Part Moon Part Travelling Salesman: Conversations with Ivan Illich
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Grodzinski Named Elora Festival GM
CYAN MAGENTA YELLOW BLACK B4 -JT #4 ARTS WEDNESDAY,OCTOBER 18, 2006 ARTS EDITOR:SUSAN CHILTON 519-894-2231, EXT. 2642 [email protected] B4 Diversity of show illuminates Exhibition displays research materials that act as inspiration for five local artists BY ROBERT REID ART EXHIBIT RECORD STAFF Who: Studio Alert: KITCHENER Illuminating the Source hose who doubt the vitality and di- Where: Kitchener-Waterloo Tversity of the visual arts in Water- Art Gallery loo Region are in for a pleasantly rude When: Through Jan. 7 awakening when they drop by the lat- Phone: 519-579-5860 est instalment of the Studio Alert se- ries at the Kitchener-Waterloo Art Gallery. Curated by Allan MacKay, the Viewers are invited to make their gallery’s curatorial and collections own intuitive associations with the consultant, the fourth annual exhibi- work. Happily,there are no pat visual tion showcases the range and quality equations. of artistic practice across the region by MELISSA DOHERTY focusing on five artists. “We’re trying to pay attention to our Melissa Doherty’s series of Tree- own neighbourhood,” MacKay noted hugger oil paintings depicts clusters of during an informal chat. deciduous trees as soft, fuzzy,cotton- Aptly titled Illuminating the ball objects that bring to mind the cud- Source, the exhibition features three dly,stuffed toys young children love to Kitchener artists, Melissa Doherty,So- hug. heila Esfahani and Paul Roorda; one As warm and fuzzy as the images Waterloo artist, Noriko Maeda; and are, Doherty is keenly aware of how one Elora artist, Paul Dignan, an assis- humanity has reduced nature to a tant professor in the University of Wa- fetish object after imposing our will on terloo’s fine arts department. -
The Scopic Past and the Ethics of the Gaze
Ivan Illich Kreftingstr. 16 D - 28203 Bremen THE SCOPIC PAST AND THE ETHICS OF THE GAZE A plea for the historical study of ocular perception Filename and date: SCOPICPU.DOC Status: To be published in: Ivan Illich, Mirror II (working title). Copyright Ivan Illich. For further information please contact: Silja Samerski Albrechtstr.19 D - 28203 Bremen Tel: +49-(0)421-7947546 e-mail: [email protected] Ivan Illich: The Scpoic Past and the ethics of the Gaze 2 Ivan Illich THE SCOPIC PAST AND THE ETHICS OF THE GAZE A plea for the historical study of ocular perception1 We want to treat a perceptual activity as a historical subject. There are histories of the rise and fall of the Roman Empire, of the formation of a working class in Great Britain, of porridge in medieval Europe. We ourselves have explored the history of the experienced (female) body in the West. Now we wish to outline the domain for a history of the gaze - der Blick, le regard, opsis.2 The action of seeing is shaped differently in different epochs. We assume that the gaze can be a human act. Hence, our historical survey is carried out sub specie boni; we wish to explore the possibilities of seeing in the perspective of the good. In what ways is this action ethical? The question arose for us when we saw the necessity of defending the integrity and clarity of our senses - our sense experience - against the insistent encroachments of multimedia from cyberspace. From our backgrounds in history, we felt that we had to resist the dissolution of the past by seemingly sophisticated postmodern catch phrases, for example, the deconstruction of conversation into a process of communication. -
Markets Not Capitalism Explores the Gap Between Radically Freed Markets and the Capitalist-Controlled Markets That Prevail Today
