Winter 2015 Features

Total Page:16

File Type:pdf, Size:1020Kb

Winter 2015 Features OFFICIAL PUBLICATION OF THE KENTUCKY MUSIC EDUCATORS ASSOCIATION Vol. 66, No. 2 WINTER 2015 WINTER 2015 FEATURES: • Listen and Learn • There is no “I” in Team • Profiles in Music Education: Brad Rogers • 2015 KMEA Conference • Candidates for KMEA Office QuaverCustAd_KY_KMEA_Fall14.pdf 1 7/15/14 3:04 PM The Future of Music Education TODAY! ™ C “This is a true revolution. Not just in music Advanced Technology. M education, but in education in general. I Y absolutely love my Quaver Curriculum!” Teacher-Friendly. CM David Blanchard MY Smith Elementary • Spring, TX CY SERIOUSLY FUN! CMY K NEW!Customize Your Quaver Curriculum! • Modify existing lessons or New Screen create your own from scratch! • Insert other Quaver resources, YouTube Add a link to a YouTube X or import your own les: MP3s, video Audio PDFs, YouTube links, and more! Upload an .mp3 to the Document lesson Upload a le (.pdf, for example) to the lesson Web Link Add a link to a website Checklist Try 12Create Lessons a checklist screen for FREE! Just go to QuaverMusic.com/Preview Want your very own and begin your FREE 30-day trial today! FREE Quaver T-Shirt? Just give us a call! 1-866-917-3633 Limit one per household ©2014 QuaverMusic.com, LLC Volume 66 Number 2 Winter 2015 Official Publication of the Kentucky Music Educators Association, a state unit of NAfME: The National Association for Music Education Editorial Board: Robert Amchin (Chair), Bradley Almquist, Sara Francis CONTENTS Messages From KMEA 3 President’s Message . Debbie Kidd 5 Editor’s Message........................ George R. Boulden 7 Executive Director’s Message................... John Stroube Feature Articles 10 Listen and Learn: The Key to Effective Secondary General Music Instruction ............... George Ober and Joe Pergola 14 There is no “I” in Team ..................... Meg Stohlmann 16 Profiles in Music Education: Brad Rogers News and Information 20 Constitutional Amendments 22 2014–15 District Awards 24 Salute to 2014 KMEA Marching Band Championships 29 2015 Professional Development Conference -Preregistration Forms and Information -Guest Conductors Photo by David Greenlee Participants in the 2014 KMEA State Marching Band -Performing Groups Competition. See results on page 26. 50 Candidates for KMEA Office 56 Election Instructions for Absentee Voting 58 Fern Music Education Scholarship 60 2015 Journal Cover Contest 62 In Memoriam Forms 58 KMEA Research Grant Available 59 Links to KMEA Forms KMEA: Kentucky Music Educators Association Photo by David Greenlee P.O. Box 1058, Richmond, KY 40476-1058 1-859-626-5635 Printed by JOHNSON PRESS OF AMERICA The Kentucky Music Educators Association is a voluntary, non-profit organization representing all phases of music NAfME: The National Association for Music Education education in schools, colleges, universities, and teacher-training institutions. KMEA is a federated state association of the National Association for Music Education. KMEA/NAfME membership is open to all persons actively 1806 Robert Fulton Drive, Reston, VA 20191 interested in music education. NAfME Toll-Free Telephone: 1-800-366-3768 Inquiries regarding advertising rates, closing dates, and change of address should be sent to Melissa Skaggs, P.O. Box 1058, Richmond, KY 40476-1058; tel: 859-626-5635; fax: 859-626-1115; email: [email protected]. Articles NAfME President: Nancy Ditmer and reports should be submitted to the editor, George R. Boulden; email: [email protected] Southern Division President: Christine Fisher Bluegrass Music News is published in fall, winter, spring, and summer. Annual subscription: $15.00. Individual KMEA President: Debbie Kidd copies are $5.00. Subscription for members of KMEA is included in the unified NAfME/KMEA membership dues. UNIVERSITY OF KENTUCKY SCHOOL OF MUSIC 2015 AUDITIONS Friday, January 30, 2015 Saturday, January 31, 2015 Friday, February 13, 2015 Saturday, February 14, 2015 Friday, March 6, 2015 Saturday, March 7, 2015 Alltech Vocal Scholarship Competition: Sunday, March 8, 2pm, Singletary Center For more information and to apply for an audition visit finearts.uky.edu/music. finearts.uky.edu/music [email protected] 2 Bluegrass Music News WINTER 2015 From the President DEBBIE KIDD EXPERIENCING THE COMMON BOND OF MUSIC Throughout my life I have enjoyed sharing and thought of the wonderful experiences I had through- experiencing music with others. As a child my entire out my teaching career and looked forward to sharing family enjoyed singing along with the piano. My American folk music with the Japanese students. Little brother played trumpet in the high school band, my did I know how much THEY would teach me about sister sings in church and to her grandchildren, my American folk songs and the absolute joy of making father sang around the house, my mother served as music together! song leader in her church, my maternal grandparents Everywhere our delegation traveled music was sang in the church