Ganga-Myth: the River in the Making of an Imagined Community
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GRMB Annual Report 2017-18
Government of India Ministry of Water Resources, RD & GR Godavari River Management Board ANNUAL REPORT 2017-18 GODAVARI BASIN – Dakshina Ganga Origin Brahmagiri near Trimbakeshwar, Nasik Dist., Maharashtra Geographical Area 9.50 % of Total GA of India Area & Location Latitude - 16°19’ to 22°34’ North Longitude – 73°24’ to 83° 4’ East Boundaries West: Western Ghats North: Satmala hills, the Ajanta range and the Mahadeo hills East: Eastern Ghats & the Bay of Bengal South: Balaghat & Mahadeo ranges stretching forth from eastern flank of the Western Ghats & the Anantgiri and other ranges of the hills and ridges separate the Gadavari basin from the Krishna basin. Catchment Area 3,12,812 Sq.km Length of the River 1465 km States Maharashtra (48.6%), Telangana (18.8%), Andhra Pradesh (4.5%), Chhattisgarh (10.9%), Madhya Pradesh (10.0%), Odisha (5.7%), Karnataka (1.4%) and Puducherry (Yanam) and emptying into Bay of Bengal Length in AP & TS 772 km Major Tributaries Pravara, Manjira, Manair – Right side of River Purna, Pranhita, Indravati, Sabari – Left side of River Sub- basins Twelve (G1- G12) Dams Gangapur Dam, Jayakwadi dam, Vishnupuri barrage, Ghatghar Dam, Upper Vaitarna reservoir, Sriram Sagar Dam, Dowleswaram Barrage. Hydro power stations Upper Indravati 600 MW Machkund 120 MW Balimela 510 MW Upper Sileru 240 MW Lower Sileru 460 MW Upper Kolab 320 MW Pench 160 MW Ghatghar pumped storage 250 MW Polavaram (under 960 MW construction) ANNUAL REPORT 2017-18 GODAVARI RIVER MANAGEMENT BOARD 5th Floor, Jalasoudha, Errum Manzil, Hyderabad- 500082 FROM CHAIRMAN’S DESK It gives me immense pleasure to present the Annual Report of Godavari River Management Board (GRMB) for the year 2017-18. -
MAP:East Godavari(Andhra Pradesh)
81°0'0"E 81°10'0"E 81°20'0"E 81°30'0"E 81°40'0"E 81°50'0"E 82°0'0"E 82°10'0"E 82°20'0"E 82°30'0"E EAST GODAVARI DISTRICT GEOGRAPHICAL AREA (ANDHRA PRADESH) 47 MALKANGIRI SH Towards Sileru 18°0'0"N 18°0'0"N IR (EXCLUDING: AREA ALREADY AUTHORISED) ERVO I RES AY AR NK DO MALKANGIRI V IS H KEY MAP A K H A P A T N A M M Towards Polluru CA-02 A CA-01 M M ± A CA-07 H CA-35 CA-34 K V CA-60 I CA-03 CA-57 CA-58 S CA-33 CA-59 H CA-04 CA-57 CA-37 CA-36 AKH 17°50'0"N CA-32 CA-56 17°50'0"N CA-31 CA-55 CA-05 CA-38 CA-55 CA-39 AP CA-06 CA-30 CA-53 CA-54 CA-40 CA-39 A CA-07 CA-29 CA-41 CA-51 T CA-08 CA-41 T NAM CA-07 CA-28 CA-51 oward CA-42 CA-52 CA-27 CA-51 CA-09 CA-26 CA-44 CA-44 CA-25 s Tu T CA-10 CA-11 CA-43 CA-45 CA-46 o L lasipaka w W CA-24 A ar E CA-12 CA-23 S NG T CA-13 E d G CA-47 CA-22 B s O CA-48 D CA-21 F K A CA-14 CA-50 O V CA-20 o A R CA-49 Y. -
LIST of INDIAN CITIES on RIVERS (India)
List of important cities on river (India) The following is a list of the cities in India through which major rivers flow. S.No. City River State 1 Gangakhed Godavari Maharashtra 2 Agra Yamuna Uttar Pradesh 3 Ahmedabad Sabarmati Gujarat 4 At the confluence of Ganga, Yamuna and Allahabad Uttar Pradesh Saraswati 5 Ayodhya Sarayu Uttar Pradesh 6 Badrinath Alaknanda Uttarakhand 7 Banki Mahanadi Odisha 8 Cuttack Mahanadi Odisha 9 Baranagar Ganges West Bengal 10 Brahmapur Rushikulya Odisha 11 Chhatrapur Rushikulya Odisha 12 Bhagalpur Ganges Bihar 13 Kolkata Hooghly West Bengal 14 Cuttack Mahanadi Odisha 15 New Delhi Yamuna Delhi 16 Dibrugarh Brahmaputra