individualist anarchism against bosses, inequality, corporate power, and structural poverty Edited by Gary Chartier & Charles W. Johnson Individualist anarchists believe in mutual exchange, not economic privilege. They believe in freed markets, not capitalism. They defend a distinctive response to the challenges of ending global capitalism and achieving social justice: eliminate the political privileges that prop up capitalists. Massive concentrations of wealth, rigid economic hierarchies, and unsustainable modes of production are not the results of the market form, but of markets deformed and rigged by a network of state-secured controls and privileges to the business class. Markets Not Capitalism explores the gap between radically freed markets and the capitalist-controlled markets that prevail today. It explains how liberating market exchange from state capitalist privilege can abolish structural poverty, help working people take control over the conditions of their labor, and redistribute wealth and social power. Featuring discussions of socialism, capitalism, markets, ownership, labor struggle, grassroots privatization, intellectual property, health care, racism, sexism, and environmental issues, this unique collection brings together classic essays by Cleyre, and such contemporary innovators as Kevin Carson and Roderick Long. It introduces an eye-opening approach to radical social thought, rooted equally in libertarian socialism and market anarchism. “We on the left need a good shake to get us thinking, and these arguments for market anarchism do the job in lively and thoughtful fashion.” – Alexander Cockburn, editor and publisher, Counterpunch “Anarchy is not chaos; nor is it violence. This rich and provocative gathering of essays by anarchists past and present imagines society unburdened by state, markets un-warped by capitalism. -
The Cbc Radio Drama Project and Its Background
THE CBC RADIO DRAMA PROJECT AND ITS BACKGROUND by Howard Fink Radio drama for me, as for many people who were growing up just after the War, was, quite simply, my introduction to theatre: the classics, Renaissance drama, and modern and contemporary plays, including European and Canadian. It is rare that one gets the opportunity to re-examine a major formative influence later in one's life, rarer still to find that in this objective light its value holds up. I have had that happy experience with CBC radio drama. I have also had an experience of a completely different kind, in attempting to trace the materials of this influ- ential phenomenon: one which, as regards the history of Canadian theatre in general, has been shared in some measure by many: it was almost impossible to study the achievement of CBC radio drama as a whole, or even at first to locate the vast majority of the plays created and produced. Of course this is partly owing to the particular nature of theatre, the original form of which, unlike a novel or a book of verse, is a live performance, which remains rather in the memories than in the bookcases of its audience. More particularly, the CBC has always considered itself a production organization rather than a repository of culture, and quite rightly so. It has, in fact, been discouraged from archival activities by the government, which considers the Public Archives of Canada as a more appropriate institution for that role. 3f course such well-known figures as Robertson Davies, George Ryga and James Reaney are well represented in print. -
CBC IDEAS Sales Catalog (AZ Listing by Episode Title. Prices Include
CBC IDEAS Sales Catalog (A-Z listing by episode title. Prices include taxes and shipping within Canada) Catalog is updated at the end of each month. For current month’s listings, please visit: http://www.cbc.ca/ideas/schedule/ Transcript = readable, printed transcript CD = titles are available on CD, with some exceptions due to copyright = book 104 Pall Mall (2011) CD $18 foremost public intellectuals, Jean The Academic-Industrial Ever since it was founded in 1836, Bethke Elshtain is the Laura Complex London's exclusive Reform Club Spelman Rockefeller Professor of (1982) Transcript $14.00, 2 has been a place where Social and Political Ethics, Divinity hours progressive people meet to School, The University of Chicago. Industries fund academic research discuss radical politics. There's In addition to her many award- and professors develop sideline also a considerable Canadian winning books, Professor Elshtain businesses. This blurring of the connection. IDEAS host Paul writes and lectures widely on dividing line between universities Kennedy takes a guided tour. themes of democracy, ethical and the real world has important dilemmas, religion and politics and implications. Jill Eisen, producer. 1893 and the Idea of Frontier international relations. The 2013 (1993) $14.00, 2 hours Milton K. Wong Lecture is Acadian Women One hundred years ago, the presented by the Laurier (1988) Transcript $14.00, 2 historian Frederick Jackson Turner Institution, UBC Continuing hours declared that the closing of the Studies and the Iona Pacific Inter- Acadians are among the least- frontier meant the end of an era for religious Centre in partnership with known of Canadians. -