choir, and my grandfather sang in a a large part of the program whether it be a formal quartet. reception, banquet, informal dinner party, county fair, One of my most enjoyable teaching experiences private party, or school. Everyone appeared to know was in a Global Studies Magnet School in Lexington. “My Old Kentucky Home” and “Amazing Grace”. Learning and teaching music from a plethora of differ- Time after time I was asked to lead in the singing of ent countries helped me appreciate that every culture these beloved songs. Our Kentucky delegation enjoyed cherishes their country’s music as well as that of other hearing both a koto ensemble and a Japanese military countries. Students, teachers, parents and the commu- band perform medleys of Stephen Foster music. The nity at large shared and embraced the diversity of our koto is the national instrument of Japan with thirteen school population. International Night was a favorite strings that are strung over 13 movable bridges along event as our families shared food, dance, traditional the width of the instrument. Players adjust the string clothing, language, art, and music from many countries pitches by moving the bridges. representative of our school population. Music served Throughout a two day festival in honor of Paul to bind us together and bridge any communication Rusch, a Kentuckian who helped revitalize Hokuto gaps that may have existed. after the war, live music was performed on numer- Very often the music classroom is the first place a ous stages set up on the fair grounds. Japanese bands child with little or no English proficiency is successful. performed Kentucky Bluegrass as well as the music Seeing the joy in a child’s eyes when they understand of the Eagles and Alabama. The Bluegrass bands were how to play or sing a part, understand a concept, or impressive! receive positive feedback is something a teacher never Fortunately, the Japanese students enjoyed learning forgets. Henry Wadsworth Longfellow said it best, the Kentucky folk songs as they played the dulcimer, “Music is the universal language of mankind”. washboard, limberjack and wooden spoons. Laughter During the month of October I received one of the and music resounded throughout the classroom as greatest gifts of my lifetime. I was invited to travel to principals, assistant principals, interpreters and stu- Japan as part of the Madison County and Hokuto City dents played and sang together. All administrators were Yamanashi Prefecture cultural exchange. My invita- supportive of the exchange and enjoyed seeing their tion included the opportunity to teach elementary and students actively engaged in music making. middle school students in the Yamanashi Prefecture. The principal in one of the Junior High Schools had In preparation for the trip, delegates enjoyed weekly a trumpet in his office and played in a Community Jazz lessons in Japanese language and culture. We quickly Band, as well as his school’s band, on special occasions. discovered the language was not as difficult as initially In this Junior High School there was even a beautiful feared and looked forward to immersing ourselves in grand piano in the front foyer. Another principal was the Japanese culture. As I prepared my lesson plans I rehearsing with the chorus in his elementary school Continued on page 9 www.kmea.org 3 Eastern Kentucky University There’s so much here for you! We believe that your passion for learning and our dedication to teaching will take you further than you ever imagined. Study with faculty who have earned international acclaim, yet consider educating students at EKU their greatest reward. Auditions for departmental scholarships are open to all students, including music majors and non-music majors. Recognized among “America’s Best Colleges” by U.S. News & World Report and Forbes magazines, EKU offers outstanding programs and amazing opportunities. www.music.eku.edu Home of the FosterJoin MusicUs Summer Camp The2015 Nation’s www.fostercamp.org Second Oldest Music Camp Great Journeys Begin Here Eastern Kentucky University is an equal opportunity/affirmative action employer and educational institution. 4 Bluegrass Music News WINTER 2015 From the Editor GEORGE R. BOULDEN As 2014 draws to a close I hope enjoy your time Over nearly 30 years, there have been championships away from the classroom and are able to spend time and top placements. We have performed in many with friends and family. For me, the Christmas sea- different competitions in several different “big name” organizations’ activities. We have evolved over time, son is also a wonderful time to celebrate the successes and I, as a band director, have grown to view the of the year and reflect on the things that didn’t quite activity a bit differently than I did when I was a novice go as expected. That’s one of the great things about teacher. our profession—always the opportunity to grow and No, we weren’t named a “champion” this week- improve! I hope you enjoy your time off and return to end.
