 Records on Microform 11 Objects 12 Philatelic Records PART II Headings and References Introduction 21 Choice of Access Points 22 Headings for Persons 23 Geographic Names 24 Headings for Corporate Bodies 26 References Appendices A Capitalization B Abbreviations C Numerals D Glossary Revised version — October 2005 v COMMITTEES AND WORKING GROUPS BUREAU OF CANADIAN ARCHIVISTS PLANNING COMMITTEE ON DESCRIPTIVE STANDARDS Chair HAWORTH, Kent M.
    [Show full text]
  • Ms Coll 00050 Davies (Robertson) Papers 1
    Ms Coll 00050 Davies (Robertson) Papers Robertson Davies Papers (gift of June Davis) Dates: 1929-2008 Extent: 115 boxes (22 metres) Biographical Description: Robertson Davies was born in Thamesville, Ontario in 1913 and was the third son of W. Rupert Davies and Florence Sheppard McKay. Davies’ father, Rupert Davies was born in Wales and was the publisher of The Kingston Whig Standard and was appointed to the Senate as a Liberal in 1942, a position he would hold until his death in 1967. As a young child, Robertson Davies moved with his family to Renfrew, Ontario, where his father managed the local newspaper, the Renfrew Mercury. The family would later relocate to Kingston in 1925. Between 1928 and 1932, Davies attended Upper Canada College in Toronto, where he performed in theatrical performances and wrote and edited the school paper, The College Times. After graduating, Davies attended Queen’s University in Kingston, where he was enrolled as a special student as he was not working towards a specific degree. Between 1932 and 1935, Davies wrote for the school paper and performed and directed theatrical plays. In 1935, Davies traveled to England to study at Baillol College at Oxford, where he was enrolled in a Bachelor of Letters degree. At Oxford, Davies performed with the Oxford University Dramatic Society and was a co- founder of the Long Christmas Dinner Society. After graduating in 1938, Davies published his thesis, Shakespeare’s Boy Actors through the publisher J.M Dent & Sons in 1939. In 1938, Davies joined the Old Vic theatre company, where he had roles in The Taming of the Shrew, She Stoops to Conquer, and A Midsummer Night’s Dream and also worked as a teacher of dramatic history at their drama school.
    [Show full text]
  • Jane Mallett Collection, Part 2 Inventory
    Jane Mallett Collection, Part 2 Inventory 8 boxes and 3 oversize items; 3.6 linear metres Correspondence, photographs, scripts and audio visual material documenting the career of Canadian actress Jane Keenleyside Mallett (1899-1984). Includes material on the Actors Fund of Canada from 1957-1974, where she served as president; papers and financial records of Jane Mallett Associates, a production company she formed with Robert Christie and Donald Harron, which presented Fine Frenzy (1955), The Dream (1965) and Here Lies Sarah Binks (1968); minutes for Select Talent, a co-operative talent agency, and an extensive collection of scripts in manuscript and typescript form covering her career as a comic monologist and performer on Canadian radio, television, film and stage. This material, donated by her estate, is in addition to items loaned to the Theatre Department in 1982 for copying (see Jane Mallett Collection, Part 1). Researchers are advised that extensive material is also available at the National Archives of Canada. Box 1 Env. #1: Correspondence and miscellaneous items – 22 items Includes tentative schedules for shows, plans for the Crest Theatre and the New Play Society, minutes of the Board of Directors of the Jupiter Theatre from May 12, 1953, insurance forms re: an accident in 1967 when JM broke her tibia. Env. #2: Clippings – 11 items Env. #3: Writings – 6 pages By JM on comedy and acting technique. Env. #4: Photographs – 24 items Portraits and snapshots of JM. Env. #5: Production Photographs – 8 items The Gorilla, 1927 (2 photos) The Dove, 1927 (1 photo) The Merchant of Venice (2 photos) Spring Thaw ’51 (1 photo) Importance of Being Earnest, 1952 (1 photo) Visit to a Small Planet, 1958 (1 photo) Jane Mallett Collection, Part 2 Inventory Page 2 of 41 Env.