Rules for Archival Description
RULES FOR ARCHIVAL DESCRIPTION Copies of this publication in English or French may be obtained from: Bureau of Canadian Archivists Canadian Committee on Archival Description c/o Canadian Council of Archives 130 Albert Street, Suite 501 Ottawa, Ontario K1P 5G4 Produced in cooperation with the Canadian Council of Archives and with the financial assistance of the National Archives of Canada. CANADIAN ARCHIVAL STANDARD RULES FOR ARCHIVAL DESCRIPTION Prepared under the direction of the PLANNING COMMITTEE ON DESCRIPTIVE STANDARDS a committee of the Bureau of Canadian Archivists, representing: L'Association des archivistes du Québec The Association of Canadian Archivists Bureau of Canadian Archivists Ottawa, Canada 1990 Copyright 1990 by the Bureau of Canadian Archivists Canadian Cataloguing in Publication Data Main entry under title: Rules for archival description ISBN 0-9690797-3-7 1. Cataloging of archival material. 2. Descriptive cataloging. I. Bureau of Canadian Archivists. Planning Committee on Descriptive Standards Z695.2.R84 1990 025.3'414 C90-090354-6 The Canadian Library Association has generously given permission to reprint excerpts from Anglo-American Cataloguing Rules, 2d ed., 1988 revision; copyright 1988, Canadian Library Association. CONTENTS Committees and Working Groups vi Foreword xi Preface xii General Introduction 0-1 PART I Description Introduction 1 General Rules for Description 2 Multiple Media Fonds 3 Textual Records 4 Graphic Materials 5 Cartographic Materials 6 Architectural and Technical Drawings 7 Moving Images 8 Sound Recordings 9 Records in Electronic Form 10 Records on Microform 11 Objects 12 Philatelic Records PART II Headings and References Introduction 21 Choice of Access Points 22 Headings for Persons 23 Geographic Names 24 Headings for Corporate Bodies 26 References Appendices A Capitalization B Abbreviations C Numerals D Glossary Revised version — October 2005 v COMMITTEES AND WORKING GROUPS BUREAU OF CANADIAN ARCHIVISTS PLANNING COMMITTEE ON DESCRIPTIVE STANDARDS Chair HAWORTH, Kent M. -
Introduction: Degrowth Futures and Democracy
Futures 44 (2012) 515–523 Contents lists available at SciVerse ScienceDirect Futures jou rnal homepage: www.elsevier.com/locate/futures Introduction Degrowth futures and democracy 1. A degrowth future? Over 40 years have passed since the publication of Limits to growth, a report that warned on the limits of exponential population and economic growth in a planet of finite resources [1]. Meadow et al.’s predictions were forgotten in the frenzy of the post oil-crisis economic growth of the 1980s and the 1990s, a growth that we now know that was fuelled by a fictitious financial economy [2]. It appears in retrospect that most of the Limits to growth predictions were right [3]. Peak-oil, climate change and accelerating ecosystem degradation, coupled with an unprecedented socio-economic crisis with biophysical roots [2,4] have put back in the agenda the idea that growth and sustainability are incompatible [5–7]. A growing coalition of academics and activists is explicitly calling for collectively devising and implementing a degrowth transition, a socially equitable and democratic process of downscaling the economy and bringing it within ecological limits [2,6,8–10]. One of the most influential writers on the topic, Latouche, defines degrowth as ‘‘a political slogan with theoretical implications’’ [54], whose function is to open up conceptual and practical opportunities for escaping the impasse and mentality of the current economy [55]. This requires avoiding the trap of getting tangled in economic proposals and an economic idiom when envisioning the transition to a degrowth society, i.e. avoiding the ‘‘economicism’’ that characterizes industrial society and which is at the heart of the ideology of development [50]. -
Ivan Illich: Critic of Professionalized Design Carl Mitcham