Recommended publications
  • 94 DOWNBEAT JUNE 2019 42Nd ANNUAL
    94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence.
    [Show full text]
  • Stephen Holley (303) 246-0506 [email protected] Steveholleymusic.Com
    Stephen Holley (303) 246-0506 [email protected] steveholleymusic.com EDUCATION Arizona State University Tempe, AZ Ph.D. student in Music Learning and Teaching, expected graduation 2022 The University of Memphis Memphis, TN M.M., Jazz/Classical Bass Performance December, 1998 Secondary Concentration in Musicology The University of Memphis Memphis, TN B.M., Jazz/Classical Bass Performance August, 1995 Minor in Music Business RESEARCH/TEACHING INTERESTS Blending formal, non-formal, and informal approaches in the rehearsal to nurture a differentiated, democratic, learner-centered environment Incorporating facets of popular music education into the current music education paradigm in an effort to cultivate a more culturally relevant, transformative music education experience for students that is both equitable and accessible Identifying and exploring the lived experienced of musicians and how these experiences–– both intramusical and extramusical––inform and influence their teaching practice. Fostering the next generation of music educators and their efforts in producing a diverse, culturally responsive, well-rounded music education for all students Identifying and troubling emerging practices around ways of learning and teaching in popular music through a lens of critical pedagogy BOOKS Holley, S., Reinhert, K., and Moir, Z. (2021, June) Action-based approaches in popular music education. Fflat Books. Holley, S. (2020, November). Coaching a popular music ensemble: Blending formal, non-formal, and informal approaches in the rehearsal. McLemore Ave Music. Holley, S. (2019, May). Coaching a popular music ensemble: Blending formal, non-formal, and informal approaches in the rehearsal (2nd ed.) Fflat Books. BOOK CHAPTERS Holley, S. (in press). Intersections and roundabouts; Connecting in-school and out-of- school experiences to teaching practices.
    [Show full text]
  • HAPCO Summer Jazz Band Camp Camp Host Lead Clinician Details
    HAPCO Summer Jazz Band Camp Camp includes: June 15-19, 2020 · master classes presented by Florida Lottery & Duke Energy · improv · jam sessions · jaZZ business, theory + history Camp Host · career tools · video projects for clinician critique HAPCO Music Foundation · zoom social dinner Joseph McMullen HAPCO Chairman & Founder Oakland Town Commissioner You’ll learn from professional and university-level clinicians, who [email protected] | 800.409.6133 emphasiZe fun and energy in a positive environment. You’ll gain www.hapcopromo.org insights from professional musicians. Instagram: HapcoMusic | Facebook: HapcoMusicFoundation PO Box 784581 | Winter Garden, Florida 34778 You’ll have fun with friends, old and new, who share your passion for jaZZ music. We’ve worked in virtual collaboration exercises as well as social events like Zoom dinners, where you can get to Lead Clinician know other musicians. Scott Wilson Director of JaZZ Studies, University of Florida You’ll perform alongside the clinicians on Facebook Live. You’ll www.scottwilsonjaZZ.com build your confidence and your skills – and your network of Facebook @ScottWilsonJazZ connections. 435.851.6363 [email protected] It’s a week of jaZZ, learning and making life-long friends. Jazz music is a global language of unity, innovation and Details friendship. · The camp is open to 2020/21 7th-12th graders. · Campers must have a minimum of one year of training on their At this online camp, our clinicians will help make this a week of chosen instrument. fun jams, creativity and great jaZZ. · Registration is $150. · Accessibility: If a camper requires special accommodations, To ensure the safety and well-being of our students and please contact HAPCO before registering; we will work to clinicians, our Summer Jazz Band Camp will be completely verify that we will be able to adequately meet your online via Zoom and Facebook Live.