Assam 17 Deesa Banas Gujarat 18 Ferozpur Sutlej Punjab 19 Guwahati Brahmaputra Assam 20 Haridwar Ganges Uttarakhand 21 Hyderabad Musi Telangana 22 Jabalpur Narmada Madhya Pradesh 23 Kanpur Ganges Uttar Pradesh 24 Kota Chambal Rajasthan 25 Jammu Tawi Jammu & Kashmir 26 Jaunpur Gomti Uttar Pradesh 27 Patna Ganges Bihar 28 Rajahmundry Godavari Andhra Pradesh 29 Srinagar Jhelum Jammu & Kashmir 30 Surat Tapi Gujarat 31 Varanasi Ganges Uttar Pradesh 32 Vijayawada Krishna Andhra Pradesh 33 Vadodara Vishwamitri Gujarat 1 Source – Wikipedia S.No. City River State 34 Mathura Yamuna Uttar Pradesh 35 Modasa Mazum Gujarat 36 Mirzapur Ganga Uttar Pradesh 37 Morbi Machchu Gujarat 38 Auraiya Yamuna Uttar Pradesh 39 Etawah Yamuna Uttar Pradesh 40 Bangalore Vrishabhavathi Karnataka 41 Farrukhabad Ganges Uttar Pradesh 42 Rangpo Teesta Sikkim 43 Rajkot Aji Gujarat 44 Gaya Falgu (Neeranjana) Bihar 45 Fatehgarh Ganges -
A Language Without a State: Early Histories of Maithili Literature
A LANGUAGE WITHOUT A STATE: EARLY HISTORIES OF MAITHILI LITERATURE Lalit Kumar When we consider the more familiar case of India’s new national language, Hindi, in relation to its so-called dialects such as Awadhi, Brajbhasha, and Maithili, we are confronted with the curious image of a thirty-year-old mother combing the hair of her sixty-year-old daughters. —Sitanshu Yashaschandra The first comprehensive history of Maithili literature was written by Jayakanta Mishra (1922-2009), a professor of English at Allahabad University, in two volumes in 1949 and 1950, respectively. Much before the publication of this history, George Abraham Grierson (1851- 1941), an ICS officer posted in Bihar, had first attempted to compile all the available specimens of Maithili literature in a book titled Maithili Chrestomathy (1882).1 This essay analyses Jayakanta Mishra’s History in dialogue with Grierson’s Chrestomathy, as I argue that the first history of Maithili literature was the culmination of the process of exploration of literary specimens initiated by Grierson, with the stated objective of establishing the identity of Maithili as an independent modern Indian language.This journey from Chrestomathy to History, or from Grierson to Mishra,helps us understand not only the changes Maithili underwent in more than sixty years but also comprehend the centrality of the language-dialect debate in the history of Maithili literature. A rich literary corpus of Maithili created a strong ground for its partial success, not in the form of Mithila getting the status of a separate state, but in the official recognition by the Sahitya Akademi in 1965 and by the Eighth Schedule of the Indian Constitution in 2003. -
History and Culture of Karnataka (From Early Times to 1336)
History and Culture of Karnataka (From Early Times to 1336) Programme ಕಾರ್ಯ响ರ ಮ BA Subject 풿ಷರ್ History and Archaeology Semester �ಕ್ಷ貾ವ鲿 V University 풿ಶ್ವ 풿ದ್ಯಾ ಲರ್ Karnatak University, Dharwad Session ಅವ鲿 7 Title : Geographical Features of Karnataka Sub Title: Introduction, Classification- Importance of Geographical features Learning Objectives To enable the students to understand the Geographical features of Karnataka Session Out Comes Students will be able to express their view on Geographical features of Karnataka Introduction • Karnataka State is situated in between 11.30 to 18.48 Northern latitude and 74.12 to 78.50 East longitude, • Karnataka is surrounded