In Memoriam Ivan Illich: Critic of Professionalized Design Carl Mitcham Eine fremde Verlorenheit war gestalthaft zugegen.… — Celan, Die Niemandsrose (1963) Ivan Illich, who inspired a critical appreciation of design and its limits, died his own death quietly at the home of friends in Bremen, Germany, on December 2, 2002. He was 76 years old, and had suffered for more than a decade with what appeared to be a mandibular tumor that he chose to treat as a difficult friend rather than an enemy. He was buried three days later on the outskirts of a city that had a tradition of independent hospitality for those who might even be its strongest critics. For the last ten years, Illich had lectured regularly at the Universität Bremen on such topics as Permission granted by Catholic Agitator . friendship, askesis, and the history of the senses, in order to question Drawing done by Gary Palmatier for the cover “modern certainties.” He had been preparing a lecture on misterium of CA, 1:1 (June–July 1971). iniquitatis, the mystery of evil, when he became tired, lay down for a nap, and did not awake again to this world. After being allowed to remain for three days simply where he had found rest, kept company by a single candle, a bouquet of flowers, and friends, he was buried in the Oberneuländer cemetery. The Early Illich Illich was born in Vienna in 1926, grew up in Italy, moved to the United States in the 1950s, founded the Centro Intercultural de Documentación (CIDOC) in Mexico (1966– 1976), and since the 1980s 1 Ivan Illich, Deschooling Society (New served as a visiting scholar at multiple universities. -
An Intellectual Biography of Ivan Illich. PUB DATE 1999-05-00 NOTE 116P.; Doctor of Education Dissertation, Northern Illinois University
DOCUMENT RESUME ED 458 393 CE 082 539 AUTHOR Inman, Patricia L. TITLE An Intellectual Biography of Ivan Illich. PUB DATE 1999-05-00 NOTE 116p.; Doctor of Education Dissertation, Northern Illinois University. PUB TYPE Dissertations/Theses Doctoral Dissertations (041) Historical Materials (060) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Adult Education; Biographies; *Cognitive Processes; Economic Factors; Educational Environment; Educational History; *Educational Philosophy; Epistemology; Experiential Learning; Friendship; Holistic Approach; *Learning Theories; Metaphors; Nonformal Education; *Self Concept; Social Control; *Spirituality IDENTIFIERS *Illich (Ivan) ABSTRACT This treatise on Ivan Illich, historian, philosopher, educator, and social critic, has less to do with the details of Illich's life than with his thought over the past three decades. The first section of each chapter (1-3) provides a brief biographical sketch of Illich during the decades 1968-1978, 1978-1988 and 1988-1998 and a discussion regarding the themes of his most well-known works written during each decade. The biographic material provides a context for his thinking, not an explanation of his thought. Chapter 1 identifies dangers of institutionally generated knowledge and qualities of education that Illich feels dilute specialness and imprison us in an economic web of modernized poverty. Chapter 2 discusses Illich's connection of knowledge to the sense of self. Chapter 3 discusses friendship as the necessary context for the discovery of truth in our search for wisdom. Chapter 4 discusses these considerations for adult education (specifically the need for an objective base for learning in a subjective context) :providing learning space, vernacular knowledge, embodied experience, defining truth, importance of metaphorical learning, and to beware curriculum. -
Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H
Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H. Haworth Anarchist Pedagogies: Collective Actions, Theories, and Critical Reflections on Education Edited by Robert H. Haworth © 2012 PM Press All rights reserved. ISBN: 978–1–60486–484–7 Library of Congress Control Number: 2011927981 Cover: John Yates / www.stealworks.com Interior design by briandesign 10 9 8 7 6 5 4 3 2 1 PM Press PO Box 23912 Oakland, CA 94623 www.pmpress.org Printed in the USA on recycled paper, by the Employee Owners of Thomson-Shore in Dexter, Michigan. www.thomsonshore.com contents Introduction 1 Robert H. Haworth Section I Anarchism & Education: Learning from Historical Experimentations Dialogue 1 (On a desert island, between friends) 12 Alejandro de Acosta cHAPteR 1 Anarchism, the State, and the Role of Education 14 Justin Mueller chapteR 2 Updating the Anarchist Forecast