92 Downbeat June 2017 40Th Annual

Total Page:16

File Type:pdf, Size:1020Kb

92 Downbeat June 2017 40Th Annual 92 DOWNBEAT JUNE 2017 40TH ANNUAL Brightest The Best Student Musicians of 2017 JUNE 2017 DOWNBEAT 93 Theresa Chen of the Eastman School of Music earned an Outstanding Composition accolade at the Graduate College level in the category Original Composition–Small Ensemble. Welcome to the 40th Annual DownBeat Student Music Awards Eastman New Jazz Ensemble, Eastman School of Music, Rochester, New York THIS SECTION IS ALL ABOUT YOUNG problems are compounded by one person talent. The annual DownBeat Student or group’s inability to view an issue from Features Music Awards (SMAs) provide a show- another, opposing perspective, we should case for some of the world’s most talent- all take a moment to reflect on the values 100 JAZZ INSTRUMENTAL SOLOIST ed young musicians—from the junior that are promoted in a music classroom. high level all the way up to graduate col- As students are learning about the 106 LARGE JAZZ ENSEMBLE lege students. We are proud to highlight technical aspects of making music, they and encourage the musical endeavors of also learn about democracy, equality, col- 114 VOCAL JAZZ SOLOIST all our competitors. laboration, cooperation and the devel- For 40 years, the SMAs have been a opment of invididual contributions that 118 BLUES/POP/ROCK GROUP stepping stone for many of the world’s enhance the efforts of the collective. They greatest musicians. Among the notewor- also learn to respect colleagues who might 122 JAZZ ARRANGEMENT thy SMA competitors over the decades have different backgrounds and opinions are such major artists as Norah Jones, than they do. When students learn to per- 126 DOWNBEAT JAZZ EDUCATION Brad Mehldau, Maria Schneider, Chris form in harmony, it is often in both a liter- HALL OF FAME: Potter, Donny McCaslin, Darcy James al and a figurative sense. CLARENCE ACOX Argue, Roy Hargrove, Zaccai Curtis, Jon So while we applaud all the great melo- Irabagon, Grace Kelly, Kendrick Scott and dies, compositions and arrangements 130 DOWNBEAT JAZZ EDUCATION Aaron Parks. crafted by SMA musicians, we also realize In addition to the students who have that their work on the bandstand and in ACHIEVEMENT AWARD: become major jazz artists, and the hun- the recording studio often results in those PAUL CONTOS dreds of musicians who became jazz edu- musicians being a bit more empathetic cators, there are thousands of SMA com- when they are off the bandstand. 132 DOWNBEAT JAZZ EDUCATION petitors who have benefited in other ways. On the following 38 pages, you’ll see ACHIEVEMENT AWARD: For those who did not choose a career path the names and photos of some of the best in music, their studies helped them to and brightest young musicans on the plan- HOWARD STONE become better listeners, better team mem- et. In the future, we know that you’ll be bers and better leaders. hearing a lot more music from some of 96 DOWNBEAT STUDENT MUSIC Nowadays, when so many of our social these gifted youngsters. —Bobby Reed AWARDS—COMPLETE RESULTS 94 DOWNBEAT JUNE 2017 JUNE 2017 DOWNBEAT 95 Student Music Award Listings Jazz Ensemble I at the University of Wisconsin Eau-Claire Hamilton High School Performing Arts High School Jay Anderson Jazz Soloist Eric Rasmussen Outstanding Performance New York, NY Chandler, AZ Junior High School Winners Howard Dietz Luca Mendoza Joseph Yang Alto Saxophone Henry Acker Piano Trombone University of North Texas Guitar Colburn Community School of Valley Christian High School Brad Leali Performing Arts Duxbury Middle School Dr. Marcus Wolfe Denton, TX Lee Secard Jill Norenberg San Jose, CA Los Angeles, CA Duxbury, MA Tobias Meissl High School Vibraphone Matthew Lee Community College Drums and Trumpet Outstanding Performances Berklee College of Music Outstanding Performance Greg Hopkins Glenfield Middle School Albert Newberry Boston, MA Jon Ward Piano Arek Gralnic Montclair, NJ Guitar North Cross School Henry Solomon MiraCosta College Baritone Saxophone Junior High School John Salmon Greensboro, NC Steve Torok USC Thornton School of Music Outstanding Performances Oceanside, CA Bob Mintzer David Sneider Los Angeles, CA Daiki Nakajima Trumpet Undergraduate Tenor Saxophone Ardsley High School College Winner Graduate Moreland Middle School Alan Goidel College Winner Dann Zinn Ardsley, NY Josh Shpak San Jose, CA