    [Show full text]
  • Download 2017 Jazz Festival Program
    February 23-25, 2017 Grounded in Tradition. Breaking New Ground. www.uidaho.edu/jazzfest hampjazz ii University of Idaho GENERAL INFORMATION GENERAL Welcome TO THE FESTIVAL AT THE UNIVERSITY OF IDAHO! elcome to 50 years of Vandal tradition – a half century of excellence at the Lionel Hampton Jazz Festival. This signature Vandal event is where key aspects of our mission – teaching, learning and exploration, and community engagement – truly take Wcenter stage. As we gather for a celebration of our festival’s history and its bright future, effectively captured in the “Grounded in Tradition. Breaking New Ground.” theme, we celebrate our students, our teachers both from UI and visiting, and our performers. Our 50th anniversary sees the festival with some changes, intended to refocus and reenergize this great event. For 2017 the Lionel Hampton Jazz Festival returned to our Lionel Hampton School of Music within the College of Letters, Arts and Social Sciences. I thank our School of Music for the way they’ve seamlessly handled this transition intended to improve the overall event experience for students, faculty and attendees. Their behind-the-scenes management is something many attendees may not notice, but will benefit from through a memorable experience. This year we have three days and nights of exciting music education and concerts, with all of it taking place right on campus. Another noticeable change is a shift in the student experience: The festival now offers a competitive track option for student performers. Adjudicators will hand-select soloists and combos from our K-12 participant ranks to perform on the main stage at each evening’s concert, as they did when Lionel performed here.
    [Show full text]
  • For Immediate Release Rico Introduces Reserve
    FOR IMMEDIATE RELEASE RICO INTRODUCES RESERVE CLASSIC ALTO SAXOPHONE REEDS The NAMM Show, Anaheim, CA, January 13-16, 2011 (Booth #4834) – Rico is excited to announce that Reserve Classic Alto Saxophone reeds have been added to its line of Reserve Classic reeds. The Reserve Classic Alto Saxophone reeds are made from lower-internode cane which produces the most consistent tone of any reed currently on the market. The new Reserve Classic reeds feature a thicker blank that allows for more resonation as well as a profile that provides more flexibility than standard alto saxophone reeds. Reserve Classic Alto Saxophone reeds are available in strengths of 2.0 to 4.5. The Reserve Classic line also offers 3.0+ strength, making Reserve Classic the first line of reeds to offer this strength option for the alto saxophone. Buzz about the new Reserve Classic reeds for Alto Saxophone is already stirring from top artists: “Whether performing traditional saxophone quartet music or cutting-edge contemporary repertoire, Rico Reserve reeds provide us with exceptional reliability, response, and resonance,” enthuses Jeffrey J. Loeffert of the h2 Quartet. “The Reserve Classic Alto Saxophone reeds allow us to perform broad dynamic ranges, project in expressive passages, and facilitate our ability to blend.” “Rico’s new line of classical reeds gives the performer total confidence on stage,” says Dave Camwell, Assistant Professor of Saxophone and Jazz Studies at Simpson College. “The response, warmth of sound, or clarity of tone is simply sensational. I find the new Reserve Classic reeds to be in a league of their own.” “The Reserve Classic Alto Saxophone reeds were developed after receiving some great feedback from a diverse range of players,” says Rico Product Manager, Robert Polan.