for Social Justice in Our Compulsory Schools 32 David Gabbard ChapteR 3 Educate, Organize, Emancipate: The Work People’s College and The Industrial Workers of the World 47 Saku Pinta cHAPteR 4 From Deschooling to Unschooling: Rethinking Anarchopedagogy after Ivan Illich 69 Joseph Todd Section II Anarchist Pedagogies in the “Here and Now” Dialogue 2 (In a crowded place, between strangers) 88 Alejandro de Acosta cHAPteR 5 Street Medicine, Anarchism, and Ciencia Popular 90 Matthew Weinstein cHAPteR 6 Anarchist Pedagogy in Action: Paideia, Escuela Libre 107 Isabelle Fremeaux and John Jordan cHAPteR 7 Spaces of Learning: The Anarchist Free Skool 124 Jeffery Shantz cHAPteR 8 The Nottingham Free School: Notes Toward a Systemization of Praxis 145 Sara C. -
Ms Coll 00050 Davies (Robertson) Papers 1
Ms Coll 00050 Davies (Robertson) Papers Robertson Davies Papers (gift of June Davis) Dates: 1929-2008 Extent: 115 boxes (22 metres) Biographical Description: Robertson Davies was born in Thamesville, Ontario in 1913 and was the third son of W. Rupert Davies and Florence Sheppard McKay. Davies’ father, Rupert Davies was born in Wales and was the publisher of The Kingston Whig Standard and was appointed to the Senate as a Liberal in 1942, a position he would hold until his death in 1967. As a young child, Robertson Davies moved with his family to Renfrew, Ontario, where his father managed the local newspaper, the Renfrew Mercury. The family would later relocate to Kingston in 1925. Between 1928 and 1932, Davies attended Upper Canada College in Toronto, where he performed in theatrical performances and wrote and edited the school paper, The College Times. After graduating, Davies attended Queen’s University in Kingston, where he was enrolled as a special student as he was not working towards a specific degree. Between 1932 and 1935, Davies wrote for the school paper and performed and directed theatrical plays. In 1935, Davies traveled to England to study at Baillol College at Oxford, where he was enrolled in a Bachelor of Letters degree. At Oxford, Davies performed with the Oxford University Dramatic Society and was a co- founder of the Long Christmas Dinner Society. After graduating in 1938, Davies published his thesis, Shakespeare’s Boy Actors through the publisher J.M Dent & Sons in 1939. In 1938, Davies joined the Old Vic theatre company, where he had roles in The Taming of the Shrew, She Stoops to Conquer, and A Midsummer Night’s Dream and also worked as a teacher of dramatic history at their drama school. -
The Relationship Between Democratic Opposition and Environmentalism in the Hungarian People’S Republic and the GDR
From Red to Green? The Relationship between Democratic Opposition and Environmentalism in the Hungarian People’s Republic and the GDR By Niklas Wittmann Submitted to Central European University Department of History In partial fulfilment of the requirements for the degree of Master of Arts in Comparative History Supervisor: Professor Balázs Trencsényi Second Reader: Professor Jan Hennings Budapest, Hungary 2018 CEU eTD Collection Copyright in the text of this thesis rests with the Author. Copies by any process, either in full or in part, may be made only in accordance with the instructions given by the Author and lodged in the Central European University Library. Details may be obtained from the librarian. This page must form a part of any such copies made. Further copies made in accordance with such instructions may not be made without the written permission of the Author. CEU eTD Collection i Abstract The fact that environmental movements played a major social and political role in the late socialist period throughout the Eastern Bloc has been documented within several local contexts, but has rarely been explored comparatively. This thesis looks towards a better understanding of the Hungarian environmental movement, particularly the Danube Circle, by placing it in an asymmetrical comparison with the East German Umweltbewegungen. Further to this, it analyzes the concepts of political ecology which formed part of the intellectual background of the environmental movements in Eastern Europe but which never came to the fore explicitly. This has important consequences beyond proving the obvious point that environmentalism did not mean the same thing on both sides of the Iron Curtain.