Trumpet Eitan Gofman Performing Arts High Berklee College of Music Tenor Saxophone Oliver Tuttle School Winner Trombone Tiger Okoshi Manhattan School of Music Boston, MA Justin DiCioccio Edna Brewer Middle School Petros Anagnostakos New York, NY Zack Pitt-Smith Drums Oakland, CA Undergraduate College Humber College Graduate College Community Outstanding Performances High School Winners Music School Outstanding Performances Kirk MacDonald Cole Davis Alex Yuwen Toronto, Ontario Acoustic Bass Chase Morrin Tenor Saxophone Canada Manhattan School of Music Piano 96 DOWNBEAT JUNE 2017 JOE MARTINEZ he May 18, 1978, issue of DownBeat included a at the age of 22, was serving as pianist and arranger for Tcover story on Frank Zappa with features on bassist Art Blakey. He would later go on to head up the jazz Dave Holland and baritone saxophonist Nick Brignola. studies program at William Paterson University. Those On the cover, the “down beat” logo was two words, ren- three jazz-education titans started a tradition of amaz- dered in a lower-case font that screamed, “This is the ing adjudicators that continues to this day. ’70s!” The tagline above the logo let everyone know that Some of the competitors went on to have great db was “the contemporary music magazine.” careers, like high school saxophonist Ted Nash, who But that cover did not mention what would become received an honorable mention for solo instrumental one of the cornerstones of DownBeat and its dedication performance. Today, Nash is revered as a leader and as to jazz education—the Student Music Awards. In those a member of the Jazz at Lincoln Center Orchestra. days, they were actually called the “down beat Student Other participants from the 1978 competition went Recording Awards,” and given all of one-and-a-half on to do great things in the music business, like Jim pages of space in the magazine. Rupp, the drummer for The Ohio State University These awards prove that “from small things, mama, Jazz Ensemble. He toured with Woody Herman and big things one day come.” The goal was to create an Maynard Ferguson, and spent eight years drumming awards program that could one day be as important for Diane Schuur. But Rupp is probably best known to student musicians as the Grammys were to the pros. as the owner of Columbus Pro Percussion, one of the Performances that year were adjudicated by a trio nation’s best drum shops, located in Columbus, Ohio. of jazz education royalty—David Baker, Bunky Green And still others became teachers, bankers, lawyers, and James Williams. Baker was already making history civic leaders and parents. If a person can learn to do in his post as head of jazz studies at Indiana University. one thing well, chances are they can learn to do many Green was making his mark as head of jazz studies at things well. Shining a spotlight on students who learn Chicago State University. He would later become the to play jazz well: That’s been the spirit of the SMAs for Grammy winner Ted Nash received an honorable mention accolade in chair of jazz studies at the University of North Florida. the past 40 years. And it’s a tradition that will continue the 1978 Student Music Awards. And Williams, who taught at Berklee College of Music for many more. —Frank Alkyer JUNE 2017 DOWNBEAT 97 Jazz Orchestra, Western Michigan University, Kalamazoo, Michigan Berklee College of Music Academy of Music Marco Pignataro & Performing Arts Boston, MA Jim Foschia Los Angeles, CA Shai Golan Alto Saxophone Honors Ensemble Winner Manhattan School of Music Justin DiCioccio Thelonious Monk Institute New York, NY National Performing Arts High School All-Star Peer- Small Jazz Combo to-Peer Jazz Quintet Thelonious Monk Institute of Jazz, UCLA High School Winner JB Dyas Los Angeles, CA Tempus Fugit Ann Arbor Community High School Honors Ensemble Jack Wagner Ann Arbor, MI Outstanding Performances High School Advanced Jazz Workshop 1 The Jazzschool Community Outstanding Performance Music School Michael Zilber Jazz Combo I Berkeley, CA Folsom High School Curtis Gaesser SFJAZZ All-Stars Combo Folsom, CA SFJAZZ Dan Zinn Performing Arts San Francisco, CA High School Winner Community College Winner Colburn Jazz Workshop Monday Night Band Jazz Combo I Colburn Community School of Riverside City College Performing Arts Joel Paat Lee Secard Riverside, CA Los Angeles, CA Community College Performing Arts Outstanding