by Maharashtra in North, Goa in Northwest, Tamilnadu & Keral in South, Andhara Pradesh & Telengana in East. • Karnataka is 2000 feet above sea level. • Present Karnataka is divided in to 30 Districts 230 Talukas 29733 Villages. Introduction……. • The length of the state is 770 km and breadth is 400 km • Total extent of the State is 1,92,204 sq. km • Krishna, Bhima, Tungabhadra, Malaprabha, Ghatprabha, Kali, Sharavati, Varadha, Kaveri, Netravati, Arkavati, Aghanashini etc. are the important rivers in the State. • The region where two rivers joins is called as Doab. Shorapur Doab in Yadgiri district where river Bhima joins the Krishna. Raichur Doab where river Tungabhadra joins Krishna, the plateau of Raichur Doab & Tungabhdra referred as Rayalaseema. Introduction……. • Origin of the Name : Karnataka,Karnata, Kannada refers to a region and language. • Kar+nadu= land of black soil. • Temil epic Shilappadhikaram & Tolkappiyam refers as Karunat= High land or Big land • Mahabharat Sabhaparva & Bhishmaparva – Karnataka. • Sudraka-Mrichchakatika & varahamihira’s Brihatsamhita refers- Karnataka. -
Vidyapati.Pdf
9 788126 053193 9 788126 053193 VIDYĀPATI 1 VIDYĀPATI 2 VIDYĀPATI The sculpture reproduced on the end paper depicts a scene where three soothsayers are interpreting to King Śuddhodana the dream of Queen Māyā, mother of Lord Buddha. Below them is seated a scribe recording the interpretation. This is perhaps the earliest available pictorial record of the art of writing in India. From: Nagarjunakonda, 2nd century A.D. Courtesy: National Museum, New Delhi VIDYĀPATI 3 MAKERS OF INDIAN LITERATURE VIDYĀPATI Ramanath Jha Sahitya Akademi 4 VIDYĀPATI Vidyāpati: A monograph in English on Vidyāpati, an eminent poet and philosopher by Ramanath Jha, Sahitya Akademi, New Delhi: 2017, ` 50. Sahitya Akademi Head Office Rabindra Bhavan, 35, Ferozeshah Road, New Delhi 110 001 Website: http://www.sahitya-akademi.gov.in Sales Office ‘Swati’, Mandir Marg, New Delhi 110 001 E-mail: [email protected] Regional Offices 172, Mumbai Marathi Grantha Sangrahalaya Marg, Dadar Mumbai 400 014 Central College Campus, Dr. B.R. Ambedkar Veedhi Bengaluru 560 001 4, D.L. Khan Road, Kolkata 700 025 Chennai Office Main Guna Building Complex (second floor), 443, (304) Anna Salai, Teynampet, Chennai 600 018 © Sahitya Akademi First Published: 1972 Reprint: 1983, 2017 ISBN: 978-81-260-5319-3 Rs. 50 Printed by Sita Fine Arts Pvt. Ltd., A-16, Naraina Industrial Area, Phase-II, New Delhi 110028 VIDYĀPATI 5 IDYĀPATI was par excellence a maker of Indian literature. At a time when Sanskrit was the language of culture throughout VĀryavarta, he made the spoken language of his region the medium of his poetical compositions, sweet and charming, and invested it with an expressiveness worthy of a literary language. -
Team ( For) Team ( Against) Topic Slot JUDGES Mississipi
Team ( for) Team ( Against) Topic Slot JUDGES Are parents to be held responsible for the actions of their Mississipi - thames Kaveri children? 10:00-10:30 Aparna-Ananya Should MLAs and MPs should have a minimum level of Yamuna - tapi Krishna educational qualification? 17 apil- 10:00-10:30 prashasti-jay sandhiya- Mahanadhi Tigris Is Indian culture decaying? 5:00- 5:30 shailendra Should we make cartoons and TV a part of the educational Koshi Narmada process in elementary school? 