    [Show full text]
  • ACTRA's John Drainie Award for Distinguished Contribution to Broadcasting
    ACTRA’s John Drainie Award for Distinguished Contribution to Broadcasting ACTRA’s John Drainie Award is presented annually to a person who has made a distinguished contribution to Canadian broadcasting. In 1966, John Drainie, one of Canada’s most celebrated and well known actors, died at the age of 50. Two years later ACTRA established the annual award to commemorate one of its best-loved members. The Drainie Award recipient is selected annually by a jury comprised of previous recipients who consider suggestions put forth by ACTRA members. The 2004 Award will be presented at the Banff Television Festival’s Tribute! Night in June. The recipient will be presented with a bronze medal portrait of John Drainie created by renowned Canadian sculptor and medallist Dora de Pedery-Hunt. Past recipients of the John Drainie Award are: 1968 Esse Ljungh, W.O. Mitchell, 1986 Bernard Cowan, Pat Patterson Tommy Tweed, Jean Murray 1987 Ross McLean (posthumously) 1969 Andrew Allan 1988 Davidson Dunton (posthumously) 1970 Harry J. Boyle 1989 Peter Gzowski 1971 Lister Sinclair 1990 Allan S. McFee 1972 Graham Spry 1992 Gordon Pinsent 1973 Rupert Caplan 1993 Barbara Frum (posthumously) 1974 Len Peterson 1994 Max Ferguson 1975 Robert Weaver 1995 Knowlton Nash 1976 Jane Mallett 1996 Dodi Robb 1977 John Reeves 1997 Joe Schlesinger 1978 Johnny Wayne & Frank Shuster 1998 Peter Herrndorf 1979 Ruth Springford 1998 Bernie Lucht 1980 Norman Campbell 1999 Pierre Berton 1981 Frances Hyland 2000 Shelagh Rogers 1982 Mavor Moore 2002 David Suzuki 1983 Lucio Agostini 2003 Jim Murray 1984 Robert Christie 1985 Fred Diehl ACTRA’s John Drainie Award is no longer presented posthumously.
    [Show full text]
  • Turning Points in Public Broadcasting: the CBC at 50
    Nov.3,10,17,24, Dec. 1,1986 Copyright © 1986 The Canadian Broadcasting Corporation All rights reserved Under no circumstances may this transcript or matters contained herein be reproduced or otherwise used for any purpose beyond the private use of the recipient (other than for newspaper coverage, purposes of reference, discussion, and review) without the prior written consent ofCBC Transcripts. Turning Points in Public Broadcasting: The CBC at 50 Lister Sinclair written and presented by David Cayley. Good evening, I'm Lister Sinclair. Tonight on Ideas, we Song celebrate the 50th anniversary of the CBC with a new series This is the start of a great revolution about public broadcasting in Canada. Which way will it go? I'm an inventor of communications Harry Boyle So let's say hello ... It began with a kind of dream. David Cayley Song Christmas Eve 1906. Canadian inventor Reginald Aubrey Words without wires Fessenden was making the first public radio broadcast. He Celestial choirs played "Oh, Holy Night," and read the Christmas story. This song travels far Radio operators on United Fruit Company banana boats Radio gave us lying off Boston, amazed, heard Fessenden's broadcast and The voices that told us wrote to tell him so. Fessenden was a brilliant inventor, but a The way that things are poor businessman. He eventually lost his patents to Marconi. And when North America's first radio station went Announcer on the air in Montreal, it was owned by the Italian, not the The Canadian Radio Commission is calling Canada, calling Canadian. That station was WXA, later CFCF, and its first their national network and associated networks in the regularly scheduled broadcast was on May 21,1920.
    [Show full text]
  • 34785 Interactra Q5 5/21/04 1:57 PM Page 1
    34785 InterACTRA Q5 5/21/04 1:57 PM Page 1 Spring 2004 The Alliance of Canadian Cinema, Television and Radio Artists Acting up on the east coast PAGE 7 34785 InterACTRA Q5 5/21/04 1:57 PM Page 2 The battle rages on Thor Bishopric hanks to a number of recent victories, the ongoing struggle While we have pulled back from the brink, our industry will only Tto protect our industry and increase opportunities for Canadian thrive under the promise of increased, stable funding. The CTF performers is a little more hopeful. must be enriched and it must be made permanent. In February, we saw the result of a year’s worth of relentless and We also found victory in the CRTC’s Public Notice on Drama. passionate lobbying pay off with the restoration of the Canadian The CRTC has incorporated a number of ACTRA’s suggestions Television Fund in the Federal Budget. ACTRA members stood in its series of proposals, including giving broadcasters more ad up to tell the government that last year’s $25 million cuts would time in exchange for airing Canadian drama. We are pleased with have a devastating impact on our national identity and our jobs, this first step, but we remain steadfast in our conviction that this and the Prime Minister proved to us that he was listening. Thanks crisis will not be resolved unless the CRTC also imposes minimum to every one of you who helped make noise – especially ACTRA content and spending requirements on broadcasters. Toronto for their leading role and financial support.