Performance High School Outstanding Performance Jazz Collective MiraCosta College Hamilton ‘A’ Combo Steve Torok Hamilton High School Oceanside, CA 98 DOWNBEAT JUNE 2017 Jazz Instrumental Soloist Joseph Yang Eitan Gofman Matthew Lee VARIED SKILLS YIELD REWARDS IN NOVEMBER 2014, TENOR SAXOPHONIST graduate college level, is developing a broad Eitan Gofman returned to his native Israel to set of skills. While he impresses listeners with play in a big band that was performing the his playing, he is pursuing endeavors that Josh Shpak ANDRE LAMAR music of his countryman Eli Degibri. To take complement his performing. part in the concert, Gofman took a leave of After finishing course requirements for his absence from the Manhattan School of Music, performance degree at Boston’s Berklee Col- where he was a first-year master’s student in lege of Music, Shpak, who hails from the San jazz performance. Francisco Bay Area, decided to complete the As it happened, Mike Holober, who taught requirements for another major: film scoring. Gofman arranging at the Manhattan School, He hopes to apply what he has learned to com- was the conductor and arranger for the Degi- mercial work and film production.
Recommended publications
  • APFJ-June 08.Pub
    A P A PLACE FOR JAZZ O R June 2008 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Enjoy Summer, then swing into Fall by Tim Coakley There will be plenty Bassist Ben Allison Please join us of jazz to enjoy this summer, has been called an adventur- In the back of the and inside this newsletter you ous improviser and a visionary newsletter you will find a will find information on a composer by Jazz Times. His ticket order form for the fall VOLUNTEER HELP number of jazz concerts and 2004 CD "Buzz" was number concert series, as well as a WANTED festivals scheduled in the one on national radio charts membership signup form. As Capital Region for June, July for 6 weeks. On October 10, always, we depend on the and August. his quintet, which he calls generous support of our We need help: Once September Man Size Safe, will give us a members to keep the music With publicity: distributing fliers and rolls around, we will be get- chance to sample his unique coming. Your membership posters ting ready for our fall season approach. As for what the now will help us as we make name of the group means, Writing music reviews for the newsletter of jazz, to be held in the our way into the fall season, acoustically superb Great Hall you'll have to attend the con- and will also ensure that we Greeting people and handing out pro- of the First Unitarian Society cert to find out! can begin planning just as grams at the concerts of Schenectady.
    [Show full text]
  • 94 DOWNBEAT JUNE 2019 42Nd ANNUAL
    94 DOWNBEAT JUNE 2019 42nd ANNUAL JUNE 2019 DOWNBEAT 95 JeJenna McLean, from the University of Northern Colorado in Greeley, is the Graduate College Wininner in the Vocal Jazz Soloist category. She is also the recipient of an Outstanding Arrangement honor. 42nd Student Music Awards WELCOME TO THE 42nd ANNUAL DOWNBEAT STUDENT MUSIC AWARDS The UNT Jazz Singers from the University of North Texas in Denton are a winner in the Graduate College division of the Large Vocal Jazz Ensemble category. WELCOME TO THE FUTURE. WE’RE PROUD after year. (The same is true for certain junior to present the results of the 42nd Annual high schools, high schools and after-school DownBeat Student Music Awards (SMAs). In programs.) Such sustained success cannot be this section of the magazine, you will read the attributed to the work of one visionary pro- 102 | JAZZ INSTRUMENTAL SOLOIST names and see the photos of some of the finest gram director or one great teacher. Ongoing young musicians on the planet. success on this scale results from the collec- 108 | LARGE JAZZ ENSEMBLE Some of these youngsters are on the path tive efforts of faculty members who perpetu- to becoming the jazz stars and/or jazz edu- ally nurture a culture of excellence. 116 | VOCAL JAZZ SOLOIST cators of tomorrow. (New music I’m cur- DownBeat reached out to Dana Landry, rently enjoying includes the 2019 albums by director of jazz studies at the University of 124 | BLUES/POP/ROCK GROUP Norah Jones, Brad Mehldau, Chris Potter and Northern Colorado, to inquire about the keys 132 | JAZZ ARRANGEMENT Kendrick Scott—all former SMA competitors.) to building an atmosphere of excellence.