10:45-11:15 shrishty-shivam Homework at school: should be banned or it is an essential Rupnarayan Sindhu part of our studies that teaches us to work independently. 11:30-12:00 Aparna-Ananya Jordan Jhelum - Indus Social media has improved human communication and reach. 11:30-12:00 prashasti-jay Patriotism is doing more harm than good when it comes to sandhiya- Danube Betwa International relations. 12:15-12:45 shailendra Government shouldn't have the access to personal information Colorado Brahmaputra of citizens through the linking of Adhaar. 12:15-12:45 shrishty-shivam Alknanda Tista Does 'NOTA' option in elections really make sense? 1:00-1:30 Aparna-Ananya Tests on animals: should animals be used for scientific Godavari Shinano achievements 1:00-1:30 Prashasti-jay sandhiya- Amazon Irtysh Film versions are never as good as the original books. 1:30-2:00 shailendra Sutlej Gandak Zoos should be banned. 1:30-2:00 shrishty-shivam Ganga Umngot Online system of education is a boon than a bane. 2:00-2:30 Aparna-Ananya zambezi- WILD CARD Team Team Winning Slot Jugdes Topics Social media comments should be Mississipi + Thames Kaveri Kaveri (A) 12:00- 12:30 p.m. -
National Museum, New Delhi
TREASURES The National Culture Fund (NCF) was The Treasures series brings to you objects of great aesthetic quality and National Museum This volume highlights the treasures of established by the Ministry of Culture in historic significance from collections of major Indian museums. Each the National Museum—New Delhi. 1996 and is a Trust under the Charitable book has an introduction to the particular museum, set in broad thematic NEW DELHI The museum has over 2,10,000 works Endowments Act of 1890. It is governed sections. Several significant treasures have been selected and presented of art representing 5,000 years of Indian by a Council with the Hon’ble Minister with an introduction by the Director and staff of the museum. art and craftsmanship. The collection for Culture as its chairperson and includes sculptures in stone, bronze, managed by an Executive Committee This Treasures series is an initiative of the Ministry of Culture, terracotta and wood, miniature paintings chaired by the Secretary, Ministry of Government of India, in collaboration with major Indian museums, and manuscripts, coins, arms and armour, Culture, Government of India. and the National Culture Fund (NCF) has been entrusted with the Museum National jewellery and anthropological objects. Antiquities from Central Asia and pre- The primary mandate of the NCF responsibility for its production. Columbian artefacts form the two non- is to nurture Public Private Partnerships Indian collections in the museum. The (PPP), to mobilise resources from The aim of the Treasures series is to create a lasting interest in Indian museum is the custodian of this treasure the public and private sector for the art and inspire more visitors to enjoy the wonders of India’s great trove of our multilayered history and restoration, conservation, protection cultural legacy. -
Office of the Controller of Examinations Jamia Millia Islamia New Delhi-25 List of Annual Convocation Examinations-2016 Roll No