    [Show full text]
  • "This Is No Hearsay": Reading the Canadian Slave Narratives for Linda Hutcheoni George Elliott Clarke2 I Admitting
    "This is no hearsay": Reading the Canadian Slave Narratives For Linda HutcheonI George Elliott Clarke2 I Admitting the 'Fugitive' U.S. Genre to Canadian Literature The Canadian slave narrative is ignored as a genre of Victorian- era Canadian literature (I837-I90I) because it seems not to exist. Indeed, North American slavery is so profoundly identified with the Great Republic that the slave narrative is eyed, in Canada, as an exotic species ofAmericana, one having only incidental and abstract engagement with British North America and, post-I867, that infant state - the Dominion of Canada. Furthermore, African-American scholars have long asserted the organic Americaniti' of this prose genre, one principally defined by first-person-narrated memoir and autobiography. Introducing The Classic Sla·ve Narratives (1987), editor Henry Louis Gates, Jr., declares, with strange triumphalism, that, "In the long history of human bondage, it was only the black slaves in the United States who - once secure and free in the North, and with the generous encouragement and assistance of northern abolitionists - created a genre of literature that at once testified against their captors and bore witness to the urge of every black slave to be free and literate."3 Insouciantly here, Gates omits Exodus and other Hebraic texts about captivity, enslavement, and eventually liberation, and reconciliation to God, and he identifies "the African I I dedicate this essay to Dr. Linda Hutcheon, University Professor at the University of Toronto, an internationally acclaimed scholar of irony, post-modernism, and opera, who is also a Canadianist - and my Mentor at the Department of English, University of Toronto.
    [Show full text]
  • Facts on Literacy and Disabilitie S • Accessible Assessment and Diag- Nosis of LD Must Be Available for Literacy Alberta People of All Ages
    TEACHING & LEARNING 2 :2 Winter/Spring 200 5 What can be done ? Facts on Literacy and Disabilitie s • Accessible assessment and diag- nosis of LD must be available for Literacy Alberta people of all ages . Effective and efficient learnin g reprinted with permission from Myra Skerrett • and teaching methods, resource s and programs must be funde d and developed to meet the spe- Learning disabilities affect a t parts of the brain . They can learn least 10% of Canadians. More but the learning process may be cific needs of individuals with than 80% of these experience diffi- inefficient as a result of differ- LD. culty in learning to read. ences in brain structure and func- • Policy-makers, school board ad- tion. The right learning strategies , ministrators, teachers colleges, Learning disabilities (LD) are now techniques, supports and inter- educators and medical personne l recognized as a lifelong neurolog- ventions can impact the learnin g must recognize and accept th e ical disorder that is the result of a process in significant and positive scientific evidence, establish poli- difference in brain structure and ways. cies, and match the instructiona l function. Learning disabilities im- goals, content and pace of teach- pact the learning process, includ- It is estimated that 30 - 80% o f ing to the learning needs of thos e ing language learning and the students in literacy and basic ed- with LDs so that individuals ca n acquisition of literacy skills . LD's ucation programs have learning achieve maximum success . can be divided into five types disabilities. Learning disabilities affect at least 30% of the less liter - • Federal and provincial govern- • Visual problems : poor visua l ate population .
    [Show full text]
  • Canada — Une Dramaturgie Récente De L’Ontario À La Côte Atlantique David Mccaughna, Diane Bessai and Connie Brissenden
    Document generated on 09/25/2021 7:21 a.m. Jeu Revue de théâtre Canada — Une dramaturgie récente De l’Ontario à la côte atlantique David McCaughna, Diane Bessai and Connie Brissenden Dramaturgie actuelle Number 8, Spring 1978 URI: https://id.erudit.org/iderudit/28591ac See table of contents Publisher(s) Éditions Quinze ISSN 0382-0335 (print) 1923-2578 (digital) Explore this journal Cite this article McCaughna, D., Bessai, D. & Brissenden, C. (1978). Canada — Une dramaturgie récente : de l’Ontario à la côte atlantique. Jeu, (8), 6–24. Tous droits réservés © Éditions Quinze, 1978 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ canada: une dramaturgie récente de l'ontario à la côte atlantique Une anecdote circule au sein de la communauté théâtrale torontoise au sujet de la réponse du célèbre critique britannique Kenneth Tynan à l'offre du poste de criti­ que que lui fit un quotidien de Toronto. Il aurait répondu : "Faites de nouveau appel à moi quand vous aurez une dramaturgie." Cette répartie est à double tran­ chant. Evidemment, il y avait, à Toronto, une dramaturgie de langue anglaise quand on sollicita Tynan, mais il s'agissait en fait d'un théâtre dépendant en majeure partie d'importations, calque du West End et du Broadway.
    [Show full text]