    [Show full text]
  • 92 Downbeat June 2017 40Th Annual
    92 DOWNBEAT JUNE 2017 40TH ANNUAL Brightest The Best Student Musicians of 2017 JUNE 2017 DOWNBEAT 93 Theresa Chen of the Eastman School of Music earned an Outstanding Composition accolade at the Graduate College level in the category Original Composition–Small Ensemble. Welcome to the 40th Annual DownBeat Student Music Awards Eastman New Jazz Ensemble, Eastman School of Music, Rochester, New York THIS SECTION IS ALL ABOUT YOUNG problems are compounded by one person talent. The annual DownBeat Student or group’s inability to view an issue from Features Music Awards (SMAs) provide a show- another, opposing perspective, we should case for some of the world’s most talent- all take a moment to reflect on the values 100 JAZZ INSTRUMENTAL SOLOIST ed young musicians—from the junior that are promoted in a music classroom. high level all the way up to graduate col- As students are learning about the 106 LARGE JAZZ ENSEMBLE lege students. We are proud to highlight technical aspects of making music, they and encourage the musical endeavors of also learn about democracy, equality, col- 114 VOCAL JAZZ SOLOIST all our competitors. laboration, cooperation and the devel- For 40 years, the SMAs have been a opment of invididual contributions that 118 BLUES/POP/ROCK GROUP stepping stone for many of the world’s enhance the efforts of the collective. They greatest musicians. Among the notewor- also learn to respect colleagues who might 122 JAZZ ARRANGEMENT thy SMA competitors over the decades have different backgrounds and opinions are such major artists as Norah Jones, than they do.
    [Show full text]
  • Emily Merrell (801) 649.9550
    Emily Merrell (801) 649.9550 www.emvocals.com Education MM in Jazz Performance University of North Texas, 2012 Graduating GPA – 4.0 BM in Jazz Studies University of North Texas, 2010 Minor in Music Theory Graduating GPA – 3.953 Private Jazz Voice Lessons with Rosana Eckert: August 2008 – May 2012 Private Composition and Arranging Lessons with Rich DeRosa: August 2011 – May 2012 Private Classical Voice Lessons with Derek Chester, Monica Boldt, Jennifer Youngs: August 2005 – May 2012 Jazz Ensemble Direction under Paris Rutherford: August 2008 – August 2009 Jazz Ensemble Direction under Steve Wiest: May 2010 – August 2010 University Teaching Experience Adjunct Instructor – Commercial Music Commercial Music Division, Brigham Young University, August 2015 – May 2019 - Program and direct BYU Jazz Voices: 10-12 vocalists (men and women), and rhythm section (piano, bass, drums, guitar). Repertoire is selected from only the highest quality arrangers, and features a wide variety of jazz-subgenres including swing, latin, bebop, funk, fusion, and modern jazz hybrids. All students participate as ensemble members, and as improvising soloists. In addition to two “on-campus” performances per semester, BYU Jazz Voices perform frequently for “off-campus” events. - Teach private contemporary voice lessons to pre-music majors, and instrumental music majors. Adjunct Instructor – Contemporary Voice Department of Music, Utah Valley University, August 2014 – May 2019 - Present weekly lectures to vocalists in the commercial music department - Design lectures
    [Show full text]
  • Vocal Jazz Soloist
    ’S Jazz Education Hall of Fame José Diaz YOUNG Page 118 STARS SHINE Jazz Education Achievement Awards Kent Devereaux THE BEST STUDENT Page 121 Steve Sveum MUSICIANS OF 2014 Page 123 Alto saxophonist Patrick Bartley, a student at the Manhattan School of Music, is this year’s Undergraduate College winner in the category Jazz Instrumental Soloist. JUNE 2014 DOWNBEAT 95 BRIAN HATTON 37th Annual Student Music Awards Fantasy V, Jazz Soloist Brubeck Institute Junior High School Winner Esteban Castro Piano Spring School Oscar Perez Tenafly, NJ Junior High School Outstanding Performance Gus Hurteau Vibes Westlake Middle School Randy Porter Oakland, CA High School Winners Fernando Ferrarone Trumpet & Alto Saxophone Felix Varela Senior High School Daniel Strange Miami, FL Zoe Obadia Cole Davis Dan Gailey Trio Collective Lawrence, KS Alto Saxophone Bass Bloomington High School North LaGuardia High School Janis Stockhouse Glen Ridge High School Nick Hetko Kevin Lagos Kevin Blancq Bloomington, IN Piano Glen Ridge, NJ New York, NY University of Miami Josh Bermudez Martin