OFFICE OF THE CONTROLLER OF EXAMINATIONS JAMIA MILLIA ISLAMIA NEW DELHI-25 LIST OF ANNUAL CONVOCATION EXAMINATIONS-2016 B.Sc. ROLL NO. NAME OF THE CANDIDATES FATHER'S NAME ENRO. CAT RESULT DIVISION 13BSP0009 FIROJ NABAB ALI 13-2827 1 PASSED FIRST DIV. VILL-GARHI KANGRAN, PO- DAHA,DIST-BAGHPAT, UP. 13BSP0010 FIROZ ANSARI FIROZ ANSARI 13-2829 1 PASSED FIRST DIV. MOH-ISLAMNAGAR MIRANPUR KATRA, SHAHJAHANPUR, UP. 13BSP0014 JAYDEEP YADAV BHANWAR 13-2838 1 PASSED FIRST DIV. VILL & PO-PIPAHARA, VIA- SINGH YADAV AWAGARH MIDHAULI KALAM, DIST. UP. 13BSP0016 KEHKASHAN ALAM MANSOOR 13-2840 1 PASSED FIRST DIV. S-7/13, SAFINA ROAD, JOGA ALAM BAI EXT, JAMIA NAGAR OKHLA, ND-25 13BSP0017 MANPREET KAUR AMARJEET 13-2841 1 PASSED FIRST DIV. E-6, PAULTRY AREA, SINGH WITH DIST. NILOKHERI, DIST-ARNAL,HR. 13BSP0018 MD ASIF MD IRFAN 13-2842 1 PASSED FIRST DIV. SHAMIM MANZIL, ISLAMPUR, MUGHALSHARI, CHANDAULI, UP. 13BSP0020 MOHAMMAD SAJJAD MOHAMMAD 13-2844 1 PASSED FIRST DIV. 204 BIRBHANPUR SAJJAD RAJATALAB VARANASI- 221311 13BSP0023 MOHD. FURKAN SHARIF AHMAD 13-2847 1 PASSED FIRST DIV. H.NO-293 UJALA NAGAR NEAR SANI MARKET HALDWANI(NAINITAL)- 623139 13BSP0026 MOHD. KASHIF HABIB AHMED 13-2853 1 PASSED FIRST DIV. MOH.MAHAJANAN BASI KIRATPUR(BIJNOR), UP. 13BSP0029 NABEELA RIZVI ZIH. RIZVI 13-2856 1 PASSED FIRST DIV. 1/564 UIT BHIWADI, DIST- WITH DIST. ALWAR, RAJASTHAN,30109 NAZISH PARVEEN BUNYAD ALI 13-2857 1 PASSED FIRST DIV. 13BSP0030 H-8, MURADI ROAD, BATLA HOUSE, JAMIA NAGAR, OKHLA, ND-25 13BSP0032 RAHUL VERMA SATYAVIR 13-2859 1 PASSED FIRST DIV. B-183 KAPRA COLONY NIT VERMA FARIDABAD. -
Raja Harishchandra Is a Most Thrilling Story from Indian Mythology. Harishchandra Was a Great King of India, Who Flourished Several Centuries Before the Christian Era
Notes The Times of India gave pre-screening publicity as follows: 'Raja Harishchandra is a most thrilling story from Indian mythology. Harishchandra was a great king of India, who flourished several centuries before the Christian era. He (sic) and his wife's names were household words in every Indian home for their truthfulness and chastity respectively. Their son Rohidas was a marvellous type of noble manhood. What Job was in Christian (sic) Bible, so Harischandra was in the Indian mythology. The patience of this king was tried so much that he was reduced to utter poverty and he had to pass his days in jungles in the company of cruel beasts. The same fate overcame his faithful wife and the dutiful son. But truth tri- umphed at last and they came out successfully through the ordeal. Several Indian scenes as depicted in this film are sim- ply marvellous. It is really a pleasure to see this piece of Indian workmanship'. The Bombay Chronicle, while reviewing Raja Harishchandra in its issue of Monday, 5th May 1913 said, 'An interesting de- parture is made this week by the management of Coronation Cinematographer. The first great Indian dramatic film on the lines of the great epics of the western world ... it is curious that the first experiment in this direction was so long in com- ing (sic) ... all the stories of Indian mythology era will long make their appearance ... followed by representations of modern dramas and comedies, another field which opens up vast possibilities ... it is to Mr Phalke that Bombay owes this .. -
Arunachal University of Studies Established by Govt