    [Show full text]
  • Where to Study Jazz 2019
    STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life.
    [Show full text]
  • 18Th Annual Illinois State University Jazz Festival School of Music Illinois State University
    Illinois State University ISU ReD: Research and eData School of Music Programs Music 3-21-2014 18th Annual Illinois State University Jazz Festival School of Music Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation School of Music, "18th Annual Illinois State University Jazz Festival" (2014). School of Music Programs. 378. https://ir.library.illinoisstate.edu/somp/378 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music Presents th 18 Annual Illinois State University Jazz Festival featuring Dave Pietro With ISU Jazz Ensemble I ISU Center for the Performing Arts March 21 and 22, 2014 This is the one hundred and twentieth program of the 2013-2014 season. 18th Annual ISU Jazz Festival Tentative Schedule (please confirm times with the FINAL SCHEDULE upon arrival) FRIDAY, March 21, ISU CPA Concert Hall 1:00 PM Hickory Creek MS Jazz Band I Frankfort, IL 1:25 Hickory Creek MS Jazz Band II Frankfort, IL 1:50 Pekin Community HS Pekin, IL 2:15 H.L. Richards HS Big Band Oak Lawn, IL 2:40 H.L. Richards HS combo Oak Lawn, IL 3:05- 4:05 Dave Pietro Masterclass 4:45 Williamsville HS Williamsville, IL 5:10 Metamora Township HS Big Band Metamora, IL 5:35 Jacksonville High School Jacksonville, IL 6:00 Metamora Township HS Combo Metamora, IL 8:00 CONCERT: 1) ISU Jazz Ensemble II 2) Dave Pietro w/ ISU Jazz Ensemble I SATURDAY, March 22, ISU CPA Concert Hall 11:00 Morton Jr.
    [Show full text]
  • Am Ir El S Affar
    Two RiversTwo Ensemble AMIR E Visiting Artist Series presents L SAFFAR’S ARTIST PARTNER PROGRAM March 3, 2017 . 7&9PM KOGOD THEATRE at The Clarice VISITINGVAS ARTIST SERIES Visiting Artist Series presents AMIR ELSAFFAR’S Two Rivers Ensemble Amir ElSaffar,trumpet/santur Francois Moutin, bass Nasheet Waits, drums Ole Mathisen, tenor saxophone/soprano saxophone Tareq Abboushi, buzuq Zafer Tawil, percussion/oud This performance will last approximately 1 hour 10 minutes without intermission. The Two Rivers Ensemble is a sextet of jazz and Middle Eastern musicians that has made innovative strides in using the maqam modal system to transform the jazz idiom. Deeply rooted in musical forms of Iraq and the Middle East, the music still speaks the language of swing, improvisation, and group interaction, resulting in a sound that is distinct from other contemporary cross-cultural musical fusions. After more than a decade of extensive performing and touring and the release of three critically- acclaimed albums, the Two Rivers Ensemble has developed an instinctive ease PROGRAM NOTES with ElSaffar’s innovative music, playing with a creativity in a style that is rooted in tradition, while venturing into an entirely novel aesthetic. Tonight’s program consists of Amir ElSaffar’s composition entitled Crisis was commissioned by Newport Jazz Festival in 2013 and called by Downbeat Magazine, “certainly the first Middle Eastern-imbued jazz combo at Newport to win a standing ovation for its first song.” The music was composed after Amir ElSaffar spent a year living in Egypt, where he witnessed the Arab Spring protests first-hand, and Lebanon, where he worked with Syrian musicians who were living through that country’s harrowing civil war.