Bejerano Performing Arts High School Outstanding Guitar Coral Gables, FL High School Winner Performances New World School of the Arts Jim Gasior Graduate College Winners Precollege Combo Anton Derevyanko Miami, FL Manhattan School of Music José Valentino Tenor Saxophone Jeremy Manasia Medfield High School Andy Arditi Piano, Flute, Saxophone New York, NY Douglas Olsen Tenor Saxophone University of South Florida Medfield, MA Colburn School of the Arts Dr. David Williams Lee Secard Tampa, FL Performing Arts High School Andrés Rovira Los Angeles, CA Outstanding Performances Piano Aaron Hedenstrom Paideia School Undergraduate Saxophone BTW Jazz Combo I ‘13 College Winner Kevin Bales University of North Texas Booker T.
    [Show full text]
  • Stephen Holley 7157 S Adams Circle Centennial, CO 80122 (303) 246-0506 [email protected] Steveholleymusic.Com
    Stephen Holley 7157 S Adams Circle Centennial, CO 80122 (303) 246-0506 [email protected] steveholleymusic.com EDUCATION Arizona State University Tempe, AZ Ph.D. student in Music Education, expected graduation 2022 The University of Memphis Memphis, TN M.M., Jazz/Classical Bass Performance December, 1998 Secondary Concentration in Musicology The University of Memphis Memphis, TN B.M., Jazz/Classical Bass Performance August, 1995 Minor in Music Business RESEARCH/TEACHING INTERESTS Implementing facets of popular music education to foster a more inclusive, transformative music education experience for our students Blending formal, non-formal, and informal approaches in the rehearsal to nurture a differentiated, democratic learning environment DoWnBeat AWard Winning, Grammy-nominated music educator Who has developed a student-centered methodology toWards the rehearsal process Desire to foster the next generation of music educators in an effort to establish a more diverse, relevant, and well-rounded music education Comparative analysis of best pedagogical practices in popular music education both domestically and internationally Trajectory of popular music education and the historical/pedagogical arguments in relation to jazz/traditional music education BOOK Holley, S. (2019, May). Coaching a Popular Music Ensemble: Blending formal, non-formal, and informal approaches in the rehearsal. Denver, CO: McLemore Ave Music. Stephen Holley 1 PUBLISHED ARTICLES Holley, S. (in press) Eight part series on Coaching a Popular Music Ensemble. InTune Monthly. Holley, S. (in press). RevieW of the book Rock Coach, by S. Giddings. Journal of Popular Music Education. Holley, S. (2019, August). Blending Formal, Non-formal, and Informal Approaches in the Rehearsal. Teaching Music. Holley, S. (2019, August).
    [Show full text]
  • 2013 Alfred Music Publishing Co., Inc. All Rights Reserved Including Public Performance
    © 2013 Alfred Music Publishing Co., Inc. All Rights Reserved including Public Performance. Any duplication, adaptation or arrangement of the compositions contained in this book requires the written consent of the Publisher. No part of this book may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. ABOUT THE AUTHORS Caleb Chapman As the president of Caleb Chapman Music, Caleb directs over 170 young musicians in ten elite ensembles. This includes the acclaimed Crescent Super Band, which has frequently been hailed as one of the best professional bands in the world to be comprised entirely of young musicians. In 2011 Caleb was named the “John LaPorta International Jazz Educator of the Year,” one of the highest honors in music education. He has also received awards as “Best K-12 Educator” and “Best Music Educator” for the state of Utah. Caleb’s bands have been honored with 17 DownBeat Awards and featured at many of the world’s most prestigious jazz festivals and venues. His program has twice received the Best of State Statue Award, marking the program as the top organization in Arts and Entertainment by surpassing every other professional music, arts, and film group in Utah for the honor. Since 2001, they have performed with over 200 guest artists, including Randy Brecker, Joe Lovano, Christian McBride, Esperanza Spalding, Peter Erskine, Toshiko Akiyoshi, Gordon Goodwin, Bob Berg, Wayne Bergeron, Dave Weckl, Nicholas Payton, Lenny Pickett, Ernie Watts, and Bob Mintzer, to name a few. Additionally, his bands have received heavy airplay on the Sirius XM “Real Jazz” Channel.