Arunachal University of Studies Established by Govt. of Arunachal Pradesh vide Act 9 of 2012, the Arunachal University of Studies Act, 2012 Recognized as per u/s 2(f) of University Grants Commission Act, 1956 NH-52, District-Namsai, Arunachal Pradesh -792103 ___________________________________________________________________ Ref. No. AUS/BOS – 18052016 {R&R u/s 21-5(A-XII-3)} – MA(HIS) Date-18-05-2016 Approval of Ordinance Governing Master of Arts (History) Degree Programme 1. Title of the Programme : Master of Arts (History) 2. Minimum Duration of the Programme : 2 Years {4 Semester} 3. Maximum Duration of the Programme : 4 Years 4. Weather Listed in Section (22) of UGC Act : Yes 5. Level of the Programme : PG-I & PG-II 6. Eligibility : Graduate or equivalent. 7. Optional Early Exit Certification : Not Applicable 8. Credit Transfer : Applicable 8.1 To the Second Year of Programme: For the Candidates who has successfully completed First Year of Programme from a recognized University/ Institution or any other Institution recognized by the Arunachal University of Studies. A student admitted under this system requires submitting fees for Second Year of the Programme along with Credit Transfer fees as prescribed by the University from time to time. 8.2 The cases where exact title of Programme is different from the aforementioned Programme Title and more than 75% credits earned in previous qualification matches with the Programme Credits then such Credit Transfers are permitted by the Arunachal University of Studies as per 8.1. 9. Skill Based Credit Transfer : Applicable 9.1 A Candidate who has successfully completed minimum one year of work experience in relevant field or have completed minimum of one year professional certification from an institution after prescribed qualification for the admission into programme are eligible for Skill Based Credit Transfer. -
Creation of Pedestrian Route for Pilgrims and Tourists in Haridwar
Initial Environment Examination Project Number: 40648-034 May 2015 IND: Infrastructure Development Investment Program for Tourism - Tranche 3 Submitted by Program Management Unit, Government of Uttarakhand, Dehrdaun This report has been submitted to ADB by the Program Management Unit, Government of Uttarakhand, Dehradun and is made publicly available in accordance with ADB’s public communications policy (2011). It does not necessarily reflect the views of ADB. This Initial Environment Examination report is a document of the borrower. The views expressed herein do not necessarily represent those of ADB's Board of Directors, Management, or staff, and may be preliminary in nature. In preparing any country program or strategy, financing any project, or by making any designation of or reference to a particular territory or geographic area in this document, the Asian Development Bank does not intend to make any judgments as to the legal or other status of any territory or area. Comments Response Matrix ADB Comments Response ADB observation dt. 29.01.15 Submitted vide mail dt. 05.02.15 “Please Clarify how the IEE was revised to In response to your observations on the facilitate ADB review and approval. If the IEE revised IEE and RP documents of was revised in response to ADB comments, Tranche 3, we wish to inform that the please submit a comments response matrix. If draft documents based on SARs were revised for another reason, please clarify” submitted during finalization of loan for tranche 3, which are being updated/ revised based on the project specific DPRs. While developing the DPR the issues related to land availability, duplicity of projects in proposed area, Operation & Maintenance issues, future sustainability considerations and NOCs for land etc were dealt in depth, resulting in some deviation from the earlier submitted documents.