    [Show full text]
  • Ronnie Scott's Jazz C
    GIVE SOMEONE THE GIFT OF JAZZ THIS CHRISTMAS b u l C 7 z 1 0 z 2 a r J MEMBERSHIP TO e b s ’ m t t e c o e c D / S r e e i GO TO: WWW.RONNIESCOTTS.CO.UK b n OR CALL: 020 74390747 m e n v o Europe’s Premier Jazz Club in the heart of Soho, London o N R Cover artist: Roberto Fonseca (Mon 27th - Wed 29th Nov) Page 36 Page 01 Artists at a Glance Wed 1st - Thurs 2nd: The Yellowjackets N LD OUT Wed 1st: Late Late Show Special - Too Many Zooz SO o Fri 3rd: Jeff Lorber Fusion v Sat 4th: Ben Sidran e m Sun 5th Lunch Jazz: Jitter Kings b Sun 5th: Dean Brown Band e Mon 6th - Tues 7th: Joe Lovano Classic Quartet r Wed 8th: Ronnie Scott’s Gala Charity Night feat. Curtis Stigers + Special Guests Thurs 9th: Marius Neset Quintet Fri 10th - Sat 11th: Manu Dibango & The Soul Makossa Gang Sun 12th Lunch Jazz: Salena Jones “Jazz Doyenne” Sun 12th: Matthew Stevens Preverbal November and December are the busiest times Mon 13th - Tues 14th: Mark Guiliana Jazz Quartet of the year here at the club, although it has to be Wed 15th - Thurs 16th: Becca Stevens Fri 17th - Sat 18th: Mike Stern / Dave Weckl Band feat. Tom Kennedy & Bob Malach UT said there is no time when we seem to slow down. Sun 19th Lunch Jazz: Jivin’ Miss Daisy feat. Liz Fletcher SOLD O November this year brings our Fundraising night Sun 19th: Jazzmeia Horn Sun 19th: Ezra Collective + Kokoroko + Thris Tian (Venue: Islington Assembly Hall) for the Ronnie Scott’s Charitable Foundation on Mon 20th - Tues 21st: Simon Phillips with Protocol IV November 8th featuring the Curtis Stigers Sinatra Wed 22nd: An Evening of Gershwin feat.
    [Show full text]
  • Vocal Jazz Ensemble and 11 O'clock Jazz Orchestra
    Vocal Jazz Ensemble and 11 O’Clock Jazz Orchestra Christine Duncan and Jim Lewis, directors Wednesday, November 28, 2018 at 7:30 pm Walter Hall, 80 Queen’s Park PROGRAM But Not For Me G. and I. Gershwin Instrumental Precious E. Spalding arranged by: K. Marsh Still Travelling K. Marsh Pleasant J. Welchner Not For Human Beings Hobson’s Choice arranged by: L. Swankey Madeleine Ertel, trumpet I Want To Be Happy V. Youmans/I. Caesar arranged by: K. Marsh Vocal Jazz Ensemble Christine Duncan, director Events II and IV for Jazz Orchestra and Improvising Choir J. Lewis/C. Duncan When You Are Here H. Barstow Combined Vocal Jazz Ensemble and 11 O’Clock Jazz Orchestra Christine Duncan and Jim Lewis, directors Spectrum B. Mintzer Lately M. Schneider Energy Generation D. McCaslin Body and Soul Comp Green arranged by: R. McConnell Brandon’s First Day P. Ashwell 11 O’Clock Jazz Orchestra Jim Lewis, director Vocal Jazz Ensemble Vocalists Rhythm Section Avery Cantello Alyssa Giammaria Piano: William Hunt Kathleen O’Keefe Mairead Keogh Guitar: Dawson Chamberlain Brooklyn Bohach Emma Gilman Acoustic/Electric Bass: Anne Elgie Vannessa Gadoutsis Max Simpson Dominique Lalama Alyssa Datu Drums: Miles Fuller Isabella Hay Jenna Pinard Raquel Skilich David Bruce Abigail Mathew 11 O’Clock Jazz Orchestra Alto Saxophone Trumpet Guitar Brenon Parmar Shannon McDougall Wes White Garret Hildebrandt Lucas Udvarnoky Evan Garner Piano Tenor Saxophone Madeleine Ertel Max Donaldson Sam Demets Christian Antonacci Dermot O’Halloran Bass Trombone Leighton Harrell Baritone Saxophone Blair Scanling Thomas Steele Andrew Gormley Drums Ray Sun Evan Ng Bien Carandang For more information on U of T Jazz, visit uoftjazz.ca and follow @UofTJazz on social media.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Vocal Jazz in the Choral Classroom: a Pedagogical Study
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie.