    [Show full text]
  • Jazz Education Network 2019 Conference Schedule Wednesday
    Jazz Education Network 2019 Conference Schedule (FINAL pdf version • 12-11-18) Lobby Level LL Spa Level SL Executive Level EL Wednesday, January 9, 2019 Registration Open 8:00 AM – 12:00 NOON Jazz Industry & Music Business Symposium Crystal Ballroom 1-2 LL Social Media Strategies for The DIY Musician John Raymond-presenter 9:00 AM - 9:25 AM Are You A DIY Jazz Musician? Do You Spend An Inordinate Amount Of Time on Social Media Every Day? This Presentation Will Talk About Specific Strategies For How To Make The Most Of Your Social Media So That You Can More Confidently and Effectively Grow Your Online Presence. Marketing Yourself Through DIY Websites Ashley Shabankareh-presenter 9:30 AM - 9:55 AM What Makes A "Good" Website? Which Template Services Are The Best? In This Session, We'll Explore the Various DIY Website Formats. The Nash as a New Model for a Youth Centered Jazz Community Jeffrey Libman & Dr. Keith Kelly-presenters 10:00 AM - 10:50 AM From the Beginning, the Nash Was Imagined as a Jazz Performance and Education Venue Dedicated to Serve Youth. This Session Will Detail How with Its Unique Education Programs, School Partnerships, Creative Booking, Inexpensive Student Tickets, and Free Concerts, the Nash Establishes a New Model for a Youth Centered Jazz Community. Developing New Jazz Audiences Harry Schnipper-presenter 11:00 AM - 11:50 AM This symposium is the second in a series of JEN Business classes. This class will focus on (1) the artist as a brand, (2) platforms for brand development and (3) development categories.
    [Show full text]
  • The Best Studentmusicians
    92 DOWNBEAT JUNE 2018 The Best Student Musicians of 2018 JUNE 2018 DOWNBEAT 93 Zack Shubert of Carlmont High School in Belmont, California, is the recipient of two Student Music Award honors. See page 100. (Photo: Jeff Bartee) 41 Student Music Awards Pacific Standard Time from California State University, Long Beach THE DOWNBEAT STUDENT MUSIC AWARDS Achievement award. honor the achievements of today’s top student Christine Helferich Guter, director of the musicians and their teachers. The results of vocal jazz program at the Bob Cole 100 | this year’s 41st edition, presented in the fol- Conservatory of Music at California State JAZZ INSTRUMENTAL SOLOIST lowing pages, show jazz education to be in a University, Long Beach since 2002, instills a 104 | SMALL JAZZ COMBO vibrant state at every stage from junior high sense of artistic honesty in her students. Her to grad school. program has been honored with close to 30 108 | LARGE JAZZ ENSEMBLE Motivated students are digesting more Student Music Awards since 2006. information and playing at higher levels than Cuauhtémoc “Moc” Escobedo has direct- 112 | LARGE VOCAL JAZZ ENSEMBLE ever before, thanks in large part to the dedicat- ed jazz and concert bands at Seattle’s Eckstein ed educators who set them up for success and Middle School since 1994. He takes an all-in- 116 | BLUES/POP/ROCK SOLOIST the schools that provide them with a proper clusive approach to leading student jazz learning environment. And, as previous edi- ensembles, one that has garnered 15 Student 128 | DOWNBEAT JAZZ EDUCATION tions of the Student Music Awards have prov- Music Award honors over the years.
    [Show full text]