    [Show full text]
  • Stephen Holley (303) 246-0506 [email protected] Steveholleymusic.Com
    Stephen Holley (303) 246-0506 [email protected] steveholleymusic.com EDUCATION Arizona State University Tempe, AZ Ph.D. student in Music Learning and Teaching, expected graduation 2022 The University of Memphis Memphis, TN M.M., Jazz/Classical Bass Performance December, 1998 Secondary Concentration in Musicology The University of Memphis Memphis, TN B.M., Jazz/Classical Bass Performance August, 1995 Minor in Music Business RESEARCH/TEACHING INTERESTS Blending formal, non-formal, and informal approaches in the rehearsal to nurture a differentiated, democratic, learner-centered environment Incorporating facets of popular music education into the current music education paradigm in an effort to cultivate a more culturally relevant, transformative music education experience for students that is both equitable and accessible Identifying and exploring the lived experienced of musicians and how these experiences–– both intramusical and extramusical––inform and influence their teaching practice. Fostering the next generation of music educators and their efforts in producing a diverse, culturally responsive, well-rounded music education for all students Identifying and troubling emerging practices around ways of learning and teaching in popular music through a lens of critical pedagogy BOOKS Holley, S., Reinhert, K., and Moir, Z. (2021, June) Action-based approaches in popular music education. Fflat Books. Holley, S. (2020, November). Coaching a popular music ensemble: Blending formal, non-formal, and informal approaches in the rehearsal. McLemore Ave Music. Holley, S. (2019, May). Coaching a popular music ensemble: Blending formal, non-formal, and informal approaches in the rehearsal (2nd ed.) Fflat Books. BOOK CHAPTERS Holley, S. (in press). Intersections and roundabouts; Connecting in-school and out-of- school experiences to teaching practices.
    [Show full text]
  • HAPCO Summer Jazz Band Camp Camp Host Lead Clinician Details
    HAPCO Summer Jazz Band Camp Camp includes: June 15-19, 2020 · master classes presented by Florida Lottery & Duke Energy · improv · jam sessions · jaZZ business, theory + history Camp Host · career tools · video projects for clinician critique HAPCO Music Foundation · zoom social dinner Joseph McMullen HAPCO Chairman & Founder Oakland Town Commissioner You’ll learn from professional and university-level clinicians, who [email protected] | 800.409.6133 emphasiZe fun and energy in a positive environment. You’ll gain www.hapcopromo.org insights from professional musicians. Instagram: HapcoMusic | Facebook: HapcoMusicFoundation PO Box 784581 | Winter Garden, Florida 34778 You’ll have fun with friends, old and new, who share your passion for jaZZ music. We’ve worked in virtual collaboration exercises as well as social events like Zoom dinners, where you can get to Lead Clinician know other musicians. Scott Wilson Director of JaZZ Studies, University of Florida You’ll perform alongside the clinicians on Facebook Live. You’ll www.scottwilsonjaZZ.com build your confidence and your skills – and your network of Facebook @ScottWilsonJazZ connections. 435.851.6363 [email protected] It’s a week of jaZZ, learning and making life-long friends. Jazz music is a global language of unity, innovation and Details friendship. · The camp is open to 2020/21 7th-12th graders. · Campers must have a minimum of one year of training on their At this online camp, our clinicians will help make this a week of chosen instrument. fun jams, creativity and great jaZZ. · Registration is $150. · Accessibility: If a camper requires special accommodations, To ensure the safety and well-being of our students and please contact HAPCO before registering; we will work to clinicians, our Summer Jazz Band Camp will be completely verify that we will be able to adequately meet your online via Zoom and Facebook Live.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]